Part 4

When a couple of champions of the Blackhouse Club met on the same side of the net, they winked at each other, and amusement struggled with politeness within them. But when each one of their services came near to annihilating an opponent's nose, and as they sent their returns out of court and over boundary walls with monotonous regularity, they changed their minds. Especially was this so when Miss Cecilia Tennant and a certain Junior Partner in a mercantile concern in the town, put in with equal certainty neat services and returns, dropping the balls unexpectedly into odd corners as if playing with egg spoons. They asked the Junior Partner how he did it. The Junior Partner said it was native genius. But perhaps the undisclosed fact that Cecilia Tennant and he played together three nights out of six on that lawn had rather more to do with it. Pocket-handkerchief tennis is certainly convenient for some things. It keeps the players very close to one another, except when they fall out—an advantage which it shares with ballooning.

But Tim Kelly was not interested in this house because of the desirable young men who played tennis there, nor yet because of any love of the young woman for whose sweet sake they bought new scarves and frequented the neighbourhood on the chance of a casual meeting. On the contrary, Timothy was after the spoons. Hall-marked silver was his favourite form of sport. And for this he had all the connoisseur's eagerness and appreciation.

His son was, on the contrary, exceedingly interested in the house itself. He was the most fervent of Miss Cecilia Tennant's admirers, though he had never told her so. This peculiarity he shared with a great many other young gentlemen, including every male teacher except two (already attached) in Hunker Court school.

Yet in spite of all this affection, before midnight of that autumn night, Cleg Kelly, future Christian, became a burglar—and that upon the premises of his benefactress, Miss Cecilia Tennant. It happened in this wise.

Tim sat all day on the floor of his house at home. He did so from necessity, not from choice. For his apartment was airily furnished in the Japanese fashion, with little except a couple of old mattresses and as many rugs. There were no chairs. They had been removed during Tim's last absence in the "Calton" by the landlord in lieu of rent. So Tim sat on the floor and worked with a file among a bundle of keys and curiously constructed tools. There was, for instance, a great lever with a fine thin edge set sideways to slip beneath windows on stormy nights, when the wrench of the hasp from its fastening would not be heard.

There were delicate little keys with spidery legs which Tim looked at with great admiration, and loved more than he had ever loved his wife and all his relations. There were also complicated wrenching implements, with horror latent about them, as though they had come from some big arm-chaired, red-glassed dental surgery. Tim Kelly was putting his tools to rights, and Cleg watched him intently, for he also was a conspirator.

At midday the boy vanished and reported himself at the police-sergeant's. He asked for a "piece," and the sergeant's wife told him to be off. She was busy and he might come back when the weans came in for their dinners. She had not time to be always giving the likes of him "pieces" in the middle of the day.

Cleg did not care. He was not particularly hungry. But he hung about all afternoon in the neighbourhood of the police-station, and so pestered the good-natured policemen off duty, that one of them threatened him with "a rare belting" if he did not quit.

Whereupon Cleg buttoned up his jacket, made to himself a paper helmet, and with a truncheon in his hand stalked about in front of the station, taking up stray dogs in the name of the law. One of these he had previously taught to walk upon its hind legs. This animal he arrested, handcuffed with a twist of wire, and paraded over against the station in a manner killingly comic—much to the amusement of the passers-by, as well as detrimental to the sobriety and discipline of the younger officers themselves. But Cleg was seldom meddled with by the police. He was under the protection of the sergeant's wife, who so often gave him a "piece." She also gave "pieces" sometimes to the officers at the station-house. For according as a policeman is fed, so is he. And it was the sergeant's wife who stirred the porridge pot. Therefore Cleg was left alone.

In this manner Cleg amused himself till dark, when he stole home. His father was already coming down the stairs. Cleg rapidly withdrew. His father passed out and took the narrowest lanes southward till he entered the Queen's Park under the immanent gloom of the Salisbury Crags. Cleg followed like his shadow. Tim Kelly often looked behind. He boasted that he could hear the tramp of the regulation police boot at least half a mile, and tell it from the tread of a circus elephant, and even from the one o'clock gun at the Castle. But he saw no silent boy tracking him noiselessly after the fashion of the Indian scout, so vividly described in the "Bully Boys' Journal."

