Part 9

V.—AMENOPHIS II., another Pharaoh of the eighteenth dynasty, is the author of a small, but interesting obelisk, which was brought to England by the Duke of Northumberland (then Lord Prudhoe), in 1838, and now stands in the front hall of Syon House, at Isleworth. It is a monolith of syenite granite, 7 feet 6¾ inches in height, supported on a pedestal of 2 feet 8½ inches; making the total altitude of the monument 10 feet 3¼ inches. Its breadth at the base, on two of its faces, is 10⅞ inches, and that of the pyramidion 8½ inches; and, on the adjoining faces, 9⅞ inches, the base of the pyramidion being 8⅞ inches. It therefore happens that the base on two of the sides is only one inch broader than that of the pyramidion; whilst on the other sides the base exceeds that of the pyramidion nearly 2½ inches. The column is broken at the apex, and was found in one of the villages of the Thebaid. This obelisk was made the subject of an interesting paper, published in the “Transactions of the Royal Society of Literature” for 1843, by Mr. Joseph Bonomi, who observes, with regard to it, that it presents the peculiar feature of being inscribed only on one face. Its inscription reads as follows:—

On the _apex_, the god Chnoumis, ram-headed, is seated on a throne; Amenophis II. kneels before him, offering a pyramidal loaf of bread, and says:—“Khnoum, resident in the heart (or centre) of Phi (Elephantine) Ammenhetf (Amenophis II.), giver of life like the sun.”

On the _shaft_:—“The Harmachis, the living sun, the powerful bull, the very valiant king of the south and north, Aa-aa-cheferu (prenomen of Amenophis II.), son of the sun, Amenhetf, divine ruler of the Thebaid, has made his offering gift to his father Khnoum (Chnoumis); he has seen given to him two obelisks of the table of the sun (the altar of the sun), that he may make him (the king) a giver of life for ever.”

VI.—AMENOPHIS III., also a Pharaoh of the eighteenth dynasty, and the Memnon of the Greeks, erected two obelisks in front of his temple at Karnak. The temple is now a mass of ruins, and the obelisks have utterly disappeared.

VII.—SETI I., or OSIREI, a Pharaoh of the nineteenth dynasty, which ranges in date between 1462 and 1288 B.C., was the author of two, at least, of the obelisks ascribed to his son Rameses the Great. He is said to have been of Semitic origin, and descended from the Hyksos or shepherd kings, and was struck blind at an early period of his career; but having recovered his sight, he devoted himself, for the rest of his life, to the construction of temples and obelisks. Rameses, who delighted in “the bubble reputation,” even to his father’s loss, inserted his own heraldic bearings on some of Seti’s monuments—for example, the Flaminian obelisk, as shown by Tomlinson—and therefore a certain amount of confusion is imported into the differentiation of the works of the two Pharaohs, father and son; although the confusion is at once cleared up when the hieroglyphic writing is investigated. To Seti belong the beautiful Flaminian obelisk at the Porta del Popolo, which is regarded as the first ever removed from Egypt, and that of the Trinita de Monti at Rome.[46] On these his legend occupies the middle column of the shaft; whilst the titles and praises of Rameses are displayed in the side columns. The Flaminian obelisk was conveyed from Heliopolis to Rome by the Emperor Augustus, as a trophy of war, in the tenth year before the Christian era, and was set up in its present place by Pope Sixtus V., in the year 1590. We arrive thus at the number seven for the city of Heliopolis, or more probably _eight_; for, as we now know, obelisks were set up in pairs; and we have reason to regard a city adorned with so many of these emblems of the sun, as very truly the city of the sun. Heliopolis, however, did not possess the greatest number of obelisks, inasmuch as, through the munificence of Rameses II., there were ten or more in the ruined city of San.

[46] Mr. W. R. Cooper observes, with regard to the Trinita de Monti—“From the style of art in which the characters are cut, it is the general opinion of antiquaries, that the monument is an ancient Roman copy of the larger obelisk in the Piazza del Popolo.”

VIII.—RAMESES II. is the most prolific in the production of obelisks of all the kings of Egypt. The Luxor obelisks owe their origin to him: one is still standing in front of the colossal statues of himself and the magnificent propylon of the great hall of the temple; while the other occupies an admirable site in the Place de la Concorde, at Paris.

