Chapter 136

"Holloa! Hackbut, how's this?"--"I'm a bit late, sir, morning."--"Late! you were late yesterday evening, weren't you?"--"Why, sir, the way the clerks at that Bank of Mortimer and Pennycuick's rush away from business and close the doors after 'em, as if their day began at four p.m., and business was botheration: it's a disgrace to the City o' London. And I beg pardon for being late, but never sleeping a wink all night for fear about this money, I am late this morning, I humbly confess. When I got to the Bank, the doors were shut. Our clock's correct; that I know. My belief, sir, is, the clerks at Mortimer and Pennycuick's put on the time."--"Oh! we must have this inquired into."

Anthony dramatized the farcical scene which he imagined between himself and Mr. Sequin, the head clerk at Boyne's, with immense relish; and terminated it by establishing his reputation for honesty higher than ever at the Bank, after which violent exercise of his fancy, the old man sank into a dulness during several days. The farmer slept at his lodgings for one night, and talked of money, and of selling his farm; and half hinted that it would be a brotherly proceeding on Anthony's part to buy it, and hold it, so as to keep it in the family. The farmer's deep belief in the existence of his hoards always did Anthony peculiar mischief. Anthony grew conscious of a giddiness, and all the next day he was scarcely fit for his work. But the day following that he was calm and attentive. Two bags of gold were placed in his hands, and he walked with caution down the steps of the Bank, turned the corner, and went straight on to the West, never once hesitating, or casting a thought behind upon Mortimer and Pennycuick's. He had not, in truth, one that was loose to be cast. All his thoughts were boiling in his head, obfuscating him with a prodigious steam, through which he beheld the city surging, and the streets curving like lines in water, and the people mixing and passing into and out of one another in an astonishing manner--no face distinguishable; the whole thick multitude appearing to be stirred like glue in a gallipot. The only distinct thought which he had sprang from a fear that the dishonest ruffians would try to steal his gold, and he hugged it, and groaned to see that villany was abroad. Marvellous, too, that the clocks on the churches, all the way along the Westward thoroughfare, stuck at the hour when Banks are closed to business! It was some time, or a pretence at some time, before the minute-hands surmounted that difficulty. Having done so, they rushed ahead to the ensuing hour with the mad precipitation of pantomimic machinery. The sight of them presently standing on the hour, like a sentinel presenting arms, was startling--laughable. Anthony could not have flipped with his fingers fifty times in the interval; he was sure of it, "or not much more," he said. So the City was shut to him behind iron bars.

Up in the West there is not so much to be dreaded from the rapacity of men. You do not hear of such alarming burglaries there every day; every hand is not at another's throat there, or in another's pocket; at least, not until after nightfall; and when the dark should come on, Anthony had determined to make for his own quarter with all speed. Darkness is horrible in foreign places, but foreign places are not so accusing to you by daylight.

The Park was vastly pleasant to the old man.

"Ah!" he sniffed, "country air," and betook himself to a seat. "Extraordinary," he thought, "what little people they look on their horses and in their carriages! That's the aristocracy, is it!" The aristocracy appeared oddly diminutive to him. He sneered at the aristocracy, but, beholding a policeman, became stolid of aspect. The policeman was a connecting link with his City life, the true lord of his fearful soul. Though the moneybags were under his arm, beneath his buttoned coat, it required a deep pause before he understood what he had done; and then the Park began to dance and curve like the streets, and there was a singular curtseying between the heavens and the earth. He had to hold his money-bags tight, to keep them from plunging into monstrous gulfs. "I don't remember that I've taken a drink of any sort," he said, "since I and the old farmer took our turn down in the Docks. How's this?" He seemed to rock. He was near upon indulging in a fit of terror; but the impolicy of it withheld him from any demonstration, save an involuntary spasmodic ague. When this had passed, his eyesight and sensations grew clearer, and he sat in a mental doze, looking at things with quiet animal observation. His recollection of the state, after a lapse of minutes, was pleasurable. The necessity for motion, however, set him on his feet, and off he went, still Westward, out of the Park, and into streets. He trotted at a good pace. Suddenly came a call of his name in his ear, and he threw up one arm in self-defence.

"Uncle Anthony, don't you know me?"

"Eh? I do; to be sure I do," he answered, peering dimly upon Rhoda: "I'm always meeting one of you."

