Chapter 12

Mr. John Morley's agreeableness in conversation is of a different kind. His leading characteristic is a dignified austerity of demeanour which repels familiarity and tends to keep conversation on a high level; but each time one meets him there is less formality and less restraint, and the grave courtesy which never fails is soon touched with friendliness and frank good-humour in a singularly attractive fashion. He talks, not much, but remarkably well. His sentences are deliberate, clear-cut, often eloquent. He excels in phrase-making. His quotations are apt and novel. His fine taste and varied reading enable him to hold his own in many fields where the merely professional politician is apt to be terribly astray. His kindness to social and literary beginners is one of his most engaging traits. He invariably finds something pleasant to say about the most immature and unpromising efforts, and he has the knack of so handling his own early experience as to make it an encouragement and a stimulus, and not (as the manner of some is) a burden and a bogey. Mr. Morley never obtrudes his own opinions, never introduces debatable matter, never dogmatizes. But he is always ready to pick up the gauntlet, especially if a Tory flings it down; is merciless towards ill-formed assertion, and is the alert and unsparing enemy of what Mr. Ruskin calls "the obscene empires of Mammon and Belial."

Lord Salisbury goes so little into general society that his qualities as a talker are not familiarly known. He is painfully shy, and at a club or in a large party undergoes the torments of the lost. Yet no one can listen, even casually, to his conversation without appreciating the fine manner, full both of dignity and of courtesy; the utter freedom from pomposity, formality, and self-assertion, and the agreeable dash of genuine cynicism, which modifies, though it does not mask, the flavour of his fun. After a visit to Hatfield in 1868, Bishop Wilberforce wrote in his diary: "Gladstone how struck with Salisbury: 'Never saw a more perfect host.'" And again--"He remarked to me on the great power of charming and pleasant hosting possessed by Salisbury." And it is the universal testimony of Lord Salisbury's guests, whether at Hatfield or in Arlington Street, that he is seen at his very best in his own house. The combination of such genuine amiability in private life with such calculated brutality in public utterance constitutes a psychological problem which might profitably be made the subject of a Romanes Lecture.

Barring the shyness, from which Mr. Balfour is conspicuously free, there is something of Lord Salisbury's social manner about his accomplished nephew. He has the same courtesy, the same sense of humour, the same freedom from official solemnity. But the characteristics of the elder man are exaggerated in the younger. The cynicism which is natural in Lord Salisbury is affected in Mr. Balfour. He cultivates the art of indifference, and gives himself the airs of a jaded Epicurean who craves only for a new sensation. There is what an Irish Member, in a moment of inspiration, called a "toploftiness" about his social demeanour which is not a little irritating. He is too anxious to show that he is not as other men are. Among politicians he is a philosopher; among philosophers, a politician. Before that hard-bitten crew whom Burke ridiculed--the "calculators and economists"--he will talk airily of golf and ladies' fashions; and ladies he will seek to impress by the Praise of Vivisection or the Defence of Philosophic Doubt. His social agreeableness has, indeed, been marred by the fatuous idolatry of a fashionable clique, stimulating the self-consciousness which was his natural foible; but when he can for a moment forget himself he still is excellent company, for he is genuinely amiable and thoroughly well informed.

FOOTNOTES:

[19] 1897.

[20] Cromartie, 4th Duke.

XVI.

CONVERSATION--_continued_.