Tim Kelly bored his way into the eye of a rousing south wind that "reesled" among the bare bones of Samson's Ribs, and hurled itself upon Edinburgh as if to drive the city off its long, irregular ridge into the North Sea. Bending sharply to the right, the burglar came among buildings again. He crossed the marshy end of Duddingstone Loch. It was tinder-dry with the drought. At the end of a long avenue was to be seen the loom of houses, and the gleam of lights, as burgess's wife and burgess moved in this order to their bedrooms and disarrayed themselves for the night.

Tim Kelly hid behind a wall. Cleg crouched behind his father, but sufficiently far behind not to attract his attention. Cleg was taking his first lessons in the great craft of speculation—which is the obtaining of your neighbour's goods without providing him with an equivalent in exchange. The trifling matter of your neighbour's connivance, requisite in betting and stock transactions, escaped the notice of the Kellys. But perhaps after all that did not matter.

Aurelia Villa, the home of Miss Cecilia Tennant (incidentally also of her father, Mr. Robert Grey Tennant), darkened down early; for Mr. Robert Tennant was an early riser, and early rising means early bedding (and a very good thing too).

Tim Kelly knew all that, for his local knowledge was as astonishing as his methods of obtaining it were mysterious. It was not twelve of the clock when Tim drew himself over the wall out of the avenue, and dropped lightly as a cat upon the pocket-handkerchief lawn, which all the summer had been worn at the corners by the egg-spoon tennis of Cecilia and the Junior Partner.

Tim Kelly was at the back door in a minute. It was down three steps. He laid a bag of tools, which clinked a little as he took them out of his pocket, on the stone ledge of the step. It might be safer, he thought, to take a look round the house and listen for the hippopotamus tread of the regulation bull-hide. In a moment after Tim was round at the gable end flat among the strawberries. There it came! Clear and solemnising fell the tread of the law in all its majesty—a bull's-eye lantern swinging midships a sturdy girth, which could hardly, even by courtesy, be called a waist. Flash! Like a search-light ran the ray of the lantern over the front of the property of Mr. Robert Grey Tennant.

But the regulation boots were upon the feet of a man of probity. The wearer opened the front gate, tramped up the steps, conscientiously tried the front door and dining-room window of the end house in the row. They were fast. All was well. Duty done. The owners might sleep sound. They paid heavy police rates to a beneficent local authority. Why should they not sleep well? But, alas! the regulation boots did not take any cognisance of Tim Kelly with his nose among the strawberries, or of a small boy who was speeding over the waste fields and back yards into the Park. The small boy carried a parcel. He was a thief. This small boy was Cleg Kelly, the hero of this tale.

Timothy Kelly rose from among the strawberries with laughter and scorn in his heart. If the bobby had only gone to the back door instead of the front, there was a parcel there, which it would have made him a proud policeman to take to the head office. Tim Kelly stooped at the steps to take up his precious satchel of tools. His hand met the bare stone. His bag was gone! His heart dinned suddenly in his ears. This was not less than witchcraft. He had never been ten yards from them all the time. Yet the tools were gone without sound or sight of human being. Then there was an interval.

* * * * *

During this interval Tim Kelly expressed his opinions upon things in general. The details are quite unfit for publication.

But at that very moment, over at the end of Duddingstone Loch, a small boy was whirling a small but heavy bag round his head.

"Once! Twice! Thrice—and away!" he cried with glee. Something hurtled through the air, and fell with a splash far in the black deeps of the loch. Years after this the antiquary of the thirtieth century may find this bundle, and on the strength of it he will take away the honest character of our ancestors of the Iron Age, proving that burglary was commonly and scientifically practised among them. But the memory of Cleg Kelly will be clear.

Indeed, he was sound asleep when his father came in, breathing out threatenings and slaughter. Tim listened intently with his ear at his son's mouth, for it is well to be suspicious of every one. But Cleg's breathing was as natural and regular as that of an infant.