"I've been down in the City, trying to find you all day, uncle. I meet you--I might have missed! It is direction from heaven, for I prayed."

Anthony muttered, "I'm out for a holiday."

"This"--Rhoda pointed to a house--"is where I am lodging."

"Oh!" said Anthony; "and how's your family?"

Rhoda perceived that he was rather distraught. After great persuasion, she got him to go upstairs with her.

"Only for two seconds," he stipulated. "I can't sit."

"You will have a cup of tea with me, uncle?"

"No; I don't think I'm equal to tea."

"Not with Rhoda?"

"It's a name in Scripture," said Anthony, and he drew nearer to her. "You're comfortable and dark here, my dear. How did you come here? What's happened? You won't surprise me."

"I'm only stopping for a day or two in London, uncle."

"Ah! a wicked place; that it is. No wickeder than other places, I'll be bound. Well; I must be trotting. I can't sit, I tell you. You're as dark here as a gaol."

"Let me ring for candles, uncle."

"No; I'm going."

She tried to touch him, to draw him to a chair. The agile old man bounded away from her, and she had to pacify him submissively before he would consent to be seated. The tea-service was brought, and Rhoda made tea, and filled a cup for him. Anthony began to enjoy the repose of the room. But it made the money-bags' alien to him, and serpents in his bosom. Fretting--on his chair, he cried: "Well! well! what's to talk about? We can't drink tea and not talk!"

Rhoda deliberated, and then said: "Uncle, I think you have always loved me."

It seemed to him a merit that he should have loved her. He caught at the idea.

"So I have, Rhoda, my dear; I have. I do."

"You do love me, dear uncle!"

"Now I come to think of it, Rhoda--my Dody, I don't think ever I've loved anybody else. Never loved e'er a young woman in my life. As a young man."

"Tell me, uncle; are you not very rich?"

"No, I ain't; not 'very'; not at all."

"You must not tell untruths, uncle."

"I don't," said Anthony; only, too doggedly to instil conviction.

"I have always felt, uncle, that you love money too much. What is the value of money, except to give comfort, and help you to be a blessing to others in their trouble? Does not God lend it you for that purpose? It is most true! And if you make a store of it, it will only be unhappiness to yourself. Uncle, you love me. I am in great trouble for money."

Anthony made a long arm over the projection of his coat, and clasped it securely; sullenly refusing to answer. "Dear uncle; hear me out. I come to you, because I know you are rich. I was on my way to your lodgings when we met; we were thrown together. You have more money than you know what to do with. I am a beggar to you for money. I have never asked before; I never shall ask again. Now I pray for your help. My life, and the life dearer to me than any other, depend on you. Will you help me, Uncle Anthony? Yes!"

"No!" Anthony shouted.

"Yes! yes!"

"Yes, if I can. No, if I can't. And 'can't' it is. So, it's 'No.'"

Rhoda's bosom sank, but only as a wave in the sea-like energy of her spirit.

"Uncle, you must."

Anthony was restrained from jumping up and running away forthwith by the peace which was in the room, and the dread of being solitary after he had tasted of companionship.

"You have money, uncle. You are rich. You must help me. Don't you ever think what it is to be an old man, and no one to love you and be grateful to you? Why do you cross your arms so close?"

Anthony denied that he crossed his arms closely.

Rhoda pointed to his arms in evidence; and he snarled out: "There, now; 'cause I'm supposed to have saved a trifle, I ain't to sit as I like. It's downright too bad! It's shocking!"

But, seeing that he did not uncross his arms, and remained bunched up defiantly, Rhoda silently observed him. She felt that money was in the room.

"Don't let it be a curse to you," she said. And her voice was hoarse with agitation.

"What?" Anthony asked. "What's a curse?"

"That."

Did she know? Had she guessed? Her finger was laid in a line at the bags. Had she smelt the gold?

"It will be a curse to you, uncle. Death is coming. What's money then? Uncle, uncross your arms. You are afraid; you dare not. You carry it about; you have no confidence anywhere. It eats your heart. Look at me. I have nothing to conceal. Can you imitate me, and throw your hands out--so? Why, uncle, will you let me be ashamed of you? You have the money there.

