Part 3

Gracine Pollard was absent from "Primitive Societies," Norman noted with an inward grin, wondering if it had become too much for her warped sense of propriety. But even the daughters of college presidents ought to be told a few home truths now and then.

Yesterday's lecture had had a markedly stimulating effect. Several students had abruptly chosen related subjects for their term papers, and the fraternity president had decided to capitalize on his yesterday's discomfiture by writing a humorous article on the primitive significance of fraternity initiations for the Hempnell _Buffoon_. They had a very brisk session. It put Norman in a good humor which lasted until after his three-o'clock class that afternoon, when he happened to meet the Sawtelles, in front of Morton Hall.

"I had lunch today with Henrietta ... I mean, Mrs. Pollard," Mrs. Sawtelle announced with the air of one who has just visited royalty.

"Oh say, Norman--" Hervey began, excitedly, thrusting forward his brief case.

"We had a very interesting chat," his wife continued, sweeping on as if her husband had not spoken. "We talked about you, too, Norman. It seems Gracine has been misinterpreting some of the things you've been saying in your class. She's such a sensitive girl."

"Dumb Bunny, you mean," Norman corrected mentally. He murmured, "Oh?" with some show of politeness.

"Dear Henrietta was a little puzzled as just how to handle it, though of course she's a very tolerant, cosmopolitan soul. I just mentioned it because I thought you'd want to know. After all, it is very important that no one gets any wrong impressions about the department. Don't you agree with me, Hervey?" she ended sharply.

"What, dear? Oh, yes, yes. Say, Norman, I want to tell you about that thesis I showed you yesterday. The most amazing thing! Its main arguments are almost exactly the same as those in your book! An amazing case of independent investigators arriving at the same conclusions. Why, it's like Darwin and Wallace, or--"

"You didn't tell _me_ anything about this, dear," said Mrs. Sawtelle, as if he had cheated her.

"Wait a minute," said Norman.

He hated to make an explanation in Mrs. Sawtelle's presence, but it had to be done.

"Sorry, Hervey, to have to substitute a rather sordid story for an interesting case of independent investigation. It happened when I was an instructor here--1929, my first year. A graduate student named Cunningham got hold of my ideas--I was friendly with him--and incorporated them into his doctor's thesis. My work in superstition and neurosis was just a side line then, and so I didn't happen to read his thesis until after he'd gotten his degree."

Sawtelle blinked. His face resumed its usual worried expression. A look of vague disappointment had come into Mrs. Sawtelle's black button eyes, as if she would have liked to read the thesis before hearing the explanation.

"I was very angry," Norman continued, "and intended to show him up. But then I heard he'd died. There was some hint of suicide. He was an unbalanced chap. How he'd hoped to get away with such an out-and-out steal, I don't know. Anyway, I decided not to do anything about it, for his family's sake. You see, it would have supplied a strong reason for thinking he _had_ committed suicide."

Mrs. Sawtelle looked incredulous.

"But, Norman," Sawtelle commented anxiously, "was that really wise? I mean to keep silent. Weren't you taking a chance? I mean with regard to your academic reputation?"

Abruptly Mrs. Sawtelle's manner changed.

"Put that thing back in the stacks, Hervey, and forget about it," she directed curtly. Then she smiled archly at Norman. "I've been forgetting that I have a surprise for you, Professor Saylor. Come down to the sound booth now, and I'll show you. It won't take a minute. Come along, Hervey."

Norman had no excuse ready, so he accompanied the Sawtelles to the rooms of the speech department at the other end of Morton, wondering how the speech department ever found any use for someone with as nasal and affected a voice as Evelyn Sawtelle, even if she did happen to be a professor's wife.

The sound booth was dim and quiet, a solid box with soundproof walls and double windows. Mrs. Sawtelle took a disk from the cabinet, put it on one of the three turntables, and adjusted a couple of dials.

From the amplifier came a strangely intermittent wailing or roaring, as of wind prying at a house. It struck a less usual chord, though, in Norman's memory.

Mrs. Sawtelle darted back and lifted the needle, hurriedly, so it grated against the disk.

"I made a mistake," she said. "That's some modernistic music or other. Hervey, switch on the light. Here's the record I wanted."

