Chapter 8

the sudden outbreak of witchcraft among the people of the East ... Book VII., chap. ii. How Peter Stuyvesant labored to civilize the community. How he was a great promoter of holydays. How he instituted kissing on New Year's Day.... Chap. iii. How troubles thicken on the province. How it is threatened by the Helderbergers,--the Merrylanders, and the Giants of the Susquehanna.

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=_179._= THE ARMY AT NEW AMSTERDAM.

First of all came the Van Bummels, who inhabit the pleasant borders of the Bronx. These were short, fat men, wearing exceeding large trunk-breeches, and are renowned for feats of the trencher; they were the first inventors of suppawn, or mush and milk.... Lastly came the Knickerbockers, of the great town of Schahticoke, where the folks lay stones upon the houses in windy weather, lest they should be blown away. These derive their name, as some say, from _Knicker_, to shake, and _Beker_, a goblet, indicating thereby that they were sturdy tosspots of yore; but in truth, it was derived from _Knicker_, to nod, and _Bocken_, books, plainly meaning that they were great nodders or dozers over books; from them did descend the writer of this History.

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From the "Tales of a Traveller."

=_180._= A MOTHER'S MEMORY.

A part of the church-yard is shaded by large trees. Under one of them my mother lay buried. You have no doubt thought me a light, heartless being. I thought myself so; but there are moments of adversity which let us into some feelings of our nature to which we might otherwise remain perpetual strangers.

I sought my mother's grave: the weeds were already matted over it, and the tombstone was half hid among nettles. I cleared them away, and they stung my hands; but I was heedless of the pain, for my heart ached too severely. I sat down on the grave, and read, over and over again, the epitaph on the stone.

It was simple,--but it was true. I had written it myself, I had tried to write a poetical epitaph, but in vain; my feelings refused to utter themselves in rhyme. My heart had gradually been filling during my lonely wanderings; it was now charged to the brim, and overflowed, I sunk upon the grave, and buried my face in the tall grass, and wept like a child. Yes, I wept in manhood upon the grave, as I had in infancy upon the bosom, of my mother. Alas! how little do we appreciate a mother's tenderness while living! how heedless are we in youth of all her anxieties and kindness! But when she is dead and gone; when the cares and coldness of the world come withering to our hearts; when we find how hard it is to find true sympathy;--how few love us for ourselves; how few will befriend us in our misfortunes--then it is that we think of the mother we have lost. It is true I had always loved my mother, even in my most heedless days; but I felt how inconsiderate and ineffectual had been my love. My heart melted as I retraced the days of infancy, when I was led by a mother's hand, and rocked to sleep in a mother's arms, and was without care or sorrow. "O my mother!" exclaimed I, burying my face again in the grass of the grave, "O that I were once more by your side; sleeping never to wake again on the cares and troubles of this world."

I am not naturally of a morbid temperament, and the violence of my emotion gradually exhausted itself. It was a hearty, honest, natural discharge of grief which had been slowly accumulating, and gave me wonderful relief. I rose from the grave as if I had been offering up a sacrifice, and I felt as if that sacrifice had been accepted.

I sat down again on the grass, and plucked one by one the weeds from her grave: the tears trickled more slowly down my cheeks, and ceased to be bitter. It was a comfort to think that she had died before sorrow and poverty came upon her child, and all his great expectations were blasted.

I leaned my cheek upon my hand, and looked upon the landscape. Its quiet beauty soothed me. The whistle of a peasant from an adjoining field came cheerily to my ear. I seemed to respire hope and comfort with the free air that whispered through the leaves, and played lightly with my hair, and dried the tears upon my cheek. A lark, rising from the field before me, and leaving as it were a stream of song behind him as he rose, lifted my fancy with him. He hovered in the air just above the place where the towers of Warwick castle marked the horizon, and seemed as if fluttering with delight at his own melody. "Surely," thought I, "if there were such a thing as a transmigration of souls, this might be taken for some poet let loose from earth, but still revelling in song, and carolling about fair fields and lordly towers."

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From "The Life and Voyages of Columbus."

=_181._= COLUMBUS A PRISONER.

The arrival of Columbus at Cadiz, a prisoner, and in chains, produced almost as great a sensation as his triumphant return from his first voyage. It was one of those striking and obvious facts, which speak to the feelings of the multitude, and preclude the necessity of reflection. No one stopped to inquire into the case. It was sufficient to be told that Columbus was brought home in irons from the world he had discovered. A general burst of indignation arose in Cadiz, and its neighboring city, Seville, which was immediately echoed throughout all Spain.... However Ferdinand might have secretly felt disposed towards Columbus, the momentary tide of public feeling was not to be resisted. He joined with his generous queen in her reprobation of the treatment of the admiral, and both sovereigns hastened to give evidence to the world, that his imprisonment had been without their authority, and contrary to their wishes.

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=_182._= HIS ARRIVAL AT COURT.

He appeared at court in Granada, on the 17th of December, not as a man ruined and disgraced, but richly dressed, and attended by an honorable retinue. He was received by their majesties with unqualified favor and distinction. When the queen beheld this venerable man approach, and thought on all that he had deserved, and all that he had suffered, she was moved to tears. Columbus had borne up firmly against the rude conflicts of the world; he had endured with lofty scorn the injuries and insults of ignoble men; but he possessed strong and quick sensibility. When he found himself thus kindly received by his sovereigns, and beheld tears in the benign eyes of Isabella, his long-suppressed feelings burst forth. He threw himself upon his knees, and for some time could not utter a word for the violence of his tears and sobbings.

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From Wolfert's Roost.

=_183._= "A TIME OF UNEXAMPLED PROSPERITY."

Every now and then the world is visited by one of these delusive seasons, when "the credit system," as it is called, expands to full luxuriance; every body trusts every body; a bad debt is a thing unheard of; the broad way to certain and sudden wealth lies plain and open, and men are tempted to dash forward boldly, from the facility of borrowing.

Promissory notes, interchanged between scheming individuals, are liberally discounted at the banks, which become so many mints to coin words into cash; and as the supply of words is inexhaustible, it may readily be supposed what a vast amount of promissory capital is soon in circulation. Every one now talks in thousands; nothing is heard but gigantic operations in trade, great purchases and sales of real property, and immense sums made at every transfer. All, to be sure, as yet exists in promise; but the believer in promises calculates the aggregate as solid capital, and falls back in amazement at the amount of public wealth, "the unexampled state of public prosperity!"

Now is the time for speculative and dreaming or designing men. They relate their dreams and projects to the ignorant and credulous, dazzle them with golden visions, and set them maddening after shadows. The example of one stimulates another; speculation rises on speculation; bubble rises on bubble; every one helps with his breath to swell the windy superstructure, and admires and wonders at the magnitude of the inflation he has contributed to produce.

Speculation is the romance of trade, and casts contempt upon all its sober realities. It renders the stock-jobber a magician, and the exchange a region of enchantment. It elevates the merchant into a kind of Knight-errant, or rather a commercial Quixote. The slow but sure gains of snug percentage become despicable in his eyes: no "operation" is thought worthy of attention, that does not double or treble the investment. No business is worth following, that does not promise an immediate fortune. As he sits musing over his ledger, with pen behind his ear, he is like La Mancha's hero in his study, dreaming over his books of chivalry. His dusty counting-house fades before his eyes, or changes into a Spanish mine; he gropes after diamonds, or dives after pearls. The subterranean garden of Aladdin is nothing to the realms of wealth that break upon his imagination.

When a man of business, therefore, hears on every side rumors of fortunes suddenly acquired; when he finds banks liberal, and brokers busy; when he sees adventurers flush of paper capital, and full of scheme and enterprise; when he perceives a greater disposition to buy than to sell; when trade overflows its accustomed channels, and deluges the country; when he hears of new regions of commercial adventure, of distant marts and distant mines, swallowing merchandise and disgorging gold; when he finds joint stock companies of all kinds forming; railroads, canals, and locomotive engines, springing up on every side; when idlers suddenly become men of business, and dash into the game of commerce as they would into the hazards of the faro table; when he beholds the streets glittering with new equipages, palaces conjured up by the magic of speculation; tradesmen flushed with sudden success, and vying with each other in ostentatious expense; in a word, when he hears the whole community joining in the theme of "unexampled prosperity." let him look upon the whole as a "weather breeder," and prepare for the impending storm.

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From The Life of Washington.

=_184._= DEATH AND BURIAL OF BRADDOCK.

The proud spirit of Braddock was broken by his defeat. He remained silent the first evening after the battle, only ejaculating at night, "Who would have thought it!" He was equally silent the following day; yet hope still seemed to linger in his breast, from another ejaculation: "We shall better know how to deal with them another time!"

He was grateful for the attentions paid to him by Captain Stewart and Washington, and more than once, it is said, expressed his admiration of the gallantry displayed by the Virginians in the action. It is said, moreover, that in his last moments, he apologized to Washington for the petulance with which he had rejected his advice, and bequeathed to him his favorite charger and his faithful servant, Bishop, who had helped to convey him from the field.

Some of these facts, it is true, rest on tradition, yet we are willing to believe them, as they impart a gleam of just and generous feeling to his closing scene. He died on the night of the 13th, at the Great Meadows, the place of Washington's discomfiture in the preceding year. His obsequies were performed before break of day. The chaplain having been wounded, Washington read the funeral service. All was done in sadness, and without parade, so as not to attract the attention of lurking savages, who might discover and outrage his grave. It is doubtful even whether a volley was fired over it, that last military honor which he had recently paid to the remains of an Indian warrior. The place of his sepulture, however, is still known, and pointed out.

Reproach spared him not, even when in his grave. The failure of the expedition was attributed both in England and America, to his obstinacy, his technical pedantry, and his military conceit. He had been continually warned to be on his guard against ambush and surprise, but without avail. Had he taken the advice urged on him by Washington and others, to employ scouting parties of Indians and rangers, he would never have been so signally surprised and defeated.

Still his dauntless conduct on the field of battle shows him to have been a man of fearless spirit; and he was universally allowed to be an accomplished disciplinarian. His melancholy end, too, disarms censure of its asperity. Whatever may have been his faults and errors, he in a manner expiated them by the hardest lot that can befall a brave soldier, ambitious of renown--an unhonored grave in a strange land: a memory clouded by misfortune, and a name for ever coupled with defeat.

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=_185._= BARON STEUBEN IN THE REVOLUTIONARY ARMY.

The committee having made their report, the baron's proffered services were accepted with a vote of thanks for his disinterestedness, and he was ordered to join the army of Valley Forge. That army, in its ragged condition and squalid quarters, presented a sorry aspect to a strict disciplinarian from Germany, accustomed to the order and appointments of European camps; and the baron often declared, that under such circumstances no army in Europe could be kept together for a single month. The liberal mind of Steuben, however, made every allowance; and Washington soon found in him a consummate soldier, free from pedantry or pretension.

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For a time, there was nothing but drills throughout the camp, then gradually came evolutions of every kind. The officers were schooled as well as the men. The troops, says a person who was present in the camp, were paraded in a single line with shouldered arms; every officer in his place. The baron passed in front, then took the musket of each soldier in hand, to see whether it was clean and well polished, and examined whether the men's accoutrements were in good order.

He was sadly worried for a time with the militia; especially when any manoeuvre was to be performed. The men blundered in their exercise; the baron blundered in his English; his French and German were of no avail; he lost his temper, which was rather warm; swore in all three languages at once, which made the matter worse, and at length called his aide to his assistance, to help him curse the blockheads as it was pretended--but no doubt to explain the manoeuvre.

Still the grand marshal of the court of Hohenzollern mingled with the veteran soldier of Frederick, and tempered his occasional bursts of impatience; and he had a kind generous heart, that soon made him a favorite with the men. His discipline extended to their comforts. He inquired into their treatment by the officers. He examined into the doctor's reports; visited the sick; and saw that they were well lodged and attended.

He was an example, too, of the regularity and system he exacted. One of the most alert and indefatigable men in the camp; up at day-break if not before, whenever there were to be any important manoeuvres, he took his cup of coffee and smoked his pipe while his servant dressed his hair, and by sunrise he was in the saddle, equipped at all points, with the star of his order of knighthood glittering on his breast, and was off to the parade, alone, if his suite were not ready to attend him.

The strong good sense of the baron was evinced in the manner in which he adapted his tactics to the nature of the army and the situation of the country, instead of adhering with bigotry to the systems of Europe. His instructions were appreciated by all. The officers received them gladly and conformed to them. The men soon became active and adroit. The army gradually acquired a proper organization, and began to operate, like a great machine; and Washington found in the baron an intelligent, disinterested, truthful coadjutor, well worthy of the badge he wore of the Order of _Fidelity_.

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=_Richard Henry Wilde, 1789-1847._= (Manual, pp. 501, 521.)

From "Conjectures concerning Torquato Tasso."

=_186._= INTEREST OF TASSO'S LIFE.

There is scarcely any poet whose life excites a more profound and melancholy interest than that of Torquato Tasso.

His short and brilliant career of glory captivates the imagination, while the heart is deeply affected by his subsequent misfortunes. Greater fame and greater misery have seldom been the lot of man, and a few brief years sufficed for each extreme.

An exile even in his boyhood, the proscription and confiscation suffered by his father deprived him of home and patrimony. Honor and love, and the favor of princes, and enthusiastic praise, dazzled his youth. Envy, malice, and treachery, tedious imprisonment and imputed madness, insult, poverty, and persecution, clouded his manhood. The evening of his days was saddened by a troubled spirit, want, sickness, bitter memories, and deluded hopes; and when at length a transient gleam of sunshine fell upon his prospects, death substituted the immortal for the laurel crown.

Mystery adds its fascination to his story. The causes of his imprisonment are hidden in obscurity; it is still disputed whether he was insane or not.

Few points of literary history, therefore, are more interesting, or more obscure, than the love, the madness, and the imprisonment of Tasso.

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=_George Ticknor, 1791-1871._= (Manual, p. 502.)

From "The History of Spanish Literature."

=_187._= DESIGN OF CERVANTES IN WRITING DON QUIXOTE.

His purpose in writing the Don Quixote has sometimes been enlarged by the ingenuity of a refined criticism, until it has been made to embrace the whole of the endless contrast between the poetical and the prosaic in our natures,--between heroism and generosity on one side, as if they were mere illusions, and a cold selfishness on the other, as if it were the truth and reality of life. But this is a metaphysical conclusion drawn from views of the work at once imperfect and exaggerated; a conclusion contrary to the spirit of the age, which was not given to a satire so philosophical and generalizing, and contrary to the character of Cervantes himself, as we follow it from the time when he first became a soldier, through all his trials in Algiers, and down to the moment when his warm and trusting heart dictated the Dedication of "Persiles and Sigismunda" to the Count de Lemos. His whole spirit, indeed, seems rather to have been filled with a cheerful confidence in human virtue, and his whole bearing in life seems to have been a contradiction to that discouraging and saddening scorn for whatever is elevated and generous, which such an interpretation of the Don Quixote necessarily implies.

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At the very beginning of the work, he announces it to be his sole purpose to break down the vogue and authority of books of chivalry, and at the end of the whole he declares anew in his own person, that "he had no other desire than to render abhorred of men the false and absurd stories contained in books of chivalry;" exulting in his success as an achievement of no small moment. And such, in fact, it was, for we have abundant proof that the fanaticism for these romances was so great in Spain, during the sixteenth century, as to have become matter of alarm to the more judicious....

To destroy a passion that had struck its roots so deeply in the character of all classes of men, to break up the only reading which at that time could be considered widely popular and fashionable, was certainly a bold undertaking, and one that marks anything rather than a scornful or broken spirit, or a want of faith in what is most to be valued in our common nature. The great wonder is, that Cervantes succeeded. But that he did there is no question. No book of chivalry was written after the appearance of Don Quixote, in 1605; and from the same date, even those already enjoying the greatest favor ceased, with one or two unimportant exceptions, to be reprinted; so that, from that time to the present, they have been constantly disappearing, until they are now among the rarest of literary curiosities--a solitary instance of the power of genius to destroy, by a single well-timed blow, an entire department, and that, too, a flourishing and favored one, in the literature of a great and proud nation.

The general plan Cervantes adopted to accomplish this object, without, perhaps, foreseeing its whole course, and still less all its results, was simple as well as original. In 1605 he published the first part of Don Quixote, in which a country gentleman of La Mancha, full of genuine Castilian honor and enthusiasm, gentle and dignified in his character, trusted by his friends, and loved by his dependants--is represented as so completely crazed by long reading the most famous books of chivalry, that he believes them to be true, and feels himself called on to become the impossible knight-errant they describe,--nay, actually goes forth, into the world to defend, the oppressed and avenge the injured, like the heroes of his romances.

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=_James Hall, 1793-1868._= (Manual, p. 510.)

From "Statistics of the West."

=_188._= DESCRIPTION OF A PRAIRIE.

Imagine a stream of a mile in width, whose waters are as transparent as those of the mountain spring, flowing over beds of rock or gravel. Fancy the prairie commencing at the water's edge--a natural meadow covered with grass and flowers, rising, with a gentle slope, for miles, so that in the vast panorama thousands of acres are exposed to the eye. The prospect is bounded by a range of low hills, which sometimes approach the river, and again recede, and whose summits, which are seen gently waving along the horizon, form the level of the adjacent country.... The timber is scattered in groves and strips, the whole country being one vast illimitable prairie, ornamented by small collections of trees.... But more often we see the single tree, without a companion near, or the little clump, composed of a few dozen oaks or elms; and not unfrequently, hundreds of acres embellished with a kind of open woodland, and exhibiting the appearance of a splendid park, decorated with skill and care by the hand of taste. Here we behold the beautiful lawn enriched with flowers, and studded with trees, which are so dispersed about as not to intercept the prospect, standing singly, so as not to shade the ground, and occasionally collected in clusters, while now and then the shade deepens into the gloom of the forest, or opens into long vistas and spacious plains, destitute of tree or shrub.

When the eye roves off from the green plain, to the groves, or points of timber, these also are found ... robed in the most attractive hues. The rich undergrowth is in full bloom. The red-bud, the dog-wood, the crab-apple, the wild plum, the cherry, the wild rose, are abundant in all the rich lands; and the grape-vine, though its blossom is unseen, fills the air with fragrance. The variety of the wild fruit and flowering shrubs is so great, and such the profusion of the blossoms with which they are bowed down, that the eye is regaled almost to satiety.

The gayety of the prairie, its embellishments, and the absence of the gloom and savage wildness of the forest, all contribute to dispel the feeling of lonesomeness which usually creeps over the mind of the solitary traveler in the wilderness. Though he may not see a house nor a human being, and is conscious that he is far from the habitations of men, he can scarcely divest himself of the idea that he is traveling through scenes embellished by the hand of art. The flowers so fragile, so delicate, and so ornamental, seem to have been tastefully disposed to adorn the scene. The groves and clumps of trees appear to have been scattered over the lawn to beautify the landscape; and it is not easy to avoid that illusion of the fancy which persuades the beholder, that such scenery has been created to gratify the refined taste of civilized man.

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=_Henry R. Schoolcraft, 1793-1864._= (Manual, p. 504.)

From "Oneota."

=_189._= THE CHIPPEWA INDIAN.

Of all the existing branches of the Algonquin stock in America, this extensive and populous tribe appears to have the strongest claims to intellectual distinction, on the score of their traditions, so far at least, as the present state of our inquiries extends. They possess in their curious fictitious legends and lodge-tales, a varied and exhaustless fund of tradition, which is repeated from generation to generation. These legends hold, among the wild men of the north, the relative rank of story-books; and are intended both to amuse and instruct. This people possess also the art of picture writing in a degree which denotes that they have been, either more careful, or more fortunate, in the preservation of this very ancient art of the human race. Warriors, and the bravest of warriors, they are yet an intellectual people.

... They believe that the great Spirit created material matter, and that He made the earth and heavens, by the power of His will.... He made one great and master-spirit of evil, to whom He also gave assimilated and subordinate evil spirits having something of his own nature, to execute his will. Two antagonist powers, they believe, were thus placed in the world, who are continually striving for the mastery, and who have power to affect the lives and fortunes of men. This constitutes the ground-work of their religion, sacrifices, and worship.

They believe that animals were created before men, and that they originally had rule on the earth. By the power of necromancy, some of these animals were transformed to men, who, as soon as they assumed this new form, began to hunt the animals, and make war against them. It is expected that these animals will resume their human shapes, in a future state, and hence their hunters feign some clumsy excuses for their present policy of killing them. They believe that all animals, and birds, and reptiles, and even insects, possess reasoning faculties, and have souls. It is in these opinions, that we detect the ancient, doctrine of transmigration.

One of the most curious opinions of this people is their belief in the mysterious and sacred character of fire. They obtain sacred fire, for all national and ecclesiastical purposes, from the flint. Their national pipes are lighted with this fire. It is symbolical of purity. Their notions of the boundary between life and death, which is also symbolically the limit of the material verge between this and a future state, are revealed in connection with the exhibition of flames of fire. They also make sacrifices by fire of some part of the first fruits of the chase. These traits are to be viewed, perhaps, in relation to their ancient worship of the sun, above noticed, of which the traditions and belief are still generally preserved. The existence of the numerous classes of jossakeeds, or mutterers (the word is from the utterance of sounds low on the earth), is a trait that will remind the reader of a similar class of men in early ages in the eastern hemisphere. These persons constitute, indeed, the Magi of our western forests.

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=_Edward Everett, 1794-1865._= (Manual, pp. 487, 531.)

From "Orations and Speeches."

=_190._= ASTRONOMY, FOR ALL TIME.

There is much by day to engage the attention of the observatory; the sun, his apparent motions, his dimensions, the spots on his disk (to us the faint indications of movements of unimagined grandeur in his luminous atmosphere), a solar eclipse, a transit of the interior planets, the mysteries of the spectrum--all phenomena of vast importance and interest. But night is the astronomer's accepted time: he goes to his delightful labors when the busy world goes to its rest. A dark pall spreads over the resorts of active life; terrestrial objects, hill and valley, and rock and stream, and the abodes of men, disappear; but the curtain is drawn up which concealed the heavenly hosts. There they shine and there they move, as they moved and shone to the eyes of Newton and Galileo, of Kepler and Copernicus, of Ptolemy and Hipparchus; yea, as they moved and shone when the morning stars sang together, and all the sons of God shouted for joy. All has changed on earth; but the glorious heavens remain unchanged. The plough has passed over the remains of mighty cities, the homes of powerful nations are desolate, the languages they spoke are forgotten; but the stars that shone for them are shining for us; the same eclipses run their steady cycle; the same equinoxes call out the flowers of spring, and send the husbandman to the harvest; the sun pauses at either tropic, as he did when his course began; and sun and moon, and planet and satellite, and star, and constellation, and galaxy, still bear witness to the power, the wisdom, and the love of Him who placed them in the heavens, and upholds them there.

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=_191._= DESCRIPTION OF THE SUNRISE.

Much, however, as we are indebted to our observatories for elevating our conceptions of the heavenly bodies, they present even to the unaided sight, scenes of glory which, words are too feeble to describe. I had occasion, a few weeks since, to take the early train from Providence to Boston; and for this purpose rose at two o'clock in the morning. Everything around was wrapt in darkness and hushed in silence, broken only by what seemed at that hour the unearthly clank and rush of the train. It was a mild, serene, midsummer's night,--the sky was without a cloud,--the winds were whist. The moon, then in the last quarter, had just risen, and the stars shone with a spectral lustre, but little affected by her presence. Jupiter, two hours high, was the herald of the day; the Pleiades, just above the horizon, shed their sweet influence in the east; Lyra sparkled near the zenith; Andromeda veiled her newly-discovered glories from the naked eye, in the south; the steady pointers, far beneath the pole, looked meekly up from the depths of the north, to their sovereign.

Such was the glorious spectacle as I entered the train. As we proceeded, the timid approach of twilight became more perceptible; the intense blue of the sky began to soften; the smaller stars, like little children, went first to rest; the sister beams of the Pleiades soon melted together; but the bright constellations of the west and north remained unchanged. Steadily the wondrous transfiguration went on. Hands of angels, hidden from mortal eyes, shifted the scenery of the heavens; the glories of night dissolved into the glories of the dawn. The blue sky now turned more softly gray; the great watch-stars shut up their holy eyes; the east began to kindle. Faint streaks of purple soon blushed along the sky; the whole celestial concave was filled with the inflowing tides of the morning light, which came pouring down from above in one great ocean of radiance; till at length, as we reached the Blue Hills, a flash of purple fire blazed out from above the horizon, and turned the dewy tear-drops of flower and leaf, into rubies and diamonds. In a few seconds, the everlasting gates of the morning were thrown wide open, and the lord of day, arrayed in glories too severe for the gaze of man, began his state.

I do not wonder at the superstition of the ancient Magians, who, in the morning of the world, went up to the hill-tops of Central Asia, and ignorant of the true God, adored the most glorious work of His hand. But I am filled with amazement when I am told that in this enlightened age, and in the heart of the Christian world, there are persons who can witness this daily manifestation of the power and wisdom of the Creator, and yet say in their hearts, "there is no God."

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From a Discourse on the Discover and Colonization of America.

=_192._= THE CELTIC IMMIGRATION.

This great Celtic race is one of the most remarkable that has appeared in history. Whether it belongs to that extensive Indo-European family of nations, which, in ages before the dawn of history, took up a line of march in two columns from Lower India, and moving westward by both a northern and a southward route, finally diffused itself over Western Asia, Northern Africa, and the greater part of Europe; or whether, as others suppose, the Celtic race belongs to a still older stock, and was itself driven down upon the south and into the west of Europe by the overwhelming force of the Indo-Europeans, is a question which we have no time at present to discuss. However it may be decided, it would seem that for the first time, as far as we are acquainted with the fortunes of this interesting race, they have found themselves in a really prosperous condition, in this country. Driven from the soil in the west of Europe, to which their forefathers clang for two thousand years, they have at length, and for the first time in their entire history, found a real home in a land of strangers. Having been told, in the frightful language of political economy, that at the daily table which Nature spreads for the human family there is no cover laid for them in Ireland, they have crossed the ocean to find occupation, shelter, and bread, on a foreign but friendly soil.

