Part 6
"Being obliged, at present, to attend a particular affair of my own, I do empower my printer to look into the arcana of the lion, and select out of them such as may be of publick utility; and Mr. Button is hereby authorized and commanded to give my said printer free ingress and egress to the lion, without any hindrance, lest, or molestation whatsoever, until such time as he shall receive orders to the contrary. And, for so doing, this shall be his warrant."[21]
"My Lion, whose jaws are at all times open to intelligence, informs me that there are a few enormous weapons still in being; but that they are to be met with only in gaming-houses and some of the obscure retreats of lovers, in and about Drury-lane and Covent Garden."[22]
This memorable Lion's Head was tolerably well carved: through the mouth the letters were dropped into a till at Button's; and beneath were inscribed these two lines from Martial:--
"Cervantur magnis isti Cervicibus ungues: Non nisi delictâ pascitur ille ferâ."
The head was designed by Hogarth, and is etched in Ireland's _Illustrations_. Lord Chesterfield is said to have once offered for the Head fifty guineas. From Button's it was removed to the Shakspeare's Head Tavern, under the Piazza, kept by a person named Tomkyns; and in 1751, was, for a short time, placed in the Bedford Coffee-house immediately adjoining the Shakspeare, and there employed as a letter-box by Dr. John Hill, for his _Inspector_. In 1769, Tomkyns was succeeded by his waiter, Campbell, as proprietor of the tavern and lion's head, and by him the latter was retained until Nov. 8, 1804, when it was purchased by Mr. Charles Richardson, of Richardson's Hotel, for £17. 10_s._, who also possessed the original sign of the Shakspeare's Head. After Mr. Richardson's death in 1827, the Lion's Head devolved to his son, of whom it was bought by the Duke of Bedford, and deposited at Woburn Abbey, where it still remains.
Pope was subjected to much annoyance and insult at Button's. Sir Samuel Garth wrote to Gay, that everybody was pleased with Pope's Translation, "but a few at Button's;" to which Gay adds, to Pope, "I am confirmed that at Button's your character is made very free with, as to morals, etc."
Cibber, in a letter to Pope, says:--"When you used to pass your hours at Button's, you were even there remarkable for your satirical itch of provocation; scarce was there a gentleman of any pretension to wit, whom your unguarded temper had not fallen upon in some biting epigram, among which you once caught a pastoral Tartar, whose resentment, that your punishment might be proportionate to the smart of your poetry, had stuck up a birchen rod in the room, to be ready whenever you might come within reach of it; and at this rate you writ and rallied and writ on, till you rhymed yourself quite out of the coffee-house." The "pastoral Tartar" was Ambrose Philips, who, says Johnson, "hung up a rod at Button's, with which he threatened to chastise Pope."
Pope, in a letter to Craggs, thus explains the affair:--"Mr. Philips did express himself with much indignation against me one evening at Button's Coffee-house, (as I was told,) saying that I was entered into a cabal with Dean Swift and others, to write against the Whig interest, and in particular to undermine his own reputation and that of his friends, Steele and Addison; but Mr. Philips never opened his lips to my face, on this or any like occasion, though I was almost every night in the same room with him, nor ever offered me any indecorum. Mr. Addison came to me a night or two after Philips had talked in this idle manner, and assured me of his disbelief of what had been said, of the friendship we should always maintain, and desired I would say nothing further of it. My Lord Halifax did me the honour to stir in this matter, by speaking to several people to obviate a false aspersion, which might have done me no small prejudice with one party. However, Philips did all he could secretly to continue the report with the Hanover Club, and kept in his hands the subscriptions paid for me to him, as secretary to that Club. The heads of it have since given him to understand, that they take it ill; but (upon the terms I ought to be with such a man,) I would not ask him for this money, but commissioned one of the players, his equals, to receive it. This is the whole matter; but as to the secret grounds of this malignity, they will make a very pleasant history when we meet."
Another account says that the rod was hung up at the bar of Button's, and that Pope avoided it by remaining at home--"his usual custom." Philips was known for his courage and superior dexterity with the sword: he afterwards became justice of the peace, and used to mention Pope, whenever he could get a man in authority to listen to him, as an enemy to the Government.