"You cannot deny it. Me crying to you for help! What have we talked together?--that we would sit in a country house, and I was to look to the flower-beds, and always have dishes of green peas for you-plenty, in June; and you were to let the village boys know what a tongue you have, if they made a clatter of their sticks along the garden-rails; and you were to drink your tea, looking on a green and the sunset. Uncle! Poor old, good old soul! You mean kindly. You must be kind. A day will make it too late. You have the money there. You get older and older every minute with trying to refuse me. You know that I can make you happy. I have the power, and I have the will. Help me, I say, in my great trouble. That money is a burden. You are forced to carry it about, for fear. You look guilty as you go running in the streets, because you fear everybody. Do good with it. Let it be money with a blessing on it! It will save us from horrid misery! from death! from torture and death! Think, uncle! look, uncle! You with the money--me wanting it. I pray to heaven, and I meet you, and you have it. Will you say that you refuse to give it, when I see--when I show you, you are led to meet me and help me? Open;--put down that arm."

Against this storm of mingled supplication and shadowy menace, Anthony held out with all outward firmness until, when bidding him to put down his arm, she touched the arm commandingly, and it fell paralyzed.

Rhoda's eyes were not beautiful as they fixed on the object of her quest. In this they were of the character of her mission. She was dealing with an evil thing, and had chosen to act according to her light, and by the counsel of her combative and forceful temper. At each step new difficulties had to be encountered by fresh contrivances; and money now--money alone had become the specific for present use. There was a limitation of her spiritual vision to aught save to money; and the money being bared to her eyes, a frightful gleam of eagerness shot from them. Her hands met Anthony's in a common grasp of the money-bags.

"It's not mine!" Anthony cried, in desperation.

"Whose money is it?" said Rhoda, and caught up her hands as from fire.

"My Lord!" Anthony moaned, "if you don't speak like a Court o' Justice. Hear yourself!"

"Is the money yours, uncle?"

"It--is," and "isn't" hung in the balance.

"It is not?" Rhoda dressed the question for him in the terror of contemptuous horror.

"It is. I--of course it is; how could it help being mine? My money? Yes. What sort o' thing's that to ask--whether what I've got's mine or yours, or somebody else's? Ha!"

"And you say you are not rich, uncle?"

A charming congratulatory smile was addressed to him, and a shake of the head of tender reproach irresistible to his vanity.

"Rich! with a lot o' calls on me; everybody wantin' to borrow--I'm rich! And now you coming to me! You women can't bring a guess to bear upon the right nature o' money."

"Uncle, you will decide to help me, I know."

She said it with a staggering assurance of manner.

"How do you know?" cried Anthony.

"Why do you carry so much money about with you in bags, uncle?"

"Hear it, my dear." He simulated miser's joy.

"Ain't that music? Talk of operas! Hear that; don't it talk? don't it chink? don't it sing?" He groaned "Oh, Lord!" and fell back.

This transition from a state of intensest rapture to the depths of pain alarmed her.

"Nothing; it's nothing." Anthony anticipated her inquiries. "They bags is so heavy."

"Then why do you carry them about?"

"Perhaps it's heart disease," said Anthony, and grinned, for he knew the soundness of his health.

"You are very pale, uncle."

"Eh? you don't say that?"

"You are awfully white, dear uncle."

"I'll look in the glass," said Anthony. "No, I won't." He sank back in his chair. "Rhoda, we're all sinners, ain't we? All--every man and woman of us, and baby, too. That's a comfort; yes, it is a comfort. It's a tremendous comfort--shuts mouths. I know what you're going to say--some bigger sinners than others. If they're sorry for it, though, what then? They can repent, can't they?"

"They must undo any harm they may have done. Sinners are not to repent only in words, uncle."

"I've been feeling lately," he murmured.

Rhoda expected a miser's confession.

"I've been feeling, the last two or three days," he resumed.

"What, uncle?"

"Sort of taste of a tremendous nice lemon in my mouth, my dear, and liked it, till all of a sudden I swallowed it whole--such a gulp! I felt it just now. I'm all right."

"No, uncle," said Rhoda: "you are not all right: this money makes you miserable. It does; I can see that it does. Now, put those bags in my hands. For a minute, try; it will do you good. Attend to me; it will. Or, let me have them. They are poison to you. You don't want them."