This "Celtic Exodus," as it has been aptly called, is to all the parties immediately connected with it one of the most important events of the day. To the emigrants themselves it may be regarded as a passing from death to life. It will benefit Ireland by reducing a surplus population, and restoring a sounder and juster relation of capital and labor. It will benefit the laboring classes in England, where wages have been kept down to the starvation-point by the struggle between native population and the inhabitants of the sister island, for that employment and food, of which there is not enough for both. This benefit will extend from England to ourselves, and will lessen the pressure of that competition which our labor is obliged to sustain, with the ill-paid labor of Europe. In addition to all this, the constant influx into America of stout and efficient hands supplies the greatest want in a new country, which is that of labor, gives value to land, and facilitates the execution of every species of private enterprise and public work.

I am not insensible to the temporary inconveniences which are to be set off against these advantages, on both sides of the water. Much suffering attends the emigrant, there, on his passage, and after his arrival. It is possible that the value of our native labor may have been depressed by too sudden and extensive a supply from abroad; and it is certain that our asylums and alms-houses are crowded with foreign inmates, and the resources of public and private benevolence have been heavily drawn upon. These are considerable evils, but they have perhaps been exaggerated.

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=_Hugh S. Legaré, 1797-1843._= (Manual, p. 487.)

From his "Collected Writings."

=_193._= THE STUDY OF THE ANCIENT CLASSICS.

Not to have the curiosity to study the learned languages is not to have any vocation at all for literature: it is to be destitute of liberal curiosity and of enthusiasm; to mistake a self-sufficient and superficial dogmatism for philosophy, and that complacent indolence which is the bane of all improvement, for a proof of the highest degree of it....

All that we ask, then, is, that a boy should be thoroughly taught the ancient languages from his eighth to his sixteenth year, or thereabouts, in which time he will have his taste formed, his love of letters completely, perhaps enthusiastically, awakened, his knowledge of the principles of universal grammar perfected, his memory stored with the history, the geography, and the chronology of all antiquity, and with a vast fund of miscellaneous literature besides, and his imagination kindled with the most beautiful and glowing passages of Greek and Roman poetry and eloquence; all the rules of criticism familiar to him--the sayings of sages and the achievements of heroes indelibly impressed upon his heart. He will have his curiosity fired for further acquisition, and find himself in possession of the golden keys which open all the recesses where the stores of knowledge have ever been laid up by civilized man. The consciousness of strength will give him confidence, and he will go to the rich treasures themselves, and take what he wants, instead of picking up eleemosynary scraps from those whom, in spite of himself, he will regard as his betters in literature. He will be let into that great communion of scholars throughout all ages and all nations,--like that more awful communion of saints in the holy church universal,--and feel a sympathy with departed genius, and with the enlightened and the gifted minds of other countries, as they appear before him, in the transports of a sort of vision beatific, bowing down at the same shrines, and flowing with the same holy love of whatever is most pure, and fair, and exalted, and divine in human nature.

* * * * *

From a Review of Kent's Commentaries.

=_194._= DISADVANTAGES OF COLONIAL LIFE.

It is our misfortune, in one sense, to have succeeded, at the very outset of our career, to an over-grown inheritance in the literature of the mother country, and to have stood for a century in that political and social relation towards her, which was of all others most unfavorable to any originality in genius and opinions. Our good fathers piously spoke of England as their _home_. The inferiority--the discouraging and degrading inferiority--implied in a state of colonial dependence, chilled the enthusiasm of talent, and repressed the aspirations of ambition. Our youth were trained in English schools to classical learning and good manners; but no scholarship--great as we believe its efficacy to be--can either inspire or supply, the daring originality and noble pride of genius, to which, by some mysterious law of nature, the love of country and a national spirit seem to be absolutely necessary. We imported our opinions ready-made--"by balefuls," if it so pleases the Rev. Sidney Smith. We were taught to read by English school-masters--and to reason by English authors--English clergymen filled our pulpits, English lawyers our courts--and above all things, we deferred to and dreaded the dictatorial authority and withering contempt of English criticism. It is difficult to imagine a state of things more fatal to intellectual dignity and enterprise, and the consequences were such as might have been anticipated. What is still more lamentable, although the cause has in a good measure ceased, the effect continues, nor do we see any remedy for the evil until our youth shall be taught to go up to the same original and ever-living fountains of all literature, at which the Miltons, and the Barrows, and the Drydens drank in so much of their enthusiasm and inspiration, and to cast off entirely that slavish dependence upon the opinions of others which they must feel, who take their knowledge of what it is either their duty, their interest, or their ambition to learn, at second hand.

* * * * *

=_Francis L. Hawks, 1798-1866._= (Manual, p. 480.)

From "Narrative of the United States Expedition to Japan."

=_195._= JAPAN INTERESTING IN MANY ASPECTS.

Viewed in any of its aspects, the empire of Japan has long presented to the thoughtful mind an object of uncommon interest. And this interest has been greatly increased by the mystery with which, for the last two centuries, an exclusive policy has sought to surround the institutions of this remarkable country....

The political inquirer, for instance, has wished to study in detail the form of government, the administration of laws, and the domestic institutions, under which a nation systematically prohibiting intercourse with the rest of the world has attained to a state of civilization, refinement, and intelligence, the mere glimpses of which so strongly invite further investigation.

The student of physical geography, aware how much national characteristics are formed or modified by peculiarities of physical structure in every country, would fain know more of the lands and the seas, the mountains and the rivers, the forests and the fields, which fall within the limits of this almost _terra incognita_.

... The man of commerce asks to be told of its products and its trade, its skill in manufactures, the commodities it needs, and the returns it can supply.

The scholar asks to be introduced to its literature, that he may contemplate in historians, poets, and dramatists (for Japan has them all), a picture of the national mind.

The Christian desires to know the varied phases of their superstition and idolatry, and longs for the dawn of that day when a purer faith and more enlightened worship shall bring them within the circle of Christendom.

Amid such a diversity of pursuits as we have enumerated, a common interest unites all in a common sympathy; and hence the divine and the philosopher, the navigator and the naturalist, the man of business and the man of letters, have alike joined in a desire for the thorough exploration of a field at once so extensive and so inviting.

* * * * *

=_George P. Marsh, 1801-._= (Manual, p. 532.)

From "Lectures on the English Language."

=_196._= METHOD OF LEARNING ENGLISH.

The groundwork of English, indeed, can be, and best is, learned at the domestic fireside--a school for which there is no adequate substitute; but the knowledge there acquired is not, as in homogeneous languages, a root, out of which will spontaneously grow the flowers and the fruits which adorn and enrich the speech of man. English has been so much affected by extraneous, alien, and discordant influences, so much mixed with foreign ingredients, so much overloaded with adventitious appendages, that it is to most of those who speak it, in a considerable degree, a conventional and arbitrary symbolism. The Anglo-Saxon tongue has a craving appetite, and is as rapacious of words, and as tolerant of forms, as are its children, of territory and of religions. But in spite of its power of assimilation, there is much of the speech of England which has never become connatural to the Anglican people; and its grammar has passively suffered the introduction of many syntactical combinations, which are not merely irregular, but repugnant. I shall not here inquire whether this condition of English is an evil. There are many cases where a complex and cunningly-devised machine, dexterously guided, can do that which the congenital hand fails to accomplish; but the computing, of our losses and gains, the striking of our linguistic balance, belongs elsewhere. Suffice it to say, that English is not a language which teaches itself by mere unreflecting usage. It can only be mastered, in all its wealth, in all its power, by conscious, persistent labor; and therefore, when all the world is awaking to the value of general philological science, it would ill become us to be slow in recognizing the special importance of the study of our own tongue.

* * * * *

From "Man and Nature."

=_197._= THE EVERGREENS OF SOUTHERN EUROPE.

The multitude of species, intermixed as they are in their spontaneous growth, gives the American forest landscape a variety of aspect not often seen in the woods of Europe; and the gorgeous tints which nature repeats from the dying dolphin to paint the falling leaf of the American maples, oaks, and ash trees, clothe the hill-sides and fringe the watercourses with a rainbow splendor of foliage, unsurpassed by the brightest groupings of the tropical flora. It must be admitted, however, that both the northern and the southern declivities of the Alps exhibit a nearer approximation to this rich and multifarious coloring of autumnal vegetation than most American travellers in Europe are willing to allow; and, besides, the small deciduous shrubs, which often carpet the forest glades of these mountains, are dyed with a ruddy and orange glow, which, in the distant landscape, is no mean substitute for the scarlet and crimson and gold and amber of the trans-atlantic woodland.

No American evergreen known to me resembles the umbrella pine sufficiently to be a fair object of comparison with it. A cedar, very common above the Highlands on the Hudson, is extremely like the cypress, straight, slender, with erect, compressed ramification, and feathered to the ground, but its foliage is neither so dark nor so dense, the tree does not attain the majestic height of the cypress, nor has it the lithe flexibility of that tree. In mere shape, the Lombardy poplar nearly resembles this latter, but it is almost a profanation to compare the two, especially when they are agitated by the wind; for under such circumstances, the one is the most majestic, the other the most ungraceful, or--if I may apply such an expression to any thing but human affectation of movement--the most awkward of trees. The poplar trembles before the blast, flutters, struggles wildly, dishevels its foliage, gropes around with its feeblest branches, and hisses as in impotent passion. The cypress gathers its limbs still more closely to its stem, bows a gracious salute rather than an humble obeisance to the tempest, bends to the winds with an elasticity that assures you of its prompt return to its regal attitude, and sends from its thick leaflets a murmur like the roar of the far-off ocean.

* * * * *

=_George H. Calvert, 1803-._= (Manual pp. 503, 505.)

From "First Years in Europe."

=_198._= ESTIMATE OF COLERIDGE.

That Coleridge with his mental pockets full of gold, and with a mine in fee wherefrom he not only replenished his daily purse but enriched his neighbors, should now and then borrow a guinea, is a fact at which we should rather smile than frown, or, more fitly, pass by without special sensation, seeing what has been the practice of the highest,--a practice which may with full ethical assent be regarded as a privilege inherent in their supremacy, the free use of all knowledge collected and experience acquired, no matter when, where, or by whom, being a natural right of him _who has the genius to turn it to best account_. That in certain cases where acknowledgment was due it was not made, we may ascribe to opinion; or to defects which broke the complete rotundity of such a circle of endowments that without this breach they would have swollen their possessor to almost preterhuman proportions, empowering him to "bestride the narrow world like a Colossus."

Let the truth be spoken of all men. Let no man's greatness be a bar to full utterance; but let temperance and charity--duties peculiarly imperative when uttering derogatory truth--be especially observed towards a resplendent suffering brother like Coleridge, suffering from his own weakness, but on that very account entitled to a tenderer consideration from those who are themselves endowed to feel and claim something more than common human affinity with a nature so large and so susceptive. Could but a tithe of the fresh insights he has given us be allowed as an offset against his short-comings, never, from any scholar of sound sensibilities, would a whisper be heard against his name. Under the coarse, rusty, one-pronged spur of sectarian or political rancor, or from the knawing consciousness of sterile inferiority to a creative mind, plenty of people are ready and eager to try, with their net-work of flimsy phrases, to cramp the play of a giant's limbs, or, with the slow slimy poison of envy and malice, to spot and deform his beauty and his symmetry. To such, to the half-eyed and the half-souled, to the prosaic and the unsympathetic, be left all harsh condemnation of Coleridge.

For the living, not for the dead, are these inadequate words spoken. The writings of Coleridge--in tone high, refined, noble; in expression rich, choice, copious; in spirit as pure as the sun's light; intellectually of rare breadth and mellowness and brilliancy--are a healthful power in literature, their influence solely for good, warming, strengthening, elevating. As for Coleridge himself, his is an immortal name; and as he walks through the ages his robes adjusting themselves with varying grace, in harmony with the mutations of opinion, his inward life will be ever fresh to his fellow-men, while his detractors will be shaken from him as _gryllidoe_ from the tunic of the superb Diana.

* * * * *

=_Ralph Waldo Emerson, 1803-_= (Manual pp. 478, 503, 531.)

From "Essays," Second Series.

=_199._= INFLUENCE OF NATURE.

There are days which occur in this climate, at almost any season of the year, wherein the world reaches its perfection; when the air, the heavenly bodies, and the earth, make a harmony, as if Nature would indulge her offspring; when, in these bleak upper sides of the planet, nothing is to desire that we have heard of the happiest latitudes, and we bask in the shining hours of Florida and Cuba; when everything that has life gives sign of satisfaction, and the cattle that lie on the ground seem to have great and tranquil thoughts. These halcyons may be looked for with a little more assurance in that pure October weather which we distinguish by the name of Indian summer. The day, immeasurably long, sleeps over the broad hills, and warm, wide fields. To have lived through all its sunny hours seems longevity enough. The solitary places do not seem quite lonely. At the gates of the forest, the surprised man of the world is forced to leave his city estimates of great and small, wise and foolish. The knapsack of custom falls off his back with the first step he makes into these precincts. Here is sanctity which shames our religions, and reality which discredits our heroes.

* * * * *

From "Society and Solitude."

=_200._= THE POWER OF CHILDHOOD.

The perfection of the providence for childhood is easily acknowledged. The care which covers the seed of the tree under tough husks and, stony cases, provides, for the human plant, the mother's breast and the father's house. The size of the nestler is comic, and its tiny beseeching weakness is compensated perfectly by the happy patronizing look of the mother, who is a sort of high reposing Providence toward it. Welcome to the parents the puny straggler, strong in his weakness, his little arms more irresistible than the soldier's, his lips touched with persuasion which Chatham and Pericles in manhood had not. His unaffected lamentations when he lifts up his voice on high, or, more beautiful, the sobbing child,--the face all liquid grief, as he tries to swallow his vexation,--soften all hearts to pity, and to mirthful and clamorous compassion. The small despot asks so little that all reason and all nature are on his side. His ignorance is more charming than all knowledge, and his little sins more bewitching than any virtue. His flesh is angels' flesh, all alive. "Infancy," said Coleridge, "presents body and spirit in unity: the body is all animated." All day, between his three or four sleeps, he coos like a pigeon-house, sputters, and spurs, and puts on his faces of importance; and when he fasts, the little Pharisee fails not to sound his trumpet before him. By lamp-light he delights in shadows on the wall; by daylight, in yellow and scarlet. Carry him out of doors,--he is overpowered by the light and the extent of natural objects, and is silent. Then presently begins his use of his fingers, and he studies power, the lesson of his race. First it appears in no great harm, in architectural tastes. Out of blocks, thread-spools, cards, and checkers, he will build his pyramid with the gravity of Palladio. With an acoustic apparatus of whistle and rattle, he explores the laws of sound. But chiefly, like his senior countrymen, the young American studies new and speedier modes of transportation. Mistrusting the cunning of his small legs, he wishes to ride on the necks and shoulders of all flesh. The small enchanter nothing can withstand, no seniority of age, no gravity of character; uncles, aunts, grandsires, grandams, fall an easy prey: he conforms to nobody, all conform to him; all caper and make mouths, and babble, and chirrup to him. On the strongest shoulders he rides, and pulls the hair of laurelled heads.

* * * * *

=_201._= MAN MUST WORK IN HARMONY WITH PRINCIPLES.

Civilization depends on morality. Everything good in man leans on what is higher. This rule holds in small as in great. Thus, all our strength and success in the work of our hands depend on our borrowing the aid of the elements. You have seen a carpenter on a ladder with a broad-axe, chopping upward chips from a beam. How awkward! At what disadvantage he works! But see him on the ground, dressing his timber under him. Now, not his feeble muscles, but the force of gravity brings down the axe; that is to say, the planet itself splits his stick. The farmer had much ill-temper, laziness, and shirking, to endure from his hand-sawyers until one day he bethought him to put his saw-mill on the edge of a waterfall; and the river never tires of turning his wheel; the river is good-natured, and never hints an objection.

We had letters to send: couriers could not go fast enough, nor far enough; broke their wagons, foundered their horses, bad roads in spring, snow-drifts in winter, heat in summer, could not get the horses out of a walk. But we found out that the air and earth were full of electricity; and always going our way,--just the way we wanted to send. _Would he take a message?_ Just as lief as not; had nothing else to do; would carry it in no time. Only one doubt occurred, one staggering objection,--he had no carpet bag, no visible pockets, no hands, not so much as a mouth, to carry a letter. But, after much thought and many experiments, we managed to meet the conditions, and to fold up the letter in such invisible compact form as he could carry in those invisible pockets of his, never wrought by needle and thread,--and it went like a charm.

I admire still more than the saw-mill the skill which, on the sea-shore, makes the tides drive the wheels and grind corn, and which thus engages the assistance of the moon like a hired hand, to grind, and wind, and pump, and saw, and split stone, and roll iron.

Now that is the wisdom of a man, in every instance of his labor, to hitch his wagon to a star, and see his chore done by the gods themselves. That is the way we are strong, by borrowing the might of the elements. The forces of steam, gravity, galvanism, light, magnets, wind, fire, serve us day by day, and cost us nothing.

Our astronomy is full of examples of calling in the aid of these magnificent helpers. Thus, on a planet so small as ours, the want of an adequate base for astronomical measurements is early felt, as, for example, in detecting the parallax of a star. But the astronomer, having by an observation fixed the place of a star, by so simple an expedient as waiting six months, and then repeating his observation, contrived to put the diameter of the earth's orbit, say two hundred millions of miles, between his first observation and his second, and this line afforded him a respectable base for his triangle.

All our arts aim to win this vantage. We cannot bring the heavenly powers to us, but, if we will only choose our jobs in directions in which they travel, they will undertake them with the greatest pleasure. It is a peremptory rule with them, that _they never go out of their road_. We are dapper little busybodies, and run this way and that way superserviceably; but they swerve never from their foreordained paths,--neither the sun, nor the moon, nor a bubble of air, nor a mote of dust.

And as our handiworks borrow the elements, so all our social and political action leans on principles. To accomplish anything excellent, the will must work for catholic and universal ends. A puny creature walled in on every side, as Daniel wrote,--

"Unless above himself he can, Erect himself, how poor a thing is man!"

but when his will leans on a principle, when, he is the vehicle of ideas, he borrows their omnipotence. Gibraltar may be strong, but ideas are impregnable, and bestow on the hero their invincibility. "It was a great instruction," said a saint in Cromwell's war, "that the best courages are but beams of the Almighty." Hitch your wagon to a star. Let us not fag in paltry works which serve our pot and bag alone. Let us not lie and steal. No god will help. We shall find all their teams going the other way. Charles's Wain, Great Bear, Orion, Leo, Hercules: every god will leave us. Work rather for those interests which the divinities honor and promote,--justice, love, freedom, knowledge, utility.

* * * * *

=_202._= RULES FOR READING.

Be sure, then, to read no mean books. Shun the spawn of the press on the gossip of the hour. Do not read what you shall learn without asking, in the street and the train. Dr. Johnson said, "he always went into stately shops;" and good travelers stop at the best hotels; for, though they cost more, they do not cost much more, and there is the good company and the best information. In like manner, the scholar knows that the famed books contain, first and last, the best thoughts and facts. Now and then, by rarest luck, in some foolish grub street is the gem we want. But in the best circles is the best information. If you should transfer the amount of your reading day by day from the newspaper to the standard authors.--But who dare speak of such a thing.

The three practical rules, then, which I have to offer, are: 1st. Never read any book that is not a year old. 2d. Never read any but famed books. 3d. Never read any but what you like; or, in Shakespeare's phrase,

"No profit goes where is no pleasure ta'en: In brief, sir, study what you most affect."

Montaigne says, "Books are a languid pleasure;" but I find certain books vital and spermatic, not leaving the reader what he was: he shuts the book a richer man. I would never willingly read any others than such.

* * * * *

=_John Russell Bartlett, 1805-._=

From the "Personal Narrative of Explorations," &c.

=_203._= LYNCH LAW AT EL PASO.

On the present occasion, circumstances rendered it necessary for safety, as well as for the purpose of warning the desperate gang who were now about to have their deserts, that all should be doubly armed. In the court-room, therefore, where one of the most solemn scenes of human experience was enacting, all were armed save the prisoners. There sat the judge, with a pistol lying on the table before him; the clerks and attorneys wore revolvers at their sides; and the jurors were either armed with similar weapons, or carried with them the unerring rifle. The members of the commission and citizens, who were either guarding the prisoners or protecting the court, carried by their sides a revolver, a rifle, or a fowling-piece, thus presenting a scene more characteristic of feudal times than of the nineteenth century. The fair but sun-burnt complexion of the American portion of the jury, with their weapons resting against their shoulders, and pipes in their mouths, presented a striking contrast to the swarthy features of the Mexicans, muffled in checkered _serapes_, holding their broad-brimmed glazed hats in their hands, and delicate cigarritos in their lips. The reckless, unconcerned appearance of the prisoners, whose unshaven faces and dishevelled hair gave them the appearance of Italian bandits rather than of Americans or Englishmen, the grave and determined bearing of the bench; the varied costume and expression of the spectators and members of the Commission, clad in serapes, blankets, or overcoats, with their different weapons, and generally with long beards, made altogether one of the most remarkable groups which ever graced a court-room....

The evidence being closed, a few remarks were now made by the prosecuting attorney, followed by the charge of the judge, when the case was given to the jury. In a short time they returned into court with a verdict of guilty, against William Craig, Marcus Butler, and John Wade; upon whom the judge then pronounced sentence of death.

The prisoners were now escorted to the little plaza or open square in front of the village church, where the priest met them, to give such consolation as his holy office would afford. But their conduct, notwithstanding the desire on the part of all to afford them every comfort their position was susceptible of, continued reckless and indifferent, even to the last moment. Butler alone was affected. He wept bitterly, and excited much sympathy by his youthful appearance, being but 21 years of age. His companions begged him "not to cry, as he could die but once."

The sun was setting when they arrived at the place of execution. The assembled spectators formed a guard around a small alamo, or poplar tree, which had been selected for the gallows. It was fast growing dark, and the busy movements of a large number of the associates of the condemned, dividing and collecting again in small bodies at different points around and outside of the party, and then approaching nearer to the centre, proved that an attack was meditated, if the slightest opportunity should be given. But the sentence of the law was carried into effect.

* * * * *

=_Nathaniel Parker Willis, 1807-1867._= (Manual, pp. 504, 519.)

From "Pencillings by the Way."

=_204._= THE AMERICAN ABROAD.

It is a queer feeling to find oneself a _foreigner_. One can not realize long at a time how his face or his manners should have become peculiar; and after looking at a print for five minutes in a shop-window, or dipping into an English book, or in any manner throwing off the mental habit of the instant, the curious gaze of the passer-by, or the accent of a strange language, strikes one very singularly. Paris is full of foreigners of all nations, and of course physiognomies of all characters may be met everywhere; but, differing as the European nations do decidedly from each other, they differ still more from the American. Our countrymen, as a class, are distinguishable wherever they are met; not as Americans however, for of the habits and manners of Our country, people know nothing this side the water. But there is something in an American face, of which I never was aware till I met them in Europe, that is altogether peculiar. The French take the Americans to be English; but an Englishman, while he presumes him his countryman, shows a curiosity to know who he is, which is very foreign to his usual indifference. As far as I can analyze it, it is the independent, self-possessed bearing of a man unused to look up to any one as his superior in rank, united to the inquisitive, sensitive, communicative expression which is the index to our national character. The first is seldom possessed in England but by a man of decided rank, and the latter is never possessed by an Englishman at all. The two are united in no other nation. Nothing is easier than to tell the rank of an Englishman, and nothing puzzles an European more than to know how to rate the pretensions of an American....

* * * * *

From "Ephemera."

=_205._= CHARACTER AND WRITINGS OF JAMES HILLHOUSE.

Like the public feeling, the condition and powers of criticism toward an author's fame, are essentially changed by his death. His personal character, and the events of his life--the foreground, so to speak, in the picture of his mind, are, till this event, wanting to the critical perspective; and when the hand to correct is cold, and the ear to be caressed and wounded is sealed, some of the uses of censure, and all reserve in comparison and final estimate, are done away.

* * * * *

Such men as Hillhouse are not common, even in these days of universal authorship. In accomplishment of mind and person, he was probably second to no man. His poems show the first. They are fully conceived, nicely balanced, exquisitely finished--works for the highest taste to relish, and for the severest student in dramatic style to erect into a model. Hadad was published in 1825, during my second year in college, and to me it was the opening of a new heaven of imagination. The leading characters possessed me for months, and the bright, clear, harmonious language was, for a long time, constantly in my ears. The author was pointed out to me, soon after, and for once, I saw a poet whose mind was well imaged in his person. In no part of the world have I seen a man of more distinguished mien, or of a more inborn dignity and elegance of address. His person was very finely proportioned, his carriage chivalric and high-bred, and his countenance purely and brightly intellectual. Add to this a sweet voice, a stamp of high courtesy on everything he uttered, and singular simplicity and taste in dress, and you have the portrait of one who, in other days, would have been the mirror of chivalry, and the flower of nobles and troubadours. Hillhouse was no less distinguished in oratory.

... Hillhouse had fallen upon days of thrift, and many years of his life which he should have passed either in his study, or in the councils of the nation, were enslaved to the drudgery of business. His constitution seemed to promise him a vigorous manhood, however, and an old age of undiminished fire, and when he left his mercantile pursuits, and retired to the beautiful and poetic home of "Sachem's Wood," his friends looked upon it as the commencement of a ripe and long enduring career of literature. In harmony with such a life were all his surroundings--scenery, society, domestic refinement, and companionship--and never looked promise fairer for the realization of a dream of glory. That he had laid out something of such a field in the future, I chance to know, for, though my acquaintance with him was slight, he confided to me in a casual conversation, the plan of a series of dramas, different from all he had attempted, upon which he designed to work with the first mood and leisure he could command. And with his scholarship; knowledge of life, taste, and genius, what might not have been expected from its fulfilment? But his hand is cold, and his lips still, and his light, just rising to its meridian, is lost now to the world. Love and honor to the memory of such a man.

* * * * *

=_Henry Wadsworth Longfellow, 1807-. _= (Manual, pp. 503, 505.)

From "Hyperion."

=_206._= THE INTERRUPTED LEGEND.

One by one the objects of our affection depart from us. But our affections remain, and like vines stretch forth their broken, wounded tendrils for support. The bleeding heart needs a balm to heal it; and there is none but the love of its kind,--none but the affection of a human heart. Thus the wounded, broken affections of Flemming began to lift themselves from the dust and cling around this new object. Days and weeks passed; and, like the Student Crisostomo, he ceased to love, because he began to adore. And with this adoration mingled the prayer, that, in that hour when the world is still, and the voices that praise are mute, and reflection cometh like twilight, and the maiden, in her day dreams, counted the number of her friends, some voice in the sacred silence of her thoughts might whisper his name.