At Button's the leading company, particularly Addison and Steele, met in large flowing flaxen wigs. Sir Godfrey Kneller, too, was a frequenter.
The master died in 1731, when in the _Daily Advertiser_, Oct. 5, appeared the following:--"On Sunday morning, died, after three days' illness, Mr. Button, who formerly kept Button's Coffee-house, in Russell-street, Covent Garden; a very noted house for wits, being the place where the Lyon produced the famous _Tatlers_ and _Spectators_, written by the late Mr. Secretary Addison and Sir Richard Steele, Knt., which works will transmit their names with honour to posterity." Mr. Cunningham found in the vestry-books of St. Paul's, Covent Garden: "1719, April 16. Received of Mr. Daniel Button, for two places in the pew No. 18, on the south side of the north Isle,--2_l._ 2_s._" J. T. Smith states that a few years after Button, the Coffee-house declined, and Button's name appeared in the books of St. Paul's, as receiving an allowance from the parish.
Button's continued in vogue until Addison's death and Steele's retirement into Wales, after which the house was deserted; the coffee-drinkers went to the Bedford Coffee-house, the dinner-parties to the Shakspeare.
Among other wits who frequented Button's were Swift, Arbuthnot, Savage, Budgell, Martin Folkes, and Drs. Garth and Armstrong. In 1720, Hogarth mentions "four drawings in Indian ink" of the characters at Button's Coffee-house. In these were sketches of Arbuthnot, Addison, Pope, (as it is conjectured,) and a certain Count Viviani, identified years afterwards by Horace Walpole, when the drawings came under his notice. They subsequently came into Ireland's possession.[23]
Jemmy Maclaine, or M'Clean, the fashionable highwayman, was a frequent visitor at Button's. Mr. John Taylor, of the _Sun_ newspaper, describes Maclaine as a tall, showy, good-looking man. A Mr. Donaldson told Taylor that, observing Maclaine paid particular attention to the bar-maid of the Coffee-house, the daughter of the landlord, he gave a hint to the father of Maclaine's dubious character. The father cautioned the daughter against the highwayman's addresses, and imprudently told her by whose advice he put her on her guard; she as imprudently told Maclaine. The next time Donaldson visited the Coffee-room, and was sitting in one of the boxes, Maclaine entered, and in a loud tone said, "Mr. Donaldson, I wish to _spake_ to you in a private room." Mr. D. being unarmed, and naturally afraid of being alone with such a man, said, in answer, that as nothing could pass between them that he did not wish the whole world to know, he begged leave to decline the invitation. "Very well," said Maclaine, as he left the room, "we shall meet again." A day or two after, as Mr. Donaldson was walking near Richmond, in the evening, he saw Maclaine on horseback; but, fortunately, at that moment, a gentleman's carriage appeared in view, when Maclaine immediately turned his horse towards the carriage, and Donaldson hurried into the protection of Richmond as fast as he could. But for the appearance of the carriage, which presented better prey, it is probable that Maclaine would have shot Mr. Donaldson immediately.
Maclaine's father was an Irish Dean; his brother was a Calvinist minister in great esteem at the Hague. Maclaine himself has been a grocer in Welbeck-street, but losing a wife that he loved extremely, and by whom he had one little girl, he quitted his business with two hundred pounds in his pocket, which he soon spent, and then took to the road with only one companion, Plunket, a journeyman apothecary.
Maclaine was taken in the autumn of 1750, by selling a laced waistcoat to a pawnbroker in Monmouth-street, who happened to carry it to the very man who had just sold the lace. Maclaine impeached his companion, Plunket, but he was not taken. The former got into verse: Gray, in his _Long Story_, sings:
"A sudden fit of ague shook him; He stood as mute as poor M'Lean."
Button's subsequently became a private house, and here Mrs. Inchbald lodged, probably, after the death of her sister, for whose support she practised such noble and generous self-denial. Mrs. Inchbald's income was now 172_l._ a year, and we are told that she now went to reside in a boarding-house, where she enjoyed more of the comforts of life. Phillips, the publisher, offered her a thousand pounds for her Memoirs, which she declined. She died in a boarding-house at Kensington, on the 1st of August, 1821; leaving about 6000_l._ judiciously divided amongst her relatives. Her simple and parsimonious habits were very strange. "Last Thursday," she writes, "I finished scouring my bedroom, while a coach with a coronet and two footmen waited at my door to take me an airing."