Yet there is no doubt whatever, that Cleg and not his father had been guilty of both burglary and theft that night; and that Duddingstone Loch was indictable for the reset of the stolen property.

Then Cleg Kelly, burglar, winked an eye at his father's back, and settled himself to sleep the genuine sleep of the just.

ADVENTURE VII.

THE ADVENTURE OF THE COCKROACHES.

One day Cleg Kelly became paper-boy at the shop of Mistress Roy, at the top corner of Meggat's Close. And he wanted you to know this. He was no longer as the paper-boys who lag about the Waverley, waiting for stray luggage left on the platforms, nor even as this match-boy. He was in a situation.

His hours were from half-past six in the morning to half-past six in the morning, when he began again. His wages were three shillings a week—and his chance. But he was quite contented, for he could contrive his own amenities by the way. His father had been in a bad temper ever since he lost his tools, and so Cleg did not go home often.

This was the way in which he got his situation and became a member of the established order of things, indeed, the next thing to a voter. There had been a cheap prepaid advertisement in the "Evening Scrapbook," which ran as follows:—

"WANTED, _an active and intelligent message-boy, able to read and write. Must be well recommended as a Christian boy of good and willing disposition. Wages not large, but will be treated as one of the family.—Apply No. 2,301, _'Scrapbook'_ Office._"

Now Miss Cecilia Tennant thought this a most interesting and encouraging advertisement. She had been for a long time on the look-out for a situation to suit Cleg. The Junior Partner indeed could have been induced to find a place for Cleg in "The Works," but it was judged better that the transition from the freedom of the streets to the lettered ease of an office desk should be made gradually. So Celie Tennant went after this situation for Cleg in person.

The arrangement with Mistress Roy in the Pleasance was a little difficult to make, but Celie made it. She went down one clammy evening, when the streets were covered with a greasy slime, and the pavements reflected the gloomy sky. In the grey lamp-sprinkled twilight she reached the paper-shop. There were sheafs of papers and journals hung up on the cheeks of the door. Coarsely coloured valentines hung in the window, chiefly rude portraitures of enormously fat women with frying-pans, and of red-nosed policemen with batons to correspond.

Celie Tennant entered. There was a heavy smell of moist tobacco all about. The floor of the little shop was strewn with newspapers, apparently of ancient date, certainly of ancient dirt. These rustled and moved of themselves in a curious way, as though they had untimely come alive. As indeed they had done, for the stir was caused by the cockroaches arranging their domestic affairs underneath. Celie lifted her nose a little and her skirts a good deal. It took more courage to stand still and hear that faint rustling than to face the worst bully of Brannigan's gang in the Sooth Back. She rapped briskly on the counter.

A man came shuffling out of the room in the rear. He was clad in rusty black, and had a short clay pipe in his mouth. His eyes were narrow and foxy, and he looked unwholesomely scaly—as if he had been soaked in strong brine for half a year, but had forgotten either to finish the process, or to remove the traces of the incomplete pickling.

"Servant, m'am!" said he, putting his pipe behind him as he came into the shop.

"I was referred here—to this address—from the office of the 'Evening Scrapbook,'" said Celie, with great dignity, standing on her tiptoes among the papers. "I called about the situation of message-boy you advertised for."

"Ye wasna thinkin' o' applyin' yersel'!" said the man, with a weak jocularity. "For my ain part I hae nae objections to a snod bit lass, but the mistress michtna like it."

Miss Cecilia Tennant looked at him in a way that would have frozen a younger man, but the frowsy object from the back shop only smirked and laughed. With care, the jest would serve him a week. He made up his mind to whom he would tell it when the lady was gone.

"I wish to recommend one of the boys from my class for the position. His name is Charles Kelly. He is a smart boy of thirteen, and he is anxious to get good and steady work. What are the wages you offer?"

The man looked cunningly all about the shop. He craned his neck over the counter and looked up the street. He had a long-jointed body, and a neck that shut up and pulled out like a three-draw telescope. Celie Tennant shrank instinctively when the man protruded his head past her in this curious manner, as she might have shrunk from some loathly animal.

Then, having resumed his normal slouch behind the counter, he looked at his visitant and said, "The wage is half a croon a week, and his chance o' the drawer—the same as mysel'."