Two obelisks, bearing his name, ornament the public places at Rome; one in front of the Pantheon, in the middle of a fountain; the other in the garden of the Villa Mattei, on the Cœlian Hill. The former was originally placed in the Circus Maximus, whence it was removed, by Pope Paul V., to the Piazza di S. Martino, and subsequently erected on its present site by Clement XI., in the year 1711; while that of the Villa Mattei, or Cœli Montana, was set up by Pope Sixtus V. in the year 1590. An unlucky incident happened in connection with the latter event; for as the obelisk was being lowered into its place, the architect inadvertently got his hand entangled between its base and the pedestal; and as there was no means of lifting the obelisk, it became necessary to cut off the imprisoned hand at the wrist.

In addition to these four, we must likewise give to Rameses II. the credit of the ten ruined obelisks at Tanis, the field of Zoan; making a total of fourteen. But although, in the gross amount, Rameses II. exceeds all other Pharaohs, he only equals Thothmes III. in the number of the standing ones. Four only of the Rameses obelisks are erect—namely, Luxor, Paris, Pantheon, and Villa Mattei; whilst Thothmes III. equally lays claim to four—Constantinople, St. John Lateran, and the two Cleopatra’s Needles.

IX.—MENEPHTAH I., a son and successor of Rameses II., also of the nineteenth dynasty, is represented as the author of an obelisk which is placed before the front of St. Peter’s at Rome. It was brought from Heliopolis to Alexandria by Augustus Cæsar, and afterwards transported to Rome by the Emperor Caligula in the fortieth year of the first century of the Christian era, and marks the period when Peter was released from prison and made his entry into Rome (January 18th, 43 A.D.) The obelisk was erected by Pope Sixtus V., in the garden of the Vatican, in 1586; and is without inscription. It is of this obelisk that the anecdote is told of the almost failure of the operation of erection from the stretching of the ropes. Silence among the workmen had been enjoined under extreme penalties; but a sailor perceiving the difficulty and its cause, suddenly shouted, “Water the ropes.” Fontana, the architect, catching the practical force of the suggestion, acted upon it at once, and the danger which had been imminent was averted. Need we say that the sailor was not punished for his infraction of orders, but was handsomely rewarded.

X.—PSAMMETICUS I., a Pharaoh of the twenty-sixth dynasty, corresponding with the year 665 B.C., is the author of an obelisk which was originally erected at Heliopolis, and was brought to Rome by Augustus Cæsar, thirty years before the birth of Christ. It was made to serve the purpose of a gnomon, or pointer, to a great sun-dial in front of the church of St. Lorenzo in Lucina; and was afterwards moved to the Monte Citorio by Pope Pius VI., in 1792. It was found broken into four pieces, and bears marks of extensive repairs.

XI.—PSAMMETICUS II., likewise a Pharaoh of the twenty-sixth dynasty (588-567 B.C.), has his name inscribed on a small obelisk which was set up by Bernini on the back of a marble elephant in the Piazza della Minerva at Rome, by the command of Pope Alexander VII., in the year 1667. It was probably brought from Sais in the first instance, and was found amongst the ruins of the Temple of Isis and Serapis at Rome. An inscription on this monument reminds the reader, in allusion to the elephant, that a strong mind is needed for the maintenance and exercise of wisdom.

XII.—NECTANEBO I., a Pharaoh of the thirtieth dynasty (378 B.C.), is represented by two small obelisks of black basalt, preserved in the British Museum. Dr. Birch, in a recent communication to us with regard to them, observes, that they were dedicated to the god Thoth, the Mercury of the Greeks, “by a king now recognised as Nekht-her-hebi, the Nectabes or Nekterhebes of the lists; some call him Nectanebo I. They came from Cairo, and formed part of the antiquities surrendered by the French in Egypt after their capitulation, and were presented by George III. about the year 1801.” Both have been broken into several pieces, and have lost their summit as well as their pyramidion; their present dimensions being about 8 feet in height, by 1 foot 6 inches on two of the sides, and an inch less on the other two. Bonomi and Cooper, however, attribute them to Amyrtæus, a king of the twenty-eighth dynasty. Mr. Cooper states that they bear the cartouche of Amyrtæus, and mentions, as a curious part of their history, that one “was first noticed by Pocock as forming part of a window-sill in the castle of Cairo; and the other, broken in two pieces, was discovered by Niebuhr, one fragment serving as the door-sill of a mosque in the castle of Cairo, while a second was the door-step of a house near Kantara-siedid.... The French army of occupation carried off these obelisks from Cairo to Alexandria, and they consequently fell into the hands of the English at the capitulation of that city in 1801.... The hieroglyphic inscription has only been partly translated; but the portion so deciphered reads:—‘Amyrtæus, the living, like Ra, beloved of Thoth, the great lord of Eshmunayn.’”