"One of the most agreeable memories connected with Button's," says Leigh Hunt, "is that of Garth, a man whom, for the sprightliness and generosity of his nature, it is a pleasure to name. He was one of the most amiable and intelligent of a most amiable and intelligent class of men--the physicians."
FOOTNOTES:
[17] _The Guardian_, No. 71.
[18] _The Guardian_, No. 85.
[19] _The Guardian_, No. 93.
[20] _The Guardian_, No. 114.
[21] _The Guardian_, No. 142.
[22] _The Guardian_, No. 171.
[23] From Mr. Sala's vivid "William Hogarth;" Cornhill Magazine, vol. i. p. 428.
DEAN SWIFT AT BUTTON'S.
It was just after Queen Anne's accession that Swift made acquaintance with the leaders of the wits at Button's. Ambrose Philips refers to him as the strange clergyman whom the frequenters of the Coffee-house had observed for some days. He knew no one, no one knew him. He would lay his hat down on a table, and walk up and down at a brisk pace for half an hour without speaking to any one, or seeming to pay attention to anything that was going forward. Then he would snatch up his hat, pay his money at the bar, and walk off, without having opened his lips. The frequenters of the room had christened him "the mad parson." One evening, as Mr. Addison and the rest were observing him, they saw him cast his eyes several times upon a gentleman in boots, who seemed to be just come out of the country. At last, Swift advanced towards this bucolic gentleman, as if intending to address him. They were all eager to hear what the dumb parson had to say, and immediately quitted their seats to get near him. Swift went up to the country gentleman, and in a very abrupt manner, without any previous salute, asked him, "Pray, Sir, do you know any good weather in the world?" After staring a little at the singularity of Swift's manner and the oddity of the question, the gentleman answered, "Yes, Sir, I thank God I remember a great deal of good weather in my time."--"That is more," replied Swift, "than I can say; I never remember any weather that was not too hot or too cold, too wet or too dry; but, however God Almighty contrives it, at the end of the year 'tis all very well."
Sir Walter Scott gives, upon the authority of Dr. Wall, of Worcester, who had it from Dr. Arbuthnot himself, the following anecdote--less coarse than the version generally told. Swift was seated by the fire at Button's: there was sand on the floor of the coffee-room, and Arbuthnot, with a design to play upon this original figure, offered him a letter, which he had been just addressing, saying at the same time, "There--sand that."--"I have got no sand," answered Swift, "but I can help you to a little _gravel_." This he said so significantly, that Arbuthnot hastily snatched back his letter, to save it from the fate of the capital of Lilliput.
TOM'S COFFEE-HOUSE,
In Birchin-lane, Cornhill, though in the main a mercantile resort, acquired some celebrity from its having been frequented by Garrick, who, to keep up an interest in the City, appeared here about twice in a winter at 'Change time, when it was the rendezvous of young merchants. Hawkins says: "After all that has been said of Mr. Garrick, envy must own that he owed his celebrity to his merit; and yet, of that himself seemed so diffident, that he practised sundry little but innocent arts, to insure the favour of the public:" yet, he did more. When a rising actor complained to Mrs. Garrick that the newspapers abused him, the widow replied, "You should write your own criticisms; David always did."
One evening, Murphy was at Tom's, when Colley Cibber was playing at whist, with an old general for his partner. As the cards were dealt to him, he took up every one in turn, and expressed his disappointment at each indifferent one. In the progress of the game he did not follow suit, and his partner said, "What! have you not a spade, Mr. Cibber?" The latter, looking at his cards, answered, "Oh yes, a thousand;" which drew a very peevish comment from the general. On which, Cibber, who was shockingly addicted to swearing, replied, "Don't be angry, for ---- I can play ten times worse if I like."
THE BEDFORD COFFEE-HOUSE, IN COVENT GARDEN.
This celebrated resort once attracted so much attention as to have published, "Memoirs of the Bedford Coffee-house," two editions, 1751 and 1763. It stood "under the Piazza, in Covent Garden," in the north-west corner, near the entrance to the theatre, and has long ceased to exist.