The writer of these chapters has always felt some inward affinity to the character of Lord St. Jerome in _Lothair_, of whom it is recorded that he loved conversation, though he never conversed. "There must be an audience," he would say, "and I am the audience." In my capacity of audience I assign a high place to the agreeableness of Lord Rosebery's conversation. To begin with, he has a delightful voice. It is low, but perfectly distinct, rich and sympathetic in quality, and singularly refined in accent. It is exactly the sort of voice which bespeaks the goodwill of the hearer and recommends what it utters. In a former chapter we agreed that the chief requisite of good conversation is to have something to say which is worth saying, and here Lord Rosebery is excellently equipped. Last week the newspapers announced with a flourish of rhetorical trumpets that he had just celebrated his fiftieth birthday.[21] Some of the trumpeters, with a laudable intention to be civil, cried, "Is it possible that he can be so old?" Others, with subtler art, professed themselves unable to believe that he was so young. Each compliment contained its element of truth. In appearance, air, and tastes Lord Rosebery is still young. In experience, knowledge, and conduct he is already old. He has had a vivid and a varied experience. He is equally at home on Epsom Downs and in the House of Lords. His life has been full of action, incident, and interest. He has not only collected books, but has read them; and has found time, even amid the engrossing demands of the London County Council, the Turf, and the Foreign Office, not only for study, but--what is much more remarkable--for thought.

So far, then, as substance goes, his conversation is (to use Mr. Gladstone's quaint phrase) "as full of infinitely varied matter as an egg is full of meat;" and in its accidents and ornaments it complies exactly with the conditions laid down in a former chapter--a manner which knows how to be easy and free without being free-and-easy; habitual deference to the tastes and prejudices of other people; a courteous desire to be, or at least to seem, interested in their concerns; and a recollection that even the most patient hearers (among whom the present writer reckons himself) may sometimes wish to be speakers. To these gifts he adds a keen sense of humour, a habit of close observation, and a sub-acid vein of sarcasm which resembles the dash of Tarragon in a successful salad. In a word, Lord Rosebery is one of the most agreeable talkers of the day; and even if it is true that _il s'écoute quand il parle_, his friends may reply that it would be strange indeed if one could help listening to what is always so agreeable and often so brilliant.

A genial journalist recently said that Mr. Goschen was now chiefly remembered by the fact that he had once had Sir Alfred Milner for his Private Secretary. But whatever may be thought of the First Lord of the Admiralty as a politician and an administrator, I claim for him a high place among agreeable talkers. There are some men who habitually use the same style of speech in public and in private life. Happily for his friends, this is not the case with Mr. Goschen. Nothing can be less agreeable than his public style, whether on the platform or in the House of Commons. Its tawdry staginess, its "Sadler's Wells sarcasm," its constant striving after strong effects, are distressing to good taste. But in private life he is another and a much more agreeable man. He is courteous, genial, perfectly free from affectation, and enters into the discussion of social banalities as eagerly and as brightly as if he had never converted the Three per Cents, or established the ratio between dead millionaires and new ironclads. His easiness in conversation is perhaps a little marred by a Teutonic tendency to excessive analysis which will not suffer him to rest until he has resolved every subject and almost every phrase into its primary elements. But this philosophic temperament has its counterbalancing advantages in a genuine openness of mind, willingness to weigh and measure opposing views, and inaccessibility to intellectual passion. It is true that on the platform the exigencies of his position compel him to indulge in mock-heroics and cut rhetorical capers for which Nature never designed him; but these are for public consumption only, and when he is not playing to the gallery he can discuss his political opponents and their sayings and doings as dispassionately as a microscopist examines a black-beetle. Himself a good talker, Mr. Goschen encourages good talk in other people; and in old days, when the Art of Conversation was still seriously cultivated, he used to gather round his table in Portland Place a group of intimate friends who drank '34 port and conversed accordingly. Among these were Lord Sherbrooke, whose aptness in quotation and dexterity in repartee have never, in my experience, been surpassed; and Lord Chief Justice Cockburn, whose "sunny face and voice of music, which lent melody to scorn and sometimes reached the depth of pathos," were gracefully commemorated by Lord Beaconsfield in his sketch of Hortensius. But this belongs to ancient history, and my business is with the conversation of to-day.