XIII.—NECTANEBO II., the last of the Pharaohs, of the thirtieth dynasty, or 378 B.C., is the author of an obelisk without hieroglyphic sculpture, which was set up at Alexandria by Ptolemy Philadelphus, in front of the tomb of his wife Arsinoë. It was subsequently conveyed to Rome, at the command of Augustus, by Maximus, prefect of Egypt, in the tenth year before Christ; and its pyramidion was cut off with the intention of supplying its place with a gilded one: this intention, however, has never been accomplished. It was originally one of the pair, both uninscribed, and both without pyramidion, which were set up before the mausoleum of Augustus in the Campus Martius, and was subsequently placed by Sixtus V. behind the church of St. Maria Maggiore, in 1587. The fellow-obelisk is that now standing in the Piazza Quirinale, on the Monte Cavallo.

Mr. W. R. Cooper remarks, with regard to these two obelisks, that according to tradition, they “were set up at Memphis by King Pepi Merira (Apappus of Eratosthenes), of the sixth dynasty, a monarch who is recorded on the hieroglyphic texts to have reigned for one hundred years, less one hour.” They were removed from Egypt to Rome by Claudius Cæsar, A.D. 57, and placed in front of the mausoleum of Augustus. Then sharing the universal fate of all the obelisks at the fall of Rome, they became buried in the earth, and when disinterred had lost the pyramidion, and were otherwise broken. The smaller of the two was dug out by Pius VI. so recently as 1786; “but it occupies, perhaps, a finer position than any of its companions in the city of Rome, except the obelisk of the Vatican, since the architect Antinori erected it on the place of the Monte Cavallo, between the two splendid bronze horses called Castor and Pollux, which once adorned the centre of the Baths of Constantine, and are now the glory of Rome.”

In the British Museum, Dr. Birch mentions the existence of a fragment which would appear to be part of an obelisk of Liliputian dimensions. And he further observes that several such small obelisks are known. Mr. Bonomi likewise includes in his list a small obelisk which formerly stood at Constantinople, and quotes from the work of Petrus Gyllus, or Pierre Gilles,[47] as follows:—

[47] Born 1490; died 1555. “Antiquities of Constantinople, written originally in Latin,” by Petrus Gyllus, a Byzantine Historian. Translated by John Ball. London, 1729.

“It is very probable that Constantinople had more obelisks than one. When first I arrived at Constantinople I saw two of them: one in the Circus Maximus, another in the Imperial Precinct, standing on the north side of the first hill. This last was of a square figure, and was erected near the houses of the Grand Seignor’s Glaziers. A little time after I saw it lying prostrate without the Precinct, and found it to be thirty-five feet in length. Each of its sides, if I mistake not, was six feet broad; and the whole was eight yards in compass. It was purchased by Antonius Priolus, a nobleman of Venice, who sent it thither, and placed it in St. Stephen’s Market. The other is standing in the Hippodrome to this day.” But, according to Long, writes Mr. Cooper, “this obelisk was never removed, but is identical with one of red granite, which still stands in the Sultan’s gardens, on the most northern eminence there. From its dimensions, this obelisk is probably of the period of the middle empire;[48] but as a copy of its inscriptions has not yet reached Europe, or been elsewhere published, all speculation as to its original place of erection, or the monarch who erected it, would be useless.”

[48] The middle empire is composed of eight dynasties, eleventh to eighteenth inclusive; its date ranges in years between 3064 and 1462 B.C.; and it is made illustrious by the celebrated names of Usertesen, Amenemha, Amenophis, and Thothmes.

Mr. Cooper also includes, in the series of Pharaonic obelisks, a small monolith of sandstone, eight feet in length, which was found by Rüppel lying prostrate on the ground near the wells of Nahasb, in the deserts of Arabia Petræa. The inscriptions on the three sides exposed to the atmosphere are obliterated; but on the under-surface, the hieroglyphs, as far as he could examine them, appeared to be beautifully preserved. The monument was probably of Saitic origin.