They were sitting together one morning, on the green, flowery meadow, under the ruins of Burg Unspunnen. She was sketching the ruins. The birds were singing, one and all, as if there were no aching hearts, no sin nor sorrow, in the world. So motionless was the bright air, that the shadow of the trees lay engraven on the grass. The distant snow-peaks sparkled in the sun, and nothing frowned, save the square tower of the old ruin above them.

"What a pity it is," said the lady, as she stopped to rest her weary fingers, "what a pity it is, that there is no old tradition connected with this ruin!"

"I will make you one, if you wish," said Flemming.

"Can you make old traditions?"

"O, yes! I made three, the other day, about the Rhine, and one very old one about the Black Forest. A lady with dishevelled hair; a robber with a horrible slouched hat; and a night storm among the roaring pines."

"Delightful! Do make one for me."

"With the greatest pleasure. Where will you have the scene? Here, or in the Black Forest."

"In the Black Forest, by all means! Begin."

"I will unite this ruin and the forest together. But first promise not to interrupt me. If you snap the golden threads of thought, they will float away on the air like the film of the gossamer, and I shall never be able to recover them."

"I promise." "Listen, then, to the Tradition of 'THE FOUNTAIN OF OBLIVION.'"

"Begin."

Flemming was reclining on the flowery turf, at the lady's feet, looking up with dreamy eyes into her sweet face, and then into the leaves of the linden-trees overhead.

"Gentle Lady! Dost thou remember the linden trees of Bülach,--those tall and stately trees, with velvet down upon their shining leaves, and rustic benches underneath their overhanging eaves? A leafy dwelling, fit to be the home of elf or fairy, where first I told my love to thee, thou cold and stately Hermione! A little peasant girl stood near, and listened all the while, with eyes of wonder and delight, and an unconscious smile, to hear the stranger still speak on in accents deep yet mild,--none else was with us in that hour, save God and that little child!"

"Why, it is in rhyme!"

"No, no! the rhyme is only in your imagination. You promised not to interrupt me, and you have already snapped asunder the gossamer threads of as sweet a dream as was ever spun from a poet's brain."

"It certainly did rhyme!"

* * * * *

=_Henry Reed, 1808-1854._= (Manual, p. 501.)

From "Lectures on English History."

=_207._= LEGENDARY PERIOD OF BRITISH HISTORY.

It would be a weary, and probably vain inquiry to consider minutely the claims which such historical materials have on our belief; and so little is there attractive in the legends of British history, that I need not attempt to dwell upon any of the alleged facts. But I wish before passing from this part of my subject, briefly to examine the curious tenacity with which the belief in this legendary literature was once held, and to show that it was not relinquished until a more critical standard of historic belief was adopted, and scientific investigation took the place of uninquiring and passive credulity. It has been said that no man, before the sixteenth century, presumed to doubt that the Britons were descended from Brutus the Trojan; and it is equally certain that no modern writer could presume confidently to assert it.

... It is most difficult for us, in these later days of higher standards of historic credibility, to form anything like an adequate conception, of the entire and unquestioning confidence which was felt for the story of British origin, and the race of ancient British kings. Of this feeling there is a curious proof in a transaction in the reign of Edward I., when the sovereignty of Scotland was claimed by the English monarch. The Scots sought the interposition and protection of the pope, alleging that the Scottish realm belonged of right to the see of Rome. Boniface VIII., a pontiff not backward in asserting the claims of the papacy, did interpose to check the English conquest, and was answered by an elaborate and respectful epistle from Edward, in which the English claim is most carefully and confidently derived from the conquest of the whole country by the Trojans in the times of Eli and Samuel--assuredly a very respectable antiquity of some two thousand four hundred years. No Philadelphia estate could be more methodically traced back to the proprietary title of William Penn, than was this claim to Scotland up to Brutus, the exile from Troy.... Now, all this is set forth with the most imperturbable seriousness, and with an air of complete assurance of the truth. It appears, too, to have fully answered the purpose intended; and the Scots, finding that the papal antiquity was but a poor defence against such claims, and as if determined not to be outdone by the Southron, replied in a document asserting their independence by virtue of descent from Scota, one of the daughters of Pharaoh. The pope seems to have been silenced in a conflict of ancestral authority, in which the succession of St. Peter seemed quite a modern affair, when overshadowed, by such Trojan and Egyptian antiquity.

* * * * *

=_Caroline M. Kirkland, 1808-1864._= (Manual, p. 484.)

From "Forest Life."

=_208._= THE FELLING OF A GREAT TREE.

One darling tree,--a giant oak which looked as if half a dozen Calibans might have been pegged in its knotty entrails--this one tree, the grandfather of the forest, we thought we had saved. It stood a little apart,--it shadowed no man's land,--it shut the broiling sun from nobody's windows, so we hoped it might be allowed to die a natural death. But one unlucky day, a family fresh from "the 'hio" removed into a house which stood at no great distance from this relic of primeval grandeur. These people were but little indebted to fortune, and the size of their potato-patch did not exactly correspond with the number of rosy-cheeks within doors. So the loan of a piece of ground was a small thing to ask or to grant. Upon this piece of lent land stood our favorite oak. The potatoes were scarcely peeping green above the soil, when we observed that the great boughs which we looked at admiringly a dozen times a day, as they towered far above the puny race around them, remained distinct in their outline, instead of exhibiting the heavy masses of foliage which had usually clothed them before the summer heat began. Upon nearer inspection it was found that our neighbor had commenced his plantation by the operation of girdling the tree, for which favor he expected our thanks, observing pithily that "nothing wouldn't never grow under sich a great mountain as that!" It is well that "Goth" and "Vandal" are not actionable.

Yet the felling of a great tree has something of the sublime in it. When the axe first falls on the trunk of a stately oak, laden with the green wealth of a century, or a pine whose aspiring peak might look down on a moderate church steeple, the contrast between the puny instrument and the gigantic result to be accomplished approaches the ridiculous. But as "the eagle towering in his pride of place was, by a mousing owl, hawked at and killed," so the leaf-crowned monarch of the wood has no small reason to quiver at the sight of a long-armed Yankee approaching his deep-rooted trunk with an awkward axe. One blow seems to accomplish nothing: not even a chip falls. But with another stroke comes a broad slice of the bark, leaving an ominous, gaping wound. Another pair of blows extends the gash, and when twenty such have fallen, behold a girdled tree. This would suffice to kill, and a melancholy death it is; but to fell is quite another thing.... Two deep incisions are made, yet the towering crown sits firm as ever. And now the destroyer pauses,--fetches breath,--wipes his beaded brow, takes a wary view of the bearings of the tree,--and then with a slow and watchful care recommences his work. The strokes fall doubtingly, and many a cautious glance is cast upward, for the whole immense mass now trembles, as if instinct with life, and conscious of approaching ruin. Another blow! it waves,--a groaning sound is heard--... yet another stroke is necessary. It is given with desperate force, and the tall peak leaves its place with an easy sailing motion accelerated every instant, till it crashes prone on the earth, sending far and wide its scattered branches, and letting in the sunlight upon the cool, damp, mossy earth, for the first time perhaps in half a century.

* * * * *

From "Western Clearings."

=_209._= THE BEE TREE.

One of the greatest temptations to our friend Silas, and to most of his class, is a bee hunt. Neither deer, nor 'coons, nor prairie hens, nor even bears, prove half as powerful enemies to anything like regular business, as do these little thrifty vagrants of the forest. The slightest hint of a bee tree will entice Silas Ashburn and his sons from the most profitable job of the season, even though the defection is sure to result in entire loss of the offered advantage; and if the hunt prove successful, the luscious spoil is generally too tempting to allow of any care for the future, so long as the "sweet'nin" can be persuaded to last. "It costs nothing," will poor Mrs. Ashburn observe; "let 'em enjoy it. It isn't often we have such good luck."

* * * * *

=_Margaret Fuller Ossoli, 1810-1850._= (Manual, p. 502.)

From "At Home and Abroad."

=_210._= CHARACTER OF CARLYLE.

Accustomed to the infinite wit and exhuberant richness of his writings, his talk is still an amazement and a splendor scarcely to be faced with steady eyes. He does not converse,--only harangues. It is the usual misfortune of such marked men (happily not one invariable or inevitable) that they cannot allow other minds room to breathe and show themselves in their atmosphere, and thus miss the refreshment and instruction which the greatest never cease to need from the experience of the humblest. Carlyle allows no one a chance, but bears down all opposition, not only by his wit and onset of words, resistless in their sharpness as so many bayonets, but by actual physical superiority, raising his voice and rushing on his opponent with a torrent of sound. This is not the least from unwillingness to allow freedom to others; on the contrary, no man would more enjoy a manly resistance to his thought; but it is the impulse of a mind accustomed to follow out its own impulse as the hawk its prey, and which knows not how to stop in the chase. Carlyle, indeed, is arrogant and overbearing, but in his arrogance there is no littleness or self-love: it is the heroic arrogance of some old Scandinavian conqueror,--it is his nature, and the untamable impulse that has given him power to crush the dragons. You do not love him, perhaps, nor revere, and perhaps, also, he would only laugh at you if you did; but you like him heartily, and like to see him the powerful smith, the Siegfried, melting all the old iron, in his furnace till it glows to a sunset red, and burns you if you senselessly go too near. He seemed to me quite isolated, lonely as the desert; yet never was man more fitted to prize a man, could he find one to match his mood. He finds such, but only in the past. He sings rather than talks. He pours upon you a kind of satirical, heretical, critical poem, with regular cadences, and generally catching up near the beginning some singular epithet, which serves as a _refrain_ when his song is full, or with which as with a knitting-needle he catches up the stitches, if he has chanced now and then to let fall a row. For the higher kinds of poetry he has no sense, and his talk on that subject is delightfully and gorgeously absurd; he sometimes stops a minute to laugh at it himself, then begins anew with fresh vigor; for all the spirits he is driving before him seem to him as Fata Morgana; ugly masks in fact, if he can but make them turn about, but he laughs that they seem to others such dainty Ariels. He puts out his chin sometimes till it looks like the beak of a bird, and his eyes flash bright instinctive meanings like Jove's bird; yet he is not calm and grand enough for the eagle: he is more like the falcon, and yet not of gentle blood enough for that either. He is not exactly like anything but himself, and therefore you cannot see him without the most hearty refreshment and goodwill, for he is original, rich, and strong enough to afford a thousand faults; one expects some wild land in a rich kingdom. His talk, like his books, is full of pictures, his critical strokes masterly; allow for his point of view, and his survey is admirable. He is a large subject; I cannot speak more nor wiselier of him now, nor needs it; his works are true, to blame and praise him, the Siegfried of England, great and powerful, if not quite invulnerable, and of a might rather to destroy evil than legislate for good. At all events, he seems to be what Destiny intended, and represents fully a certain side; so we make no remonstrance as to his being and proceeding for himself, though we sometimes must for us.

* * * * *

=_Oliver Wendell Holmes, 1809-._= (Manual, p. 520.)

From "The Autocrat of the Breakfast Table."

=_211._= CONSEQUENCES OF EXPOSING AN OLD ERROR.

Did you never, in walking in the fields, come across a large flat stone which had lain, nobody knows how long, just where you found it, with the grass forming a little hedge, as it were, all round it, close to its edges,--and have you not, in obedience to a kind of feeling that told you it had been lying there long enough, insinuated your stick, or your foot, or your fingers, under its edge, and turned it over as a housewife turns a cake, when she says to herself, "It's done brown enough by this time?" What an odd revelation, and what an unforeseen and unpleasant surprise to a small community, the very existence of which you had not suspected, until the sudden dismay and scattering among its members produced by your turning the old stone over! Blades of grass flattened down, colorless, matted together, as if they had been bleached and ironed; hideous crawling creatures, some of them coleopterous or horny-shelled,--turtle-bugs one wants to call them; some of them softer but cunningly spread out and compressed like Lepine watches; (Nature never loses a crack or a crevice, mind you, or a joint in a tavern bedstead, but she always has one of her flat pattern live timekeepers to slide into it;) black, glossy crickets, with their long filaments sticking out like the whips of four-horse stage-coaches; motionless, slug-like creatures, young larvae, perhaps more horrible in their pulpy stillness than even in the infernal wriggle of maturity. But no sooner is the stone turned and the wholesome light of day let upon this compressed and blinded community of creeping things, than all of them which enjoy the luxury of legs--and some of them have a good many--rush round wildly, butting each other and everything in their way, and end in a general stampede for underground retreats from the region poisoned by sunshine. _Next year_ you will find the grass growing tall and green where the stone lay; the ground-bird builds her nest where the beetle had his hole; the dandelion and the buttercup are growing there, and the broad fans of insect-angels open and shut over their golden disks, as the rhythmic waves of blissful consciousness pulsate through their glorified being.

--The young fellow whom they call John saw fit to say, in his very familiar way,--at which I do not choose to take offence, but which I sometimes think it necessary to repress,--that I was coming it rather strong on the butterflies.

No, I replied; there is meaning in each of those images, the butterfly as well as the others. The stone is ancient error. The grass is human nature borne down and bleached of all its color by it. The shapes which are found beneath are the crafty beings that thrive in darkness, and the weaker organisms kept helpless by it. He who turns the stone over is whosoever puts the staff of truth to the old lying incubus, no matter whether he do it with a serious face or a laughing one. The next year stands for the coming time. Then shall the nature which had lain blanched and broken, rise in its full stature and native hues, in the sunshine. Then shall God's minstrels build their nests in the hearts of a new-born humanity. Then shall beauty--Divinity taking outlines and color--light upon the souls of men as the butterfly, image of the beautified spirit rising from the dust, soars from the shell that held a poor grub, which would never have found wings, had not the stone been lifted.

You never need think you can turn over any old falsehood without a terrible squirming and scattering of the horrid little population that dwells under it.

* * * * *

=_212._= PLEASURES OF BOATING.

I dare not publicly name the rare joys, the infinite delights, that intoxicate me on some sweet June morning, when the river and bay are smooth as a sheet of beryl-green silk, and I run along ripping it up with my knife-edged shell of a boat, the rent closing after me like those wounds of angels which Milton tells of, but the seam still shining for many a long road behind me. To lie still, over the Flats, where the waters are shallow, and see the crabs crawling and the sculpins gliding busily and silently beneath the boat,--to rustle in through the long harsh grass that leads up some tranquil creek,--to take shelter from the sunbeams under one of the thousand-footed bridges, and look down its interminable colonnades, crusted with green and oozy growths, studded with minute barnacles, and belted with rings of dark muscles, while overhead, streams and thunders that other river, whose every wave is a human soul flowing to eternity as the river below flows to the ocean,--lying there moored unseen, in loneliness so profound that the columns of Tadmoor in the Desert could not seem more remote from life,--the cool breeze on one's forehead, the stream whispering against the half-sunken pillars,--why should I tell of these things, that I should live to see my beloved haunts invaded and the waves blackened with boats as with a swarm of water-beetles? What a city of idiots we must be, not to have covered this glorious bay with gondolas and wherries, as we have just learned to cover the ice in winter with skaters!

* * * * *

From "The Guardian Angel."

=_213._= THE UNSPOKEN DECLARATION.

Myrtle had, perhaps, never so seriously inclined her ear to the honeyed accents of the young pleader. He flattered her with so much tact, that she thought she heard an unconscious echo through his lips of an admiration which he only shared with all around him. But in him he made it seem discriminating, deliberate, not blind, but very real. This it evidently was which had led him to trust her with his ambitions and his plans,--they might be delusions, but he could never keep them from her, and she was the one woman in the world to whom he thought he could safely give his confidence.

The dread moment was close at had. Myrtle was listening with an instinctive premonition of what was coming,--ten thousand mothers and grandmothers, and great-grandmothers, and so on, had passed through it all in preceding generations, until time readied backwards to the sturdy savage who asked no questions of any kind, but knocked down the primeval great-grandmother of all, and carried her off to his hole in the rock, or into the tree where he had made his nest. Why should not the coming question announce itself by stirring in the pulses, and thrilling in the nerves, of the descendant of all these grandmothers?

She was leaning imperceptibly towards him, drawn by the mere blind elemental force, as the plummet was attracted to the side of Schehallien. Her lips were parted, and she breathed a little faster than so healthy a girl ought to breathe in a state of repose. The steady nerves of William Murray Bradshaw felt unwonted thrills and tremors tingling through them, as he came nearer and nearer the few simple words with which he was to make Myrtle Hazard the mistress of his destiny. His tones were becoming lower and more serious; there were slight breaks once or twice in the conversation; Myrtle had cast down her eyes.

"There is but one word more to add," he murmured softly, as he bent towards her--

A grave voice interrupted him. "Excuse me, Mr. Bradshaw," said Master Byles Gridley, "I wish to present a young gentleman to my friend here. I promised to show him the most charming young person I have the honor to be acquainted with, and I must redeem my pledge. Miss Hazard, I have the pleasure of introducing to your acquaintance my distinguished young friend, Mr. Clement Lindsay."

* * * * *

From "Currents and Counter Currents."

=_214._= MECHANISM OF VITAL ACTION.

But if the student of nature and the student of divinity can once agree that all the forces of the universe, as well as all its power, are immediately dependent upon its Creator,--that He is not only omni_potent_ but omni_movent_,--we have no longer any fear of nebular theories, or doctrines of equivocal generation, or of progressive development....

We begin then by examining the general rules which the Creator seems to have prescribed to His own operations. We ask, in the first place, whether He is wont, so far as we know, to employ a great multitude of materials, patterns, and forces, or whether He has seen fit to accomplish many different ends by the employment of a few of these only.

In all our studies of external nature, the tendency of increasing knowledge has uniformly been to show that the rules of creation are simplicity of material, economy of inventive effort, and thrift in the expenditure of force. All the endless forms in which matter presents itself to us, are resolved by chemistry into some three-score supposed simple substances, some of these perhaps being only modifications of the same element. The shapes of beasts and birds, of reptiles and fishes, vary in every conceivable degree; yet a single vertebra is the pattern and representation of the framework of them all, from eels to elephants. The identity reaches still further,--across a mighty gulf of being,--but bridges it over with a line of logic as straight as a sunbeam, and as indestructible as the scymitar-edge that spanned the chasm, in the fable of the Indian Hades. Strange as it may sound, the tail which the serpent trails after him in the dust, and the head of Plato, were struck in the die of the same primitive conception, and differ only in their special adaptation to particular ends. Again, the study of the movements of the universe has led us, from their complex phenomena, to the few simple forces from which they flow. The falling apple and the rolling planet are shown to obey the same tendency. The stick of sealing-wax which draws a feather to it, is animated by the same impulse that convulses the stormy heavens. These generalizations have simplified our view of the grandest material operations, yet we do not feel that creative power and wisdom have been shorn of any single ray, by the demonstrations of Newton, or of Franklin. On the contrary, the larger the collection of seemingly heterogeneous facts we can bring under the rule of a single formula, the nearer we feel that we have reached towards the source of knowledge, and the more perfectly we trace the little arc of the immeasurable circle which comes within the range of our hasty observations, at first like the broken fragments of a many-sided polygon, but at last as a simple curve which encloses all we know, or can know, of nature. To our own intellectual wealth, the gain is like that of the over-burdened traveller, who should exchange hundred-weights of iron for ounces of gold. Evanescent, formless, unstable, impalpable, a fog of uncondensed experiences hovers over our consciousness like an atmosphere of uncombined gases. One spark of genius shoots through it, and its elements rush together and glitter before us in a single translucent drop. It would hardly be extravagant to call Science the art of packing knowledge.

* * * * *

=_John William Draper,[52] 1810-._=

From the "Human Physiology."

=_215._= TRUTHS IN THE ANCIENT PHILOSOPHIES.

It is not my intention to enter on an examination, or even enumeration, of ancient philosophical opinions, nor to show that many of the doctrines which have been brought forward within the last three centuries existed in embryo in those times. It may, however, be observed that, in the midst of much error, there were those who held just views of the various problems of theology, law, politics, philosophy, and particularly of the fundamental doctrines of natural science, the constitution of the solar system, the geological history of the earth, the nature of chemical forces, the physiological relations of animals and plants.

It is supposed by many, whose attention has been casually drawn to the philosophical opinions of antiquity, that the doctrines which we still retain as true came to the knowledge of the old philosophers, not so much by processes of legitimate investigation as by mere guessing or crude speculation, for which there was an equal chance whether they were right or wrong; but a closer examination will show that many of them must have depended on results previously determined or observed by the Africans or Asiatics, and thus they seem to indicate that the human mind has undergone in twenty centuries but little change in its manner of action, and that, commencing with the same data, it always comes to the same conclusions. Nor is this at all dependent on any inherent logic of truth. Very many of the errors of antiquity have re-appeared in our times. If the Greek schools were infected with materialism, pantheism, and atheism, the later progress of philosophy has shown the same characters. To a certain extent, such doctrines will receive an impression from the prevailing creeds, but the arguments which have been appealed to in their favor have always been the same. The distinction between these heresies in ancient and modern times lies chiefly in the grosser characters which they formerly assumed, arising partly from the reflected influence of the existing mythology, and partly from the imperfections of exact knowledge. Even the errors of early antiquity are venerable. We must judge our predecessors by the rules by which we hope posterity will judge us, making a generous allowance for the imperfections of reason, the infirmities of character, and especially for the prejudices of the times. To have devoutly believed in the existence of a human soul, to have looked forward to its continuing after the death of the body, to have expected a future state of rewards and punishments, and to have drawn therefrom, as a philosophical conclusion, the necessity of leading a virtuous life--these, though they may be enveloped in a cloud of errors, are noble results of the intellect of man.

[Footnote 52: Distinguished as an author in chemistry and physiology, and as a philosophical historian: a native of England, but long a professor in New York University.]

* * * * *

From "Thoughts on the Future Civil Policy of America."

=_216._= PROSPECTIVE INFLUENCES OF THE REPUBLIC.

Now, when, we consider the position of the American continent,--its Atlantic front looking upon Europe, its Pacific front looking upon Asia,--when we reflect how much Nature has done for it in the wonderful river system she has bestowed, and how varied are the mineral and agricultural products it yields, it would seem as if we should be constrained by circumstances to carry out spontaneously in practical life the abstract suggestions of policy.... Great undertakings, such as the construction of the Pacific Railroad, pressed into existence by commercial motives and fostered for military reasons, will indirectly accomplish political objects not yielding in importance to those that are obvious and avowed.

A few years more, and the influence of the great republic will resistlessly extend in a direction that will lead to surprising results.... The stream of Chinese emigration already setting into California is but the precursor of the flood that is to come. Here are the fields, there are the men. The dominant power on the Pacific Ocean must necessarily exert a controlling influence in the affairs of Asia.

The Roman empire is regarded, perhaps not unjustly, as the most imposing of all human political creations. Italy extended her rule across the eastern and western basins of the Mediterranean Sea, from the confines of Parthia to Spain. A similar central, but far grander, position is occupied by the American continent. The partitions of an interior and narrow sea are replaced by the two great oceans. But, since history ever repeats itself, the maxims that guided the policy of Rome in her advance to sovereignty are not without application here. Her mistakes may be monitions to us.

A great, a homogeneous, and yet an active people, having strength and security in its political institutions, may look forward to a career of glory. It may, without offense, seek to render its life memorable in the annals of the human race.

* * * * *

=_James Russell Lowell, 1810-._= (Manual, pp. 503, 520.)

From "Among my Books."

=_217._= NEW ENGLAND TWO CENTURIES AGO.

I have little sympathy with declaimers about the Pilgrim Fathers, who look upon them all as men of grand conceptions and superhuman foresight. An entire ship's company of Columbuses is what the world never saw. It is not wise to form any theory and fit our facts to it, as a man in a hurry is apt to cram his traveling-bag, with a total disregard of shape or texture. But perhaps it may be found that the facts will only fit comfortably together on a single plan, namely, that the fathers did have a conception (which those will call grand who regard simplicity as a necessary element of grandeur) of founding here a commonwealth on those two eternal bases of Faith and Work; that they had, indeed, no revolutionary ideas of universal liberty; but yet, what answered the purpose quite as well, an abiding faith in the brotherhood of man and the fatherhood of God; and that they did not so much propose to make all things new, as to develop the latent possibilities of English law and English character by clearing away the fences by which the abuse of the one was gradually discommoning the other from the broad fields of natural right. They were not in advance of their age, as it is called, for no one who is so can ever work profitably in it; but they were alive to the highest and most earnest thinking of their time.

* * * * *

=_218._= From an "Essay on Dryden."

I do not think he added a single word to the language, unless, as I suspect, he first used magnetism in its present sense of moral attraction. What he did in his best writing was, to use the English as if it were a spoken, and not merely an inkhorn language; as if it were his own to do what he pleased with it, as if it need not be ashamed of itself. In this respect, his service to our prose was greater than any other man has ever rendered. He says he formed his style upon Tillotson's (Bossuet on the other hand, formed _his_ upon Corneille's); but I rather think he got it at Will's, for its greatest charm is, that it has the various freedom of talk. In verse, he has a pomp which, excellent in itself, became pompousness in his imitators. But he had nothing of Milton's ear for various rhythm and interwoven harmony. He knew how to give new modulation, sweetness, and force to the pentameter; but in what used to be called pindarics, I am heretic enough to think he generally failed.

* * * * *

From "My Study Windows."

=_219._= LOVE OF BIRDS AND SQUIRRELS.

Wilson's thrush comes every year to remind me of that most poetic of ornithologists. He flits before me through the pine-walk like the very genius of solitude. A pair of pewees have built immemorially on a jutting brick in the arched entrance to the ice-house. Always on the same brick, and never more than a single pair, though two broods of five each are raised there every summer. How do they settle their claim to the homestead? By what right of primogeniture? Once, the children of a man employed about the place oölogized the nest, and the pewees left us for a year or two. I felt towards those boys as the messmates of the Ancient Mariner did towards him after he had shot the albatross. But the pewees came back at last, and one of them is now on his wonted perch, so near my window that I can hear the click of his bill as he snaps a fly on the wing.... The pewee is the first bird to pipe up in the morning; and, during the early summer he preludes his matutinal ejaculation of _pewee_ with a slender whistle, unheard at any other time. He saddens with the season, and, as summer declines, he changes his note to _eheu, pewee_! I as if in lamentation. Had he been an Italian bird, Ovid would have had a plaintive tale to tell about him. He is so familiar as often to pursue a fly through the open window into my library.