"It sounded awful, whatever it was," her husband observed.

Norman had identified his memory. It was of an Australian bull-roarer a colleague had once demonstrated for him. The curved slat of wood, whirled at the end of a cord, made exactly the same sound. The aborigines used it in their magic making.

But now his own voice was coming out of the amplifier, and he had an odd sense of jerking back in time.

"Surprised?" she questioned coyly. "It's that talk on civilian defense you gave the students last week. We had a mike spotted by the speaker's rostrum--I suppose you thought it was for amplification--and we made a sneak recording, as we call it. We cut it down here."

She indicated the heavier, cement-based turntable for making recordings.

"We can do all sorts of things down here," she babbled on. "Mix all sorts of sound. Music against voices. And--"

It was hard for Norman to appear even slightly pleased. He knew his reasons were no more sensible than those of a savage afraid someone will learn his secret name, yet all the same he disliked the idea of Evelyn Sawtelle monkeying around with his voice. Like her dully malicious, small-socketed eyes, it suggested a prying for hidden weaknesses. And then that talk about mixing sounds--somehow it did not set good with him.

What it all boiled down to was that he detested the woman.

Rather brusquely, he excused himself.

"We'll see you tonight," Evelyn called after him. It sounded like, "You won't get rid of me."

* * * * *

Back at the office, Norman put in a good hour's work on his notes. Then, getting up to switch on the light, his glance happened to fall on the window.

After a few moments, he jerked away and darted to the closet, to get his field glasses.

Evidently someone had a very obscure sense of humor to perpetrate such a complicated practical joke.

Intently he searched the cement at the juncture of roof ridge and clawed feet, looking for the telltale cracks. He could not spot any, but that was not easy to do in the failing yellow light.

The cement dragon now stood at the edge of the gutter, as if about to walk over to Morton along the architrave of the big gateway.

He lifted his glasses to the creature's head--blank and crude as an unfinished skull. Then on an impulse, he dropped them to the row of sculptured heads, focused on Galileo, and read the little inscription he had not been able to make out before.

"_Eppur si muove._"

The words Galileo was supposed to have muttered after recanting before the Inquisition his belief in the revolution of the Earth around the Sun.

"Nevertheless, it moves."

A board creaked behind him, and he spun around.

By his desk stood a young man, waxen pale, with thick red hair. His eyes stood out like milky marbles. One white, tendon-ridged hand gripped a .22 target pistol.

Norman walked toward him, bearing slightly to the right.

The skimpy barrel of the gun came up.

"Hello, Jennings," said Norman. "You've been reinstated. Your grades have been changed to straight A's."

The gun barrel slowed for an instant.

Norman lunged in.

The gun went off under his left arm, pinking the window.

The gun clunked on the floor. Jennings' skinny form went limp. As Norman sat him down on the chair, he began to sob, convulsively.

Norman lifted the phone and asked for an on-campus number. The connection was made quickly. "Gunnison?" he asked.

"Uh-huh, just caught me as I was leaving."

"Theodore Jennings' parents live right near the college, don't they? You know, the chap who flunked out last semester."

"I believe they do. What's the matter?"

"Better get them over here quick. And have them bring his doctor. He just tried to shoot me."

There was a pause. Norman visualized Gunnison's startled reaction! Then, "Right away!"

Norman put down the phone. Jennings continued to sob agonizingly. Norman looked at him with disgust.

* * * * *

An hour later Gunnison sat down in the same chair, and let off a sigh of relief.

"I'm sure glad they're gone," he said. "It was awfully good of you, Norman, not to insist on the police. Things like that give a college a bad name."

Norman smiled wearily. "Almost anything gives a college a bad name. But that kid was obviously crazy as a loon."

They lit up and smoked for a while in silence. Then Gunnison looked at his watch.

"I'll have to hustle. It's almost seven, and we're due at your place at eight."

But he lingered, ambling over to the window to inspect the bullet hole.

"I wonder if you'd mind not mentioning this to Tansy?" Norman asked. "I don't want to worry her."

Gunnison nodded. "Good thing if we kept it to ourselves." Then he pointed out the window. "That's one of my wife's pets," he remarked in a jocular tone.

