Cleo The Magnificent; Or, The Muse of the Real: A Novel

Chapter 10

Chapter 102,517 wordsPublic domain

"Which way do we go?" asked Lady Thisleton, as they stood hesitating at a crossing-stage in Broad Street, City. "Wouldn't it be nice to stay here and philosophise?"

She was dressed as plainly as possible in a dark brown coat and skirt, and wore a small hat and veil, so that she was not in the least conspicuous. Both she and Morgan, having entered on the day's adventure, were determined to enjoy it, though his mood was far from being whole-hearted. And, as they surveyed the slow medley of omnibuses that moved between them and the pavement they were struck by the scene in the same impersonal way. They did not feel that they formed any part of it; they saw it as with the eyes of a floating, invisible spirit. To them it was collective movement and colour--movement in the hurrying streams pouring from every exit of the giant stations, in the massed chaos of vehicles, in the sense of bustle and business and purpose; colour in the crudities of blue, green, yellow, red, that flared from omnibuses and shop windows, and that yet were fused into the dun monochrome of town, to the overwhelming sense of which asphalt and paving and street lamp and stone buildings and sober costumes all contributed, and with which the very hubbub seemed to blend.

A vague feeling of tragedy seemed to invade them as their eyes rested on all this life; but it was the result of an intellectual perception, not of a sympathetic realisation and comprehension of this throbbing reality. As for Morgan, the scene made him remember he had once tried to wrestle with political economy and had disliked it tremendously, and the thought made him smile.

"Why do you smile?" said Lady Thiselton. "Certainly it is not gay here. I feel quite overwhelmed. All these faces--pre-occupied, cheerful, sad, worn, despairing, hopeful, starved, well-fed--suggest such a whirl. I invent a whole biography for each one that catches my eye. I wonder how far I am right--I who am only a woman of the world; which means I know nothing of life outside of my own four walls and a few other four walls that more or less resemble them. But it's all really lovely, isn't it, Morgan? What suffering must be here! You can't imagine how I'm enjoying everything. Of course I sympathise as well. But mine is a sort of artistic sympathy. I'm not noble enough to feel the real thing. Isn't it all interesting?"

"There's a policeman staring at us suspiciously."

"Then we'd better move on. The good policeman's dream of paradise must be a place in which he is the one static soul and in which the blest keep passing on to all eternity."

They crossed the road and moved along with the crowd. The bells of St. Botolph's struck ten as they turned into Bishopsgate.

"I feel the mediƦval spirit coming on and begin to see visions of highly-coloured Lord Mayors and aldermen and burghers and beef-eaters. And somehow Dick Whittington and his cat are mixed up with it all, and exhibitions with glass roofs and careful craftsmen and apprentices, and Christopher Wren. Alas and alack! Where is old London?"

"I don't know," said Morgan. "But I do know where Whitechapel is. We have to pass through Houndsditch. I looked it up on the map to refresh my memory. I have always found Houndsditch a disappointment."

"So have I," said Lady Thiselton. "It is every bit as uninspiring as a West End street. Some of the side alleys look interesting though, but then such strange people seem to be in absolute possession, and you feel you have no right to set foot within their territory. I am really a fearful coward."

They walked on silently.

"Why don't you contradict me, Morgan, and tell me I'm brave? You never voluntarily pay me a compliment. If I want compliments I have to put them before you as so many propositions, to which, being a truthful person, you are forced to give your assent."

"You are brave," said Morgan.

"Thank you. Every stone in this part of the city has its associations, its traditions, its history. And then there are venerable churches isolated amid the serried buildings of commerce, with charming bits of hidden green and trees. I'm chattering away like a country cousin come up to see the sights of London town and to carry back its fifteenth century flavour. Let us forget history and tradition, and let us get an unadulterated vision of the modern. Here is a nice place to stand."

They had turned into Aldgate and had gone some distance in the direction of Whitechapel, and the new scene had a character of its own. Both felt the spirit of toil here, where the grime of industry struck a coarser and somberer note.