There is something inexpressibly dear to me in these old friendships of a lifetime. There is scarce a tree of mine but has had, at some time or other, a happy homestead among its boughs, to which I cannot say,

"Many light hearts and wings, Which now be dead, lodged in thy living bowers."

My walk under the pines would lose half its summer charm were I to miss that shy anchorite, the Wilson's thrush, nor hear in haying time the metallic ring of his song, that justifies his rustic name of _scythe-whet_. I protect my game as jealously as an English squire. If anybody had oölogized a certain cuckoo's nest I know of (I have a pair in my garden every year), it would have left me a sore place in my mind for weeks. I love to bring these aborigines back to the mansuetude they showed to the early voyagers, and before (forgive the involuntary pun), they had grown accustomed to man and knew his savage ways. And they repay your kindness with a sweet familiarity too delicate ever to breed contempt. I have made a Penn-treaty with them, preferring that to the Puritan way with the native, which converted them to a little Hebraism and a great deal of Medford rum. If they will not come near enough to me (as most of them will), I bring them close with an opera-glass,--a much better weapon than a gun. I would not, if I could, convert them from their pretty pagan ways. The only one I sometimes have savage doubts about, is the red squirrel. I _think_ he oölogizes; I _know_ he eats cherries, (we counted five of them at one time in a single tree, the stones pattering down like the sparse hail that preludes a storm), and that he knaws off the small end of pears to get at the seeds. He steals the corn from under the noses of my poultry. But what would you have? He will come down upon the limb of the tree I am lying under, till he is within a yard of me. He and his mate will scurry up and down the great black-walnut for my diversion, chattering like monkeys. Can I sign his death-warrant who has tolerated me about his grounds so long? Not I. Let them steal, and welcome, I am sure I should, had I the same bringing up and the same temptation. As for the birds, I do not believe there is one of them but does more good than harm; and of how many featherless bipeds can this be said.

* * * * *

=_220._= CHAUCER'S LOVE OF NATURE.

He was the first great poet who really loved outward nature as the source of conscious pleasurable emotion. The Troubadour hailed the return of spring, but with him it was a piece of empty ritualism. Chaucer took a true delight in the new green of the leaves, and the return of singing birds--a delight as simple as that of Robin Hood:--

"In summer when the shaws be sheen, And leaves be large and long, It is full merry in fair forest To hear the small birds' song."

He has never so much as heard of the burthen and the mystery of all this unintelligible world. His flowers and trees and birds have never bothered themselves with Spinoza. He himself sings more like a bird than any other poet, because it never occurred to him, as to Goethe, that he ought to do so. He pours himself out in sincere joy and thankfulness. When we compare Spenser's imitations of him with the original passages, we feel that the delight of the later poet was more in the expression than in the thing itself. Nature, with him, is only to be transfigured by art. We walk among Chaucer's sights and sounds; we listen to Spenser's musical reproduction of them. In the same way the pleasure which Chaucer takes in telling his stories, has, in itself, the effect of consummate skill, and makes us follow all the windings of his fancy with sympathetic interest. His best tales run on like one of our inland rivers, sometimes hastening a little and turning upon themselves in eddies, that dimple without retarding the current, sometimes loitering smoothly, while here and there a quiet thought, a tender feeling, a pleasant image, a golden-hearted verse, opens quietly as a water-lily to float on the surface without breaking it into ripple.... Chaucer never shows any signs of effort, and it is a main proof of his excellence that he can be so inadequately sampled by detached passages, by single lines taken away from the connection in which they contribute to the general effect. He has that continuity of thought, that evenly prolonged power, and that delightful equanimity, which characterize the higher orders of mind. There is something in him of the disinterestedness that made the Greeks masters in art. His phrase is never importunate. His simplicity is that of elegance, not of poverty. The quiet unconcern with which he says his best things is peculiar to him among English poets, though Goldsmith, Addison, and Thackeray, have approached it in prose. He prattles inadvertently away, and all the while, like the princess in the story, lets fall a pearl at every other word. It is such a piece of good luck to be natural. It is the good gift which the fairy god-mother brings to her prime favorites in the cradle. If not genius, it is alone what makes genius amiable in the arts. If a man have it not he will never find it; for when it is sought it is gone.

* * * * *

=_Edgar Allen Poe, 1811-1849._= (Manual, p. 510.)

From "The Masque of the Red Death."

=_221._= CHIMING OF THE CLOCK.

... The seventh apartment was closely shrouded in black velvet tapestries that hung all over the ceiling and down the walls, falling in heavy folds upon a carpet of the same material and hue. But in this chamber only, the color of the windows failed to correspond with the decorations. The panes here were scarlet--a deep blood color. Now in no one of the seven apartments was there any lamp or candelabrum, amid the profusion of golden ornaments that lay scattered to and fro, or depended from the roof. There was no light of any kind emanating from lamp or candle within the suite of chambers. But in the corridors that followed the suite, there stood, opposite to each window, a heavy tripod, bearing a brazier of fire, that projected its rays through the tinted glass and so glaringly illumined the room. And thus were produced a multitude of gaudy and fantastic appearances. But in the western or black chamber, the effect of the fire-light that streamed upon the dark hangings through the blood-tinted panes, was ghastly in the extreme, and produced so wild a look upon the countenances of those who entered, that there were few of the company bold enough to set foot within its precincts at all.

It was in this apartment, also, that there stood against the western wall, a gigantic clock of ebony. Its pendulum swung to and fro with a dull, heavy, monotonous clang; and when the minute-hand made the circuit of the face, and the hour was to be stricken, there came from the brazen lungs of the clock a sound which was clear and loud and deep, and exceedingly musical, but of so peculiar a note and emphasis that, at each lapse of an hour, the musicians of the orchestra were constrained to pause, momentarily, in their performance, to hearken to the sound; and thus the waltzers perforce ceased their evolutions; and there was a brief disconcert of the whole gay company; and, while the chimes of the clock yet rang, it was observed that the giddiest grew pale, and the more aged and sedate passed their hands over their brows, as if in confused revery or meditation. But when the echoes had fully ceased, a light laughter at once pervaded the assembly; the musicians looked at each other and smiled, as if at their own nervousness and folly, and made whispering vows, each to the other, that the next chiming of the clock should produce in them no similar emotion; and then, after the lapse of sixty minutes, (which embrace three thousand and six hundred seconds of the Time that flies,) there came yet another chiming of the clock, and then were the same disconcert and tremulousness and meditation as before.

* * * * *

From his "Essays."

=_222._= The Philosophy of Composition.

There is a radical error, I think, in the usual mode of constructing a story. Either history affords a thesis--or one is suggested by an incident of the day--or, at best, the author sets himself to work in the combination of striking events to form merely the basis of his narrative--designing, generally, to fill in with description, dialogue, or autorial comment, whatever crevices of fact, or action, may, from page to page, render themselves apparent.

I prefer commencing with the consideration of an _effect_, keeping originality _always_ in view--for he is false to himself who ventures to dispense with so obvious and so easily attainable a source of interest. I say to myself, in the first place, "Of the innumerable effects, or impressions, of which the heart, the intellect, or (more generally) the soul, is susceptible, what one shall I, on the present occasion, select?" Having chosen a novel, first, and secondly a vivid, effect, I consider whether it can be best wrought by incident or tone, whether by ordinary incidents and peculiar tone, or the converse, or by peculiarity both of incident and tone--afterward looking about me (or rather within) for such combinations of event, or tone, as shall best aid me in the construction of the effect.

I have often thought how interesting a magazine paper might be written by any author who would--that is to say, who could--detail, step by step, the process by which any one of his compositions attained its ultimate point of completion. Why such a paper has never been given to the world, I am much at a loss to say--but, perhaps, the autorial vanity has had more to do with the omission than any one other cause. Most writers, poets in especial, prefer having it understood that they compose by a species of fine frenzy, an ecstatic intuition, and would positively shudder at letting the public take a peep behind the scenes, at the elaborate and vacillating crudities of thought--at the true purposes seized only at the last moment--at the innumerable glimpses of idea that arrived not at the maturity of full view--at the fully matured fancies discarded in despair as unmanageable--at the cautious selections and rejections--at the painful erasures and interpolations--in a word, at the wheels and pinions, the tackle for scene-shifting--the step-ladders and demon-traps--the cock's feathers, the red paint and the black patches, which, in ninety-nine cases out of the hundred, constituted the properties of the literary _histrio_.

I am aware, on the other hand, that the case is by no means common in which an author is at all in condition to retrace the steps by which his conclusions have been attained. In general, suggestions having arisen pell-mell, are pursued and forgotten in a similar manner.

* * * * *

=_Henry T. Tuckerman, 1813-._=

From "New England Philosophy," an Essay from "The Optimist."

=_223._= THE HEART SUPERIOR TO THE INTELLECT.

Constant supplies of knowledge to the intellect, and the exclusive cultivation of reason, may, indeed, make a pedant and a logician; but the probability is, these benefits--if such they are--will be gained at the expense of the soul. Sentiment, in its broadest acceptation, is as essential to the true enjoyment and grace of life as mind. Technical information, and that quickness of apprehension which New Englanders call smartness, are not so valuable to a human being as sensibility to the beautiful, and a spontaneous appreciation of the divine influences which fill the realms of vision and of sound, and the world of action and, feeling. The tastes, affections, and sentiments are more absolutely the man than his talents or acquirements. And yet it is by, and through, the latter that we are apt to estimate character, of which they are at best but fragmentary evidences. It is remarkable that in the New Testament, allusions to the intellect are so rare, while the "heart" and the "spirit we are of" are ever appealed to....

To what end are society, popular education, churches, and all the machinery of culture, if no living truth is elicited which fertilizes, as well as enlightens. Shakespeare undoubtedly owed his marvelous insight into the human soul, to his profound sympathy with man. He might have conned whole libraries on the philosophy of the passions, he might have coldly observed facts for years, and never have conceived of jealousy like Othello's,--the remorse of Macbeth, or love like that of Juliet....

Sometimes, in musing upon genius in its simpler manifestations, it seems as if the great art of human culture consisted chiefly in preserving the glow and freshness of the heart. It is certain that, in proportion as its merely mental strength and attainment take the place of natural sentiment, in proportion as we acquire the habit of receiving all impressions through the reason, the teachings of Nature grow indistinct and cold.... It is when we are overcome, and the pride of intellect vanquished before the truth of nature, when instead of coming to a logical decision we are led to bow in profound reverence before the mysteries of life, when we are led back to childhood, or up to God, by some powerful revelation of the sage or minstrel, it is then our natures grow. To this end is all art. Exquisite vocalism, beautiful statuary, and painting, and all true literature, have not for their great object to employ the ingenuity of prying critics, or furnish the world with a set of new ideas, but to move the whole nature by the perfection and truthfulness of their appeal. There is a certain atmosphere exhaled from the inspired page of genius, which gives vitality to the sentiments, and through these, quickens the mental powers. And this is the chief good of books.

* * * * *

=_H.N. Hudson, 1814-._= (Manual, pp. 480, 501.)

From "Preface to the Works of Shakespeare."

=_224._= Shakespeare's Works Instructive.

It is true, he often lays on us burdens of passion that would not be borne in any other writer. But whether he wrings the heart with pity, or freezes the blood with terror, or fires the soul with indignation, the genial reader still rises from his pages refreshed. The reason of which is, instruction keeps pace with excitement: he strengthens the mind in proportion as he loads it. He has been called the great master of passion: doubtless he is so; yet he makes us think as intensely as he requires us to feel; while opening the deepest fountains of the heart, he at the same time unfolds the highest energies of the head. Nay, with such consummate art does he manage the fiercest tempests of our being, that in a healthy mind the witnessing of them is always attended with an overbalance of pleasure. With the very whirlwinds of passion he so blends the softening and alleviating influences of poetry, that they relish of nothing but sweetness and health.... He is not wont to exhibit either utterly worthless or utterly faultless monsters; persons too good, or too bad, to exist; too high to be loved, or too low to be pitied; even his worst characters (unless we should except Goneril and Regan, and even their blood is red like ours) have some slight fragrance of humanity about them, some indefinable touches, which redeem them from utter hatred and execration, and keep them within the pale of human sympathy, or at least of human pity.

* * * * *

=_Mary Henderson Eastman,[53]_= about =_1815-._=

From "The American Aboriginal Port Folio."

=_225._= Lake Itasca, the Source of the Mississippi.

There it lay--the beautiful lake--swaying its folds of crystal water between the hills that guarded it from its birth. There it lay, placid as a sleeping child, the tall pines on the surrounding summits standing like so many motionless and watchful sentinels for its protection.

There was the sequestered birthplace of that mighty mass of waters, that, leaving the wilderness of beauty where they lived undisturbed and unknown, wound their way through many a desolate prairie, and fiercely lashed the time-worn bluffs, whose sides were as walls to the great city, where lived and died the toiling multitude. The lake was as some fair and pure, maiden, in early youth, so beautiful, so full of repose and truth, that it was impossible to look and not to love.... There was but one landing to the lake, our travellers found. It was on a small island, that they called Schoolcraft's Island. On a tall spruce tree they raised the American flag. There was enough in the novelty of the scenery, and of the event, to interest the white men of the party. There was a solemnity mingled with their pleased emotions; for who had made this grand picture, stretching out in its beauty and majesty before them? What were they, in comparison with the great and good Being upon whose works they were gazing?

[Footnote 53: This lady--a native of Virginia--has written several interesting books, chiefly relating to Indian tradition.]

* * * * *

=_226._= A PLEA FOR THE INDIANS.

The light of the great council-fire--its blaze once illumined the entire country we now call our own--is faintly gleaming out its unsteady and dying rays. Our fathers were guests, and warmed themselves by its hospitable rays; now we are lords, and rule with an iron hand over those who received kindly, and entertained generously, the wanderer who came from afar to worship his God according to his own will. The very hearth where moulder the ashes of this once never-ceasing fire, is becoming desolate, the decaying embers sometimes starting into a brief brilliancy, and then fading into a gloom more sad, more silent, than ever. Soon will be scattered, as by the winds of heaven, the last ashes that remain. Think of it, O legislator! as thou standest in the Capitol, the great council-hall of thy country; plead for them, "upon whose pathway death's dark shadow falls."

* * * * *

=_Mary E. Moragne,[54] 1815-._=

From "The Huguenot Town."

=_227._= RUINS OF THE OLD FRENCH SETTLEMENT.

An ignorance of the common methods of agriculture practised here, as well as strong prejudices in favor of their former habits of living, prevented them from seizing with avidity on large bodies of land, by individual possession; but the site of a town being selected, a lot of four acres was apportioned to every citizen. In a short time a hundred houses had risen, in a regularly compact body, in the square of which stood a building superior in size and construction to the rest....

... The town was soon busy with the industry of its tradesmen; silk and flax were manufactured, whilst the cultivators of the soil were taxed with the supply of corn and wine. The hum of cheerful voices arose during the week, mingled with the interdicted songs of praise; and on the Sabbath the quiet worshippers assembled in their rustic church, listened with fervent response to that faithful pastor, who had been their spiritual leader through perils by sea and land, and who now directed their free, unrestrained devotion to the Lord of the forest.

... The woods still wave on in melancholy grandeur, with the added glory of near a hundred years; but they who once lived and worshipped beneath them--where are they? Shades of my ancestors,--where? No crumbling wreck, no mossy ruin, points the antiquarian research to the place of their sojourn, or to their last resting-places! The traces of a narrow trench, surrounding a square plat of ground, now covered with the interlacing arms of hawthorn and wild honey-suckle, arrest the attention as we are proceeding along a strongly beaten track in the deep woods, and we are assured that this is the site of the "old French town" which has given its name to the portion of country around.

[Footnote 54: One of the best female writers of South Carolina, who has of late years laid aside her pen.]

* * * * *

=_Richard H. Dana, Jr., 1815-._= (Manual, p. 504.)

From "Two years before the Mast."

=_228._= LOSS OF A MAN AT SEA.

Death is at all tunes solemn, but never so much so as at sea. A man dies on shore; his body remains with his friends, and "the mourners go about the streets;" but when a man falls overboard at sea and is lost, there is a suddenness in the event, and a difficulty in realizing it, which give to it an air of awful mystery. A man dies on shore--you follow his body to the grave, and a stone marks the spot. You are often prepared for the event. There is always something which helps you to realize it when it happens, and to recall it when it has passed. A man is shot down by your side in battle, and the mangled body remains an object, and a real evidence; but at sea, the man is near you--at your side--you hear his voice, and in an instant he is gone, and nothing but a vacancy shows his loss. Then too, at sea--to use a homely but expressive phrase--you miss a man so much. A dozen men are shut up together in a little bark, upon the wide, wide sea, and for months and months see no forms and hear no voices but their own, and one is taken suddenly from among them, and they miss him at every turn. It is like losing a limb. There are no new faces or new scenes to fill up the gap. There is always an empty berth in the forecastle, and one man wanting when the small night watch is mustered. There is one less to take the wheel, and one less to lay out with you upon the yard. You miss his form, and the sound of his voice, for habit had made them almost necessary to you, and each of your senses feels the loss.

All these things make such a death peculiarly solemn, and the effect of it remains upon the crew for some time. There is more kindness shown by the officers to the crew, and by the crew to one another. There is more quietness and seriousness. The oath and the loud laugh are gone. The officers are more watchful, and the crew go more carefully aloft. The lost man is seldom mentioned, or is dismissed with a sailor's rude eulogy, "Well, poor George is gone. His cruise is up soon. He knew his work, and did his duty, and was a good shipmate." Then usually follows some allusion to another world, for sailors are almost all believers; but their notions and opinions are unfixed, and at loose ends. They say,--"God won't be hard upon the poor fellow," and seldom get beyond the common phrase which seems to imply that their sufferings and hard treatment here, will excuse them hereafter. _To work hard, live hard, die hard, and go to hell after all_, would be hard indeed.

Yet a sailor's life is at best but a mixture of a little good with much evil, and a little pleasure with much pain. The beautiful is linked with the revolting, the sublime with the common-place, and the solemn with the ludicrous.

We had hardly returned on board with our sad report, before an auction was held of the poor man's clothes. The captain had first, however, called all hands aft, and asked them if they were satisfied that everything had been done to save the man, and if they thought there was any use in remaining there longer. The crew all said that it was in vain, for the man did not know how to swim, and was very heavily dressed. So we then filled away and kept her off to her course.

* * * * *

=_Evert A. Duyckinck, 1816--._= (Manual, p. 502.)

Essay from "Arcturus."

=_229._= NEWSPAPERS.

No one, it has been said, ever takes up a newspaper without interest, or lays it down without regret. There is a deeper truth in this observation than at first thought strikes the mind; it is not the casual disappointment at the loss of fine writing, or the absence of particular topics of news, or the variety of subjects that dispel all deep-settled reflection; but a newspaper is in some measure a picture of human life, and we can no more read its various paragraphs with pleasure, than we can look back upon the events of any single day with, unmingled satisfaction.... A man may learn, sitting by his fireside, more than an angel would desire to know of human life, by reading well a single newspaper. It is an instrument of many tones, running through the whole scale of humanity; from the lightest gayety to the gravest sadness; from the large interests of nations to the humblest affairs of the smallest individual. On its single page we read of Births, Marriages, and Deaths; the daily, almost hourly, register of royalty, how it eat, walked, and laughed; and the single incident the world deems worth recording of the life of poverty--how it died. It is a picture of motley human life; a poet's thought, or an orator's eloquence in one column, and the condemnation of a pickpocket in another....

Doubtless it was a very satisfactory thing for a Roman poet, when the wind was quiet, to get an audience about him, under a portico, and unwind his well-written scroll for an hour or two; but there must have been a vast deal of secret machinery, and influence, and agitation, to keep up his name with the people. The followers of Pythagoras, in another country, we know, said he had a golden leg, and this satisfied the people that his philosophy was divine. Truly were they the dark ages before the invention of newspapers. Besides, what became of literature when the poet's voice in the public bath, or library, where he recited, was drowned by the din of arms?...

What would we not give for a newspaper of the days of Homer, with personal recollections of the contractors and commanders in the siege of Troy; a reminiscence of Helen; the unedited fragments of Nestor; or a traditional saying of Ulysses, who may be supposed too wise to have published? What such a passage of literature would be to us, the journal of to-day may be to some long distant age, when it is disentombed from the crumbling corner-stone of some Astor House, Exchange, or Trinity Church, on the deserted shore of an island, once New York. What matters of curiosity would be poured fourth for the attention of the inquisitive; how many learned theories which had sprung up in the interim, put to rest; what anxiety moralists would be under to know the number of churches, the bookseller's advertisements, and the convictions at the Sessions! Some might be supposed to sigh over our lack of improvement, the infant state of the arts, and our ineffectual attempts at electro-magnetism, while others would dwell upon the old times when Broadway was gayer with life, and the world got along better, than it has ever done since.

* * * * *

=_Horace Binney Wallace,[55] 1817-1852._=

From "Art, Scenery, and Philosophy in Europe."

=_230._= ART AN EMANATION OF RELIGIOUS AFFECTION.

The spirit, conscious of an emotion of reverence for some unseen subject of its own apprehension, desires to substantiate and fix its deity, and to bring the senses into the same adoring attitude; and this can be done only by setting before them a material representation of the divine. This is illustrated in the universal and inveterate tendency of early nations to idolatry....

How and why was it that the sculpture of the Greeks attained a character so exalted that it shines on through our time, with a beam of glory peculiar and inextinguishable? When we enter the chambers of the Vatican, we are presently struck with the mystic influence that rays from those silent forms that stand ranged along the walls. Like the moral prestige that might encircle the vital presence of divine beings, we behold divinities represented in human shapes idealized into a significance altogether irresistible. What constitutes that idealizing modification we know not; but we feel that it imparts to the figures an interest and impressiveness which natural forms possess not. These sculptured images seem directly to address the imagination. They do not suffer the cold and critical survey of the eye, but awaken an instant and vivid mental consideration.

... It has sometimes been suggested that the superiority of the Greeks in delineating the figure, arose from the familiarity with it which they acquired from their frequent opportunities of viewing it nude,--on account of their usages, costumes, climate, &c. This is too superficial an account of that vital faculty of skill and knowledge upon this subject, which was a part of the inherent capacity of the Greek.... The outflow and characteristic exercise of Grecian inspiration in sculpture, was in the representation of their mythology, which included heroes, or deified men, as well as gods of the first rank. Later, it extended to winners at the public games, athletes, runners, boxers;--but this class of persons partook, in the national feeling, of a heroic or half-divine superiority. A particular type of form, highly ideal, became appropriate to them, as to the heroes, and to each of the gods. It may be added, that a capacity thus derived from religious impressibility, extended to a great number of natural forms, which were to the Greeks measurably objects of a divine regard. Many animals as connected with the gods, or with sacrifices, were sacred beings to them, and became subjects of their surpassing gift in sculpture. In general, nature,--the visible, the sensible, the actual, was to the Hellenic soul, Religion; as inward and reflective emotions were and are, to the modern European.

[Footnote 55: A young writer of great cultivation and of uncommon promise. His premature death occurred while on a tour in Europe. A native of Philadelphia.]

* * * * *

=_Henry David Thoreau, 1817-1862._= (Manual, p. 532.)

From "Autumnal Tints."

=_231._= DESCRIPTION OF "POKE" OR GARGET, (_Phytolacca Decandra_.)

Some which stand under our cliffs quite dazzle me with their purple stems now, and early in September. They are as interesting to me as most flowers, and one of the most important fruits of our autumn. Every part is flower, (or fruit,) such is its superfluity of color,--stem, branch, peduncle, pedicel, petiole, and even the at length yellowish purple-veined leaves. Its cylindrical racemes of berries of various hues, from green to dark purple, six or seven inches long, are gracefully drooping on all sides, offering repasts to the birds; and even the sepals from which the birds have picked the berries are a brilliant lake-red, with crimson, flame-like reflections, equal to anything of the kind,--all on fire with ripeness. Hence the _lacca_, from lac, lake. There are at the same time flower-buds, flowers, green berries, dark purple or ripe ones, and these flower-like sepals, all on the same plant.

We love to see any redness in the vegetation of the temperate zone. It is the color of colors. This plant speaks to our blood. It asks a bright sun on it to make it show to best advantage, and it must be seen at this season of the year. On warm hill-sides its stems are ripe by the twenty-third of August. At that date I walked through a beautiful grove of them, six or seven feet high, on the side of one of our cliffs, where they ripen early. Quite to the ground they were a deep brilliant purple with a bloom, contrasting with the still clear green leaves. It appears a rare triumph of Nature to have produced and perfected such a plant, as if this were enough for a summer. What a perfect maturity it arrives at! It is the emblem of a successful life concluded by a death not premature, which is an ornament to Nature. What if we were to mature as perfectly, root and branch, glowing in the midst of our decay, like the Poke! I confess that it excites me to behold them. I cut one for a cane, for I would fain handle and lean on it. I love to press the berries between my fingers, and see their juice staining my hand. To walk amid these upright, branching casks of purple wine, which retain and diffuse a sunset glow, tasting each one with your eye, instead of counting the pipes on a London dock,--what a privilege! For Nature's vintage is not confined to the vine. Our poets have sung of wine, the product of a foreign plant which commonly they never saw, as if our own plants had no juice in them more than the singers. Indeed, this has been called by some the American grape, and though a native of America, its juices are used in some foreign countries to improve the color of the wine; so that the poetaster maybe celebrating the virtues of the Poke without knowing it. Here are berries enough to paint afresh the western sky, and play the bacchanal with, if you will. And what flutes its ensanguined stems would make, to be used in such a dance! It is truly a royal plant. I could spend the evening of the year musing amid the Poke-stems. And perchance amid these groves might arise at last a new school of philosophy or poetry.

* * * * *

From "Walden, or Life in the Woods."

=_232._= WALDEN POND.

The greatest depth was exactly one hundred and two feet, to which may be added the five feet which it has risen since, making one hundred and seven. This is a remarkable depth for so small an area; yet not an inch of it can be spared by the imagination. What if all ponds were shallow? Would it not react on the minds of men? I am thankful that this pond was made deep and pure for a symbol. While men believe in the infinite, some ponds will be thought to be bottomless.

* * * * *

From "Life without Principle."

=_233._= WANTS OF THE AGE.