Norman saw that his finger was trained on the cement dragon, now coldly revealed by the upward glare from the street lights.

"I mean," Gunnison went on, "she must have a dozen photographs of it. Hempnell's her specialty. I believe she's got a photograph of every architectural oddity on campus. That one's her favorite." He chuckled. "Usually it's the husband who keeps ducking down into the darkroom, but not in our family. And me a chemist, at that."

Norman's taut mind had unaccountably jumped to the thought of a bull-roarer. Abruptly he realized the analogy between the recording of a bull-roarer and the photograph of a dragon.

He clamped a lid on the fantastic questions he wanted to ask Gunnison.

"Come on!" he said. "We'd better get along!"

Gunnison started a little at the harshness of his voice.

"Can you drop me off?" asked Norman, more quietly. "My car's at home."

"Sure thing," said Gunnison.

After he had switched out the light, Norman paused for a moment, staring back at the window. The words came back.

"_Eppur si muove._"

IV.

They had hardly cleared away the remains of a hasty supper, when there came the first clang from the front-door chimes. To Norman's relief, Tansy had accepted without questioning his rather clumsy explanation of why he had gotten home so late. There was something puzzling, though, about her serenity these last two days. She was usually much sharper, and more curious. But of course he had been careful to hide disturbing events from her, and he ought only to be glad her nerves were in such good shape.

"Dearest! It's been ages since we've seen you!" Mrs. Carr embraced Tansy in a matronly fashion. "How are you? How are you?" The question sounded peculiarly eager and incisive. Norman put it down to typical Hempnell gush. "Oh, dear, I'm afraid I've got a cinder in my eye," Mrs. Carr continued. "The wind's getting quite fierce."

"Gusty," said Professor Carr of the mathematics department, showing obvious but harmless delight at finding the right word. He was a little man with red cheeks and a white Vandyke, as innocent and absent-minded as college professors are supposed to be, who gave the impression of residing permanently in a special paradise of transcendental and transfinite numbers.

"It seems to have gone away now," said Mrs. Carr, waving aside Tansy's handkerchief and experimentally blinking her eyes, which looked unpleasantly naked and birdlike until she replaced her thick glasses. "Oh, that must be the others," she added, as the chimes sounded. "Isn't it marvelous that everyone at Hempnell is so punctual?"

As Norman started for the front door he imagined for one crazy moment that someone must be whirling a bull-roarer outside, until he realized it could only be the rising wind living up to Professor Carr's description of it.

He was confronted by Evelyn Sawtelle's angular form, wind whipping her black coat against her legs. Her equally angular face, with its shoe-button eyes, was thrust toward his own.

"Let us in, or it'll blow us in," she said. Like most of her attempts at coy or facetious humor, it did not come off, perhaps because she made it sound so stupidly grim.

She entered, with Hervey in tow, and made for Tansy.

"My dear, how are you? Whatever have you been doing with yourself?" Again he was struck by the eager and meaningful tone of the question. For a moment he wondered whether the women had somehow gotten an inkling of Tansy's eccentricity, and the recent crisis. But Mrs. Sawtelle was so voice-conscious that she was always emphasizing things the wrong way.

* * * * *

There was a noisy flurry of greetings. Totem made a squeaky noise and darted out of the way of the crowd of human beings. Mrs. Carr's silvery voice rose above the rest.

"Oh, Professor Sawtelle, I want to tell you how _much_ we all appreciated your talk on city planning. It was truly _significant_!" Sawtelle writhed, grinning in a flustered way.

Norman thought: "So now _he's_ the favorite for the chairmanship."

Professor Carr had made a beeline for the bridge tables, and was wistfully fingering the cards.

"I've been studying the mathematics of the shuffle," he began with a bright-eyed air, as soon as Norman drifted into range. "The shuffle is supposed to make it a matter of chance what hands are dealt. But that is not true at all." He broke open a new pack of cards, and spread the deck. "The manufacturers arrange these by suits--thirteen spades, thirteen hearts, and so on. Now suppose I make a perfect shuffle--divide the pack into equal parts and interleaf the cards one by one."

He tried to demonstrate, but the cards got away from him.