Very distinctly of to-day is the conversation of Mr. Labouchere. Even our country cousins are aware that the Member for Northampton is less an ornament of general society than the oracle of an initiated circle. The smoking-room of the House of Commons is his shrine, and there, poised in an American rocking-chair and delicately toying with a cigarette, he unlocks the varied treasures of his well-stored memory, and throws over the changing scenes of life the mild light of his genial philosophy. It is a chequered experience that has made him what he is. He has known men and cities; has probed in turn the mysteries of the caucus, the green-room, and the Stock Exchange; has been a diplomatist, a financier, a journalist, and a politician. Under these circumstances, it is perhaps not surprising that his faith--no doubt originally robust--in the purity of human nature and the uprightness of human motive should have undergone some process of degeneration. Still it may be questioned whether, after all that he has seen and done, he is the absolute and all-round cynic that he would seem to be. The palpable endeavour to make out the worst of every one--including himself--gives a certain flavour of unreality to his conversation; but, in spite of this peculiarity, he is an engaging talker. His language is racy and incisive, and he talks as neatly as he writes. His voice is pleasant, and his utterance deliberate and effective. He has a keen eye for absurdities and incongruities, a shrewd insight into affectation and bombast, and an admirable impatience of all the moral and intellectual qualities which constitute the Bore. He is by no means inclined to bow his knee too slavishly to an exalted reputation, and analyzes with agreeable frankness the personal and political qualities of great and good men, even if they sit on the front Opposition bench. As a contributor to enjoyment, as a promoter of fun, as an unmasker of political and social humbug, he is unsurpassed. His performances in debate are no concern of mine, for I am speaking of conversation only; but most Members of Parliament will agree that he is the best companion that can be found for the last weary half-hour before the division-bell rings, when some eminent nonentity is declaiming his foregone conclusions to an audience whose whole mind is fixed on the chance of finding a disengaged cab in Palace Yard.

Like Mr. Labouchere, Lord Acton has touched life at many points--but not the same. He is a theologian, a professor, a man of letters, a member of society; and his conversation derives a distinct tinge from each of these environments. When, at intervals all too long, he quits his retirement at Cannes or Cambridge, and flits mysteriously across the social scene, his appearance is hailed with devout rejoicing by every one who appreciates manifold learning, a courtly manner, and a delicately sarcastic vein of humour. The distinguishing feature of Lord Acton's conversation is an air of sphinx-like mystery, which suggests that he knows a great deal more than he is willing to impart. Partly by what he says, and even more by what he leaves unsaid, his hearers are made to feel that, if he has not acted conspicuous parts, he has been behind the scenes of many and very different theatres.

He has had relations, neither few nor unimportant, with the Pope and the Old Catholics, with Oxford and Lambeth, with the cultivated Whiggery of the great English families, with the philosophic radicalism of Germany, and with those Nationalist complications which, in these later days, have drawn official Liberalism into their folds. He has long lived on terms of the closest intimacy with Mr. Gladstone, and may perhaps be bracketed with Canon MacColl and Sir Algernon West as the most absolute and profound Gladstonian outside the family circle of Hawarden. But he is thoroughly eclectic in his friendships, and when he is in London he flits from Lady Hayter's tea-table to Mr. Goschen's bureau, analyzes at the Athenaeum the gossip which he has acquired at Brooks's, and by dinner-time is able, if only he is willing, to tell you what Spain intends and what America; the present relations between the Curia and the Secret Societies; how long Lord Salisbury will combine the Premiership with the Foreign Office; and the latest theory about the side of Whitehall on which Charles I. was beheaded.

The ranks of our good talkers--none too numerous a body at the best, and sadly thinned by the losses which I described in a former chapter--have been opportunely reinforced by the discovery of Mr. Augustine Birrell. For forty-eight years he has walked this earth, but it is only during the last nine--in short, since he entered Parliament--that the admirable qualities of his conversation have been generally recognized. Before that time his delightful _Obiter Dicta_ had secured for him a wide circle of friends who had never seen his face, and by these admirers his first appearance on the social scene was awaited with lively interest. What would he be like? Should we be disillusioned? Would he talk as pleasantly as he wrote? Well, in due course he appeared, and the questions were soon answered in a sense as laudatory as his friends or even himself could have desired. It was unanimously voted that his conversation was as agreeable as his writing; but, oddly enough, its agreeableness was of an entirely different kind. His literary knack of chatty criticism had required a new word to convey its precise effect. To "birrell" is now a verb as firmly established as to "boycott," and it signifies a style light, easy, playful, pretty, rather discursive, perhaps a little superficial. Its characteristic note is grace. But when the eponymous hero of the new verb entered the conversational lists it was seen that his predominant quality was strength.