I saw, the other day, a vessel which had been wrecked, and many lives lost, and her cargo of rags, juniper-berries, and bitter almonds, was strewn along the shore. It seemed hardly worth the while to tempt the dangers of the sea between Leghorn and New York, for the sake of a cargo of juniper-berries and bitter almonds. America sending to the Old World for her bitters! Is not the sea-brine,--is not shipwreck, bitter enough, to make the cup of life go down here? Yet such, to a great extent, is our boasted commerce; and there are those who style themselves statesmen and philosophers who are so blind as to think that progress and civilization depend on precisely this kind of interchange and activity,--the activity of flies about a molasses-hogshead. Very well, observes one, if men were oysters. And very well, answer I, if men were mosquitoes.

Lieutenant Herndon, whom our Government sent to explore the Amazon, and, it is said, to extend the area of Slavery, observed that there was wanting there "an industrious and active population, who know what the comforts of life are, and who have artificial wants to draw out the great resources of the country." But what are the "artificial wants" to be encouraged? Not the love of luxuries, like the tobacco and slaves of, I believe, his native Virginia, nor the ice and granite and other material wealth of our native New England; nor are "the great resources of a country" that fertility or barrenness of soil which produces these. The chief want, in every State that I have been into, was a high and earnest purpose in its inhabitants. This alone draws out "the great resources" of Nature and at last taxes her beyond her resources; for man naturally dies out of her. When we want culture more than potatoes, and illumination more than sugar-plums, then the great resources of a world are taxed and drawn out, and the result, or staple production, is, not slaves, nor operatives, but men,--those rare fruits called heroes, saints, poets, philosophers, and redeemers.

* * * * *

=_Elisabeth F. Ellett, 1818-._= (Manual, pp. 484, 490.)

From "Pioneer Women of the West"

=_234._= ESCAPE OF MARY BLEDSOE FROM THE INDIANS.

It was not consistent with Spencer's chivalrous character to attempt to save himself by leaving his companion to the mercy of the foe. Bidding her retreat as fast as possible, and encouraging her to keep her seat firmly, he protected her by following more slowly in her rear, with his trusty rifle in his hand. When the Indians in pursuit came too near, he would raise his weapon as if to fire; and as he was known to be an excellent marksman, the savages were not willing to encounter him, but hastened to the shelter of trees, while he continued his retreat. In this manner he kept them at bay for some miles, not firing a single shot--for he knew that his threatening had more effect--until Mrs. Bledsoe reached a station. Her life and his own, were, on this occasion, saved by his prudence and presence of mind; for both would have been lost had he yielded to the temptation to fire....

Bereaved of her husband, sons, and brother-in-law, by the murderous savages, Mrs. Bledsoe was obliged to undertake not only the charge of her husband's estate, but the care of the children, and their education and settlement in life. These duties were discharged with unwavering energy and Christian patience.... The record of her worth, and of what she did and suffered, may win little attention from the careless many, who regard not the memory of our "pilgrim mothers;" but the recollection of her gentle virtues has not yet faded from the hearts of her descendants, and those to whom they tell the story of her life will acknowledge her the worthy companion of those noble men to whom belongs the praise of having originated a new colony, and built up a goodly state in the bosom of the forest. Their patriotic labors, their struggles with the surrounding savages, their efforts in the maintenance of the community they had founded,--sealed, as they finally were, with their own blood, and the blood of their sons and relatives,--will never be forgotten while the apprehension of what is noble, generous, and good, survives in the hearts of their countrymen.

* * * * *

=_James Jackson Jarves, 1818-._= (Manual, p. 531.)

From "Art Hints."

=_235._= THE ART IDEA.

The first duty of art, as we have already intimated, is to make our public buildings and places, as instructive and enjoyable as possible. They should be pleasurable, full of attractive beauty and eloquent teachings. Picturesque groupings of natural objects, architectural surprises, sermons from the sculptor's chisel and the painter's palette, the ravishment of the soul by its superior senses, the refinement of mind and body by the sympathetic power of beauty,--these are a portion of the means which a due estimation of art, as an element of civilization, inspires the ruling will to provide freely for all. If art be kept a rare and tabooed thing, a specialty for the rich and powerful, it excites in the vulgar mind, envy and hate; but proffer it freely to the public, and the public soon learns to delight in and protect it as its rightful inheritance. It also tends to develop a brotherhood of thought and feeling. During the civil strifes of Italy, art flourished and was respected. Indeed, to some extent, it operated as a sort of peace society, and was held sacred when nothing else was. Even rude soldiers, amid the perils and necessities of sieges, turned aside destruction from the walls that sheltered it. The history of art is full of records of its power to soften and elevate the human heart. As soon would man, were it possible, mar one of God's sunsets, as cease to respect what genius has confided to his care, when once his mind has been awakened to its meaning.

The desire for art being awakened, museums to illustrate its technical and historical progress, and galleries to exhibit its master-works, become indispensable. In the light of education, appropriations for such purposes are as much a duty of the government as for any other purpose connected with the true welfare of the people; for its responsibilities extend over the entire social system.

* * * * *

=_Edwin P. Whipple, 1819-._= (Manual, p. 501.)

From "Literature and Life."

=_236._= WIT AND HUMOR IN LITERATURE.

Every student of English theological literature knows that much of its best portions gleams with wit. Five of the greatest humorists that ever made the world ring with laughter were priests,--Rabelais, Scarron, Swift, Sterne, and Sydney Smith. The prose works of Milton are radiant with satire of the sharpest kind. Sydney Smith, one of the most benevolent, intelligent and influential Englishmen of the nineteenth century, a man of the most accurate insight and extensive information, embodied the large stores of his practical wisdom in almost every form of the ludicrous. Many of the most important reforms in England are directly traceable to him. He really laughed his countrymen out of some of their most cherished stupidities of legislation.

And now let us be just to Mirth. Let us be thankful that we have in Wit a power before which the pride of wealth and the insolence of office are abased; which can transfix bigotry and tyranny with arrows of lightning; which can strike its object over thousands of miles of space, across thousands of years of time; and which, through its sway over an universal weakness of man, is an everlasting instrument to make the bad tremble and the foolish wince. Let us be grateful for the social and humanizing influences of Mirth. Amid the sorrow, disappointment, agony, and anguish of the world,--over dark thoughts and tempestuous passions, the gloomy exaggerations of self-will, the enfeebling illusions of melancholy,--Wit and Humor, light and lightning, shed their soft radiance, or dart their electric flash. See how life is warmed and illumined by Mirth! See how the beings of the mind, with which it has peopled our imaginations, wrestle with the ills of existence,--feeling their way into the harshest or saddest meditations, with looks that defy calamity; relaxing muscles made rigid with pain; hovering o'er the couch of sickness, with sunshine and laughter in their beneficent faces; softening the austerity of thoughts whose awful shadows dim and darken the brain,--loosening the gripe of Misery as it tugs at the heart-strings! Let us court the society of these gamesome, and genial, and sportive, and sparkling beings,--whom Genius has left to us as a priceless bequest; push them not from the daily walks of the world's life: let them scatter some humanities in the sullen marts of business; let them glide in through the open doors of the heart; let their glee lighten up the feast, and gladden the fireside of home:

"That the night may be filled with music, And the cares that infest the day May fold their tents, like the Arabs, And as silently steal away."

* * * * *

=_Jane T.L. Worthington,-1847._= (Manual, p. 524.)

From "Love Sketches."

=_237._= THE SISTERS.

The sisters were together, together for the last time in the happy home of their childhood. The window before them was thrown open, and the shadows of evening were slowly passing from each familiar outline on which the gazers looked. They were both young and fair; and one, the elder, wore that pale wreath the maiden wears but once. The accustomed smile had forsaken her lip now, and the orange-flowers were scarcely whiter than the cheek they shaded. The sister's hands were clasped in each other, and they sat silently watching the gradual brightening of the crescent moon, and the coming forth, one by one, of the stars. Not a cloud was floating in the quiet sky; the light wind hardly stirred the young leaves, and the air was fraught with the fragrance of early spring flowers. It was the hour when reverie is deepest, and fantasies have the earnestness of truth, when memory is melancholy in its vividness, and we feel, "almost like a reality," the presence of those who may bless our pathway no more. The loved, the lost--

"So many, yet how few!"--

gather around us, not as they are, chastened and troubled by battling with trials and disappointments, but as they used to be, in the glow of unwearied expectation. Old fears flit before us altered into pleasures, and old hopes return bathed in tears.

* * * * *

=_Alice Cary, 1820-1871._= (Manual, p. 484.)

From "Clovernook."

=_238._= THE END OF THE HISTORY.

And so with the various seasons of the year. May, with her green lap full of sprouting leaves and bright blossoms, her song-birds making the orchards and meadows vocal, and rippling streams and cultivated gardens; June, with full-blown roses and humming-bees, plenteous meadows and wide cornfields, with embattled lines rising thick and green; August, with reddened orchards and heavy-headed harvests of grain, October, with yellow leaves and swart shadows; December, palaced in snow, and idly whistling through his numb fingers;-all have their various charm; and in the rose-bowers of summer, and as we spread our hands before the torches of winter, we say joyfully, "Thou hast made all things beautiful in their time." We sit around the fireside, and the angel feared and dreaded by us all comes in, and one is taken from our midst. Hands that have caressed us, locks that have fallen over us like a bath of beauty, are hidden beneath shroud-folds. We see the steep edges of the grave, and hear the heavy rumble of the clods; and, in the burst of passionate grief, it seems that we can never still the crying of our hearts. But the days rise and set, dimly at first, and seasons come and go, and, by little and little, the weight rises from the heart, and the shadows drift from before the eyes, till we feel again the spirit of gladness, and see again the old beauty of the world.

* * * * *

=_Donald G. Mitchell, 1822-._= (Manual, pp. 504, 531.)

From "Wayside Hints."

=_239._= A TALK ABOUT PORCHES.

A country house without a porch is like a man without an eyebrow; it gives expression, and gives expression where you most want it. The least office of a porch is that of affording protection against the rain-beat and the sun-beat. It is an interpreter of character; it humanizes bald walls and windows; it emphasizes architectural tone; it gives hint of hospitality; it is a hand stretched out (figuratively and lumberingly, often) from the world within to the world without.

At a church door even, a porch seems to me to be a blessed thing, and a most worthy and patent demonstration of the overflowing Christian charity, and of the wish to give shelter. Of all the images of wayside country churches which keep in my mind, those hang most persistently and agreeably, which show their jutting, defensive rooflets to keep the brunt of the storm from the church-goer while he yet fingers at the latch of entrance.

I doubt if there be not something beguiling in a porch over the door of a country shop--something that relieves the odium of bargaining, and imbues even the small grocer with a flavor of cheap hospitalities. The verandas (which is but a long translation of porch) that stretch along the great river front of the Bellevue Hospital diffuse somehow a gladsome cheer over that prodigious caravansery of the sick; and I never see the poor creatures in their bandaged heads and their flannel gowns, enjoying their convalescence in the sunshine of those exterior corridors, but I reckon the old corridors for as much as the young doctors, in bringing them from convalescence into strength, and a new fight with the bedevilments of the world.

What shall we say, too, of inn porches? Does anybody doubt their fitness? Is there any question of the fact--with any person of reasonably imaginative mood--that Falstaff and Nym and Bardolph, and the rest, once lolled upon the benches of the porch that overhung the door of the Boar's Head Tavern, Eastcheap? Any question about a porch, and a generous one, at the Tabard, Southwark--presided over by that wonderful host who so quickened the story-telling humors of the Canterbury pilgrims of Master Chaucer?

Then again, in our time, if one were to peel away the verandas and the exterior corridors from our vast watering-place hostelries, what an arid baldness of wall and of character would be left! All sentiment, all glowing memories, all the music of girlish footfalls, all echoes of laughter and banter and rollicking mirth, and tenderly uttered vows would be gone.

King David when he gave out to his son Solomon the designs for the building of the Temple, included among the very first of them, (1 Chron. XXVIII. 11) the "pattern of a porch." It is not, however, of porches of shittim-wood and of gold, that I mean to talk just now--nor even of those elaborate architectural features which will belong of necessity to the entrance-way of every complete study of a country house. I plead only for some little mantling hood about every exterior door-way, however humble.

There are hundreds of naked, vulgar-looking dwellings, scattered up and down our country highroads, which only need a little deft and adroit adaptation of the hospitable feature which I have made the subject of this paper, to assume an air of modest grace, in place of the present indecorous exposure of a wanton.

* * * * *

=_Richard Grant White,[56] 1822-._=

From "Memoirs of the Life of William Shakespeare."

=_240._= THE CHARACTER OF SHAKESPEARE'S STYLE.

Writing for the general public, he used such language as would convey his meaning to his auditors,--the common phraseology of his period. But what a language was that! In its capacity for the varied and exact expression of all moods of mind, all forms of thought, all kinds of emotion, a tongue unequaled by any other known to literature! A language of exhaustless variety; strong without ruggedness, and flexible without effeminacy. A manly tongue; yet bending itself gracefully and lovingly to the tenderest and the daintiest needs of woman, and capable of giving utterance to the most awful and impressive thoughts, in homely words that come from the lips, and go to the heart, of childhood. It would seem as if this language had been preparing itself for centuries to be the fit medium of utterance for the world's greatest poet. Hardly more than a generation had passed since the English tongue had reached its perfect maturity; just time enough to have it well worked into the unconscious usage of the people, when Shakespeare appeared, to lay upon it a burden of thought which would test its extremest capability. He found it fully formed and developed, but not yet uniformed and cramped and disciplined by the lexicographers and rhetoricians,--those martinets of language, who seem to have lost for us in force and flexibility as much as they have gained for us in precision. The phraseology of that day was notably large and simple among ordinary writers and speakers. Among the college-bred writers and their imitators, there was too great a fondness for little conceits; but even with them this was an extraneous blemish, like that sometimes found in the ornament upon a noble building. Shakespeare seized this instrument to whose tones all ears were open, and with the touch of a master he brought out all its harmonies. It lay ready to any hand; but his was the first to use it with absolute control; and among all its successors, great as some are, he has had, even in this single respect, no rival. No unimportant condition of his supreme mastery over expression was his entire freedom from restraint--it may almost be said from consciousness--in the choice of language. He was no precisian, no etymologist, no purist. He was not purposely writing literature. The only criticism that he feared was that of his audience, which represented the English people of all grades above the peasantry. These he wished should not find his writing incomprehensible or dull: no more. If we except the translators of the Bible, Shakespeare wrote the best English that has yet been written.

[Footnote 56: A native of New York City; distinguished as a student and editor of Shakespeare, and more recently for his critical articles on the English language and grammar.]

* * * * *

=_Thomas Wentworth Higginson, 1823-._= (Manual, p. 531).

From "Atlantic Essays."

=_241._= ELEGANCE OF FRENCH STYLE.

In France alone among living nations is literature habitually pursued as an art; and in consequence of this, despite the seeds of decay which imperialism sowed, French prose-writing has no rival in contemporary literature. We cannot fully recognize this fact through translations, because only the most sensational French books appear to be translated. But as French painters and actors now habitually surpass all others even in what are claimed as the English qualities,--simplicity and truth,--so do French prose-writers excel. To be set against the brutality of Carlyle and the shrill screams of Ruskin, there is to be seen across the Channel the extraordinary fact of an actual organization of good writers, the French Academy, whose influence all nations feel. Under their authority we see introduced into literary work an habitual grace and perfection, a clearness and directness, a light and pliable strength, and a fine shading of expression, such as no other tongue can even define. We see the same high standard in their criticism, in their works of research, in the Revue des Deux Mondes, and in short throughout literature. What is there in any other language, for instance, to be compared with the voluminous writings of Sainte-Beuve, ranging over all history and literature, and carrying into all, that incomparable style, so delicate, so brilliant, so equable, so strong,--touching all themes, not with the blacksmith's hand of iron, but with the surgeon's hand of steel.

In the average type of French novels, one feels the superiority to the English in quiet power, in the absence of the sensational and exaggerated, and in keeping close to the level of real human life. They rely for success upon perfection of style, and the most subtle analysis of human character; and therefore they are often painful,--just as Thackeray is painful,--because they look at artificial society, and paint what they see. Thus they dwell often on unhappy marriages, because such things grow naturally from the false social system in France. On the other hand, in France there is very little house-breaking, and bigamy is almost impossible, so that we hear delightfully little about them: whereas, if you subtract these from the current English novels, what is there left?

* * * * *

=_Charles Godfrey Leland,[57] 1824._=

From "Meister Karl's Sketch-book."

=_242._= ASPECT OF NUREMBERG.

There is a picturesque disorder--a lyrical confusion about the entire place, which is perfectly irresistible. Turrets shoot up in all sorts of ways, on all sorts of occasions, upon all sorts of houses; and little boxes, with delicate Gothic windows, cling to their sides and to one another, like barnacles to a ship; while the houses themselves are turned round and about in so many positions that you wonder that a few are not upside down or lying on their sides by way of completing the original arrangement of no arrangement at all. It always seemed to me as if the buildings in Nuremberg had, like the furniture in Irving's tale, been indulging over night in a very irregular dance, and suddenly stopped in the most complicated part of a confusion worse confounded. Galleries, quaint staircases, and towers with projecting upper stories, as well as eccentric chimneys, demented door-ways, insane weather-vanes, and highly original steeples, form the most common-place materials in building; and it has more than once occurred to me that the architects of this city, even at the present day, must have imbibed their principles; not from the lecture-room, but from the most remarkable inspirations of some romantic scene-painter. During the last two centuries men appear to have striven, with a most uncommendable zeal, all over Christendom, to root out and extirpate every trace of the Gothic. In Nuremberg alone they have religiously preserved what little they originally had in domestic architecture, and added to it....

Nuremberg, like Avignon, is one of the very few cities which have retained in an almost perfect state, the feudal walls and turrets with which they were invested by the middle ages. At regular intervals along these walls occur little towers, for their defence, reminding one of beads strung on a rosary; the great watch-tower at the gate, with its projecting machicolation, forming the pendent cross,--the whole serving to guard the town within from the dangers of war, even as the rosary protects the city of Mansoul from the attacks of Sin and Death--though, sooth to say, since the invention of gunpowder and the Reformation, both the one and the other appear to have lost much of their former efficacy. Directly through the center of the town runs a small stream called the Pegnitz, "dividing the town into two nearly equal halves, named after the two great churches situated within them; the northern being termed St. Sebald's, and the southern, St. Lawrence side."

In the northern part of the division of St. Sebaldus rises a high hill, formed, at the summit, of vast rocks, on which is situated the ancient Reicheveste, or Imperial Castle, whose origin is fairly lost in the dark old days of Heathenesse. From it the traveller can obtain an admirable view of the romantic town below. In regarding it, I was irresistibly reminded of the remarkable resemblance existing between most of its buildings and the children's toys manufactured by the ingenious artisans of Nuremberg and its vicinity.

[Footnote 57: A native of Philadelphia, who has resided much abroad, and pursued a varied literary career; he possesses a familiarity with the German language and character, which he has turned to good account in the comic ballads by Hans Breitman.]

* * * * *

=_George William Curtis, 1824-._= (Manual, p. 504.)

From "Nile Notes of a Howadji."

=_243._= UNDER THE PALMS.

Thenceforward, in the land of Egypt, palms are perpetual. They are the only foliage of the Nile; for we will not harm the modesty of a few mimosas and sycamores, by foolish claims. They are the shade of the mud villages, marking their site in the landscape, so that the groups of palms are the number of villages. They fringe the shore and the horizon. The sun sets golden behind them, and birds sit swinging upon their boughs and float gloriously among their trunks; on the ground beneath are flowers; the sugar-cane is not harmed by the ghostly shade, nor the tobacco, and the yellow flowers of the cotton-plant star its dusk at evening. The children play under them; the old men crone and smoke; the surly bison and the conceited camels repose. The old Bible-pictures are ceaselessly painted, but with softer, clearer colors, than in the venerable book.

... But the eye never wearies of palms, more than the ear of singing-birds. Solitary they stand upon the sand, or upon the level, fertile land in groups, with a grace and dignity that no tree surpasses. Very soon the eye beholds in their forms the original type of the columns which it will afterwards admire in the temples. Almost the first palm is architecturally suggestive, even in those western gardens--but to artists living among them and seeing only them! men's hands are not delicate in the early ages, and the fountain fairness of the palms is not very flowingly fashioned in the capitals; but in the flowery perfection of the Parthenon the palm triumphs. The forms of those columns came from Egypt, and that which was the suspicion of the earlier workers, was the success of more delicate designing. So is the palm inwound with our art, and poetry, and religion, and of all trees would the Howadji be a palm, wide-waving peace and plenty, and feeling his kin to the Parthenon and Raphael's pictures.

But nature is absolute taste, and has no pure ornament, so that the palm is no less useful than beautiful. The family is infinite, and ill understood. The cocoa-nut, date, and sago, are all palms. Ropes and sponges are wrought of their tough interior fibre. The various fruits are nutritious; the wood, the roots, and the leaves, are all consumed. It is one of nature's great gifts to her spoiled sun-darlings. Whoso is born of the sun is made free of the world. Like the poet Thompson, he may put his hands in his pockets and eat apples at leisure.

* * * * *

=_John L. McConnell, 1826-._= (Manual, p. 510.)

From "Western Characters."

=_244._= THE EARLY WESTERN POLITICIAN.

He was tall, gaunt, angular, swarthy, active, and athletic. His hair was invariably black as the wing of the raven. Even in that small portion which the cap of raccoon-skin left exposed to the action of sun and rain, the gray was but thinly scattered, imparting to the monotonous darkness only a more iron character.... A stoop in the shoulders indicated that, in times past, he had been in the habit of carrying a heavy rifle, and of closely examining the ground over which he walked; but what the chest thus lost in depth it gained in breadth. His lungs had ample space in which to play. There was nothing pulmonary even in the drooping shoulders....

From shoulders thus bowed hung long, muscular arms, sometimes, perhaps, dangling a little ungracefully, but always under the command of their owner, and ready for any effort, however violent. These were terminated by broad, bony hands, which looked like grapnels; their grasp, indeed, bore no faint resemblance to the hold of those symmetrical instruments. Large feet, whose toes were usually turned in, like those of the Indian, were wielded by limbs whose vigor and activity were in keeping with the figure they supported. Imagine, with these peculiarities, a free, bold, rather swaggering gait, a swarthy complexion, and comformable features and tones of voice, and, excepting his costume, you have before your fancy a complete picture of the early western politician.

* * * * *

=_Sarah J. Lippincott,[58]_= about =_1833-_=. (Manual p. 484.)

From "Records of Five Years."

=_245._= DEATH IN TOWN AND COUNTRY.

Up the long ascent it moved,--that shadow of our mortal sorrow and perishable earthly estate, that shadow of the dead man's hearse, along the way his feet had often trod, past the spring over whose brink he may have often bent with thirsting lip, past lovely green glades, mossy banks, and fairy forests of waving ferns, on which his eye had often dwelt with a vague and soft delight; and so passed out of our view. But its memory went not out of our hearts that day.

In this pure, healthful region, where nature seems so unworn, so youthful and vigorous, where dwell simplicity, humble comfort, and quiet happiness, death has startled us as something strange and unnatural....

How different is it in the city!... There, on many a corner, one is confronted with the black, significant sign of the undertaker's "dreadful trade," or comes upon some marble-yard, filled with a ghastly assemblage of anticipatory gravestones and monuments; graceful broken columns, which are to typify the lovely incompleteness of some young life now full of beauty and promise; melancholy, drooping figures, types of grief forever inconsolable, destined, perhaps, to stand proxy for mourning young widows now happy wives; sculptured lambs, patiently waiting to take their places above the graves of little children whom yet smiling mothers nightly lay to sleep in soft cribs, without the thought of a deeper dark and silence of a night not far away, or of the dreary beds soon to be prepared for their darlings "i' the earth."

[Footnote 58: Originally and very favorably known by the assumed name of "Grace Greenwood."]

* * * * *

=_Francis Bret Harte,[59] 1837-._=

From "The Luck of Roaring Camp," &c.

=_246._= BIRTH OF A CHILD IN A MINER'S CAMP.

... The camp lay in a triangular valley, between two hills and a river. The only outlet was a steep trail over the summit of a hill that faced the cabin, now illuminated by the rising moon. The suffering woman might have seen it from the rude bunk whereon she lay,--seen it winding like a silver thread until it was lost in the stars above.

A fire of withered pine-boughs added sociability to the gathering. By degrees the natural levity of Roaring Camp returned. Bets were freely offered and taken regarding the result. Three to five that "Sal would get through with it," even, that the child would survive; side bets as to the sex and complexion of the coming stranger....

In the midst of an excited discussion an exclamation came from those nearest the door, and the camp stopped to listen. Above the swaying and moaning of the pines, the swift rush of the river, and the crackling of the fire, rose a sharp, querulous cry. The pines stopped moaning, the river ceased to rush, and the fire to crackle. It seemed as if Nature had stopped to listen too.

The camp rose to its feet as one man! It was proposed to explode a barrel of gunpowder; but, in consideration of the situation of the mother, better counsels prevailed, and only a few revolvers were discharged; for, whether owing to the rude surgery of the camp, or some other reason, Cherokee Sal was sinking fast. Within an hour she had climbed, as it were, the rugged road that led to the stars, and so passed out of Roaring Camp, its sin and shame, forever....

I do not think that the announcement disturbed them much, except in speculation as to the fate of the child, "Can he live now?" was asked of Stumpy. The answer was doubtful. The only other being of Cherokee Sal's sex and maternal condition in the settlement, was an ass. There was some conjecture as to fitness, but the experiment was tried. It was less problematical than the ancient treatment of Romulus and Remus, and apparently as successful.

Strange to say, the child thrived. Perhaps the invigorating climate of the mountain camp was compensation for maternal deficiencies. Nature took the foundling to her broader breast. In that rare atmosphere of the Sierra foot-hills--that air pungent with balsamic odor, that ethereal cordial at once bracing and exhilarating--he may have found food and nourishment, or a subtle chemistry that transmuted asses' milk to lime and phosphorus. Stumpy inclined to the belief that it was the latter and good nursing, "Me and that ass," he would say, "has been father and mother to him! Don't you," he would add, apostrophizing the helpless bundle before him, "never go back on us."

[Footnote 59: Prominent among the more recent American writers; a native of New York, but long resident in California; noted for his vivid portraiture of the early life, and remarkable scenery of that State, in a style uncommonly suggestive.]

* * * * *

=_William Dean Howells, 1837-._= (Manual, p. 531.)

From "Venetian Life."

=_247._= SNOW IN VENICE.

