Country Neighbors

Chapter 5

Chapter 54,409 wordsPublic domain

"She's a great talker, seems if I remembered," said Jerry absently, wishing Stella would keep her hands under the shawl and not get them frozen to death. He was about to add that most women did talk too much, but somehow that seemed an unfortunate implication from one as unpopular as he, and he caught himself up in time. Stella was dashing on now, in the course of her obnoxious task.

"If anything's queer, she just goes at mother hard as she can pelt and keeps at her till she finds it out. And mother hates it enough when she's well, but when she's sick it's just awful. And now she's flat on her back."

"Course," said Jerry, in a comprehending sympathy. "Want I should carry your aunt Hill off to the Junction?"

"Why, you can't! She wouldn't go. You couldn't pry her out with a crowbar. She's made up her mind to stay till a week from to-morrow, and till a week from to-morrow she'll stay."

Jerry looked gloomily into the distance. He was feeling his own limitations as a seer.

"Well," he said, venturing a remark likely to involve him in no way, "I s'pose she will."

"Now, see here," said Stella. She spoke with a defiant hardness, the measure of her hatred for what she had to do. "There's one way you could help us out. She asked about you right away, and of course she thought we were--goin' together, same 's we had been."

Here her voice failed her, and he knew the swift color on her cheek was the miserable sign of her shame in such remembrance. It became his task to hearten her.

"Course," said he. "Anybody would."

"Well, I can't tell her. I ain't even told mother yet, and I don't want to till she's on her feet again. And if aunt Hill gets the leastest wind of it she'll hound mother every minute, and mother'll give up, and--well, I just can't do it, that's all."

Jerry was advancing eagerly now, his lips parted for speech; but her task once begun was easier, and she continued:--

"Now, don't you see? I should think you could."

"Yes," said Jerry, in great hopefulness. "Course I do."

"No, you don't either. It's only, she's goin' to be here not quite a week, and it's only one Saturday night."

"Yes," said Jerry, "that's to-morrer night."

"Well, don't you see? If you don't come over, she'll wonder why, and mother'll wonder why, and mother'll ask me, and, oh, dear! dear!"

Jerry thought she really was going to cry, this time, and it seemed to him that these domestic whirlwinds furnished ample reason for it.

"Course!" he said, in whole-hearted misery for her. "It's a bad place. A man wouldn't think anything of it, but womenfolks are different. They'd mind it terribly. Anybody could see they would."

Stella looked at him as if personal chastisement would be too light for him.

"Don't you see?" she insisted in a tone of enforced patience. "If you'd only dress up and come over."

Light broke in on him.

"Course I will, Stella," he called, so loudly that she looked over her shoulder to see if perhaps some neighbor, crossing the wood-lot, might have heard. "You just bet I will!"

Then, to his wonderment, she had vanished as softly as she came. Jerry was disappointed. He had thought they were going on talking about the domestic frenzies wrought by aunt Hill, but it seemed that further sociability was to be denied him until to-morrow night. He took up his axe, and went on paying into the heart of the tree. But he whistled now, and omitted to think how much he hated Stella. He was debating whether her scarlet shawl was redder than her cheeks. But Jerry never voiced such wonders. They seemed to him like a pain, or satisfaction over one's dinner, an ultimate part of individual experience.

The next night, early after supper, he took his way "down along" to the Joyce homestead lying darkly under leafless elms. There was a light in the parlor, as there had been every night since he began to go with Stella, and his heart beat in recognition, knowing it was for him. He tried the front door to walk in, neighbor-fashion, but it resisted him, and then he let the knocker fall. Immediately a window opened above, and Stella's voice came down to him.

"O Jerry, mother's back is worse, and I feel as if I'd ought to be rubbin' her. You come over another time."

Jerry stood staring up at her, a choking in his throat, and something burning hotly into his eyes. But he found his voice just as the window was sliding down.

"Don't you want I should do somethin'? I should think she'd have to be lifted."

"No," said Stella, quite blithely, "I can do all there is to do. Good-night."