"I don't," cried Anthony. "Upon my soul, I don't. I don't want 'em. I'd give--it is true, my dear, I don't want 'em. They're poison."

"They're poison to you," said Rhoda; "they're health, they're life to me. I said, 'My uncle Anthony will help me. He is not--I know his heart--he is not a miser.' Are you a miser, uncle?"

Her hand was on one of his bags. It was strenuously withheld: but while she continued speaking, reiterating the word "miser," the hold relaxed. She caught the heavy bag away, startled by its weight.

He perceived the effect produced on her, and cried; "Aha! and I've been carrying two of 'em--two!"

Rhoda panted in her excitement.

"Now, give it up," said he. She returned it. He got it against his breast joylessly, and then bade her to try the weight of the two. She did try them, and Anthony doated on the wonder of her face.

"Uncle, see what riches do! You fear everybody--you think there is no secure place--you have more? Do you carry about all your money?"

"No," he chuckled at her astonishment. "I've...Yes. I've got more of my own." Her widened eyes intoxicated him. "More. I've saved. I've put by. Say, I'm an old sinner. What'd th' old farmer say now? Do you love your uncle Tony? 'Old Ant,' they call me down at--" "The Bank," he was on the point of uttering; but the vision of the Bank lay terrific in his recollection, and, summoned at last, would not be wiped away. The unbearable picture swam blinking through accumulating clouds; remote and minute as the chief scene of our infancy, but commanding him with the present touch of a mighty arm thrown out. "I'm honest," he cried. "I always have been honest. I'm known to be honest. I want no man's money. I've got money of my own. I hate sin. I hate sinners. I'm an honest man. Ask them, down at--Rhoda, my dear! I say, don't you hear me? Rhoda, you think I've a turn for misering. It's a beastly mistake: poor savings, and such a trouble to keep honest when you're poor; and I've done it for years, spite o' temptation 't 'd send lots o' men to the hulks. Safe into my hand, safe out o' my hands! Slip once, and there ain't mercy in men. And you say, 'I had a whirl of my head, and went round, and didn't know where I was for a minute, and forgot the place I'd to go to, and come away to think in a quiet part.'..." He stopped abruptly in his ravings. "You give me the money, Rhoda!"

She handed him the money-bags.

He seized them, and dashed them to the ground with the force of madness. Kneeling, he drew out his penknife, and slit the sides of the bags, and held them aloft, and let the gold pour out in torrents, insufferable to the sight; and uttering laughter that clamoured fierily in her ears for long minutes afterwards, the old man brandished the empty bags, and sprang out of the room.

She sat dismayed in the centre of a heap of gold.

CHAPTER XLI

On the Monday evening, Master Gammon was at the station with the cart. Robert and Rhoda were a train later, but the old man seemed to be unaware of any delay, and mildly staring, received their apologies, and nodded. They asked him more than once whether all was well at the Farm; to which he replied that all was quite well, and that he was never otherwise. About half-an-hour after, on the road, a gradual dumb chuckle overcame his lower features. He flicked the horse dubitatively, and turned his head, first to Robert, next to Rhoda; and then he chuckled aloud:

"The last o' they mel'ns rotted yest'day afternoon!"

"Did they?" said Robert. "You'll have to get fresh seed, that's all."

Master Gammon merely showed his spirit to be negative.

"You've been playing the fool with the sheep," Robert accused him.

It hit the old man in a very tender part.

"I play the fool wi' ne'er a sheep alive, Mr. Robert. Animals likes their 'customed food, and don't like no other. I never changes my food, nor'd e'er a sheep, nor'd a cow, nor'd a bullock, if animals was masters. I'd as lief give a sheep beer, as offer him, free-handed--of my own will, that's to say--a mel'n. They rots."

Robert smiled, though he was angry. The delicious unvexed country-talk soothed Rhoda, and she looked fondly on the old man, believing that he could not talk on in his sedate way, if all were not well at home.

The hills of the beacon-ridge beyond her home, and the line of stunted firs, which she had named "the old bent beggarmen," were visible in the twilight. Her eyes flew thoughtfully far over them, with the feeling that they had long known what would come to her and to those dear to her, and the intense hope that they knew no more, inasmuch as they bounded her sight.

"If the sheep thrive," she ventured to remark, so that the comforting old themes might be kept up.

"That's the particular 'if!'" said Robert, signifying something that had to be leaped over.