... The lofty crest of the bell-tower was hidden in the folds of falling snow, and I could no longer see the golden angel upon its summit. But looked at across the Piazza, the beautiful outline of St. Mark's Church was perfectly penciled in the air, and the shifting threads of the snow-fall were woven into a spell of novel enchantment around a structure that always seemed to me too exquisite in its fantastic loveliness to be anything but the creation of magic. The tender snow had compassionated the beautiful edifice for all the wrongs of time, and so hid the stains and ugliness of decay that it looked as if just from the hands of the builder--or, better said, just from the brain of the architect. There was marvellous freshness in the colors of the mosaics in the great arches of the facade; and all that glorious harmony into which the temple rises, of marble scrolls and leafy exuberance airily supporting the statues of the saints, was a hundred times etherialized by the purity and whiteness of the drifting flakes. The snow lay lightly on the golden globes that tremble like peacock-crests above the vast domes, and plumed them with softest white; it robed the saints in ermine; and it danced over all its work as if exulting in its beauty....

Through the wavering snow-fall, the Saint Theodore upon one of the granite pillars of the Piazzetta did not show so grim as his wont is, and the winged lion on the other might have been a winged lamb, so mild and gentle he looked by the tender light of the storm. The towers of the island churches loomed faint and far away in the dimness; the sailors in the rigging of the ships that lay in the Basin, wrought like phantoms among the shrouds; the gondolas stole in and out of the opaque distance, more noiselessly and dreamily than ever; and a silence almost palpable, lay upon the mutest city in the world.

* * * * *

=_Mary Abigail Dodge,[60] 1838-._=

From "Wool Gathering."

=_248._= SCENERY OF THE UPPER MISSISSIPPI.

Up the broad, cold, steel-blue river we wind steadily to its Northern home. No flutter of its orange groves, no fragrance of its Southern roses, no echo of its summer lands, can penetrate these distances. Only prophecies of the sturdy North are here,--the glitter of the Polar sea, the majesty of Arctic solitudes. The imagination is touched. The eye looks out upon a hemisphere. Vast spaces, lost ages, the unsealed mysteries of cold and darkness and eternal silence, sweep around the central thought, and people the wilderness with their solemn symbolism, Prettiness of gentle slope, wealth, and splendor of hue, are not wanting, but they shine with veiled light. Mountains come down to meet the Great River. The mists of the night lift slowly away, and we are brought suddenly into the presence-chamber. One by one they stand out in all their rugged might, only softened here and there by fleecy clouds still clinging to their sides, and shining pink in the ruddy dawn. Bold bluffs that have come hundreds of miles from their inland home guard the river. They rise on both sides, fronting us, bare and black, layer of solid rock piled on solid rock, defiant fortifications of some giant race, crowned here and there with frowning tower; here and there overborne and overgrown with wild-wood beauty, vine and moss and manifold leafage, gorgeous now with the glory of the vanishing summer. It is as if the everlasting hills had parted to give the Great River entrance to the hidden places of the world. And then the bold bluffs break into sharp cones, lonely mountains rising head and shoulders above their brethren, and keeping watch over the whole country; groups of mountains standing sentinels on the shores, almost leaning over the river, and hushing us to breathless silence as we sail through their awful shadow. And then the earth smiles again, the beetling cliffs recede into distances, and we glide through a pleasant valley. Green levels stretch away to the foot of the far cliffs, level with the river's blue, and as smooth,--sheltered and fertile, and fit for future homes. Nay, already the pioneer has found them, and many a hut and cottage and huddle of houses show whence art and science and all the amenities of human life, shall one day radiate. And even as we greet them we have left them, and the heights clasp us again, the hills overshadow us, the solitude closes around us.

[Footnote 60: Born in Massachusetts, author of numerous magazine articles of merit and earnestness, afterwards republished as books; known to her readers as Gail Hamilton.]

* * * * *

LATER MISCELLANEOUS WRITERS.

=_George Washington[61], 1732-1799._=

From a Letter to Sir John Sinclair.

=_249._= NATURAL ADVANTAGES OF VIRGINIA.

The United States, as you well know, are very extensive, more than fifteen hundred miles between the northeastern and southwestern extremities; all parts of which, from the seaboard to the Appalachian Mountains, which divide the eastern from the western waters, are entirely settled; though not as compactly as they are susceptible of; and settlements are progressing rapidly beyond them.

Within so great a space, you are not to be told, that there is a great variety of climates, and you will readily suppose, too, that there are all sorts of land, differently improved, and of various prices, according to the quality of the soil, its contiguity to, or remoteness from, navigation, the nature of the improvements, and other local circumstances....

Notwithstanding these abstracts, and although I may incur the charge of partiality in hazarding such an opinion at this time, I do not hesitate to pronounce, that the lands on the waters of the Potomac will in a few years be in greater demand and in higher estimation, than in any other part of the United States. But, as I ought not to advance this doctrine without assigning reasons for it, I will request you to examine a general map of the United States; and the following facts will strike you at first view; that they lie in the most temperate latitude of the United States, that the main river runs in a direct course to the expanded parts of the western country, and approximates nearer to the principal branches of the Ohio, than any other eastern water, and of course must become a great, if not (under all circumstances), the best highway into that region; that the upper seaport of the Potomac is considerably nearer to a large portion of Pennsylvania, than that portion is to Philadelphia, besides accommodating the settlers thereof with inland navigation for more than two hundred miles; that the amazing extent of tide navigation, afforded by the bay and rivers of the Chesapeake, has scarcely a parallel.

When to these it is added, that a site at the junction of the inland and tide navigations of that river is chosen for the permanent seat of the general government, and is in rapid preparation for its reception; that the inland navigation is nearly completed, to the extent above mentioned; that its lateral branches are capable of great improvement at a small expense, through the most fertile parts of Virginia in a southerly direction, and crossing Maryland and extending into Pennsylvania in a northerly one, through which, independently of what may come from the western country, an immensity of produce will be water-borne, thereby making the Federal City the great emporium of the United States; I say, when these things are taken into consideration, I am under no apprehension of having the opinion I have given, relative to the value of land on the Potomac, controverted by impartial men.

[Footnote 61: Washington's correspondence was voluminous, and on the subjects relating to climate, agriculture, and internal improvements, he wrote with interest and ability. The letter to Sinclair is characteristic.]

* * * * *

=_Matthew F. Maury,[62] 1806-1873._=

From "The Physical Geography of the Sea."

=_250._= THE MARINER'S GUIDE ACROSS THE DEEP.

So to shape the course on voyages as to make the most of the winds and currents at sea, is the perfection of the navigator's art. How the winds blow, and the currents flow, along this route or that, is no longer matter of opinion or subject of speculation, but it is a matter of certainty determined by actual observation.... The winds and the weather daily encountered by hundreds who have sailed on the same voyage before him, and "the distance made good" by each one from day to day, have been tabulated in a work called Sailing Directions, and they are so arranged that he may daily see how much he is ahead of time, or how far he is behind time; nay, his path has been literally blazed through the winds for him on the sea; mile-posts have been set up on the waves, and finger-boards planted, and time-tables furnished for the trackless waste, by which the ship-master, on his first voyage to any port, may know as well as the most experienced trader whether he be in the right road or no.

... The route that affords the bravest winds, the fairest sweep, and the fastest running to be found among ships, is the route to and from Australia. But the route which most tries a ship's prowess is the outward-bound voyage to California. The voyage to Australia and back, carries the clipper ship along a route which, for more than three hundred degrees of longitude, runs with the "brave west winds" of the southern hemisphere. With these winds alone, and with their bounding seas which follow fast, the modern clipper, without auxiliary power, has accomplished a greater distance in a day than any sea-steamer has ever been known to reach. With these fine winds and heaving seas, those ships have performed their voyages of circumnavigation in sixty days.

[Footnote 62: Formerly an officer of the navy, eminent for his scientific researches and writings on maritime subjects; a native of Virginia.]

* * * * *

=_251._= THE GULF STREAM.

As a rule, the hottest water of the Gulf Stream is at, or near, the surface; and as the deep-sea thermometer is sent down, it shows that these waters, though still far warmer than the waters on either side at corresponding depths, gradually become less and less warm until the bottom of the current is reached. There is reason to believe that the warm waters of the Gulf Stream are nowhere permitted, in the oceanic economy, to touch the bottom of the sea. There is everywhere a cushion of cool water, between them and the solid parts of the earth's crust. This arrangement is suggestive, and strikingly beautiful. One of the benign offices of the Gulf Stream is to convey heat from the Gulf of Mexico, where otherwise it would become excessive, and to dispense it in regions beyond the Atlantic, or the amelioration of the climates of the British Islands and of all Western Europe. Now cold water is one of the best non-conductors of heat, and if the warm water of the Gulf Stream was sent across the Atlantic in contact with the solid crust of the earth,--comparatively a good conductor of heat,--instead of being sent across, as it is, in contact with a cold non-conducting cushion of cool water to fend it from the bottom, much of its heat would be lost in the first part of the way, and the soft climates of both France and England would be, as that of Labrador, severe In the extreme, icebound, and bitterly cold.

* * * * *

=_Ormsby M. Mitchell,[63] 1810-1862._=

=_252._= THE GREAT UNFINISHED PROBLEMS OF THE UNIVERSE.

I do not pretend to indorse the theory of Mädler with reference to his central sun. If I did indorse it, it would amount simply to nothing at all, for he needs no indorsement of mine. But it is one of the great unfinished problems of the universe, which remains yet to be solved. Future generations yet are to take it up. Materials for its solution are to accumulate from generation to generation, and possibly from century to century. Nay, I know not but thousands of years will roll away before the slow movements of these far distant orbs shall so accumulate as to give us the data whereby the resolution may be absolutely accomplished. But shall we fail to work because the end is far off? Had the old astronomer that once stood upon the watch-tower in Babylon, and there marked the coming of the dreaded eclipse, said. "I care not for this; this is the business of posterity; let posterity take care of itself; I will make no record"--and had, in succeeding ages, the sentinel in the watch-tower of the skies said, "I will retire from my post; I have no concern with these matters, which can do me no good; it is nothing that I can do for the age in which I live,"--where should we have been to-night? Shall we not do, for those who are to follow us, what has been done for us by our predecessors? Let us not shrink from the responsibility which comes down upon the age in which we live. The great and mighty problem of the universe has been given to the whole human family for its solution. Not by any clime, not by any age, not by any nation, not by any individual man or mind, however great or grand, has this wondrous solution been accomplished; but it is the problem of humanity, and it will last as long as humanity shall inhabit the globe on which we live and move.

* * * * *

No, here is the temple of our Divinity. Around us and above us rise sun and system, cluster and universe. And I doubt not that in every region of this vast empire of God, hymns of praise and anthems of glory are rising and reverberating from sun to sun, and from, system to system, heard by Omnipotence alone, across immensity, and through eternity.

[Footnote 63: An astronomer, and a favorite lecturer on the science; a native of Kentucky.]

* * * * *

WRITERS ON NATURAL HISTORY, SCENERY, &c.

=_William Bartram, 1739-1813._= (Manual, p. 490.)

From the "Travels through the Carolinas," &c.

=_253._= SCENES ON THE UPPER OCONEE.

At this rural retirement were assembled a charming circle of mountain vegetable beauties.... Some of these roving beauties stroll over the mossy, shelving, humid rocks, or from off the expansive wavy boughs of trees, bending over the floods, salute their delusive shade, playing on the surface; some plunge their perfumed heads and bathe their flexile limbs in the silver stream; whilst others by the mountain breezes are tossed about, their blooming tuffts bespangled with pearly and crystalline dew-drops collected from the falling mists, glistening in the rainbow arch. Having collected some valuable specimens at this friendly retreat, I continued my lonesome pilgrimage. My road for a considerable time led me winding and turning about the steep rocky hills: the descent of some of which was very rough and troublesome, by means of fragments of rocks, slippery clay and talc: but after this I entered a spacious forest, the land having gradually acquired a more level surface: a pretty grassy vale appears on my right, through which my wandering path led me, close by the banks of a delightful creek, which sometimes falling over steps of rocks, glides gently with serpentine meanders through the meadows.

After crossing this delightful brook and mead, the land rises again with sublime magnificence, and I am led over hills and vales, groves and high forests, vocal with the melody of the feathered songsters; the snow-white cascades glittering on the sides of the distant hills.

It was now afternoon; I approached a charming vale, amidst sublimely high forests, awful shades! Darkness gathers around; far distant thunder rolls over the trembling hills: the black clouds with august majesty and power move slowly forwards, shading regions of towering hills, and threatening all the destruction of a thunder-storm: all around is now still as death, not a whisper is heard, but a total inactivity and silence seem to pervade the earth; the birds afraid to utter a chirrup, in low tremulous voices take leave of each other, seeking covert and safety: every insect is silenced, and nothing heard but the roaring of the approaching hurricane. The mighty cloud now expands its sable wings, extending from north to south, and is driven irresistibly on by the tumultuous winds, spreading its livid wings around the gloomy concave, armed with terrors of thunder and fiery shafts of lightning. Now the lofty forests bend low beneath its fury; their limbs and wavy boughs are tossed about and catch hold of each other; the mountains tremble and seem to reel about, and the ancient hills to be shaken to their foundations: the furious storm sweeps along, smoking through the vale and over the resounding hills: the face of the earth is obscured by the deluge descending from the firmament, and I am deafened by the din of the thunder. The tempestuous scene damps my spirits, and my horse sinks under me at the tremendous peals, as I hasten on for the plain.

* * * * *

From his "Travels in the Carolinas, Florida," &c.

=_254._= THE WOOD PELICAN OF FLORIDA.

This solitary bird does not associate in flocks, but is generally seen alone, commonly near the banks of great rivers, in vast marshes or meadows, especially such as are caused by inundations, and also in the vast deserted rice plantations: he stands alone on the topmost limb of tall dead cypress trees, his neck contracted or drawn in upon his shoulders, and beak resting like a long scythe upon his breast: in this pensive posture and solitary situation, it looks extremely grave, sorrowful, and melancholy, as if in the deepest thought.

* * * * *

=_Alexander Wilson, 1766-1813._= (Manual, p. 504.)

From the "American Ornithology."

=_255._= NEST OF THE RED-HEADED WOODPECKER.

Notwithstanding the care which this bird, in common with the rest of its genus, takes to place its young beyond the reach of enemies, within the hollows of trees, yet there is one deadly foe, against whose depredations neither the height of the tree nor the depth of the cavity is the least security. This is the blade snake, who frequently glides up the trunk of the tree, and, like a skulking savage, enters the woodpecker's peaceful apartment, devours the eggs or helpless young, in spite of the cries and flutterings of the parents, and if the place be large enough, coils himself up in the spot they occupied, where he will sometimes remain for several days. The eager school-boy, after hazarding his neck to reach the woodpecker's hole, at the triumphant moment when he thinks the nestlings his own, and strips his arm, launching it down into the cavity, and grasping what he conceives to be the callow young, starts with horror at the sight of a hideous snake, and almost drops from his giddy pinnacle, retreating down the tree with terror and precipitation. Several adventures of this kind have come to my knowledge; and one of them was attended with serious consequences, where both snake and boy fell to the ground, and a broken thigh, and long confinement, cured the adventurer completely of his ambition for robbing woodpeckers' nests.

* * * * *

=_256._= THE WHITE-HEADED, OR BALD, EAGLE.

Elevated on the high dead limb of some gigantic tree that commands a wide view of the neighboring shore and ocean, he seems calmly to contemplate the motions of the various feathered tribes that pursue their busy avocations below,--the snow-white Gulls slowly winnowing the air; the busy _Tringoe_ coursing along the sands; trains of Ducks streaming over the surface; silent and watchful Cranes, intent and wading; clamorous crows; and all the winged multitudes that subsist by the bounty of this vast liquid magazine of nature. High over all these hovers one, whose action instantly arrests his whole attention. By his wide curvature of wing, and sudden suspension in air, he knows him to be the Fish Hawk, settling over some devoted victim of the deep. His eye kindles at the sight, and balancing himself with half-opened wings, on the branch, he watches the result. Down, rapid as an arrow from heaven, descends the distant object of his attention, the roar of its wings reaching the ear as it disappears in the deep, making the surges foam around. At this moment, the eager looks of the Eagle are all ardor; and levelling his neck for flight, he sees the Fish Hawk once more emerge, struggling with his prey, and mounting in the air with screams of exultation. These are the signal for our hero, who launching into the air, instantly gives chase, and soon gains on the Fish Hawk; each exerts his utmost to mount above the other, displaying in these rencontres the most elegant and sublime aerial evolutions. The unincumbered Eagle rapidly advances, and is just on the point of reaching his opponent, when, with a sudden scream, probably of despair and honest execration, the latter drops his fish; the Eagle poising himself for a moment, as if to take a more certain aim, descends like a whirlwind, snatches it in his grasp ere it reaches the water, and bears his ill-gotten booty silently away to the woods.

* * * * *

=_Stephen Elliott,[64] 1771-1830._=

From "Views of Nature."

=_257._= COMPLETENESS AND VARIETY OF NATURE.

What is there that will not be included in the history of nature? The earth on which we tread, the air we breathe, the waters around the earth, the material forms that inhabit its surface, the mind of man, with all its magical illusions and all its inherent energy, the planets that move around our system, the firmament of heaven--the smallest of the invisible atoms which float around our globe, and the most majestic of the orbs that roll through the immeasurable fields of space--all are parts of one system, productions of one power, creations of one intellect, the offspring of Him, by whom all that is inert and inorganic in creation was formed, and from whom all that have life derive their being.

Of this immense system,--all that we can examine,--this little globe that we inherit, is full of animation, and crowded with forms, organized, glowing with life, and generally sentient. No space is unoccupied; the exposed surface of the rock is incrusted with living substances; plants occupy the bark, and decaying limbs, of other plants; animals live on the surface, and in the bodies, of other animals: inhabitants are fashioned and adapted to equatorial heats, and polar ice;--air, earth, and ocean teem with life;--and if to other worlds the same proportion of life and of enjoyment has been distributed which has been allotted to ours, if creative benevolence has equally filled every other planet of every other system, nay, even the suns themselves, with beings, organized, animated, and intelligent, how countless must be the generations of the living! What voices which we cannot hear, what languages that we cannot understand, what multitudes that we cannot see, may, as they roll along the stream of time, be employed hourly, daily, and forever, in choral songs of praise, hymning their great Creator!

And when, in this almost prodigal waste of life, we perceive that every being, from the puny insect which flutters in the evening ray; from the lichen which we can scarcely distinguish on the mouldering rock; from the fungus that springs up and re-animates the mass of dead and decomposing substances; that every living form possesses a structure as perfect in its sphere, an organization sometimes as complex, always as truly and completely adapted to its purposes and modes of existence as that of the most perfect animal; when we discover them all to be governed by laws as definite, as immutable, as those which regulate the planetary movements, great must be our admiration of the wisdom which has arrayed, and the power which has perfected this stupendous fabric.

Nor does creation here cease. There are beyond the limits of our system, beyond the visible forms of matter, other principles, other powers, higher orders of beings, an immaterial world which we cannot yet know; other modes of existence which we cannot comprehend; yet however inscrutable to us, this spiritual world must be guided by its own unerring laws, and the harmonious order which reigns in all we can see and understand, ascending through the series of immortal and invisible existence, must govern even the powers and dominions, the seraphim and cherubim, that surround the throne of God himself.

[Footnote 64: Distinguished as a writer and scholar, and especially for his work on the Botany of South Carolina and Georgia; a native of South Carolina.]

* * * * *

=_John James Audubon, 1776-1851._= (Manual, p. 504.)

From the "Ornithological Biography."

=_258._= THE PASSENGER PIGEON.

I cannot describe to you the extreme beauty of their aerial evolutions, when a hawk chanced to press upon the rear of a flock. At once, like a torrent, and with a noise like thunder, they rushed into a compact mass, pressing upon each other towards the centre. In these almost solid masses, they darted forward in undulating and angular lines, descended and swept close over the earth with inconceivable velocity, mounted perpendicularly so as to resemble a vast column, and when high, were seen wheeling and twisting within their continued lines, which then resembled the coils of a gigantic serpent.

It is extremely interesting to see flock after flock performing exactly the same evolutions which had been traced as it were, in the air, by a preceding flock. Thus should a hawk have charged on a group at a certain spot, the angles, curves, and undulations that have been described by the birds, in their efforts to escape from the dreaded talons of the plunderer, are undeviatingly followed by the next group that comes up. Should the by-stander happen to witness one of these affrays, and, struck with the rapidity and elegance of the motions exhibited, feel desirous of seeing them repeated, his wishes will be gratified, if he only remain in the place until the next group comes up.

As soon as the pigeons discover a sufficiency of food to entice them to alight, they fly around in circles, reviewing the country below. During their evolutions, on such occasions, the dense mass which they form, exhibits a beautiful appearance, as it changes its direction, now displaying a glistening sheet of azure, when the backs of the birds come simultaneously into view, and anon, suddenly presenting a mass of rich purple. They then pass lower, over the woods, and for a moment are lost among the foliage, but again emerge, and are seen gliding aloft. They now alight, but the next moment, as if suddenly alarmed, they take to wing, producing by the flapping of their wings a noise like the roar of distant thunder, and sweep through the forests to see if danger is near. Hunger, however, soon brings them to the ground. When alighted, they are seen industriously throwing up the withered leaves in quest of the falling mast. The rear ranks are continually rising, passing over the main body, and alighting in front, in such rapid succession, that the whole flock seems still on wing. The quantity of ground thus swept is astonishing, and so completely has it been cleared, that the gleaner who might follow in their rear, would find his labor completely lost.

* * * * *

=_259._= EMIGRANTS REMOVING WESTWARD.

I think I see them at this moment harnessing their horses and attaching them to their wagons, which are already filled with bedding, provisions, and the younger children; while on the outside are fastened spinning-wheels and looms, and a bucket filled with tar and tallow swings between the hind wheels. Several axes are secured to the bolster, and the feeding-trough of the horses contains pots, kettles, and pans. The servant, now become a driver, rides the near saddled horse; the wife is mounted on another; the worthy husband shoulders his gun; and his sons, clad in plain, substantial homespun, drive the cattle ahead, and lead the procession, followed by the hounds and other dogs.

* * * * *

=_260._= INTEREST OF EXPLORATION IN THE REMOTE WEST.

How delightful, I have often exclaimed, must have been the feelings of those enthusiastic naturalists, my friends Nuttall and Townsend, while traversing the ridges of the Rocky Mountains! How grand and impressive the scenery presented to their admiring gaze, when from an elevated station they saw the mountain torrent hurling its foamy waters over the black crags of the rugged ravine, while on wide-spread wings the Great Vulture sailed overhead watching the departure of the travellers, that he might feast on the Salmon which in striving to ascend the cataract had been thrown on the stony beach! Now the weary travellers are resting on the bank of a brawling brook, along which they are delighted to see the lively Dipper frisking wren-like from stone to stone. On the stunted bushes above them some curious Jays are chattering, and as my friends are looking upon the gay and restless birds, they are involuntarily led to extend their gaze to the green slope beneath the more distant crags, where they spy a mountain sheep, watching the movements of the travellers as well as those of yon wolves stealing silently toward the fleet-footed animal. Again the pilgrims are in motion; they wind their pathless way round rocks and fissures; they have reached the greatest height of the sterile platform; and as they gaze on the valleys whose waters hasten to join the Pacific Ocean, and bid adieu, perhaps for the last time, to the dear friends they have left in the distant east, how intense must be their feelings, as thoughts of the past and the future blend themselves in their anxious minds! But now I see them, brother-like, with lighter steps, descending toward the head waters of the famed Oregon. They have reached the great stream, and seating themselves in a canoe, shoot adown the current, gazing on the beautiful shrubs and flowers that ornament the banks, and the majestic trees that cover the sides of the valley, all new to them, and presenting a wide field of discovery. The melodies of unknown songsters enliven their spirits, and glimpses of gaudily plumed birds excite their desire to search those beautiful thickets; but time is urgent, and onward they must speed. A deer crosses the stream, they pursue and capture it; and it being now evening, they land and soon form a camp, carefully concealed from the prying eyes of the lurking savage. The night is past, the dawn smiles upon the refreshed travellers, who launch their frail bark; and, as they slowly float on the stream, both listen attentively to the notes of the Red-and-White-winged Troopial, and wonder how similar they are to those of the "Red-winged Starling;" they think of the affinities of species, and especially of those of the lively birds composing this beautiful group.

* * * * *

=_Daniel Drake,[65] 1785-1852._=

From a "Picture of Cincinnati, &c."

=_261._= OBJECTS OF THE WESTERN MOUND-BUILDERS.

No objects in the State of Ohio seem to have more forcibly arrested the attention of travellers, nor employed a greater number of pens, than its antiquities. It is to be regretted, however, that so hastily and superficially have they been examined by strangers, and so generally neglected by ourselves, that the materials for a full description have not yet been collected....

The forests over these remains exhibit no appearances of more recent growth than in other parts. Trees, several hundred years old, are in many places seen growing out of the ruins of others, which appear to have been of equal size....

Those at Cincinnati, for example, exhibit so few of the characters of a defensive work, that General Wayne, upon attentively surveying them in 1794, was of opinion that they were not designed for that purpose. It was from the examination of valley-works only, that Bishop Madison was led to deny that the remains of the western country were ever intended for defence, and to conclude that they were enclosures for permanent residence. It would be precipitate to assert that the relics found in the valleys were for this purpose, and those of the uplands for defence. But while it is certain that the latter were military posts, it seems highly probable that the former were for ordinary abode in times of peace. They were towns and the seats of chiefs, whose perishable parts have crumbled into earth, and disappeared with the generations which formed them. Many of them might have been calculated for defence, as well as for habitations; but the latter must have been the chief purpose for which they were erected. On the contrary, the hill-constructions, which are generally in the strongest military positions of the country, were designed solely for defence, in open and vigorous war.

[Footnote 65: A native of New Jersey, who was taken when very young, to the West, where he became distinguished as a medical professor and practitioner. His recollections and sketches are very valuable.]

* * * * *

=_John Bachman,[66] 1790-1873._=

From "The Quadrupeds of North America."

=_262._= THE OPOSSUM.