Moreover, we must not fail to notice two obelisks, of large size, which were removed from Thebes by the conquering army of Assurbanipal in 664 B.C., and conveyed to Nineveh; where, as they have not since been found, it is to be presumed that they still lie buried in the ruins. “It is not stated from what temple these monuments were taken, and of course it is unknown now, by whom they were erected; but this was the first instance in which an Egyptian obelisk suffered transportation.”[49]

[49] Cooper.

This concludes our survey of the Pharaonic obelisks; and next in order to these follow the obelisks of Philæ, of Ptolemaic origin; the obelisks constructed at the command of Roman emperors, and regarded by _virtuosi_ as spurious; and other obelisks of obscure origin. The Philæ obelisks are three in number—the two of sandstone and uninscribed, which stood in front of the Temple of Isis, one of which is still erect, while the other is lost; and a very interesting obelisk of syenitic granite, which was found by Mr. William Bankes and Belzoni among the ruins at Philæ, and was brought to England by Mr. Bankes. This latter is known among Egyptologists as the Corfe Castle Obelisk, and the Soughton Hall Obelisk, although it has never possessed any other site than that on the lawn in front of Kingston-Lacy Hall, at Wimborne in Dorsetshire,[50] and would more correctly be described as the Bankes obelisk. The Bankes obelisk enjoys the distinction of bearing the cartouches of Ptolemy and Cleopatra, and was one—and a very important one—of the sources whence Champollion drew his interpretation of Egyptian hieroglyphs.

[50] _Vide_ Hutchins’ edition of Dorset, 1st edition.

The obelisks constructed by order of the Roman emperors, include those of Domitian, Domitian and Titus, Hadrian, and a small obelisk “executed in Egypt by Santus Rufus ... in honour of one of the Roman emperors ... and afterwards sent to Rome.” This is termed the Albani Obelisk, and is now at Munich.[51]

[51] Cooper; quoted from Westropp’s “Hand-book of Archæology.” First edition, p. 56.

Domitian’s obelisk, also styled the Pamphilian Obelisk, and the Obelisk of the Piazza Navona, in Rome, is erected on a base of rock, forty feet high, in the midst of a fountain, and is ornamented at the four corners with statues of river-gods. It is placed in front of the church of St. Agnes, and is supposed to occupy the spot where that saint suffered her martyrdom. The height of the obelisk is 54 feet 3 inches, and its breadth at the base 4 feet 5 inches. It was set up in its present place by Bernini, in 1651, at the command of Pope Innocent X.

Domitian and Titus are represented in cartouches on a small obelisk of red granite, a little more than nine feet high, which stands in the Cathedral Square of Benevento. It is carved with several columns of hieroglyphs, but is much mutilated. The inscription records the dedication of a temple to the goddess Isis by the two emperors.[52] Mr. Cooper, however, takes no notice of a shorter fragment of an obelisk at Benevento, which is set down by Bonomi in his list of erect obelisks.

[52] Cooper.

Hadrian and Sabina are commemorated by an obelisk of red granite, thirty feet in height, which now stands on the Monte Pincio at Rome. It is one of a pair originally planted in front of a temple in the Egyptian city of Antinoopolis, A.D. 131; and records the sacrifice of Antinous, the celebrated favourite of Hadrian. A few years later it was removed to Rome, and erected on the Monte Pincio, where it shared the fate of the rest of the Roman obelisks, thrown down and buried; until, in 1822, it was recovered and set up by Pope Pius VII. “After the erection of this last obelisk,” says Mr. Cooper, “no more inscribed obelisks were set up, either in Egypt or in Rome. For this there was ample reason: the Egyptian language had been entirely supplanted by the Latin and the Greek; the significance of the characters was unknown; already Pliny had proved his entire ignorance of the script; and Pliny, it must be recollected, was the learned centre of all the science of his time.”

Among the obelisks of obscure origin, are a small sandstone monolith, without inscription, in the possession of the Duke of Northumberland, and preserved in the museum at Alnwick Castle; two small obelisks in the museum at Florence; and the obelisk of the city of Arles, on the Rhone.

The two obelisks in the Florentine Museum are only 5 feet 10 inches, and 6 feet high, but differ in breadth, and are the smallest of the obelisk family. They are fashioned of red granite, the pyramidion perfect; but being uninscribed, their authorship and origin are unknown.