Master Gammon performed the feat with agility.

"Sheep never was heartier," he pronounced emphatically.

"Lots of applications for melon-seed, Gammon?"

To this the veteran's tardy answer was: "More fools 'n one about, I reckon"; and Robert allowed him the victory implied by silence.

"And there's no news in Wrexby? none at all?" said Rhoda.

A direct question inevitably plunged Master Gammon so deep amid the soundings of his reflectiveness, that it was the surest way of precluding a response from him; but on this occasion his honest deliberation bore fruit.

"Squire Blancove, he's dead."

The name caused Rhoda to shudder.

"Found dead in 's bed, Sat'day morning," Master Gammon added, and, warmed upon the subject, went on: "He's that stiff, folks say, that stiff he is, he'll have to get into a rounded coffin: he's just like half a hoop. He was all of a heap, like. Had a fight with 's bolster, and got th' wust of it. But, be 't the seizure, or be 't gout in 's belly, he's gone clean dead. And he wunt buy th' Farm, nether. Shutters is all shut up at the Hall. He'll go burying about Wednesday. Men that drinks don't keep."

Rhoda struck at her brain to think in what way this death could work and show like a punishment of the heavens upon that one wrong-doer; but it was not manifest as a flame of wrath, and she laid herself open to the peace of the fields and the hedgeways stepping by. The farm-house came in sight, and friendly old Adam and Eve turning from the moon. She heard the sound of water. Every sign of peace was around the farm. The cows had been milked long since; the geese were quiet. There was nothing but the white board above the garden-gate to speak of the history lying in her heart.

They found the farmer sitting alone, shading his forehead. Rhoda kissed his cheeks and whispered for tidings of Dahlia.

"Go up to her," the farmer said.

Rhoda grew very chill. She went upstairs with apprehensive feet, and recognizing Mrs. Sumfit outside the door of Dahlia's room, embraced her, and heard her say that Dahlia had turned the key, and had been crying from mornings to nights. "It can't last," Mrs. Sumfit sobbed: "lonesome hysterics, they's death to come. She's falling into the trance. I'll go, for the sight o' me shocks her."

Rhoda knocked, waited patiently till her persistent repetition of her name gained her admission. She beheld her sister indeed, but not the broken Dahlia from whom she had parted. Dahlia was hard to her caress, and crying, "Has he come?" stood at bay, white-eyed, and looking like a thing strung with wires.

"No, dearest; he will not trouble you. Have no fear."

"Are you full of deceit?" said Dahlia, stamping her foot.

"I hope not, my sister."

Dahlia let fall a long quivering breath. She went to her bed, upon which her mother's Bible was lying, and taking it in her two hands, held it under Rhoda's lips.

"Swear upon that?"

"What am I to swear to, dearest?"

"Swear that he is not in the house."

"He is not, my own sister; believe me. It is no deceit. He is not. He will not trouble you. See; I kiss the Book, and swear to you, my beloved! I speak truth. Come to me, dear." Rhoda put her arms up entreatingly, but Dahlia stepped back.

"You are not deceitful? You are not cold? You are not inhuman? Inhuman! You are not? You are not? Oh, my God! Look at her!"

The toneless voice was as bitter for Rhoda to hear as the accusations. She replied, with a poor smile: "I am only not deceitful. Come, and see. You will not be disturbed."

"What am I tied to?" Dahlia struggled feebly as against a weight of chains. "Oh! what am I tied to? It's on me, tight like teeth. I can't escape. I can't breathe for it. I was like a stone when he asked me--marry him!--loved me! Some one preached--my duty! I am lost, I am lost! Why? you girl!--why?--What did you do? Why did you take my hand when I was asleep and hurry me so fast? What have I done to you? Why did you push me along?--I couldn't see where. I heard the Church babble. For you--inhuman! inhuman! What have I done to you? What have you to do with punishing sin? It's not sin. Let me be sinful, then. I am. I am sinful. Hear me. I love him; I love my lover, and," she screamed out, "he loves me!"

Rhoda now thought her mad.

She looked once at the rigid figure of her transformed sister, and sitting down, covered her eyes and wept.

To Dahlia, the tears were at first an acrid joy; but being weak, she fell to the bed, and leaned against it, forgetting her frenzy for a time.