Chapter 2
And lo--I looked upon that boy--his face was sweet and sad, And to my heart there came a twinge, for in that little lad I recognized my eldest son--_I_ was that wicked dad!
And now together we are out on links at home and far. He and his three small brothers with their shamed, repentant pa, A-looking here and looking there to find their dear mamma.
_GARRULOUS WISDOM_
I KNOW a wondrous man--my neighbor he; He's ripe in years, and great in understanding. He's versed in art, and in philosophy He shows a mind that's verily commanding.
He'll stand before a painting, and without A single instant's thought, or hesitation, He'll tell the painter's name, nor any doubt Is there he gives the proper information.
The rocks, the hills and valleys, hold from him No secret that is past a man's revealing. He knows why some are stout and others slim; He comprehends all kinds of human feeling.
The records of the stars he knows, and each Romance that round about the heavens lingers. At dinner-time he oft delights to preach On which was made the first, or forks or fingers.
Indeed, all things he knows, or high or low-- The things that fly on wing, or go a-walking-- Except one thing he never seems to know, And that's when he should stop his endless talking.
_THE PERJURY OF A REJECTED LOVER_
WHEN I was twenty-one, I swore, If I should ever wed, The maiden that I should adore Should have a classic head; Should have a form quite Junoesque; A manner full of grace; A wealth of hirsute picturesque Above a piquant face.
But I, alas! am perjured, for I've wed a dumpy lass I much despised in days of yore, Of quite the plainest class, Because each maiden of my dream, Whose favor I did seek, Was so opposed unto my scheme I married Jane in pique.
_MAID OF CULTURE_
MAID of culture, ere we part, Since we've talked of letters, art, Science, faith, and hypnotism, And 'most every other ism, When you wrote, a while ago, =Zoe mou, sas agapo,=
Let me tell you this, my dear: Though your lettering was clear, Though the ancient sages Greek Would be glad to hear you speak, They would be replete with woe At your =mou, sas agapo=.
For, dear maiden most astute, You have placed the mark acute O'er omega. Take your specs. See? It should be circumflex. Still I love you, even though You have written =agapo=.
_NOT PERFECT_
HER eyes are blue--a lovely hue For eyes; her cheeks are pink, And for the cheek, 'twixt me and you, That color's right, I think.
Her fingers taper prettily, Her teeth are white as pearls-- Her hands seem softer far to me Than any other girl's.
Her figure's trim--it is petite-- I like them just that way, And truly, maiden half so sweet You'd not find every day.
And yet, alas! she's not my choice, This creature of my rhyme-- Because her soft and rich-toned voice Is going all the time.
_A CITY DWELLER'S WISH_
I LOVE the leaf of the old oak-tree, I love the gum of the spruce, I love the bark of the hickory, And I love the maple's juice.
On the walnut's grain I fondly dote, On the cherry's fruit I'd dine, And I love to lie in a narrow boat, And scent the odor of pine.
Ah, me! how I wish some power grand Would invent some single tree With all these points well developed, and Would send that tree to me!
I'd plant it deep in the jardiniere That stands in this flat of mine; I'd give it the sweetest, tenderest care, And water its roots with wine.
_WHERE ARE THEY?_
WHAT has become of the cast-off coats That covered Will Shakespeare's back? What has become of the old row-boats Of Kidd and his pirate pack?
Where are the scarfs that Lord Byron wore? Where are poor Shelley's cuffs? What has become of that wondrous store Of Queen Elizabeth's ruffs?
Where are the slippers of Ferdinand? Where are Marc Antony's clothes? Where are the gloves from Antoinette's hand? Where Oliver Goldsmith's hose?
I do not search for the ships of Tyre-- The grave of Whittington's cat Would sooner set my spirit on fire-- Or even Beau Brummel's hat.
And when I reflect that there are spots In the world that I can't find, Where lie these same identical lots, And many of this same kind,
I'm tempted to give a store of gold To him that will bring to me A glass, Earth's mysteries to unfold, And show me where these things be.