"I feel a million miles from home, which is just what I want to feel," declared Lady Thiselton. "And there is quite a market place opposite, and bookstalls. This is just what Browning could have described. Why did he not come here for inspiration? Here, too, he might have found a square, old yellow book and paid eightpence for it, and tossed it in the air and caught it again and twirled it about by the crumpled vellum covers, and could have wandered on reading it through a perilous path of fire-irons, tribes of tongs, shovels in sheaves, skeleton bedsteads, wardrobe drawers agape, and cast clothes a-sweetening in the sun. But the crowd is really too thick to walk amongst. As we are on pleasure bent, let us be recklessly extravagant and take a twopenny ride on top of a tram-car."

Morgan admitted he was beginning to find it unpleasant to be at such close quarters with the crowd. Some of the people he was brushing up against, he complained, were not too scrupulously clean.

"No doubt," he added, "I shall find them with their mysterious bundles more picturesque from a distance."

"Why some of them are quite spick and span with their polished silk hats, and there are any number of pretty girls. The shops, too, seem quite attractive. I can even imagine myself living here for a time, cannot you?"

"Let us get on our tram car. That may give my imagination the necessary stimulus."

At first they had the top all to themselves, and were borne smoothly onwards, cutting through the very centre of the turmoil. The red brick church was the furthest point she had ever reached in the East of London, Lady Thiselton informed Morgan. She had been in the neighbourhood two or three times in company with her husband, who had been interested in a sort of mission and dispensary combined, his idea being not only to make wicked people religious, but to irritate the devil by keeping their souls out of his clutch as long as possible.

"Now it is only like the High Street of a big provincial town," she commented, after they had passed the London Hospital. "I think it's getting monotonous."

Three begrimed, strapping youths came clambering up noisily and, sitting immediately in front of them, continued a conversation about a certain "she." Their vocabulary became so offensive that Lady Thiselton whispered she thought it perfectly improper for a lady to keep on looking at the backs of men's necks on the top of a car, in full view of the whole world.

They descended and strolled on further. There was no crowd now to hinder them, and they were curious to see what this far-stretching thoroughfare led to.

"So far it seems a broad stretch of mean quaintness. I had no idea London was so big. And what grimy side streets! I shudder to think of the grimy network that lies on either hand. Morgan, I feel a very immoral person."

"Your emotions are strangely unpredictable."

"What right have I to forty thousand a year when there are people starving in these back streets?" asked Lady Thiselton indignantly. "I am going to turn Socialist."

"You are not."

"I am."

"You'll never abandon individualism."

"Of course not. I'd never think of parting with that. But I really don't see why I shouldn't be a Socialist as well. I pity those poor, benighted beings that have room in their narrow souls for only one set of opinions. I like to be everything, to hold every 'ism,' and to be labelled all over with every 'ist,' like the window of that 'eating-house' yonder. Which reminds me of my dinner party to-night. Isn't it terrible to eat in Belgrave Square when some people have to eat in a place like that. It's positively wicked. I have an idea. I think I can't do better than inaugurate my new 'ism' by lunching there to-day. Suppose we do so on our way back."

"But _I_ never confessed to be converted to socialism," he protested.

"Why it's a dear little eating-house, a perfect love of a place."

"I take it for granted you wish to meet your guests to-night with a smiling face," he warned her.

"The consciousness of having had the courage of my 'ism' will fill me with such a glow of goodness that I cannot fail to appear a veritable Madonna. Of course, you know I am counting on you."

"No."

"Yes."

"No."

"But I haven't filled up the place. I've been relying on nagging you into coming."

"You know I don't want to," he grumbled yieldingly.

"But I want you to. Don't be angry, dear," she went on, coaxingly. "Haven't I amused you the whole time?"

He ended by promising to come, if not incapacitated by the lunch, and felt fairly secure of passing the evening at home.