The window closed and he went away. Stella ran downstairs to the bedroom where aunt Hill sat beside her mother, fanning the invalid with a palm-leaf fan. Mrs. Joyce hated to be fanned in wintry weather, but aunt Hill acted upon the theory that sick folks needed air. Aunt Hill was very large, and she creaked as she breathed, because, when she was visiting, even in the country, she put on her black silk of an afternoon. She had thick black hair, smooth under a fictitious gloss, and done in a way to be seen now only in daguerreotypes of long ago, and her dull black eyes were masterful. Mrs. Joyce, gazing miserably up at her daughter, was a shred of a thing in contrast, and Stella at once felt a passionate pity for her.

"There, aunt Hill," she said daringly, "I wouldn't fan mother any more if I's you. Let me see if I can get at you, mother. I'm goin' to rub your back."

Aunt Hill, with a quiver of professional pride wounded to the quick, did lay down the fan on a stand at her elbow. She was listening.

"Where's Jerry?" she demanded. "I don't hear nobody in the fore-room."

Stella was manipulating her mother with a brisk yet tender touch.

"Oh," she said, "I told him he'd have to poke along back to-night. I wanted to rub mother 'fore she got sleepy."

"Now you needn't ha' done that," said Mrs. Joyce from a deep seclusion, her face turned downward into the pillow. "He must be awful disappointed, dressin' himself up an' all, an' 'pearin' out for nothin'."

"Well," said Stella, "there's more Saturday nights comin'."

"I wanted to see Jerry," complained aunt Hill. "I could ha' set with your mother. Well, I'll go in an' put out the fore-room lamp."

Stella was always being irritated by aunt Hill's officious services in the domestic field, but now she was glad to watch her portly back diminishing through the doorway.

"You needn't ha' done that," her mother was murmuring again. "I feel real tried over it."

"Jerry wanted to know how you were," said Stella speciously. "He's awful sorry you're laid up."

"Well, I knew he'd be," said Mrs. Joyce. "Jerry's a good boy."

The week went by and her back was better; but when Saturday night came, aunt Hill had not gone home. She had, instead, slipped on a round stick in the shed while she was picking up chips nobody wanted, and sprained her ankle slightly. And now she sat by the kitchen fire in a state of deepest gloom, the foot on a chair, and her active mind careering about the house, seeking out conditions to be bettered. She wore her black silk no more, lest in her sedentary durance she should "set it out," and her delaine wrapper with palm-leaves seemed to Stella like the archipelagoes they used to define at school, and inspired her to nervous laughter. It was the early evening, and Mrs. Joyce, not entirely free from her muscular fetters, went back and forth from table to sink, doing the dishes, while Stella moulded bread.

There was a step on the icy walk. Stella stopped an instant, her hands on the cushion of dough, the red creeping into her face. Then she dusted her palms together and went ever so softly but quickly to the front entry, closing the door behind her. Aunt Hill, pricking up her ears, heard the outer door open and the note of a man's voice.

"You see 'f you can tell who that is," she counseled Mrs. Joyce, who presently approached the door and laid a hand on the latch. But it stuck, she thought with wonder. Stella was holding it from the other side.

Jerry, in his Sunday clothes, stood out there on the step, and Stella was facing him. There was a note of concern in her voice when she spoke--of mirth, too, left there by aunt Hill's archipelagoes.

"O Jerry," she said, "I'm awful sorry. You needn't ha' come over to-night."

"She ain't gone, has she?" inquired Jerry, in a voice of perilous distinctness.

"Don't speak so loud. She's got ears like a fox. No, but I could ha' put her off somehow. I never thought of your comin' over to-night."

"Well, I thought of it," said Jerry. "I ain't seen your mother for quite a spell."

"Oh, she's all right now. There! I feel awfully not to ask you in, but aunt Hill's ankle an' all--good-night."

He turned away after a look at the bright knocker that, jumping out at him from the dusk, almost made it seem as if the door had been shut in his face. But he went crunching down the path, and Stella returned, to wash her hands at the sink and resume her moulding.

"Law!" said aunt Hill, "your cheeks are 's red as fire. Who was it out there?"

"Jerry Norton." Stella's voice sank, in spite of her. That unswerving gaze on her cheeks made her feel out in the world, in a strong light, for curiosity to jeer at.

"Jerry Norton?" aunt Hill was repeating in a loud voice. "Well, I'll be whipped if it ain't Saturday night an' you've turned him away ag'in. What's got into you, Stella? I never thought you was one to blow hot an' blow cold when it come to a fellow like Jerry Norton. Good as gold, your mother says he is, good to his mother an' good to his sister, an' now he's took his aunt home to live with 'em."