_MEMORIES_
YON maiden once a jester did adore, Who early died and in the church-yard sleeps. Once in a while she reads his best jokes o'er And sits her down and madly, sorely weeps.
_A SAD STATE_
I KNOW a man in Real Estate, Whose pride of self's sublime. He'd like to be a poet great But "can't afford the time."
_AD ASTRA PER OTIUM_
AS I read over old John Dryden's verse, The rhymes of men like William Blake, and Gay, The stuff that helped fill Edmund Waller's purse, And that which placed on Marvell's brow the bay,
It doth appear to me that in those times The Muses quaffed not sparkling wine, but grog, And that to grow immortal through one's rhymes Was 'bout as hard as falling off a log.
_CONSOLATION_
SHAKESPEARE was not accounted great When good Queen Bess ruled England's state, So why should I to-day repine Because the laurel is not mine?
Perhaps in twenty-ninety-three Folks will begin to talk of me, And somewhere statues may be built Of me, in bronze, perhaps in gilt,
And sages full of quips and quirks Will wonder if I wrote my works. So why should I repine to-day Because my brow wears not the bay?
_SATISFACTION_
ON READING "NOT ONE DISSATISFIED," BY WALT WHITMAN
GOD spare the day when I am satisfied! Enough is truly likened to a feast that leaves man satiate. The sluggishness of fulness comes apace; the dulness of a mind that knows all things. The lack of every sweet desire; no new sensation for the soul! To want no more? What vile estate is that? What holds the morrow for the soul that's satisfied? What holds the future for the mind content? Is aspiration worthless? Is much-abused ambition then so vile? What is the essence of the joy of living? Must yesterday, to-morrow, and to-day all be the same, With nothing to be hoped for? Is not a soul athirst a joyous thing? Where lies content to him whose eye doth rest on higher things? What satiation can compare to hope? Yet who among the satisfied hath need of hope? What can he hope for if he's satisfied? 'Tis but conceit, and nothing more, to prate of satisfaction! God spare the day when I am satisfied! I do not want the earth, Yet nothing less will leave me quite content; And once 'tis mine, I'm very sure you'll find me roaming off After the universe!
_TO A WITHERED ROSE_
THY span of life was all too short-- A week or two at best-- From budding-time, through blossoming, To withering and rest.
Yet compensation hast thou--aye!-- For all thy little woes; For was it not thy happy lot To live and die a rose?
_THE WORST OF ENEMIES_
I DO not fear an enemy Who all his days hath hated me.
I do not bother o'er a foe Whose name and face I do not know.
I mind me not the small attack Of him who bites behind my back:
But Heaven help me to the end 'Gainst that one who was once my friend.
_JOKES OF THE NIGHT_
BLESSED jokes of my dreams! Your praises I'd sing. No mirth can compare to the mirth that you bring. I've read London _Punch_ from beginning to end, On all comic papers much money I spend, But naught that is in them can ever seem bright Beside the rich jokes that I dream of at night.
How I laugh at those jests of my brain when at rest, The gladdest and merriest, sweetest and best! And how, when I wake in the morning and try To call them to mind, oh how bashful, how shy They seem, how they scatter and hide out of sight-- Those jokes of my dreamings, those jests of the night!
Take the one that came to me to-day just at dawn: The Cable-Car turns and remarks to the Prawn, "The Crowbar is seasick; but then what of that, As long as the Camel won't wear a silk hat?" I laughed--why, I laughed till my wife had a fright For fear I'd go wild from that joke of the night.
And they're all much like that one--elusive enough, Yet full of facetious, hilarious stuff-- Stuff past comprehension, stuff no man dares tell; For nocturnal jests, e'en told ever so well-- 'Tis odd it should be so--are not often bright, Except to the dreamer who dreams them at night.
_AN AUTUMNAL ROMANCE_
A LEAF fell in love with the soft green lawn, He deemed her the sweetest and best, And then on a dreary November dawn He withered and died on her breast.