We can imagine to ourselves the surprise with which the opossum was regarded by Europeans, when they first saw it. Scarcely anything was known of the marsupial animals, as New Holland had not as yet opened its unrivalled stores of singularities to astonish the world. Here was a strange animal, with the head and ears of the pig, sometimes hanging on the limb of a tree, and occasionally swinging like the monkey by the tail. Around that prehensile appendage a dozen sharp-nosed, sleek-headed young had entwined their own tails, and were sitting on the mother's back. The astonished traveller approaches this extraordinary compound of an animal, and touches it cautiously with a stick. Instantly it seems to be struck with some mortal disease: its eyes close, it falls to the ground, ceases to move, and appears to be dead. He turns it on its back, and perceives on its stomach a strange, apparently artificial opening. He puts his fingers into the extraordinary pocket, and lo, another brood of a dozen or more young, scarcely larger than a pea, are hanging in clusters on the teats. In pulling the creature about, in great amazement, he suddenly receives a gripe on the hand; the twinkling of the half-closed eye, and the breathing of the creature, evince that it is not dead: and he adds a new term to the vocabulary of his language, that of "playing possum."

... When the young are four weeks old, they begin from time to time to relax their hold on the teats, and may now be seen with their heads occasionally out of the pouch. A week later, and they venture to steal occasionally from their snug retreat in the pouch, and are often seen on the mother's back, securing themselves by entwining their tails around hers. In this situation she moves from place to place in search of food, carrying her whole family along with her, to which she is much attached, and in whose defence she exhibits a considerable degree of courage, growling at any intruder, and ready to use her teeth with great severity on man or dog. In travelling, it is amusing to see this large family moving about. Some of the young, nearly the size of rats, have their tails entwined around the legs of the mother, and some around her neck,--thus they are dragged along. They have a mild and innocent look, and are sleek, and in fine condition, and this is the only age in which the word pretty can be applied to the Opossum. At this period, the mother in giving sustenance to so large a family, becomes thin, and is reduced to one-half of her previous weight. The whole family of young remain with her about two months, and continue in the vicinity till autumn. In the meantime, a second, and often a third brood, is produced, and thus two or more broods of different ages may be seen, sometimes with the mother, and at other times not far off.

... Hunting the Opossum is a very favorite amusement among domestics and field laborers on our Southern plantations, of lads broke loose from school in the holidays, and even of gentlemen, who are sometimes more fond of this sport than of the less profitable and more dangerous and fatiguing one of hunting the gray fox by moonlight. Although we have never participated in an Opossum hunt, yet we have observed that it afforded much amusement to the sable group that in the majority of instances make up the hunting party, and we have on two or three occasions been the silent and gratified observers of the preparations that were going on, the anticipations indulged in, and the excitement apparent around us.

[Footnote 66: A clergyman of the Lutheran church, for many years a citizen of Charleston, South Carolina, out originally from New York; eminent for his attainments and writings in natural history and science.]

* * * * *

=_J. A. Lapham.[67]_=

From "Wisconsin, its Geography," &c.

=_263._= THE SMALLER LAKES.

BESIDES these immense lakes, Wisconsin abounds in those of smaller size, scattered profusely over her whole surface. They are from one to twenty or thirty miles in extent. Many of them are the most beautiful that can be imagined--the water deep, and of crystal purity and clearness, surrounded by sloping hills and promontories, covered with scattered groves and clumps of trees. Some are of a more picturesque kind, being more rugged in their appearance, with steep, rocky bluffs, crowned with cedar, hemlock, spruce, and other evergreen trees of a similar character. Perhaps a small rocky island will vary the scene, covered with a conical mass of vegetation, the low shrubs and bushes being arranged around the margin, and the tall trees in the centre. These lakes usually abound in fish of various kinds, affording food for the pioneer settler; and among the pebbles on their shores may occasionally be found fine specimens of agate, carnelian, and other precious stones. In the bays, where the water is shallow, and but little affected by the winds, the wild rice grows in abundance, affording subsistence for the Indian, and attracting innumerable water-birds to these lakes.

[Footnote 67: The age of this meritorious and industrious writer we have not been able to learn. The second edition of his book on Wisconsin appeared in 1846.]

* * * * *

=_264._= ANCIENT EARTHWORKS.

There is a class of ancient earthworks in Wisconsin, not before found in any other country.... Some have a resemblance to the buffalo, the eagle, or crane, or to the turtle or lizard. One, representing the human form, near the Blue Mounds, is, according to R.C. Taylor, Esq., one hundred and twenty feet in length: it lies in an east and west direction, the head towards the west, with the arms and legs extended. The body or trunk is thirty feet in breadth, the head twenty-five, and its elevation above the general surface of the prairie is about six feet. Its conformation is so distinct, that there can be no possibility of mistake in assigning it to the human figure.

* * * * *

=_Charles Wilkins Webber, 1819-1856._= (Manual, p. 505.)

From "Wild Scenes and Song-birds."

=_265._= THE MOCKING-BIRD.

THE next spring a new melody filled the air. A melody such as I had never heard before burst in clear and overwhelming raptures from the meadows where I had first seen the graceful stranger with the white-barred wings, last year.... I saw it now leaping up from its favorite perch on a tree-top much in the manner I had observed before, but now it was in a different mood and seemed to mount thus spirit-like upon the wilder ecstasies, and floating fall upon the subsiding cadence, of that passionate song it poured into the listening ear of love, for I could see his mate, with fainter bars across her wings, where she sat upon a thornbush near, and listened. When this magnificent creature commenced to sing, the very air was burdened with a thousand different notes; but his voice rose clear and melodiously loud above them all. As I listened, one song after another ceased suddenly, until, in a few minutes, and before I could realize that it was so, I found myself hearkening to that solitary voice. This is a positive fact. I looked around me in astonishment. What! Are they awed? But his song only now grew more exulting, and, as if feeling his triumph, he bounded yet higher, with each new gush, and in swift and quivering raptures dived, skimmed, and floated round--round--then rose to fall again more boldly on the billowy storm of sound.

... This curious phenomenon I have witnessed many times since. Even in the morning choir, when every little throat seems strained in emulation, if the mocking-bird breathes forth in one of its mad, bewildered, and bewildering extravaganzas, the other birds pause almost invariably, and remain silent until his song is done. This, I assure you, is no figment of the imagination, or illusion of an excited fancy; it is just as substantial a fact as any other one in natural history. Whether the other birds stop from envy, as has been said, or from awe, cannot be so well ascertained, but I believe it is from the sentiment of awe, for as I certainly have felt it myself in listening to the mocking-bird, I do not know why these inferior creatures should not also.

* * * * *

=_Charles Lanman, 1819-._= (Manual, p. 505.)

From "Haw-ho-noo."

=_266._= MAPLE-SUGAR-MAKING AMONG THE INDIANS.

It is in the month of April, and the hunting season is at an end. Albeit, the ground is covered with snow, the noonday sun has become quite powerful; and the annual offering has been made to the Great Spirit, by the medicine-men, of the first product of one of the earliest trees in the district. This being the preparatory signal for extensive business, the women of the encampment proceed to make a large number of wooden troughs (to receive the liquid treasure), and after these are finished, the various trees in the neighborhood are tapped, and the juice begins to run. In the mean time the men of the party have built the necessary fires, and suspended over them their earthen, brass, or iron kettles. The sap is now flowing in copious streams, and from one end of the camp to the other is at once presented an animated and romantic scene, which continues day and night, until the end of the sugar season. The principal employment to which the men devote themselves, is that of lounging about the encampment, shooting at marks, and playing the moccasin game; while the main part of the labor is performed by the women, who not only attend to the kettles, but employ all their leisure time in making the beautiful birchen mocucks, for the preservation and transportation of the sugar when made; the sap being brought from the troughs to the kettles, by the boys and girls. Less attention than usual is paid by the Indians at such times to their meals; and unless game is very easily obtained, they are quite content to depend upon the sugar alone.

It was now about the middle of June, and some fifty birchen canoes have just been launched upon the waters of Green Bay. They are occupied by our Ottawa sugar-makers, who have started upon a pilgrimage to Mackinaw. The distance is near two hundred miles, and as the canoes are heavily laden not only with mocucks of sugar, but with furs collected by the hunters during the past winter, and the Indians are travelling at their leisure, the party will probably reach their desired haven in the course of ten days. Well content with their accumulated treasures, both the women and the men are in a particularly happy mood, and many a wild song is heard to echo over the placid lake. As the evening approaches, day after day they seek out some convenient landing place, and, pitching the wigwams on the beach, spend a goodly portion of the night carousing and telling stories around their camp fires, resuming their voyage after a morning sleep, long alter the sun has risen above the blue waters of the east. Another sunset hour, and the cavalcade of canoes is quietly gliding into the crescent bay of Mackinaw, and, reaching a beautiful beach at the foot of a lofty bluff, the Indians again draw up their canoes,--again erect their wigwams. And, as the Indian traders have assembled on the spot, the more improvident of the party immediately proceed to exhibit their sugar and furs, which are usually disposed of for flour and pork, blankets and knives, guns, ammunition, and a great variety of trinkets, long before the hour of midnight.

* * * * *

=_Ephraim C. Squier, 1821-._= (Manual, p. 504.)

From "Aboriginal Monuments of the West."

=_267._= INDIAN POTTERY.

The site of every Indian town throughout the west is marked by the fragments of pottery scattered around it; and the cemeteries of the various tribes abound with rude vessels of clay, piously deposited with the dead. Previous to the discovery, the art of the potter was much more important, and its practice more general than it afterwards became, upon the introduction of metallic vessels. The mode of preparing and moulding the materials is minutely described by the early observers, and seems to have been common to all the tribes, and not to have varied materially from that day to this. The work devolved almost exclusively upon the women, who kneaded the clay and formed the vessels. Experience seems to have suggested the means of so tempering the material as to resist the action of fire; accordingly we find pounded shells, quartz, and sometimes simple coarse sand from the streams mixed with the clay. None of the pottery of the present races, found in the Ohio valley, is destitute of this feature; and it is not uncommon, in certain localities, where from the abundance of fragments, and from other circumstances, it is supposed the manufacture was specially carried on, to find quantities of the decayed shells of the fresh water molluscs, intermixed with the earth, probably brought to the spot to be used in the process. Amongst the Indians along the Gulf, a greater degree of skill was displayed than with those on the upper waters of the Mississippi, and on the lakes. Their vessels were generally larger and more symmetrical, and of a superior finish. They moulded them over gourds and models, and baked them in ovens. In the construction of those of large size, it was customary to model them in baskets of willow or splints, which, at the proper period, were burned off, leaving the vessel perfect in form, and retaining the somewhat ornamental markings of their moulds. Some of those found on the Ohio seem to have been modelled in bags or nettings of coarse thread or twisted bark. These practices are still retained by some of the remote western tribes.

* * * * *

=_Benjamin Silliman, 1779-1864._= (Manual, p. 505.)

From "A Tour to Canada."

=_268._= THE FALLS OF MONTMORENCI.

... The Montmorenci, after a gentle previous declivity, which, greatly increases its velocity, takes its stupendous leap of two hundred and forty feet, into a chasm among the rocks, where it boils and foams in a natural rocky basin, from which, after its force is in some measure exhausted in its own whirlpools and eddies, it flows away in a gentle stream towards the St. Lawrence. The fall is nearly perpendicular, and appears not to deviate more than three or four degrees from it. This deviation is caused by the ledges of rock below, and is just sufficient to break the water completely into foam and spray.

The effect on the beholder is most delightful. The river, at some distance, seems suspended in a sheet of billowy foam, and contrasted as it is, with the black frowning abyss into which it falls, it is an object of the highest interest. As we approached nearer to its foot, the impressions of grandeur and sublimity were, in the most perfect manner imaginable, blended with those of extreme beauty.

This river is of so considerable a magnitude, that, precipitated as it is from this amazing height, the thundering noise, and mighty rush of waters, and the never-ceasing wind and rain produced by the fall, powerfully arrest the attention: the spectator stands in profound awe, mingled with delight, especially when he contrasts the magnitude of the fall, with that of a villa, on the edge of the dark precipices of frowning rock which form the western bank, and with the casual spectators looking down from the same elevation.

The sheet of foam which breaks over the ridge, is more and more divided as it is dashed against the successive layers of rocks, which it almost completely veils from view; the spray becomes very delicate and abundant, from top to bottom, hanging over, and revolving around the torrent, till it becomes lighter and more evanescent than the whitest fleecy clouds of summer, than the finest attenuated web, than the lightest gossamer, constituting the most airy and sumptuous drapery that can be imagined. Yet, like the drapery of some of the Grecian statues, which, while it veils, exhibits more forcibly the form beneath, this does not hide, but exalts the effect produced by this noble cataract.

The rainbow we saw in great perfection; bow within bow, and (what I never saw elsewhere so perfectly), as I advanced into the spray, the bow became complete, myself being a part of its circumference, and its transcendent glories moving with every change of position.

This beautiful and splendid sight was to be enjoyed only by advancing quite into the shower of spray; as if, in the language of ancient poetry, and fable, the genii of the place, pleased with the beholder's near approach to the seat of their empire, decked the devotee with the appropriate robes of the cataract, the vestal veil of fleecy spray, and the heavenly splendors of the bow.

* * * * *

=_John L. Stephens, 1808-1852._= (Manual, p. 504.)

From the "Travels in Central America."

=_269._= DISCOVERY OF A RUINED CITY IN THE WOODS

The sight of this unexpected monument put at rest, at once and forever, in our minds, all uncertainty in regard to the character of American antiquities, and gave as the assurance that the objects we were in search of were interesting, not only as the remains of an unknown people, but as works of art, proving, like newly-discovered historical records, that the people who once occupied the continent of America were not savages. With an interest perhaps stronger than we had ever felt in wandering among the ruins of Egypt, we followed our guide, who, sometimes missing his way, with a constant and vigorous use of his machete, conducted us through the thick forest, among half-buried fragments, to fourteen monuments of the same character and appearance, some with more elegant designs, and some in workmanship equal to the finest monuments of the Egyptians; one displaced from its pedestal by enormous roots; another locked in the close embrace of branches of trees, and almost lifted out of the earth; another hurled to the ground, and bound down by huge vines and creepers; and one standing, with its altar before it, in a grove of trees which grew around it, seemingly to shade and shroud it as a sacred thing; in the solemn stillness of the woods it seemed a divinity mourning over a fallen people. The only sounds that disturbed the quiet of this buried city, were the noise of monkeys moving among the tops of the trees, and the cracking of dry branches broken by their weight. They moved over our heads in long and swift processions, forty or fifty at a time; some, with little ones wound in their long arms, walking out to the end of boughs, and holding on with their hind feet, or a curl of the tail, sprang to a branch of the next tree, and with a noise like a current of wind, passed on into the depths of the forest. It was the first time we had seen these mockeries of humanity, and with the strange monuments around us, they seemed like wandering spirits of the departed race, guarding the ruins of their former habitations.

... We sat down on the very edge of the wall, and strove in vain to penetrate the mystery by which we were surrounded. Who were the people that built this city? In the ruined cities of Egypt,--even in the long lost Petra, the stranger knows the story of the people whose vestiges are around him. America, say historians, was peopled by savages; but savages never reared these structures, savages never carved these stones.

* * * * *

=_John Charles Fremont, 1813-._= (Manual, p. 505.)

From "Report of an Exploring Expedition."

=_270._= ASCENT OF A PEAK OF THE ROCKY MOUNTAINS.

We continued climbing, and in a short time reached the crest. I sprang upon the summit, and another step would have precipitated me into an immense snow field five hundred feet below. To the edge of this field was a sheer icy precipice; and then, with a gradual fall, the field sloped off for about a mile, until it struck the foot of another lower ridge. I stood on a narrow crest, about three feet in width, with an inclination of about 20° N., 51° E. As soon as I had gratified the first feelings of curiosity, I descended, and each man ascended in his turn; for I would only allow one at a time to mount the unstable and precarious slab, which it seemed a breath would hurl into the abyss below. We mounted the barometer in the snow of the summit, and fixing a ramrod in a crevice, unfurled the national flag to wave in the breeze, where never flag waved before. During our morning's ascent, we had met no sign of animal life, except the small sparrow-like bird already mentioned. A stillness the most profound, and a terrible solitude forced themselves constantly on the mind, as the great features of the place. Here, on the summit, where the stillness was absolute, unbroken by any sound, and the solitude complete, we thought ourselves beyond the region of animated life; but while we were sitting on the rock, a solitary bee (_bromus_, the bumble bee) came winging his flight from the eastern valley, and lit on the knee of one of the men.

* * * * *

=_271._= THE COLUMBIA RIVER, OREGON.

The Columbia is the only river which traverses the whole breadth of the country, breaking through all the ranges, and entering the sea. Drawing its waters from a section of ten degrees of latitude in the Rocky Mountains, which are collected into one stream by three main forks (Lewis', Clark's, and the North Fork) near the center of the Oregon valley, this great river thence proceeds by a single channel to the sea, while its three forks lead each to a pass in the mountains which opens the way into the interior of the continent. This fact in relation to the rivers of this region, gives an immense value to the Columbia. Its mouth is the only inlet and outlet, to and from the sea; its three forks lead to the passes in the mountains; it is therefore the only line of communication between the Pacific and the interior of North America; and all operations of war or commerce, of national or social intercourse, must be conducted upon it. This gives it a value beyond estimation, and would involve irreparable injury if lost. In this unity and concentration of its waters, the Pacific side of our continent differs entirely from the Atlantic side, where the waters of the Alleghany mountains are dispersed into many rivers, having their different entrances into the sea, and opening many lines of communication with the interior.

* * * * *

=_Elisha Kent Kane,[68] 1822-1857._=

From "Arctic Explorations."

=_272._= THE DISCOVERY OF AN OPEN SEA.

As Morton, leaving Hans and his dogs, passed between Sir John Franklin Island and the narrow beach-line, the coast became more wall-like, and dark masses of porphyritic rock abutted into the sea. With growing difficulty, he managed to climb from rock to rock, in hopes of doubling the promontory and sighting the coasts beyond, but the water kept encroaching more and more on his track.

It must have been an imposing sight, as he stood at this termination of his journey, looking out upon the great waste of waters before him. Not a "speck of ice," to use his own words, could be seen. There, from a height of four hundred and eighty feet, which commanded a horizon of almost forty miles, his ears were gladdened with the novel music of dashing waves; and a surf, breaking in among the rocks at his feet, stayed his farther progress.

Beyond this cape all is surmise. The high ridges to the north-west dwindled off into low blue knobs, which blended finally with the air. Morton called the cape, which baffled his labors, after his commander; but I have given it the more enduring name of Cape Constitution.

... I am reluctant to close my notice of this discovery of an open sea without adding that the details of Mr. Morton's narrative harmonized with the observations of all our party. I do not propose to discuss here the causes or conditions of this phenomenon. How far it may extend--whether it exist simply as a feature of the immediate region, or as part of a great and unexplored area communicating with the Polar basin, and what may be the argument in favor of one or the other hypothesis, or the explanation which reconciles it with established laws--may be questions for men skilled in scientific deductions. Mine has been the more humble duty of recording what we saw. Coming as it did, a mysterious fluidity in the midst of vast plains of solid ice, it was well calculated to arouse emotions of the highest order; and I do not believe there was a man among us who did not long for the means of embarking upon its bright and lonely waters.

[Footnote 68: A traveller, explorer, and writer of high merit; a native of Philadelphia, and a Surgeon in the Navy. His early death was much deplored.]

* * * * *

=_Bayard Taylor, 1825-._= (Manual, pp. 505, 523, 531.)

From "Eldorado."

=_273._= MONTEREY, CALIFORNIA.

No one can be in Monterey a single night, without being startled and awed by the deep, solemn crashes of the surf, as it breaks along the shore. There is no continuous roar of the plunging waves, as we hear on the Atlantic seaboard; the slow, regular swells--quiet pulsations of the great Pacific's heart--roll inward in unbroken lines, and fall with single grand crashes, with intervals of dead silence between. They may be heard through the day, if one listens, like a solemn undertone to all the shallow noises of the town; but at midnight, when all else is still, those successive shocks fall upon the ear with a sensation of inexpressible solemnity. All the air, from the pine forests to the sea, is filled with a light tremor, and the intermitting beats of sound are strong enough to jar a delicate ear. Their constant repetition at last produces a feeling something like terror. A spirit worn and weakened by some scathing sorrow could scarcely bear the reverberation.

* * * * *

=_274._= APPROACH TO SAN FRANCISCO, CALIFORNIA.

Sunset came on as we approached the strait opening from Pablo Bay into the Bay of San Francisco. The cloudless sky became gradually suffused with a soft rose-tint, which covered its whole surface, painting alike the glassy sheet of the bay, and glowing most vividly on the mountains to the eastward. The color deepened every moment, and the peaks of the Coast Range burned with a rich vermilion light, like that of a live coal. This faded gradually into as glowing a purple, and at last into a blue as intense as that of the sea at noon-day. The first effect of the light was most wonderful; the mountains stretched around the horizon like a belt of varying fire and amethyst, between the two roseate deeps of air and water; the shores were transmuted into solid, the air into fluid gems. Could the pencil faithfully represent this magnificent transfiguration of Nature, it would appear utterly unreal and impossible to eyes which never beheld the reality.... It lingered, and lingered, changing almost imperceptibly and with so beautiful a decay, that one lost himself in the enjoyment of each successive charm, without regret for those which were over. The dark blue of the mountains deepened into their night-garb of dusky shadow without any interfusion of dead, ashy color, and the heaven overhead was spangled with all its stars long before the brilliant arch of orange in the west had sunk below the horizon. I have seen the dazzling sunsets of the Mediterranean flush the beauty of its shores, and the mellow skies which Claude used to contemplate from the Pincian Hill; but lovely as they are in my memory, they seem cold and pale when I think of the splendor of such a scene, on the Bay of San Francisco.

* * * * *

The Little Land of Appenzell.

=_275._= SWISS SCENERY,--A BATTLEFIELD; PICTURESQUE DWELLINGS.

On the right lay the land of Appenzell,--not a table-land, but a region of mountain, ridge, and summit, of valley and deep, dark gorge, green as emerald, up to the line of snow, and so thickly studded with dwellings, grouped or isolated, that there seemed to be one scattered village as far as the eye could reach. To the south, over forests of fir, the Sentis lifted his huge towers of rock, crowned with white, wintry pyramids.

Here, where we are, said the postillion, "was the first battle; but there was another, two years afterwards, over there, the other side of Trogen, where the road goes down to the Rhine. Stoss is the place, and there's a chapel built on the very spot. Duke Frederick of Austria came to help the Abbott Runo, and the Appenzellers were only one to ten against them. It was a great fight, they say, and the women helped,--not with pikes and guns, but in this way: they put on white shirts, and came out of the woods, above where the lighting was going on. Now when the Austrians and the Abbot's people saw them, they thought there were spirits helping the Appenzellers, (the women were all white you see, and too far off to show plainly,) and so they gave up the fight, after losing nine hundred knights and troopers. After that, it was ordered, that the women should go first to the sacrament, so that no man might forget the help they gave in that battle. And the people go every year to the chapel, on the same day when it took place."

If one could only transport--a few of these houses to the United States! Our country architecture is not only hideous, but frequently unpractical, being at worst, shanties, and at best, city residences set in the fields. An Appenzell farmer lives in a house from forty to sixty feet square, and rarely less than four stories in height. The two upper stories, however, are narrowed by the high, steep roof, so that the true front of the house is one of the gables. The roof projects at least four feet on all sides, giving shelter to balconies of carved wood, which cross the front under each row of windows. The outer walls are covered with upright, overlapping shingles, not more than two or three inches broad, and rounded at the ends, suggesting the scale armor of ancient times. This covering secures the greatest warmth; and when the shingles have acquired from age that rich burnt-sienna tint--which no paint could exactly imitate, the effect is exceedingly beautiful. The lowest story is generally of stone, plastered and whitewashed. The stories are low, (seven to eight feet) but the windows are placed side by side, and each room is thoroughly lighted. Such a house is very warm, very durable, and, without any apparent expenditure of ornament, is externally so picturesque that no ornament could improve it....

The view of a broad Alpine landscape dotted all over with such beautiful homes, from the little shelf of green hanging on the sides of a rocky gorge, and the strips of sunny pasture between the ascending forests, to the very summits of the lower heights and the saddles between them, was something quite new in my experience.

* * * * *

NOVELISTS AND WRITERS OF FICTION.

=_Charles Brockden Brown, 1771-1810._= (Manual, pp. 478, 505.)

From "Ormond."

=_276._= THE YELLOW FEVER IN PHILADELPHIA.

As she approached the house to which she was going, her reluctance to proceed increased. Frequently she paused to recollect the motives that had prescribed this task, and to re-enforce her purposes. At length she arrived at the house. Now, for the first time, her attention was excited by the silence and desolation that surrounded her. This evidence of fear and of danger struck upon her heart. All appeared to have fled from the presence of this unseen and terrible foe. The temerity of adventuring thus into the jaws of the pest, now appeared to her in glaring colors.

... She cast her eye towards the house opposite to where she now stood. Her heart drooped on perceiving proofs that the dwelling was still inhabited. The door was open, and the windows in the second and third story were raised. Near the entrance, in the street, stood a cart. The horse attached to it, in his form, and furniture, and attitude, was an emblem of torpor and decay. His gaunt sides, motionless limbs, his gummy and dead eyes, and his head hanging to the ground, were in unison with the craziness of the vehicle to which he belonged, and the paltry and bedusted harness which covered him. No attendant nor any human face was visible. The stillness, though at an hour customarily busy, was uninterrupted, except by the sound of wheels moving at an almost indistinguishable distance.

She paused for a moment to contemplate this unwonted spectacle. Her trepidations were mingled with emotions not unakin to sublimity; but the consciousness of danger speedily prevailed, and she hastened to acquit herself of her engagement. She approached the door for this purpose, but before she could draw the bell, her motions were arrested by sounds from within. The staircase was opposite the door. Two persons were now discovered descending the stair. They lifted between them a heavy mass, which was presently discerned to be a coffin. Shocked by this discovery, and trembling, she withdrew from the entrance.

* * * * *

=_Washington Allston, 1779-1843._= (Manual, pp. 504, 510.)

From "Monaldi."

=_277._= IMPERSONATION OF THE POWER OF EVIL.