"I can't 'tend to callers when there's sickness in the house," Stella plucked up spirit to say, and her mother returned wonderingly,--

"Why, it ain't sickness exactly, aunt Hill's ankle ain't. I wish I could ha' got out there. I'd have asked him in."

Before the next Saturday aunt Hill's ankle had knit itself up and she was gone. When Stella and her mother sat down to supper in their wonted seclusion, Stella began her deferred task. She was inwardly excited over it, and even a little breathless. It seemed incredible to her, still, that Jerry and she had parted, and it would, she knew, seem so to her mother when she should be told. She sat eating cup-cake delicately, but with an ostentatious relish, to prove the robustness of her state.

"Mother," she began.

"Little more tea?" asked Mrs. Joyce, holding the teapot poised.

"No. I want to tell you somethin'."

"I guess I'll have me a drop more," said Mrs. Joyce. "Nobody need to tell me it keeps me awake. I lay awake anyway."

Stella took another cup-cake in bravado.

"Mother," she said, "Jerry 'n' I've concluded to give it up."

"Give what up?" asked Mrs. Joyce, finding she had the brew too sweet and pouring herself another drop.

"Oh, everything! We've changed our minds."

Mrs. Joyce set down her cup.

"You ain't broke off with Jerry Norton?"

"Yes. We broke it off together."

"You needn't tell me 'twas Jerry Norton's fault." Mrs. Joyce pushed her cup from her and winked rapidly. "He's as good a boy as ever stepped, an' he sets by you as he does his life."

Stella was regarding her in wonder, a gentle little creature who omitted to say her soul was her own on ordinary days, yet rousing herself, with ruffled feathers, to defend, not her young, but the alien outside the nest.

"If he had give you the mitten, I shouldn't blame him a mite, turnin' him away from the door as you have two Saturday nights runnin'. But he ain't done it. I know Jerry too well for that. His word's as good 's his bond, an' you'll go through the woods an' get a crooked stick at last."

Then she looked across at Stella, as if in amazement over her own fury; but Stella, liking her for it and thrilled by its fervor, laughed out because that was the way emotion took her.

"You can laugh," said her mother, nodding her head, as she rose and began to set away the dishes. "But 'fore you git through with this you'll laugh out o' t'other side o' your mouth, an' so I tell ye."

Upon her words there was a step at the door, and Stella knew the step was Jerry's. Her mother, with the prescience born of ire, knew it too.

"There he is," she said. "Now you go to cuttin' up any didos, things gone as fur as they have, an' you'll repent this night's work the longest day you live. You be a good girl an' go 'n' let him in!"

She had returned to her placidity, a quiet domestic fowl whose feathers were only to be ruffled when some terrifying shadow flitted overhead.

Stella flew to the door and opened it on her lover, standing still and calm, like a figure set there by destiny to conquer her.

"Jerry," she burst forth out of the nervous thrill her mother had awakened in her, "you're botherin' me 'most to death. It's awful not to ask you in when you come to the door, and you a neighbor so. But I can't. You know I can't. It ain't as if you'd come in the day-time. But Saturday night--it's just as if--why, you know what Saturday night is. It's just as if we were goin' together."

Jerry stood there immovable, looking at her. He had shaved and he wore the red tie she had given him. Perhaps it was not so much that she saw him clearly through the early dusk as that she knew from memory how kind his eyes were and what a healthy color flushed his face. It seemed to her at this moment as if Jerry was the nicest person in the world, if only he wouldn't plague her so. But he was speaking out of his persistent quiet.

"I might as well tell you, Stella, an' you might as well make up your mind to it. It ain't to-night only. I'm comin' here every Saturday night."

She was near crying with the vexation of it.

"But you can't, Jerry," she said. "I don't want you to."

"You used to want me to," said he composedly.

"Well, that was when we were--"

"When we were goin' together." He nodded in acceptance of the quibble. "Well, if you wanted me once, a girl like you, you'll want me ag'in. An' anyways, I'm comin'."

Stella felt a curious thrill of pride in him.

"Why, Jerry," she faltered, "I didn't know you took things that way."