_THE COUNTRY IN JULY_
WHERE glistening in the softness of the night The vagrant will-o'-wisps do greet the sight; Where fragrance baffling permeates the breeze That gently flouts the grasses and the trees; Where every flying thing doth seem to be Instinct with sweetly sensuous melody; Where hills and dales assume their warmest phase, With here and there a scarf of opal haze To soften their luxuriant attire; Where one can almost hear the elfin choir Across the meadow-land, down in the wood, In songs of gladness--there are all things good. Ah! ye who seek the spot where joys abide, Awake! Awake! Seek out the country-side, And through the blue-gray July haze see life All free from care, from sorrow, and from strife.
_MAY 30, 1893_
IT seemed to be but chance, yet who shall say That 'twas not part of Nature's own sweet way,
That on the field where once the cannon's breath Lay many a hero cold and stark in death,
Some little children, in the after-years, Had come to play among the grassy spears,
And, all unheeding, when their romp was done, Had left a wreath of wild flowers over one
Who fought to save his country, and whose lot It was to die unknown and rest forgot?
_THE CURSE OF WEALTH_
"WHAT shall I put my dollars in?" he asked, in wild dismay. "I've fifty thousand of 'em, and I'd like to keep 'em too. I'd like to put them by to serve some future rainy day, But in these times of queer finance what can a fellow do?
"A railway bond is picturesque, and the supply is great, But strangely like a novel that upon occasion drags, Of which the critics of the time in hackneyed phrases state, 'The work has certain value, but the int'rest often flags!'
"The same is true of railway shares, 'tis safer to invest In ploughshares, so it seems to me, in this unhappy time. Some think great wealth a blessing, but it cannot stand the test; He's happier by far than I who's but a single dime.
"He does not lie awake at night and fret and fume, to think Of bank officials on a spree with what he's toiled to get. He is not driven by his woe quite to the verge of drink By wondering if his balance in the bank remains there yet.
"He does not pick the paper up in terror every night To see if V.B.G. is up, or P.D.Q. is down; It does not fill his anxious soul with nerve-destroying fright To hear the Wall Street rumors that are flying 'bout the town.
"Ah, better had I ta'en that cash that I have skimped to save, And spent it on my living and my pleasures day by day! I would not now be goaded nigh unto my waiting grave, By wondering how the deuce to keep those dollars mine for aye.
"I'd not be bankrupt in my nerves and prematurely old, These golden shackles must be burst; I must again be free. What Ho without! My ducats--to the winds with all my gold, That I may once again enjoy the rest of poverty."
_THE RHYME OF THE ANCIENT POPULIST_
IT was an ancient populist, His beard was long and gray, And punctuated by his fist, He had his little say: "This is the age of gold," he said, "'Tis gold for butter, gold for bread, Gold for bonds and gold for fun; Gold for all things 'neath the sun." Then with a smile He shook his head. "Just wait awhile," He slyly said. "When we get in and run the State We'll tackle gold, we'll legislate. We'll pass an act And make a fact By which these gold-bugs will be whacked Till they're as cold As is their gold. We're going to make a statute law by which 'twill be decreed That standards are abolished, for a standard favors greed. This is the country of the free, and free this land shall be As soon as we the 'people' have our opportunity, And he who has to pay a bill Can pay in whate'er suits his will. The tailor? Let him take his coats And pay his notes; Or if perchance He's long on pants, Let trousers be His _L. s. d._ The baker! Let his landlord take His rent in cake, Or anything the man can bake. And if a plumber wants a crumb, He may unto the baker come And plumb. A joker needing hats or cloaks Can go and pay for them with jokes, And so on: what a fellow's got Shall pay for things that he has not. If beggars' rags were cash, you'd see No longer any beggary; In short, there'd be no poverty." "A splendid scheme," quoth I; "but stay! What of the nation's credit, pray?" "Ha-ha! ho-ho!" he loudly roared. "We'll leave that problem to the Lord. And if He fails to keep us straight Once more we'll have to legislate, And so create, Confounding greed, As much of credit as we need."
_ONE OF THE NAMELESS GREAT_
I KNEW a man who died in days of yore, To whom no monument is like to rise; And yet there never lived a mortal more Deserving of a shaft to pierce the skies.