An enthusiastic admirer who sketched him in a novel nicknamed him "The Harmonious Blacksmith," and the collocation of words happily hits off the special quality of his conversation. There is burly strength in his positive opinions, his cogent statement, his remorseless logic, his thorough knowledge of the persons and things that he discusses. In his sledge-hammer blows against humbug and wickedness, intellectual affectation, and moral baseness, he is the Blacksmith all over. In his geniality, his sociability, his genuine love of fun, his frank readiness to amuse or be amused, the epithet "harmonious" is abundantly justified. He cultivates to some extent the airs and tone of the eighteenth century, in which his studies have chiefly lain. He says what he means, and calls a spade a spade, and glories in an old-fashioned prejudice. He is the jolliest of companions and the steadiest of friends, and perhaps the most genuine book-lover in London, where, as a rule, people are too "cultured" to read books, though willing enough to chatter about them.

FOOTNOTES:

[21] May 7, 1897.

XVII.

CLERGYMEN.

_ Clerus Anglicanus stupor mundi_. I believe that this complimentary proverb originally referred to the learning of the English clergy, but it would apply with equal truth to their social agreeableness. When I was writing about the Art of Conversation and the men who excelled in it, I was surprised to find how many of the best sayings that recurred spontaneously to my memory had a clerical origin; and it struck me that a not uninteresting chapter might be written about the social agreeableness of clergymen. A mere layman may well feel a natural and becoming diffidence in venturing to handle so high a theme.

In a former chapter I said something of the secular magnificence which surrounded great prelates in the good old days, when the Archbishop of Canterbury could only be approached on gilt-edged paper, and even the Bishop of impecunious Oxford never appeared in his Cathedral city without four horses and two powdered footmen. In a certain sense, no doubt, these splendid products of established religion conduced to social agreeableness. Like the excellent prelate described in _Friendship's Garland_, they "had thoroughly learnt the divine lesson that charity begins at home." They maintained an abundant hospitality; they celebrated domestic events by balls at the episcopal palace; they did not disdain (as we gather from the Life of the Hon. and Rev. George Spencer) the relaxation of a rubber of whist, even on the night before an Ordination, with a candidate for a partner. They dined out, like that well-drawn bishop in _Little Dorrit_, who "was crisp, fresh, cheerful, affable, bland, but so surprisingly innocent;" or like the prelate on whom Thackeray moralized: "My Lord, I was pleased to see good thing after good thing disappear before you; and think that no man ever better became that rounded episcopal apron. How amiable he was! how kind! He put water into his wine. Let us respect the moderation of the Establishment."

But the agreeableness which I had in my mind when I took upon myself to discourse of agreeable clergymen was not an official but a personal agreeableness. We have been told on high authority that the Merriment of Parsons is mighty offensive; but the truth of this dictum depends entirely on the topic of the merriment. A clergyman who made light of the religion which he professes to teach, or even joked about the incidents and accompaniments of his sacred calling, would by common consent be intolerable. Decency exacts from priests at least a semblance of piety; but I entirely deny that there is anything offensive in the "merriment of parsons" when it plays round subjects outside the scope of their professional duties.