"It's really not as hard as it looks," he continued amiably. "Some players can do it every time, quick as a wink. But that's not the point. Suppose I make two perfect shuffles with a new pack. Then, no matter how the cards are cut, each player will get thirteen of a suit--an event that, if you went purely by the laws of chance would only happen once in about one hundred and fifty-eight billion times as regards a _single_ hand, let alone all four."

Norman nodded, and Carr smiled delightedly.

"That's only one example. What is loosely termed chance is really the resultant of several perfectly definite factors--chiefly the play of the cards on each hand, and the shuffle habits of the players." He made it sound as important as the Theory of Relativity. "Some evenings the hands are very ordinary. Other evenings they keep getting wilder and wilder--long suits, voids, and so on. Sometimes the high cards persistently run north and south. Other times, east and west. Luck? Chance? Not at all! It's the result of perfectly definite factors. Some expert players actually make use of this principle to determine the probable location of key cards."

Norman's mind went off on a tangent. Suppose you applied this principle outside bridge? Suppose that coincidences and other chance happenings weren't really as chancy as they looked? Suppose there were individuals with a special aptitude for calling the turns, making the breaks? But that was a pretty obvious idea--nothing to give a person the shiver it had given him.

"I wonder what's holding up the Gunnisons?" Professor Carr was saying. "We might start one table now. Perhaps we can get in an extra rubber," he added hopefully.

A peal from the chimes settled the question.

Gunnison looked as if he had eaten his dinner too fast, and Hulda seemed rather surly.

"We had to rush so," she muttered curtly to Norman as he held the door.

Like the other two women, she almost ignored him and concentrated her greetings on Tansy. It gave him a vaguely uneasy feeling, as when they had first come to Hempnell and faculty visits had been a nerve-racking chore. Tansy seemed at a disadvantage--somehow unprotected--in contrast to the aggressive air of purpose animating the other three.

But what of it?--he told himself. That was usual with Hempnell faculty wives. They acted as if they lay awake nights plotting how to poison the people between their husband and the president's chair.

Whereas Tansy--But that was like what Tansy had been doing. His thoughts started to gyrate confusingly, and he switched them off.

They cut for partners.

The cards seemed determined to provide an illustration for the theory Carr had explained. The hands were uniformly commonplace--abnormally average. No long suits. Nothing but 4-4-3-2 and 4-3-3-3 distribution. Bid one; make two. Bid two; make one.

* * * * *

After the second round, Norman applied his private remedy for boredom--the game of "Spot the Primitive." You played it by yourself, secretly. It was just an exercise for an ethnologist's imagination. You pretended that the people around you were members of a savage race, and you tried to figure out how their personalities would manifest themselves in such an environment.

Tonight it worked almost too well.

Nothing unusual about the men. Gunnison would, of course, be a prosperous tribal chieftain; perhaps a little fatter, and tended by maidens, but with a jealous and vindictive wife waiting to pounce. Carr might figure as the basket maker of the village--a spry little old man, grinning like a monkey, weaving the basket fibers into intricate mathematical matrices. Sawtelle, of course, would be the tribal scapegoat, butt of endless painful practical jokes.

But the women!

Take Mrs. Gunnison, now his partner. Give her a brown skin. Leave the red hair, but twist some copper ornaments in it. She'd be heftier if anything, a real mountain of a woman, stronger than most of the men in the tribe, able to wield a spear or club. The same sleepy brutish eyes, but the lower lip would jut out in a more openly sullen and domineering way. It was only too easy to imagine what she'd do to the unlucky maidens her husband showed too much interest in. Or how she would pound tribal policy into his head when they retired to their hut. Or how her voice would thunder out the death chants the women sang to aid the men away at war.

Then Mrs. Sawtelle and Mrs. Carr, who had progressed to the top table along with himself and Mrs. Gunnison. Mrs. Sawtelle first. Make her skinnier. Scarify the flat cheeks with ornamental ridges. Tattoo the spine. Witch woman. Bitter as quinine bark because her husband was ineffectual. Think of her prancing before a spike-studded fetish. Think of her screeching incantations and ripping off a chicken's head--

"Norman, you're playing out of turn," said Mrs. Gunnison.

"Sorry."