The Arles obelisk, from its position in the city of Arles, on the banks of the Rhone, has suggested the idea that it might have been sent from Egypt to Arles by Constantine, at the time when he was projecting a second Constantinople on that spot; but this illusion is dissipated by the discovery that it is composed of granite of a grey colour, which is found in the neighbouring quarries of Mont Esterel, near Frejus. It is uninscribed, and therefore unable to tell the story of its life; is nearly 57 feet in height, by 7 feet 6 inches in greatest breadth, and “is probably of Roman workmanship.” Mr. Cooper remarks, that it must have been left for seventeen centuries on the ground where it was discovered; and, although royal directions were given for its disinterment about the year 1389, it was not until 1676 that it was erected in commemoration of Louis XIV. It is surmounted with a globe representing the earth, and above it a sun: while “beneath the inscription in honour of Louis XIV., is another referring to the late emperor, Napoleon III.”[53]

[53] Murray’s Hand-book for France, 1877.

We have, therefore, brought under our notice a list of thirteen Egyptian Pharaohs (including one Queen), who have left behind them proofs of their taste in the construction of obelisks; namely:—

I. USERTESEN I.; _three_, including the monolith at Biggig; one being lost, one broken, and one remaining entire at Heliopolis.

II. THOTHMES I.; _two_, one broken, the other entire, and known as the small obelisk, at Karnak.

III. HATASOU, Queen; _four_, one broken, two lost, and one, the great obelisk, standing at Karnak.

IV. THOTHMES III.; _four_, all standing, the four Needles; one each in Constantinople, Rome, Alexandria, and London.

V. AMENOPHIS II.; _one_, the Alnwick obelisk, at Syon House, Isleworth.

VI. AMENOPHIS III.; _two_, both broken and lost in the ruins of his temple at Karnak.

VII. SETI I., or OSIREI, the blind king; _two_, both in Rome, the Flaminian and that of Trinita de Monti.

VIII. RAMESES II.; _fourteen_, one each at Luxor and Paris; two in Rome, in front of the Pantheon and in the garden of the Villa Mattei; and ten lost at San, amid the ruins of the “field of Zoan.”

IX. MENEPHTAH; _one_, at Rome, the Vatican, before the church of St. Peter; uninscribed.

X. PSAMMETICUS I.; _one_, the “gnomon” obelisk, on the Monte Citorio at Rome.

XI. PSAMMETICUS II.; _one_, the elephant obelisk, in the Piazza della Minerva at Rome, mounted on an elephant.

XII. NECTANEBO I., or AMYRTÆUS; _two_, of black basaltic stone, in the British Museum.

XIII. NECTANEBO II.; _two_, at Rome, both uninscribed; one near the church of St. Maria Maggiore, the other in the Piazza of the Quirinal Palace.

We arrive thus at the number thirty-nine; and if to this number we add the _two_ Pharaonic obelisks, Prioli and Nahasb; the _two_ Theban obelisks lost at Nineveh; the _three_ Ptolemaic obelisks of Philæ; the _four_ Roman obelisks of Domitian, Hadrian, and that called Albani; and _five_ of obscure origin—namely, the sandstone obelisk at Alnwick, the fragment at Benevento, mentioned by Bonomi, the two Florence obelisks, and the obelisk at Arles—we shall then have a total of fifty-five, of which thirty-three are still standing, and twenty-two have fallen.

We cannot pretend, at this distance of time, to have traced every obelisk issued from the quarries of Syené, to its present resting-place. We know that there were many important cities with their temples in the Delta, now in ruins, their place alone indicated by tumulus-like mounds, where, doubtless, obelisks once stood; nor have we forgotten the fragment which forms part of the pavement of Cairo; nor the hieroglyphed stump on which Pompey’s Pillar rests for its chief support at Alexandria. But, strange to say, of the twenty-nine obelisks thus ascertained to be standing, only six remain to Egypt herself—namely, Alexandria, one; Heliopolis, one; Karnak, two; Luxor, one; and Philæ, one.

To the eminent Egyptologist, Mr. Joseph Bonomi,[54] science is indebted for a list of thirty-two obelisks, arranged in the order of size, and ranging in altitude between 5 feet 10 inches, the smallest of the two obelisks in the museum at Florence; and 105 feet 7 inches, the height of the giant of the obelisk family, that of St. John Lateran at Rome. This latter obelisk has lost nearly a yard from its base in consequence of injury, and would, when perfect, have measured upwards of 108 feet. Mr. Bonomi’s list is given in the form of a pictorial diagram, from which we quote the figures as follows:—