Colour as a Means of Art Being an Adaption of the Experience of Professors to the Practice of Amateurs

CHAPTER II.

Chapter 1781 wordsPublic domain

SECTION X.

ANOTHER PRINCIPLE OF TURNER.

Another principle adopted by Turner is, to contrast rich autumnal yellows in the foreground, with a brilliant Italian blue sky, graduated through a series of exquisitely delicate pearly tints, to meet the cooler green tints of the middle ground. The warm colours in the foreground are qualified by purply half-tints, and supported by warm shadows and some rich crimsons; or sometimes reduced to comparative sobriety by the opposition of the brightest orange and white. Plate.