His chiefest wish strong friendships was to make; He cared but little for this poor world's pelf; He shared his joys with every one who'd take, And kept his sorrows strictly to himself.
_IN FEBRUARY DAYS_
FAIR Nature, like the mother of a wayward child Who needs must chide the offspring of her heart, Disguiseth for a season all the sweet and mild Maternal softness for an austere part.
And 'neath her frown the errant earth in winter seems Prostrate to lie, and petulant of mood; Restrained in icy fetters all the babbling streams, Like naughty babes who're learning to be good.
Then, in this second month, most motherlike again, The frown assumed gives now and then a place To soft indulgent glances, lessening the pain, And hints of spring and pardon light her face.
_A CHANGE OF AMBITION_
HORATIUS at the bridge, and he Who fought at old Thermopylae;
Great Samson and his potent bone By which the Philistines were slone;
Small David with his wondrous aim That did for him of giant frame;
J. Caesar in his Gallic scraps That made him lord of other chaps;
Sweet William, called the Conqueror, Who made the Briton sick of war;
King Hal the Fifth, who nobly fought And thrashed the foe at Agincourt;
Old Bonaparte, and Washington, And Frederick, and Wellington,
Decatur, Nelson, Fighting Joe, And Farragut, and Grant, and, oh,
A thousand other heroes I Have wished I were in days gone by--
Can take their laurels from my door, For I don't want 'em any more.
The truth will out; it can't be hid; The doughty deed that Dewey did,
In that far distant Spanish sea, Is really good enough for me.
The grammar's bad, but, O my son, I wish I'd did what Dewey done!
_MESSAGE FROM MAHATMAS_
ONSET BAY, MASSACHUSETTS, _May 24, 18--._--Theosophists and others at Onset Bay Camp Grounds have been greatly excited of late by a message which has been received from the Mahatmas, Koot Hoomi, and his partner, who are summering in the desert of Gobi. The message is of considerable length, and contains much that is purely personal.--_Daily Newspaper_.
SOUND the timbrel, beat the drum! Word from the Mahatma's come. Straight from Hoomi Koot & Co. Comes the note to us below, Full of joy and gossiping. Hoomi Koot is summering In the desert waste of Gobi, In a cottage of adobe. All the little Koots are well. Tommy Koot has learned to spell. Mrs. Koot is busy on Papers on "The Great Anon," Which by special cable soon, From her workshop in the moon, Will be sent to us below By grand Hoomi Koot & Co.
We are told that Maggie Koot Looks well in her golfing suit; And her brand-new Astral Bike Is the best they've seen this cike-- Cike is slang for cycle, so I have learned from Koot & Co. Soon she's going to take a run Out from Gobi to the sun, After which she thinks to race For the Championship of Space, And a trophy given by The Grand High Pasupati.
Baby Koot has learned to walk, And likewise, 'tis said, to talk; But, to Mrs. Koot's dismay, Seems to have a funny way: Full of questions, "Why and How," All about the sacred cow. Questions of a flippant ilk, Like "Is Buddha made of milk?" Questions void of answers spite Of his parents' second sight. What to do with Baby Koot Worries all the whole cahoot.
Finally the message ends With best love to all our friends. Give our enemies a twist. Let each true theoso-fist Strike a thunder-hitting blow For the firm of Koot & Co.; Strike till black is every eye Doubting our theosophy. And impress on every tribe _Now's the season to subscribe._ Guard against the coming storm; Keep our astral bodies warm. Give us bonnets for the head; Keep our spirit stomachs fed. Let your glad remittance go Out to Hoomi Koot & Co., Through their Agents on the earth, Men and women full of worth; And when next a message comes From the Koots down to their chums, Those who've paid their money down Will receive a harp and crown.
Step up lively! now's the time For your nickel and your dime, To provide for winter suits For the grand Mahatma Koots. Furthermore, be not too brash, Send it up in solid cash. Astral money, it may be, Circulates in theory; But 'tis best to give us cold, Bilious, drossy, filthy gold.