After they had wandered about for some time longer and had paid pennies to see a curious compound animal, a sort of ox, sheep, horse, donkey and goat rolled into one, and an abnormally fat woman, more decently clad than the life-size coloured picture of her in the window had led them to imagine, they invaded the love of an eating-house. They stepped within the threshold firmly enough, but then stood hesitant. The place gave them a general sense of brownness. It was the old-fashioned style of coffee-house, with a sanded pathway down the middle and a row of stalls on either side, each separated from its neighbours by tall partitions. Everything was of a dirty brown, panelling, partitions, benches and the bare tables. A brown light came through the dingy windows, and the very odours that hung in the dingy atmosphere suggested the same tint.

A coatless, aproned waiter emerged from the back to greet the first mid-day customers, and, in reply to their enquiry for lunch, invited them to be seated within one of the stalls. After he had wiped their table he disappeared, and he returned in a moment with a table cloth, followed by a shorter and stouter man, also in shirt sleeves. They began to see they had made an impression, and were to be served in accordance with the host's sense of the fitness of things.

The proprietor--for such the stout man was--by way of special civility, remarked that it was fine weather, and asked what he might get them.

"The correct thing," said Lady Thiselton; and, on the man staring, "what everybody usually has here," she added, in explanation.

"Boiled beef and suet to-day, or roast beef and Yorkshire, or chops and steaks," enumerated the man.

So "boiled beef and suet" was ordered on the assumption it was the correct thing, and, while the waiter was busy getting it, the proprietor felt it his duty to entertain them till it came.

"His intentions were no doubt strictly honourable, but, Morgan, do you think we shall have to talk to people like that when socialism is established? My goodness!" she exclaimed, examining the slices of meat closely. "What are those green streaks?"

"Perhaps that's perfectly right. The green streaks--like the boiled carrot--may be just a little surprise by way of extra. Neither is included in the description of the dish."

"Morgan, I really don't think I can eat this," she said faintly.

"Backsliding already?"

"Not at all. You forget I'm a bundle of 'isms,' and in practice one can only be true to one at a time. When that one begins to make me feel uncomfortable, I become true to another. Thus I am always true to myself. All the mutually contradictory 'isms' unite in a higher synthesis. Am I not the most lovely higher synthesis you ever saw?"

"All of which Hegelian dialectics mean that I'd better tell them to take this stuff away."

"If you think they won't maltreat us. They look terribly fierce; and they may have any number of myrmidons within call. That sort of people, you know, doesn't like to have its cooking criticised."

"So long as we pay, we'll not find them too sensitive."

The matter was soon arranged, they adopting the man's suggestion of a "nice, juicy steak." And when it arrived they felt compelled to pronounce it excellent.

"I shouldn't be surprised if those green streaks were the proper thing after all," said Lady Thiselton.

"Doubtless we have missed some extraordinary delicacy," said Morgan. "But please tell me which particular 'ism' is in possession at the moment. I am not quite clear on the point."

"That is just my state of mind. But I fancy that, at the present moment, I am given over to emotion rather than to thought. This interior is affecting me artistically. I was just thinking what a lovely Dutch picture it would make. But I really am sincere about my 'isms.' The arguments in favour of any one 'ism' are unanswerable, and I have to admit the truth of each, whenever I consider it. All human thought ends in the blind alley of Paradox. Hegel was a word-juggler. Nice phrases are pleasing, but let us not take them seriously."

And Lady Thiselton proceeded to utter a good many "nice phrases," which Morgan found pleasing, and did not take seriously. Customers dropped in by ones and twos till at length all the other stalls were filled, everybody instinctively avoiding the stall where a tablecloth gleamed its white warning. When some men, having eaten, began smoking their clays, Lady Thiselton's sharp ear detected some speculative remarks about herself and Morgan, tinged with facetiousness and gore. She thereupon suggested she was pining for something mystic and spiritualistic, being quite tired of this realistic interior.

"I am trying to banish it by contemplating the Blessed Damozel," she said, and quoted whisperingly:

"'The Blessed Damozel leaned out From the gold bar of Heaven; Her eyes were deeper than the depth Of waters stilled at even; She had three lilies in her hand, And the stars in her hair were seven.'"

A moment later they stepped out into the afternoon light that nearly blinded them with its mournful glare. But a heavy sadness had descended on Morgan. The lines Lady Thiselton had whispered to him had set him thinking of Margaret.