In _The Connoisseur_, No. 1, 1754, we are assured that "this Coffee-house is every night crowded with men of parts. Almost every one you meet is a polite scholar and a wit. Jokes and bon-mots are echoed from box to box: every branch of literature is critically examined, and the merit of every production of the press, or performance of the theatres, weighed and determined."
And in the above-named _Memoirs_, we read that "this spot has been signalized for many years as the emporium of wit, the seat of criticism, and the standard of taste.--Names of those who frequented the house:--Foote, Mr. Fielding, Mr. Woodward, Mr. Leone, Mr. Murphy, Mopsy, Dr. Arne. Dr. Arne was the only man in a suit of velvet in the dog-days."
Stacie kept the Bedford when John and Henry Fielding, Hogarth, Churchill, Woodward, Lloyd, Dr. Goldsmith, and many others met there and held a gossiping shilling rubber club. Henry Fielding was a very merry fellow.
The _Inspector_ appears to have given rise to this reign of the Bedford, when there was placed here the Lion from Button's, which proved so serviceable to Steele, and once more fixed the dominion of wit in Covent Garden.
The reign of wit and pleasantry did not, however, cease at the Bedford at the demise of the _Inspector_. A race of punsters next succeeded. A particular box was allotted to this occasion, out of the hearing of the lady at the bar, that the _double entendres_, which were sometimes very indelicate, might not offend her.
The Bedford was beset with scandalous nuisances, of which the following letter, from Arthur Murphy to Garrick, April 10, 1769, presents a pretty picture:
"Tiger Roach (who used to bully at the Bedford Coffee-house because his name was Roach) is set up by Wilkes's friends to burlesque Luttrel and his pretensions. I own I do not know a more ridiculous circumstance than to be a joint candidate with the Tiger. O'Brien used to take him off very pleasantly, and perhaps you may, from his representation, have some idea of this important wight. He used to sit with a half-starved look, a black patch upon his cheek, pale with the idea of murder, or with rank cowardice, a quivering lip, and a downcast eye. In that manner he used to sit at a table all alone, and his soliloquy, interrupted now and then with faint attempts to throw off a little saliva, was to the following effect:--'Hut! hut! a mercer's 'prentice with a bag-wig;--d--n my s--l, if I would not skiver a dozen of them like larks! Hut! hut! I don't understand such airs!--I'd cudgel him back, breast, and belly, for three skips of a louse!--How do you do, Pat! Hut! hut! God's blood--Larry, I'm glad to see you;--'Prentices! a fine thing indeed!--Hut! hut! How do you, Dominick!--D--n my s--l, what's here to do!' These were the meditations of this agreeable youth. From one of these reveries he started up one night, when I was there, called a Mr. Bagnell out of the room, and most heroically stabbed him in the dark, the other having no weapon to defend himself with. In this career the Tiger persisted, till at length a Mr. Lennard brandished a whip over his head, and stood in a menacing attitude, commanding him to ask pardon directly. The Tiger shrank from the danger, and with a faint voice pronounced--'Hut! what signifies it between you and me? Well! well! I ask your pardon,' 'Speak louder, sir; I don't hear a word you say.' And indeed he was so very tall, that it seemed as if the sound, sent feebly from below, could not ascend to such a height. This is the hero who is to figure at Brentford."