All our blessings to you go. Yours, for health, H. Koots & Co.
_THE GOLD-SEEKERS_
GOLD, gold, gold! What care we for hunger and cold? What care we for the moil and strife, Or the thousands of foes to health and life, When there's gold for the mighty, and gold for the meek, And gold for whoever shall dare to seek? Untold Is the gold; And it lies in the reach of the man that's bold: In the hands of the man who dares to face The death in the blast, that blows apace; That withers the leaves on the forest tree; That fetters with ice all the northern sea; That chills all the green on the fair earth's breast, And as certainly kills as the un-stayed pest. It lies in the hands of the man who'd sell His hold on his life for an ice-bound hell. What care we for the fevered brain That's filled with ravings and thoughts insane, So long as we hold In our hands the gold?-- The glistening, glittering, ghastly gold That comes at the end of the hunger and cold; That comes at the end of the awful thirst; That comes through the pain and torture accurst Of limbs that are racked and minds o'erthrown, The gold lies there and is all our own, Be we mighty or meek, If we do but seek. For the hunger is sweet and the cold is fair To the man whose riches are past compare; And the o'erthrown mind is as good as sane, And a joy to the limbs is the racking pain, If the gold is there. And they say, if you fail, in your dying day All the tears, all the troubles, are wiped away By the fever-thought of your shattered mind That a cruel world has at last grown kind; That your hands o'errun with the clinking gold, With nuggets of weight and of worth untold, And your vacant eyes Gloat o'er the riches of Paradise!
_ODE TO A POLITICIAN_
ALL hail to thee, O son of AEolus! All hail to thee, most high Borean lord! The lineal descendant of the Winds art thou. Child of the Cyclone, Cousin to the Hurricane, Tornado's twin, All hail! The zephyrs of the balmy south Do greet thee; The eastern winds, great Boston's pride, In manner osculate caress thy massive cheek; Freeze onto thee, And at thy word throw off congealment And take on a soft caloric mood; And from afar, From Afric's strand, Siroccan greetings come to thee! The monsoon and simoom, In the soft empurpled Orient, At mention of thy name Doff all the hats of Heathendom! And all combined in one vast aggregation, Cry out hail, hail, thrice hail to thee, Who after years, and centuries, and cycles e'en, Hast made the winds incarnate! To thee The visible expression in the flesh, Material and tangible, Of all that goes to make the element That rages, blusters, blasts, and blows! And if the poet's mind speaks true, If he can penetrate their purposes at all, It is not far from their intent To lift thee on their broad November wings So high That none but gods can ever hope Again to gaze upon thy face!
_SOME ARE AMATEURS_
SHAKESPEARE was partly wrong--the world's a stage, This is admitted by the bard's detractors. Had William seen some Hamlets of this age He'd not have called _all_ men upon it actors.
LITTLE BOOKS BY FAMOUS WRITERS
THE FIRST CHRISTMAS (From "Ben-Hur") _By Lew. Wallace_
THE STORY OF THE OTHER WISE MAN _By Henry van Dyke_
TWO GENTLEMEN OF KENTUCKY _By James Lane Allen_
EPISODES IN VAN BIBBER'S LIFE _By Richard Harding Davis_
GOOD FOR THE SOUL _By Margaret Deland_
EVELINA'S GARDEN _By Mary E. Wilkins_
COBWEBS FROM A LIBRARY CORNER (Verses) _By John Kendrick Bangs_
THE WOMAN'S EXCHANGE _By Ruth McEnery Stuart_
THE CAPTURED DREAM _By Octave Thanet_
STORIES OF PEACE AND WAR _By Frederic Remington_
Uniform with this Volume--with Frontispiece _Fifty Cents a Volume_
HARPER & BROTHERS, PUBLISHERS
NEW YORK AND LONDON
[Pointing hand] _Any of the above works will be sent by mail, postage prepaid, to any part of the United States, Canada, or Mexico, on receipt of the price._
Transcriber's note: Words originally in Greek are set off by equal signs like so: =agapo=.