He was answering quite simply, as if he had hardly guessed it either.

"Well, I don't know myself how I'm goin' to take things till I've thought 'em out. That's the only way. Then, after ye've made up your mind, ye can stick to it."

Stella fancied there was a great deal in this to think over, but she creaked the door insinuatingly.

"Well," she said, "I'm awful sorry--"

"I won't keep you stan'in' here in the cold. I'll be over ag'in next Saturday night."

Stella went in and sat down by the hearth and crossed her feet on the head of one of the fire-dogs. She was frowning, and yet she was laughing too. Her mother, moving back and forth, cast inquiring looks at her.

"Well," she ventured at last, "you made it up betwixt ye?"

Stella put down her feet and rose to help.

"Don't you ask me another question," she commanded, rather airily. "It's all over and done with, and I told you so before. Le's pop us some corn by 'n' by."

Before the next Saturday something had happened. Stella walked over to the Street to buy some thread, and Matt Pillsbury brought her home in his new sleigh with the glossy red back and the scrolls of gilt at the corners. Matt was a lithe, animated youth who could do many unexpected and serviceable things: a little singing, a little violin-playing, and tricks with cards. He was younger than Stella, but he reflected, as he drove with her over the smooth road, nobody would ever know it because he was dark and she was fair, and he resolved to let his mustache grow a little longer and curl it more at the ends. Mrs. Joyce was away when this happened, quilting at Deacon White's; but all the next day, which was Saturday, she remained perfectly aware that Stella was making plans, and when at seven o'clock the girl came down in her green plaid with her gold beads on, Mrs. Joyce drew the breath of peace.

"Well, there," she said, "if you behave as well as you look, you'll do well, an' if Jerry don't say so I'll miss my guess."

Stella was gazing at her, trembling a little, but defiant also.

"Mother," she said, "if Jerry comes, you go to the door and you tell him--oh, my soul! I believe there he is now."

But in the next instant it seemed to her just as well. She could tell him herself. She flew to the door in a whirl. But she got no further than his name. Jerry took her with a hand on either side of her waist and set her back into the entry. Then he shut the door behind him and laid his palms upon her shoulders. She could hear his breath, and it occurred to her to wonder if he had been running, the blood must be pumping so through his heart. He was speaking in a tone she had never heard from any man.

"What's this about your goin' to the sociable with Matt Pillsbury?"

She stiffened and flung back defiance.

"I'm goin', that's all. How'd you know it?"

"I was over to the store an' Lottie Pillsbury come in an' I heard her tell Jane Hunt: 'Brother Matt asked her, an' she says she's goin'.'"

"Well, it's true enough. I expect him along in three-quarters of an hour."

"Well, he won't come." That strange savage thrill in his voice frightened her, and before she could remember they were not going together, she was clinging to his arm.

"O Jerry," she breathed, "you ain't done him any mischief?" But his arms were about her and she was locked to his heart.

"No," he said, "I ain't--yet." He laughed a little. "I stood out in the road till I heard him go into the barn to harness. Then he went back into the house to change his clo'es. An' I walked into the barn an' unblanketed the horse an' slung away the bells an' druv the horse down to the meetin'-house, an' left him there in the sheds."

Stella laughed with the delight of it. She felt wild and happy, and it came to her that a man who could behave like this when he had made up his mind, might be allowed a long time in coming to it. But she tried reproving him.

"O Jerry, the horse'll freeze to death!"

"No, he won't. He's all blanketed. Besides, little Jim Pillsbury's there tendin' the fire for the sociable, an' he'll find him. Now--" his voice took on an added depth of that strange new quality she shivered under--"Matt'll be over here in a minute to tell you he's lost his horse an' can't go. You want me to harness up an' take him an' you in the old pung, or you want to stay here with me?"

Stella touched his cheek with her finger in a way she had, and he remembered and bent and kissed her.

"All right," he said. "That suits me. We'll stay here. Only, I don't want to put ye to no shame before Matt. That's why I played a trick on him instid o' breakin' his bones."

"O Jerry!" She had not meant to tell him, but it seemed she must. "I wasn't goin' with him alone. Lottie was goin', too. I told him I wouldn't any other way."