Of Sydney Smith Lord Houghton recorded that "he never, except once, knew him to make a jest on any religious subject, and then he immediately withdrew his words, and seemed ashamed that he had uttered them;" and I regard the admirable Sydney as not only the supreme head of all ecclesiastical jesters, but as, on the whole, the greatest humorist whose jokes have come down to us in an authentic and unmutilated form. Almost alone among professional jokers, he made his merriment--rich, natural, fantastic, unbridled as it was--subserve the serious purposes of his life and writing. Each joke was a link in an argument; each sarcasm was a moral lesson.

_Peter Plymley's Letters_, and those addressed to Archdeacon Singleton, the Essays on _America_ and _Persecuting Bishops_, will probably be read as long as the _Tale of a Tub_ or Macaulay's review of Montgomery's Poems; while of detached and isolated jokes--pure freaks of fun clad in literary garb--an incredible number of those which are current in daily converse deduce their birth from this incomparable Canon.

When one is talking of facetious clergymen, it is inevitable to think of Bishop Wilberforce; but his humour was of an entirely different quality from that of Sydney Smith. To begin with, it is unquotable. It must, I think, have struck every reader of the Bishop's Life, whether in the three huge volumes of the authorized Biography or in the briefer but more characteristic monograph of Dean Burgon, that, though the biographers had themselves tasted and enjoyed to the full the peculiar flavour of his fun, they utterly failed in the attempt to convey it to the reader. Puerile puns, personal banter of a rather homely type, and good stories collected from other people are all that the books disclose. Animal spirits did the rest; and yet, by the concurrent testimony of nearly all who knew him, Bishop Wilberforce was not only one of the most agreeable but one of the most amusing men of his time. We know from one of his own letters that he peculiarly disliked the description which Lord Beaconsfield gave of him in _Lothair_, and on the principle of _Ce n'est que la vérité qui blesse_, it may be worth while to recall it: "The Bishop was particularly playful on the morrow at breakfast. Though his face beamed with Christian kindness, there was a twinkle in his eye which seemed not entirely superior to mundane self-complacency, even to a sense of earthly merriment. His seraphic raillery elicited sympathetic applause from the ladies, especially from the daughters of the house, who laughed occasionally even before his angelic jokes were well launched."

Mr. Bright once said, with characteristic downrightness, "If I was paid what a bishop is paid for doing what a bishop does, I should find abundant cause for merriment in the credulity of my countrymen;" and, waiving the theological animus which the saying implies, it is not uncharitable to surmise that a general sense of prosperity and a strong faculty of enjoying life in all its aspects and phases had much to do with Bishop Wilberforce's exuberant and infectious jollity. "A truly emotional spirit," wrote Matthew Arnold, after meeting him in a country house, "he undoubtedly has beneath his outside of society-haunting and men-pleasing, and each of the two lives he leads gives him the more zest for the other."

A scarcely less prominent figure in society than Bishop Wilberforce, and to many people a much more attractive one, was Dean Stanley. A clergyman to whom the Queen signed herself "Ever yours affectionately" must certainly be regarded as the social head of his profession, and every circumstance of Stanley's nature and antecedents exactly fitted him for the part. He was in truth a spoiled child of fortune, in a sense more refined and spiritual than the phrase generally conveys. He was born of famous ancestry, in a bright and unworldly home; early filled with the moral and intellectual enthusiasms of Rugby in its best days; steeped in the characteristic culture of Oxford, and advanced by easy stages of well-deserved promotion to the most delightful of all offices in the Church of England. His inward nature accorded well with this happy environment. It was in a singular degree pure, simple, refined, ingenuous. All the grosser and harsher elements of human character seemed to have been omitted from his composition. He was naturally good, naturally graceful, naturally amiable. A sense of humour was, I think, almost the only intellectual gift with which he was not endowed. Lord Beaconsfield spoke of his "picturesque sensibility," and the phrase was happily chosen. He had the keenest sympathy with whatever was graceful in literature; a style full of flexibility and colour; a rare faculty of graphic description; and all glorified by something of the poet's imagination. His conversation was incessant, teeming with information, and illustrated by familiar acquaintance with all the best that has been thought and said in the world.