"His chance of the drawer!" said Celie, not understanding.

"When _she's_ oot," the man continued, laying his finger against the side of his nose and winking with meaning and expression at his visitor. The expression of disgust at the corner of Miss Tennant's nose threatened to result in a permanent tilt, which might have been unbecoming, and which certainly must have frightened the Junior Partner.

"When she's oot," repeated the frowsy one, confidentially, "your friend is welcome to his chance o' the drawer—if," he added, with infinite caution, "she was to leave it unlocked, which she seldom does. It's lock'd the noo! See!" And he shook a greasy knob under the counter till the drawer rattled against the bolt of the lock. "Oh, it's just like her! She aye does that when she gangs oot. She's an awsome near woman! She has nae confidence, nae open-hearted leeberality, sic' as a wife ought to hae wi' the husband of her bosom."

"Do you want a message-boy, or do you not?" said Celie, who felt that in the interests of Cleg she would face a battery of artillery, but who really could not stand the rustling among the papers on the floor very much longer.

"Certain she do that!" said the man, "an active boy, an intelligent boy, a Christian boy—half a croon a week—and his chance o' the drawer."

Once more he protruded his head in that monstrously serpentine manner round the corner of the low shop-door. But this time he retracted it quick as lightning, and shuffled back into the room behind. Celie heard him throw himself on a chair, which groaned under him.

"I'm sleepin' noo," he said, "sleepin' soond. Dinna say that I ever spoke till ye, for I'll deny it if ye do!" he said.

Cecilia Tennant stood her ground bravely, though the newspapers on the floor rustled continuously. She wondered why the path of duty was such a cockroachy one. A moment afterward a grim-looking, hard-faced woman entered. She was a tall woman, with a hooked nose and broad masculine face. The eyes were at once fierce and suspicious. She marched straight round the counter, lifting the little flap at the back and letting it fall with a bang. The cat was sitting on the end of the counter nearest the door of the inner room. The woman took her hand and swept it from the counter, as though she had merely knocked off a little dust. The cat went into the inner room like a projectile.

Then, having entrenched herself at the back of the counter, the fierce-eyed woman turned sharp round and faced Celie Tennant.

"Well?" she said, with a certain defiance in her tone such as women only use to one another, which was at once depreciatory and pitiful. The Junior Partner would have turned and fled, but Celie Tennant was afraid of no woman that walked.

"I came," she said, clearly and coldly, "to ask about the situation of message-boy for one of my Mission lads. I was sent here from the office of the newspaper. Has the situation been filled?"

"What is the boy's name?" asked the woman, twitching the level single line of her black brows at her visitor.

"His name is Charles Kelly."

"Son o' Tim Kelly that leeves in the Brickfield?" asked the woman quickly.

"I believe that is his father's name," said Celie, giving glance for glance.

"Then we dinna want the likes o' him here!" said the woman, half turning on her heel with a certain dark contempt.

"But my name is Cecilia Tennant of Glenleven Road, and I am quite willing to give security for the boy—to a reasonable amount, that is——" continued Celie, who had a practical mind and much miniature dignity.

"Will ye leave the money?" asked the woman, as if a thought struck her.

"Certainly not," replied Celie, "but I will write you a line stating that I hold myself responsible for anything he is proved guilty of stealing, to the extent of ten pounds."

It was thus that Cleg Kelly became newsboy and general assistant to Mistress Roy and her husband at Roy's corner.

As Celie went out, she heard Mr. Roy stretching himself and yawning, as though awakening out of a deep sleep.

"Wha's that ye hae had in?" he inquired pleasantly.

"What business is that o' yours, ye muckle slabber?" returned his wife with instant aggression.

And the cockroaches continue to rustle all the time beneath the carpet of old newspapers.

ADVENTURE VIII.

THE FLIGHT OF SHEEMUS.