Foote's favourite Coffee-house was the Bedford. He was also a constant frequenter of Tom's, and took a lead in the Club held there, and already described.[24]
Dr. Barrowby, the well-known newsmonger of the Bedford, and the satirical critic of the day, has left this whole-length sketch of Foote:--"One evening (he says), he saw a young man extravagantly dressed out in a frock suit of green and silver lace, bag-wig, sword, bouquet, and point-ruffles, enter the room (at the Bedford), and immediately join the critical circle at the upper end. Nobody recognised him; but such was the ease of his bearing, and the point of humour and remark with which he at once took up the conversation, that his presence seemed to disconcert no one, and a sort of pleased buzz of 'who is he?' was still going round the room unanswered, when a handsome carriage stopped at the door; he rose, and quitted the room, and the servants announced that his name was Foote, that he was a young gentleman of family and fortune, a student of the Inner Temple, and that the carriage had called for him on its way to the assembly of a lady of fashion." Dr. Barrowby once turned the laugh against Foote at the Bedford, when he was ostentatiously showing his gold repeater, with the remark--"Why, my watch does not go!" "It soon _will go_," quietly remarked the Doctor. Young Collins, the poet, who came to town in 1744 to seek his fortune, made his way to the Bedford, where Foote was supreme among the wits and critics. Like Foote, Collins was fond of fine clothes, and walked about with a feather in his hat, very unlike a young man who had not a single guinea he could call his own. A letter of the time tells us that "Collins was an acceptable companion everywhere; and among the gentlemen who loved him for a genius, may be reckoned the Doctors Armstrong, Barrowby, Hill, Messrs. Quin, Garrick, and Foote, who frequently took his opinion upon their pieces before they were seen by the public. He was particularly noticed by the geniuses who frequented the Bedford and Slaughter's Coffee-houses."[25]
Ten years later (1754) we find Foote again supreme in his critical corner at the Bedford. The regular frequenters of the room strove to get admitted to his party at supper; and others got as nearly as they could to the table, as the only humour flowed from Foote's tongue. The Bedford was now in its highest repute.
Foote and Garrick often met at the Bedford, and many and sharp were their encounters. They were the two great rivals of the day. Foote usually attacked, and Garrick, who had many weak points, was mostly the sufferer. Garrick, in early life, had been in the wine trade, and had supplied the Bedford with wine; he was thus described by Foote as living in Durham-yard, with three quarts of vinegar in the cellar, calling himself a wine-merchant. How Foote must have abused the Bedford wine of this period!
One night, Foote came into the Bedford, where Garrick was seated, and there gave him an account of a most wonderful actor he had just seen. Garrick was on the tenters of suspense, and there Foote kept him a full hour. At last Foote, compassionating the suffering listener, brought the attack to a close by asking Garrick what he thought of Mr. Pitt's histrionic talents, when Garrick, glad of the release, declared that if Pitt had chosen the stage, he might have been the first actor upon it.
One night, Garrick and Foote were about to leave the Bedford together, when the latter, in paying the bill, dropped a guinea; and not finding it at once, said, "Where on earth can it be gone to?"--"Gone to the devil, I think," replied Garrick, who had assisted in the search.--"Well said, David!" was Foote's reply; "let you alone for making a guinea go further than anybody else."
Churchill's quarrel with Hogarth began at the shilling rubber club, in the parlour of the Bedford; when Hogarth used some very insulting language towards Churchill, who resented it in the _Epistle_. This quarrel showed more venom than wit:--"Never," says Walpole, "did two angry men of their abilities throw mud with less dexterity."
Woodward, the comedian, mostly lived at the Bedford, was intimate with Stacie, the landlord, and gave him his (W.'s) portrait, with a mask in his hand, one of the early pictures by Sir Joshua Reynolds. Stacie played an excellent game at whist. One morning, about two o'clock, one of his waiters awoke him to tell him that a nobleman had knocked him up, and had desired him to call his master to play a rubber with him for one hundred guineas. Stacie got up, dressed himself, won the money, and was in bed and asleep, all within an hour.
Of two houses in the Piazza, built for Francis, Earl of Bedford, we obtain some minute information from the lease granted in 1634, to Sir Edmund Verney, Knight Marshal to King Charles I.; these two houses being just then erected as part of the Piazza. There are also included in the lease the "yardes, stables, coach-houses, and gardens now layd, or hereafter to be layd, to the said messuages," which description of the premises seems to identify them as the two houses at the southern end of the Piazza, adjoining to Great Russell-street, and now occupied as the Bedford Coffee-house and Hotel. They are either the same premises, or they immediately adjoin the premises, occupied a century later as the Bedford Coffee-house. (Mr. John Bruce, _Archæologia_, XXXV. 195.) The lease contains a minute specification of the landlord's fittings and customary accommodations of what were then some of the most fashionable residences in the metropolis. In the attached schedule is the use of the wainscot, enumerating separately every piece of wainscot on the premises. The tenant is bound to keep in repair the "Portico Walke" underneath the premises; he is at all times to have "ingresse, egresse and regresse" through the Portico Walk; and he may "expel, put, or drive away out of the said walke any youth or other person whatsoever which shall eyther play or be in the said Portico Walke in offence or disturbance to the said Sir Edmund Verney."