A GRIEF DEFERRED

When Clelia May set forth, as she did three and four times in the week, to hurry through the half-mile of pine woods between her house and Sabrina Thorne's, the family usually asked her, with the tolerant smile accorded to old jokes, whether she was going to see her intimate friend. Clelia always answered from a good-natured acceptance of the pleasantry, and went on, not in the least puzzled by the certainty that although she was but twenty-three and Sabrina was sixty, they were in all ways companionable. It had begun when Clelia, a child of ten, had had a temper-fit at home, and started out to join the Shakers. She had met a turkey-gobbler at Sabrina's gate, and, ashamed to cry but too obstinate to run, had stood in blank horror until Sabrina came out and routed the foe. Then Sabrina had taken her in to eat honey and spend an enchanted afternoon. After that Sabrina's house was the delectable land, and Clelia fled to it when she was happy or when the world was against her.

To-day she walked swiftly through the warm incense of the pines. It was hot weather, and insects vexed the ear with an unwearied trill. But the heat of despair was greater in the girl than any such assault. Her cheeks had each a deep red spot. Her eyes were dark with feeling, and on the long black lashes hung fringing drops. She walked lightly, with springing strides. Beyond the pine woods, in the patch of sunny road bordered by dust-covered hardhack and elder, she paused for a moment, to dash the tears from her eyes. There in the open day she felt as if some prying glance might read her grief. The woods were kinder to it.

Sabrina's house was at the first turning, a gray, weather-beaten dwelling of mellow tones, set within a generous sweep of green. It had a garden in front. Sabrina herself was in the garden now, weeding the balm-bed. Sometimes Clelia thought the garden was almost too sweet after Sabrina had been there stirring up the scents. At least a third of it was given to herbs, and even the touch of a skirt in passing would brush out fragrance from it. There were things there that strangely seemed to have no smell at all; but grown in such rank masses, they contributed mysteriously to the alembic of the year.

Sabrina, risen to her feet now, had a look of youth touched by something that was not so much age as difference. She was slender, and still with a girl's symmetry, the light-footed way of moving, the little sinuous graces of a body unspoiled and delighting in its own uses. Her face had a rounded plumpness, and her cheeks were pink. People said now, as they had in her youth, that Sabrina Thorne had the skin of a baby. One old woman, chiefly engaged in marking down human commodities, always added that it was because of that heart trouble Sabrina had; but nobody listened. Sabrina seemed to have made no concession to time, save that her waving hair was white. In its beauty and abundance, it was a marvel. It sprang thickly up on each side of her parting, and the soft mass of it was wound round and round on the top of her head. She was a beautiful being, neither old nor young.

She stood there smiling at Clelia's approach.

"How do?" she said softly; but when the girl was near enough to betray the trouble of her face, she added, "Whatever is the matter?"

"Come into the house, Sabrina," said Clelia, in a muffled voice. "I can't tell it out here."

Sabrina dropped her trowel on a heap of weeds, and cast her gardening gloves on the top. She led the way to the house, and when they were in the coolness of the big sitting-room with its air of inherited repose, she turned about and spoke again in her round, low voice. "Well?" There was anxiety in the tone.

Clelia, facing her, began to speak with a hard composure.

"Richmond--Richmond Blake--" and her voice broke. She threw herself forward upon Sabrina's shoulder and clasped her with shaking hands. "He has given me up, Sabrina," she moaned, between her sobs. "It is over. He has given me up."

Sabrina led her to the great chair by the window, and forced her into it. Then she knelt beside her and drew the girl's head again to her shoulder. She patted her cheek with little regular beats that had a rhythmic soothing.

"There, there, dear," she kept saying. "There, there!"

Presently Clelia choked down her sobs, and raised her face, tempestuous in its marks of grief.

"I'd just as soon tell you," she said, with a broken hardness, a composure struggled for and then lost. "I'd just as soon anybody would know it. I don't feel as if I'd any use for myself, now he don't prize me. Well, Sabrina, he don't want me any more."

"You sure, dear?" asked Sabrina. "You better be sure."

"We got talking about the land," said Clelia, in a high voice.

"The ten-acre lot?"

"Yes. I said to him: 'There's that man from New York. He's offered you two hundred dollars for it. Why don't you take it?'"

"What's the man from New York want it for?" asked Sabrina, with what seemed a trifling irrelevance.

Clelia answered impatiently.