Next morning Cleg Kelly entered upon his duties. He carried orders to the various publishing offices for about two hundred papers in all. He had often been there before upon his own account, so that the crowd and the rough jocularity were not new to him. But now he practised a kind of austere, aristocratic hauteur. He was not any longer a prowler on the streets, with only a stance for which he might have to fight. He was a newsvendor's assistant. He would not even accept wager of battle upon provocation offered. He could, however, still kick; and as he had an admirable pair of boots with tackety soles an inch thick to do it with, he soon made himself the most respected boy in the crowd.

On returning to the Pleasance, he was admitted through the chink of the door by Mistress Roy, who was comprehensively dressed in a vast yellow flannel bed-gown, which grew murkier and murkier towards her feet. Her hair was tumbling about her eyes. That, too, was of a yellow grey, as though part of the bed-gown had been ravelled out and attached loosely to her head. Feathers and woolly dust were stuck impartially over hair and bed-gown.

"Write the names on the papers as I cry them," she said to Cleg, "and look slippy."

Cleg was quick to obey. He had, in fact, his pencil ready.

"Cready, number seventeen—three stairs back. Dinna write a' that. Write the name, an' mind the rest," said Mistress Roy.

"MacVane, twenty-wan, shop," and so on went the list interminably.

Mistress Roy kept no books, but in her memory she had the various counts and reckonings of all grades of her customers. She retained there, for instance, the exact amounts of the intricate scores of the boys who took in the "Boys of the City." She knew who had not paid for the last chapter of "Ned Kelly; or, the Iron-clad Australian Bushranger." She had a mental gauge on the great roll of black twist tobacco which lay on the counter among old "Evening Scraps." She knew exactly how much there was in the casks of strong waters under the stairs, from which, every Sunday, her numerous friends and callers were largely entertained.

When Cleg went out to deliver his papers he had nearly a hundred calls to make. But such was his sense of locality and his knowledge of the district that, with the help of a butcher's boy of his acquaintance (to whom he promised a reading of the "Desperadoes of New Orleans; or, the Good Ku Klux"), he managed to deliver all—except a single "Scotsman" to one Mackimmon, who lived in a big land at the corner of Rankeillor Street. Him he was utterly unable to discover.

Upon his return Mistress Roy was waiting for him.

"Did ye deliver them a'?" she asked, bending forward her head in a threatening manner as if expecting a negative reply.

"A' but yin!" said Cleg, who was in good spirits, and pleased with himself.

His mistress took up a brush. Cleg's hand dropped lightly upon a pound weight. He did not mean to play the abused little message-boy if he knew it.

"And what yin might that be?" said Mistress Roy.

"Mackimmon," said the boy briefly, "he's no in Rankeillor Street ava'."

The hand that held the brush went back in act to throw. Now this was, from the point of view of psychological dynamics, a mistake in tactics. A woman should never attempt to throw anything in controversy, least of all a brush. Her stronghold is to advance to the charge with all her natural weapons and vigour. But to throw a brush is to abdicate her providential advantages. And so Mistress Roy found.

A straight line is the shortest distance between two points, and that was the course described by the pound weight on which Cleg Kelly dropped his hand. It sped fair and level from his hand, flung low as he had many a time skimmed stones on Saint Margaret's Loch in the hollow under the Crags.

"_Ouch!_" suddenly said Mistress Roy, taken, as she herself said, "in the short of the wind." The hearth-brush with which she had been wont to correct her former message boys fell helplessly to the ground.

"Fetch me a toothfu' frae the back o' the door. Oh, ye villain, Cleg Kelly! I'm a' overcome like!" she said.

Cleg went to the back of the door where there was a keg with a spigot. He brought his mistress a drink in a little tinnikin.

She seemed to have forgotten to be angry, and bent her brows upon him more pleasantly than she had yet done.

"I thocht that ye were a religious boy," she said.

Cleg stood back a little with Mackimmon's paper still in his hand.

"Pund wecht for besom shank is good religion," said the imperfect Christian but excellent message-boy.

"Gang and deliver that paper!" Mistress Roy commanded, again looking up.

"I want my breakfast," said Cleg, with an air of sullen determination.

His mistress looked at him a moment, still sitting with the tinnikin of undutied whisky in her hand, and occasionally taking a sip. Cleg eyed her level-fronted.

She gave in all at once.