And Mrs. Carr. Shrivel her a bit. Leave only a few wisps of hair on the parchment skull. Take away the glasses, and then her eyes would be gummy. She'd blink and peer short-sightedly, and leer toothlessly, and flutter her bony claws. A nice harmless old squaw, who'd gather the tribe's children around her and tell them legends. But her jaw would still be able to snap like a steel trap, and her clawlike hands would be deft at applying arrow poison, and she wouldn't really need her eyes because she'd have other ways of seeing things and even the bravest warrior would grow nervous if she looked too long in his direction.

"Those experts at the top table are awfully quiet," called Gunnison with a laugh. "They must be taking the game very seriously."

Witch women, all three of them, engaged in booting their husbands to the top of the tribal hierarchy.

From the dark doorway at the far end of the room, Totem was peering curiously, as if weighing some similar possibility.

* * * * *

But Norman could not fit Tansy into the picture. He could visualize physical changes, like frizzing her hair, and putting some big gold rings in her ears and a painted design on her forehead. But he could not picture her as belonging to the same tribe. She persisted in his imagination as a stranger woman, a captive, eyed with suspicion and hate by the rest. Or perhaps a woman of the same tribe, but one who had done something to forfeit the trust of all the other women. A priestess who had violated taboo. A witch woman who had renounced witchcraft.

Abruptly his field of vision narrowed to the score pad. Evelyn Sawtelle was idly scribbling stick figures as Mrs. Carr deliberated over a lead. First the stick figure of a man with arms raised and three or four balls above his head, as if he were juggling. Then the stick figure of a queen, indicated by crown and skirt. Then a little tower, with battlements. Then an L-shaped thing with a stick figure hanging from it--a gallows. Finally, a truck bearing down on a man whose arms were extended toward it in fear.

Just five scribbles. But he knew that four of them were connected with a bit of unusual knowledge buried somewhere in his mind. A glance at the exposed dummy gave him the clue.

Cards.

But this bit of knowledge was from the ancient history of cards, when the whole deck was drenched with magic, when there was a Knight between the Jack and the Queen, when the suits were swords, batons, cups, and money, and when there were twenty-two special tarot cards in the pack, of which today only the Joker remained. Tarot cards were used for fortunetelling.

Four of the tarot cards were the Juggler, the Empress, the Tower, and the Hanged Man.

Only the fifth stick figure, that of the man and truck, did not fit in. But it gave him a peculiarly personal shudder. Death by being crushed or mangled, as in an automobile accident, was his pet phobia.

Mrs. Sawtelle scratched out the stick figures and looked up at him sullenly.

Mrs. Gunnison leaned forward, lips moving as if she might be counting trump.

Mrs. Carr smiled, and made her lead. The risen wind began to make the same intermittent roaring sound it had for a moment earlier in the evening.

Why not, he asked himself. Three witch women, using magic as Tansy had, to advance their husband's careers and their own. Making use of their husband's special knowledge to give magic a modern twist. Suspicious and worried because Tansy had given up magic; afraid she'd found a much stronger variety, and was planning to make use of it.

And Tansy--suddenly unprotected, possibly unaware of the change in their attitude toward her because, in giving up magic, she had lost her sensitivity to the supernatural, her "woman's intuition."

Why not carry it a step further? Maybe all women were the same. Guardians of mankind's ancient customs and traditions--including the practice of witchcraft. Fighting their husband's battles from behind the scenes, by sorcery. Keeping it a secret; and, on those occasions when they were discovered, conveniently explaining it as feminine susceptibility to superstitious fads.

Half of the human race still actively practicing sorcery.

Why not?

"It's your play, Norman," said Mrs. Sawtelle, sweetly.

"You look as if you had something on your mind," said Mrs. Gunnison.

"How are you getting along up there, Norm?" her husband called. "Those women got you buffaloed?"

Buffaloed? He came back to reality with a jerk. That was just what they almost had done. And all because the human imagination was a thoroughly unreliable instrument, like a rubber ruler. Let's see, if he played his queen it might set up a king in Mrs. Gunnison's hand so she could get in and run her spades.

* * * * *

After that round, Tansy served refreshments, and the usual shop talk began.