The light (which descended from above) was so powerful, that for nearly a minute I could distinguish nothing, and I rested on a form attached to the wainscoting. I then put up my hand to shade my eyes, when--the fearful vision is even now before me--I seemed to be standing before an abyss in space, boundless and black. In the midst of this permeable pitch stood a colossal mass of gold, in shape like an altar, and girdled about by a huge serpent, gorgeous and terrible; his body flecked with diamonds, and his head, an enormous carbuncle, floating like a meteor on the air above. Such was the Throne. But no words can describe the gigantic Being that sat thereon--the grace, the majesty, its transcendent form--and yet I shuddered as I looked, for its superhuman countenance seemed, as it were, to radiate falsehood; every feature was in contradiction--the eye, the mouth, even to the nostril--whilst the expression of the whole was of that unnatural softness which can only be conceived of malignant blandishment. It was the appalling beauty of the King of Hell. The frightful discord vibrated through my whole frame, and I turned for relief to the figure below.... But I had turned from the first, only to witness in the second object, its withering fascination. I beheld the mortal conflict between the conscience and the will--the visible struggle of a soul in the toils of sin.

* * * * *

From his "Letters."

=_278._= ON A PICTURE BY CARRACCI.

The subject was the body of the virgin borne for interment by four apostles. The figures are colossal; the tone dark, and of tremendous color. It seemed, as I looked at it, as if the ground shook at their tread, and the air was darkened by their grief.

* * * * *

=_279._= ORIGINALITY OF MIND.

An original mind is rarely understood until it has been _reflected_ from some half dozen congenial with it; so averse are men to admitting the true in an unusual form; whilst any novelty, however fantastic, however false, is greedily swallowed.

* * * * *

=_James K. Paulding, 1779-1860._= (Manual, p. 510.)

From "Letters from the South."

=_280._= CHARACTER OF THE DUTCH AND GERMAN SETTLERS.

In almost every part of the United States where I have chanced to be, except among the Dutch, the Germans, and the Quakers, people seem to build everything extempore and pro tempore, as if they looked forward to a speedy removal or did not expect to want it long. Nowhere else, it seems to me, do people work more for the present, less for the future, or live so commonly up to the extent of their means. If we build houses, they are generally of wood, and hardly calculated to outlast the builder. If we plant trees, they are generally Lombardy poplars, that spring up of a sudden, give no more shade than a broom stuck on end, and grow old with their planters. Still, however, I believe all this has a salutary and quickening influence on the character of the people, because it offers another spur to activity, stimulating it not only by the hope of gain, but the necessity of exertion to remedy passing inconveniences. Thus the young heir, instead of stepping into the possession of a house completely finished, and replete with every convenience--an estate requiring no labor or exertion to repair its dilapidations, finds it absolutely necessary to bestir himself to complete what his ancestor had only begun, and thus is relieved from the tedium and temptations of idleness.

But you can always tell when you get among the Dutch and the Quakers, for there you perceive that something has been done for posterity. Their houses are of stone, and built for duration, not for show. If a German builds a house, its walls are twice as thick as others--if he puts down a gate-post, it is sure to be nearly as thick as it is long. Every thing about him, animate and inanimate, partakes of this character of solidity. His wife even is a jolly, portly dame, his children chubby rogues, with legs shaped like little old-fashioned mahogany bannisters--his barns as big as fortresses--his horses like mammoths--his cattle enormous--and his breeches surprisingly redundant in linseywoolsey. It matters not to him, whether the form of sideboards or bureaus changes, or whether other people wear tight breeches or cossack pantaloons in the shape of meal-bags. Let fashion change as it may, his low, round-crowned, broad-brimmed hat, keeps its ground, his galligaskins support the same liberal dimensions, and his old oaken chest and clothes-press of curled maple, with the Anno Domini of their construction upon them, together with the dresser glistening with pewter-plates, still stand their ground, while the baseless fabrics of fashion fade away, without leaving a wreck behind. Ceaseless and unwearied industry is his delight, and enterprise and speculation his abhorrence. Riches do not corrupt, nor poverty depress him; for his mind is a sort of Pacific ocean, such as the first navigators described it--unmoved by tempests, and only intolerable from its dead and tedious calms. Thus he moves on, and when he dies his son moves on in the same pace, till generations have passed away, without one of the name becoming distinguished by his exploits or his crimes. These are useful citizens, for they bless a country with useful works, and add to its riches. But still, though industry, prudence, and economy are useful habits, they are selfish after all, and can hardly aspire to the dignity of virtues, except as they are preservatives against active vices.

* * * * *

From "Westward Ho."

=_281._= ABORTIVE TOWNS.

Zeno Paddock and his wife Mrs. Judith, departed from the village, never to return. Such was the reputation of the proprietor of the Western Sun, that a distinguished speculator, who was going to found a great city at the junction of Big Dry, and Little Dry, Rivers, made him the most advantageous offers to come and establish himself there, and puff the embryo bantling into existence as fast as possible. He offered him a whole square next to that where the college, the courthouse, the church, the library, the athenaeum, and all the public buildings were situated.... Truth obliges us to say, that on his arrival at the city of New Pekin, as it was called, he found it covered with a forest of trees, each of which would take a man half a day to walk round; and that on discovering the square in which all the public buildings were situated, he found, to his no small astonishment, on the very spot where the court-house stood on the map, a flock of wild turkeys gobbling like so many lawyers, and two or three white-headed owls sitting on the high trees listening with most commendable gravity.... Zeno set himself down, began to print his paper in a great hollow sycamore, and to live on anticipation, as many great speculators had done before him.

* * * * *

=_James Fenimore Cooper, 1789-1851._= (Manual, pp. 478, 495, 506.)

From "The Pioneers."

=_282._= THE SHOOTING MATCH.

In the mean while, as Billy Kirby was preparing himself for another shot, Natty left the goal, with an extremely dissatisfied manner, muttering to himself, and speaking aloud.--

"There hasn't been such a thing as a good flint sold at the foot of the lake, since the time when the Indian traders used to come into the country;--and if a body should go into the flats along the streams in the hills, to hunt, for such a thing, it's ten to one but they will be all covered up with the plough. Heigho! its seems to me, that just as the game grows scarce, and a body wants the best of ammunition, to get a livelihood, everything that's bad falls on him, like a judgment. But I'll change the stone, for Billy Kirby hasn't the eye for such a mark, I know."

The wood-chopper seemed now entirely sensible that his reputation in a great measure depended on his care; nor did he neglect any means to ensure his success. He drew up his rifle, and renewed his aim, again and again, still appearing reluctant to fire. No sound was heard from even Brom, during these portentous movements, until Kirby discharged his piece, with the same want of success as before. Then, indeed, the shouts of the negro rung through the bushes, and sounded among the trees of the neighboring forest, like the outcries of a tribe of Indians. He laughed, rolling his head, first on one side, then on the other, until nature seemed exhausted with mirth. He danced, until his legs were wearied with motion, in the snow; and in short, he exhibited all that violence of joy that characterizes the mirth of a thoughtless negro.

The wood-chopper had exerted his art, and felt a proportionate degree of disappointment at his failure. He first examined the bird with the utmost attention, and more than once suggested that he had touched its feathers, but the voice of the multitude was against him, for it felt disposed to listen to the often-repeated cries of the black, to "gib a nigger fair play."

Finding it impossible to make out a title to the bird, Kirby turned fiercely to the black, and said--

"Shut your oven, you crow! Where is the man that can hit a turkey's head at a hundred yards? I was a fool for trying. You needn't make an uproar like a falling pine-tree about it. Show me the man who can do it."

"Look this a-way, Billy Kirby," said Leather-Stocking, "and let them clear the mark, and I'll show you a man who's made better shots afore now, and that when he's been hard pressed by the savages and wild beasts."

* * * * *

Although Natty Bumppo[69] had certainly made hundreds of more momentous shots, at his enemies or his game, yet he never exerted himself more to excel. He raised his piece three several times; once to get his range; once to calculate his distance; and once because the bird, alarmed by the deathlike stillness that prevailed, turned its head quickly to examine its foes. But the fourth time he fired. The smoke, the report, and the momentary shock, prevented most of the spectators from instantly knowing the result; but Elizabeth, when she saw her champion drop the end of his rifle in the snow, and open his mouth in one of its silent laughs, and then proceed very coolly to recharge his piece, knew that he had been successful. The boys rushed to the mark, and lifted the turkey on high, lifeless, and with nothing but the remnant of a head.

"Bring in the critter," said Leather-Stocking, "and put it at the feet of the lady. I was her deputy in the matter, and the bird is her property." ... Elizabeth handed the black a piece of silver as a remuneration for his loss, which had some effect in again unbending his muscles, and then expressed to her companion her readiness to return homeward.

[Footnote 69: Another name of Leather-Stocking.]

* * * * *

From "The Pilot."

=_283._= LONG TOM COFFIN.

The seaman who was addressed by this dire appellation arose slowly from the place where he was stationed as cockswain of the boat, and seemed to ascend high in air by the gradual evolution of numberless folds in his body. When erect, he stood nearly six feet and as many inches in his shoes, though, when elevated in his most perpendicular attitude, there was a forward inclination about his head and shoulders, that appeared to be the consequence of habitual confinement in limited lodgings.... One of his hands grasped, with a sort of instinct, the staff of a bright harpoon, the lower end of which he placed firmly on the rock, as, in obedience to the order of his commander, he left the place, where, considering his vast dimensions, he had been established in an incredibly small space.

... The hardy old seaman, thus addressed, turned his grave visage on his commander, and replied with a becoming gravity,--

"Give me a plenty of sea-room, and good canvas, where there is no occasion for pilots at all, sir. For my part, I was born on board a chebacco-man, and never could see the use of more land than now and then a small island, to raise a few vegetables, and to dry your fish--I'm sure the sight of it always makes me feel uncomfortable, unless we have the wind dead off shore."

... "I am more than half of your mind, that an island now and then is all the terra firma that a seaman needs."

"It's reason and philosophy, sir," returned the sedate cock-swain; "and what land there is, should always be a soft mud, or a sandy ooze, in order that an anchor might hold, and to make soundings sartin. I have lost many a deep-sea, besides hand-leads by the dozens, on rocky bottoms; but give me the roadstead where a lead comes up light, and an anchor heavy. There's a boat pulling athwart our fore-foot, Captain Barnstable; shall I run her aboard, or give her a berth, sir."

* * * * *

From "The Prairie."

=284.= DEATH OF THE AGED TRAPPER, IN THE PAWNEE VILLAGE.

The trapper had remained nearly motionless for an hour. His eyes alone had occasionally opened and shut. When opened, his gaze seemed fastened on the clouds which hung around the western horizon, reflecting the bright colors, and giving form and loveliness to the glorious tints of an American sunset. The hour, the calm beauty of the season, the occasion, all conspired to fill the spectators with solemn awe. Suddenly, while musing on the remarkable position in which he was placed, Middleton felt the hand which he held grasp his own with incredible power, and the old man, supported on either side by his friends, rose upright to his feet. For a moment he looked about him, as if to invite all in presence to listen (the lingering remnant of human frailty), and then, with a fine military elevation of the head, and with a voice that might be heard in every part of that numerous assembly, he pronounced the word "Here!"

A movement so entirely unexpected, and the air of grandeur and humility which were so remarkably united in the mien of the trapper, together with the clear and uncommon force of his utterance, produced a short period of confusion in the faculties of all present. When Middleton and Hard-Heart, each of whom had involuntarily extended a hand to support the form of the old man, turned to him again, they found that the subject of their interest was removed forever beyond the necessity of their care.

* * * * *

From "The Red Rover."

=_285._= ESCAPE FROM THE WRECK.

... The boat was soon cleared of what, under their circumstances, was literally lumber; leaving, however, far more than enough to meet all their wants, and not a few of their comforts, in the event that the elements should accord the permission to use them.

Then, and not till then, did Wilder relax in his exertions. He had arranged his sails ready to be hoisted in an instant; he had carefully examined that no straggling rope connected the boat to the wreck, to draw them under with the foundering mass; and he had assured himself that food, water, compass, and the imperfect instruments that were there then in use to ascertain the position of a ship, were all perfectly disposed of in their several places, and ready to his hand. When all was in this state of preparation, he disposed of himself in the stern of the boat, and endeavored by the composure of his manner, to inspire his less resolute companions with a portion of his own firmness.

The bright sunshine was sleeping in a thousand places on every side of the silent and deserted wreck. The sea had subsided to such a state of utter rest that it was only at long intervals that the huge and helpless mass, on which the ark of the expectants lay, was lifted from its dull quietude, to roll heavily, for a moment in the washing waters, and then to settle lower into the greedy and absorbing element. Still the disappearance of the hull was slow, and even tedious, to those who looked forward with such impatience to its total immersion, as to the crisis of their own fortunes.

* * * * *

Then came the moon, with its mild and deceptive light, to throw the delusion of its glow on the varying but ever frightful scene.

"See," said Wilder, as the luminary lifted its pale and melancholy orb out of the bed of the ocean; "we shall have light for our hazardous launch!"

"Is it at hand?" demanded Mrs. Wyllis, with all the resolution of manner she could assume in so trying a situation.

"It is--the ship has already brought her scuppers to the water. Sometimes a vessel will float until saturated with the brine. If ours sink at all, it will be soon." "If at all! Is there then hope that she can float?"

"None!" said Wilder, pausing to listen to the hollow and threatening sounds which issued from the depths of the vessel, as the water broke through her divisions, in passing from side to side, and which sounded like the groaning of some heavy monster in the last agony of nature. "None; she is already losing her level!"

His companions saw the change; but not for the empire of the world, could either of them have uttered a syllable. Another low, threatening, rumbling sound was heard, and then the pent air beneath blew up the forward part of the deck, with an explosion like that of a gun.

"Now grasp the ropes I have given you" cried Wilder, breathless with his eagerness to speak.

His words were smothered by the rushing and gurgling of waters. The vessel made a plunge like a dying whale; and raising its stern high into the air, glided into the depths of the sea, like the leviathan seeking his secret places. The motionless boat was lifted with the ship, until it stood in an attitude fearfully approaching to the perpendicular. As the wreck descended, the bows of the launch met the element, burying themselves nearly to filling; but buoyant and light, it rose again, and, struck powerfully on the stern by the settling mass, the little ark shot ahead, as though it had been driven by the hand of man. Still, as the water rushed into the vortex, every thing within its influence yielded to the suction; and at the next instant, the launch was seen darting down the declivity, as if eager to follow the vast machine, of which it had so long formed a dependant, through the same gaping whirlpool, to the bottom. Then it rose, rocking to the surface, and for a moment, was tossed and whirled like a bubble circling in the eddies of a pool. After which, the ocean moaned, and slept again; the moon-beams playing across its treacherous bosom, sweetly and calm, as the rays are seen to quiver on a lake that is embedded in sheltering mountains.

* * * * *

From "The History of the United States Navy."

=_286._= NAVAL RESULTS OF THE WAR OF 1812.

Thus terminated the war of 1812, so far as it was connected with the American marine. The navy came out of this struggle with a vast increase of reputation. The brilliant style in which the ships had been carried into action, the steadiness and rapidity with which they had been handled, and the fatal accuracy of their fire, on nearly every occasion, produced a new era in naval warfare. Most of the frigate actions had been as soon decided as circumstances would at all allow, and in no instance was it found necessary to keep up the fire of a sloop-of-war an hour, when singly engaged. Most of the combats of the latter, indeed, were decided in about half that time. The execution done in these short conflicts was often equal to that made by the largest vessels of Europe in general actions, and, in some of them, the slain and wounded comprised a very large proportion of the crews.

It is not easy to say in which nation this unlooked-for result created the most surprise, America or England. In the first it produced a confidence in itself that had been greatly wanted, but which, in the end, perhaps, degenerated to a feeling of self-esteem and security that were not without danger, or entirely without exaggeration.... The ablest and bravest captains of the English fleet were ready to admit that a new power was about to appear on the ocean, and that it was not improbable the battle for the mastery of the seas would have to be fought over again.

That the tone and discipline of the service were high, is true; but it must be ascribed to moral, and not to physical, causes, to that aptitude in the American character for the sea which has been so constantly manifested, from the day the first pinnace sailed along the coast, on the trading voyages of the seventeenth century, down to the present moment.

Many false modes of accounting for the novel character that had been given to naval battles were resorted to, and among other reasons, it was affirmed that the American vessels of war sailed with crews of picked seamen. That a nation which practiced impressment should imagine that another in which enlistments were voluntary, could possess an advantage of this nature, infers a strong disposition to listen to any means but the right one to account for an unpleasant truth. It is not known that a single vessel left the country, the case of the Constitution on her two last cruises excepted, with a crew that could he deemed extraordinary in this respect. No American man-of-war ever sailed with a complement composed of nothing but able seamen; and some of the hardest fought battles that occurred during this war, were fought by ships' companies that were materially worse than common. The people that manned the vessels on Lake Champlain, in particular, were of a quality much inferior to those usually found in ships of war. Neither were the officers, in general, old or very experienced. The navy itself dated but fourteen years back, when the war commenced; and some of the commanders began their professional careers several years after the first appointments had been made. Perhaps one half of the lieutenants in the service at the peace of 1815, had first gone on board ship within six years from the declaration of the war, and very many of them within three or four. So far from the midshipmen having been masters and mates of merchantmen, as was reported at the time, they were generally youths that first went from the ease and comforts of the paternal home, when they appeared on the quarter-deck of a man-of-war.

* * * * *

=_Catharine M. Sedgwick, 1789-1867._= (Manual, p. 484.)

From "Hope Leslie."

=_287._= THE MINISTER CONDEMNING VAIN APPAREL.

Mr. Cotton, the regular pastor, rose to remind his brethren of the decree "that private members should be very sparing in their questions and observations after public sermons," and to say that he should postpone any further discussion of the precious points before them, as it was now near nine o'clock, after which it was not suitable for any Christian family to be unnecessarily abroad.

Hope now, and many others, instinctively rose, in anticipation of the dismissing benediction; but Mr. Cotton waved his hand for them to sit down till he could communicate to the congregation the decision to which the ruling elders and himself had come on the subject of the last Sabbath sermon. "He would not repeat what he had before said upon that lust of costly apparel which was fast gaining ground, and had already, as was well known, crept into godly families. He was pleased that there were among them gracious women, ready to turn at a rebuke, as was manifested in many veils being left at home that were floating over the congregation like so many butterflies' wings in the morning. Economy," he justly observed, "was, as well as simplicity, a Christian grace; and, therefore, the rulers had determined that those persons who had run into the excess of immoderate veils and sleeves, embroidered caps, and gold and silver lace, should be permitted to wear them out, but new ones should be forfeited."

This sumptuary regulation announced, the meeting was dismissed.

Madame Winthrop whispered to Everell that she was going, with his father, to look in upon a sick neighbor, and would thank him to see her niece home. Everell stole a glance at Hope, and dutifully offered his arm to Miss Downing.

Hope, intent only on one object, was hurrying out of the pew, intending, in the jostling of the crowd, to escape alone; but she was arrested by Madame Winthrop's saying, "Miss Leslie, Sir Philip offers you his arm;" and at the same moment, her aunt stooped forward to beg her to wait a moment, till she could send a message to Deacon Knowles' wife, that she might wear her new gown with the Turkish sleeves, the next day.... "It is but doing as a body would be done by, to let Mistress Knowles know she may come out in her new gown to-morrow."

* * * * *

From "The Linwoods."

=_288._= KOSCIUSKO'S GARDEN AT WEST POINT.

The harmonies of Nature's orchestra were the only and the fitting sounds in this seclusion; the early wooing of the birds; the water from the fountains of the heights, that, filtering through the rocks, dropped from ledge to ledge with the regularity of a water-clock; the ripple of the waves, as they broke upon the rocky points of the shore, or softly kissed its pebbly margin; and the voice of the tiny stream, that, gliding down a dark, deep, and almost hidden channel in the rocks, disappeared and welled up again in the center of the turfy slope, stole over it, and trickled down the lower ledge of granite to the river. Tradition has named this little, green shelf on the rocks, "Kosciusko's Garden;" but, as no traces have been discovered of any other than Nature's plantings, it was probably merely his favorite retreat, and, as such, is a monument of his taste and love of nature.

* * * * *

=_John Neal, 1793-._= (Manual, p. 510.)

From "Randolph."

=_289._= THE NATURE OF TRUE POETRY.

Poetry is the naked expression of power and eloquence; but, for many hundred years, poetry has been confounded with false music, measure, and cadence, the soul with the body, the thought with the language, the manner of speaking with the mode of thinking.... What I call poetry, has nothing to do with art or learning. It is a natural music, the music of woods and waters, not that of the orchestra.... Poetry is a religion, as well as a music. Nay, it is eloquence. It is whatever affects, touches, or disturbs the animal or moral sense of man. I care not how poetry may be expressed, nor in what language; it is still poetry; as the melody of the waters, wherever they may run, in the desert or the wilderness, among the rocks or the grass, will always be melody.... It is not the composition of a master, the language of art, painfully and entirely exact, but is the wild, capricious melody of nature, pathetic or brilliant, like the roundelay of innumerable birds whistling all about you, in the wind and water, sky and air, or the coquetting of a river breeze over the fine string's of an Aeolian harp, concealed among green, leaves and apple blossoms.

* * * * *

=_John Pendleton Kennedy, 1795-1870._= (Manual, pp. 490, 510.)

From "Swallow Barn."

=_290._= THE MANSION AND THE BARN.

Swallow Barn is an aristocratical old edifice, which sits, like a brooding hen, on the southern bank of the James River. It looks down upon a shady pocket, or nook, formed by an indentation of the shore, from a gentle acclivity, thinly sprinkled with oaks, whose magnificent branches afford habitation to sundry friendly colonies of squirrels and woodpeckers.

This time-honored mansion was the residence of the family of Hazards....

The main building is more than a century old. It is built with thick brick walls, but one story in height, and surmounted by a double-faced or hipped roof, which gives the idea of a ship, bottom upwards. Later buildings have been added to this, as the wants or ambition of the family have expanded. These are all constructed of wood, and seem to have been built in defiance of all laws of congruity, just as convenience required....

... Beyond the bridge, at some distance, stands a prominent object in the perspective of this picture,--the most venerable appendage to the establishment,--a huge barn, with an immense roof hanging almost to the ground, and thatched a foot thick with sun-burnt straw, which reaches below the eaves in ragged flakes. It has a singularly drowsy and decrepit aspect.

* * * * *

=_291._= A DISAPPOINTED POLITICIAN.

"Things are getting worse and worse," replied the other. "I can see how it's going. Here, the first thing General Jackson did, when he came in, he wanted to have the president elected for six years; and, by and by, they will want him for ten; and now they want to cut up our orchards and meadows, whether or no. That's just the way Bonaparte went on. What's the use of states, if they are all to be cut up with canals, and railroads, and tariffs? No, no, gentlemen; you may depend Old Virginny's not going to let Congress carry on in her day."

"How can they help it?" asked Sandy.

"We haven't _fout_ and bled," rejoined the other, taking out of his pocket a large piece of tobacco, and cutting off a quid, as he spoke in a somewhat subdued tone,--"we haven't _fout_ and bled for our liberties to have our posterity and their land circumcised after this rate, to suit the figaries of Congress. So let them try it when they will."

"Mr. Ned Hazard, what do you call state rights?" demanded Sandy.

"It's a sort of a law," said the other speaker, taking the answer to himself, "against cotton and wool."

* * * * *

From his "Life of William Wirt."

=_292._= WIRT'S STYLE OF ORATORY.

He became, in the maturity of his career, one of the most philosophic and accomplished lawyers of his time. In earlier life, he was remarked for a florid imagination, and a power of vivid declamation,--faculties which are but too apt to seduce their possessor to waste his strength in that flimsier eloquence, which more captivates the crowd without the bar, than the Judge upon the bench, and whose fatal facility often ensnares ambitious youth capable of better things, by its cheap applause and temptation to that indolence which may be indulged without loss of popularity. The public seem to have ascribed to Mr. Wirt some such, reputation as this, when he first attracted notice. He came upon the broader theater of his fame under this disadvantage. He was aware of it himself, and labored with matchless perseverance to disabuse the tribunals, with which he was familiar, of this disparaging opinion. How he succeeded, his compeers at the bar have often testified. None amongst them ever brought to the judgment-seat a more complete preparation for trial--none ever more thoroughly argued a case through minute analysis and nice discrimination of principles. In logical precision of mind, clearness of statement, full investigation of complicated points, and close comparison of precedents, he had no superior at the bar of the Supreme Court. He often relieved the tedium of argument with playful sallies of wit and humor. He had a prompt and effective talent for this exercise, to which his extensive and various reading administered abundant resource; and he indulged it not less to the gratification of his auditory than to the aid of his cause. In such tactics, Mr. Wirt was well versed. In sarcasm and invective he was often exceedingly strong, and denounced with a power that made transgressors tremble; but the bent of his nature being kindly and tolerant of error, he took more pleasure in exciting the laugh, than in conjuring the spirit of censure or rebuke.

His manner in speaking was singularly attractive. His manly form, his intellectual countenance and musical voice, set off by a rare gracefulness of gesture, won, in advance, the favor of his auditory. He was calm, deliberate, and distinct in his enunciation, not often rising into any high exhibition of passion, and never sinking into tameness. His key was that of earnest and animated argument, frequently alternated with that of a playful and sprightly humor. His language was neat, well chosen, and uttered without impediment or slovenly repetition. The tones of his voice played, with a natural skill, through the various cadences most appropriate to express the flitting emotions of his mind, and the changes of his thought. To these external properties of his elocution, we may ascribe the pleasure which persons of all conditions found in listening to him. Women often crowded the court-rooms to hear him, and as often astonished him, not only by the patience, but the visible enjoyment with which they were wont to sit out his argument to the end,--even when the topic was too dry to interest them, or too abstruse for them to understand his discourse.... His oratory was not of that strong, bold, and impetuous nature which is often the chief characteristic of the highest eloquence, and which is said to sway the Senate with absolute dominion, and to imprison or set free the storm of human passion, in the multitude, according to the speaker's will. It was smooth, polished, scholar-like, sparkling with pleasant fancies, and beguiling the listener by its varied graces, out of all note or consciousness of time.

* * * * *

=_William Ware, 1797-1852._= (Manual, p. 510.)

From "Aurelian, or Rome in the Third Century."

=_293._= THE CHRISTIAN MARTYR.

When now he had stood there not many minutes, one of the doors of the vivaria was suddenly thrown back, and bounding forth with a roar that seemed to shake the walls of the theatre, a lion of huge dimensions leaped upon the arena. Majesty and power were inscribed upon his lordly limbs; and, as he stood there where he had first sprung, and looked round upon the multitude, how did his gentle eye and noble carriage, with which no one for a moment could associate meanness, or cruelty, or revenge, cast shame upon the human monsters assembled to behold a solitary, unarmed man torn limb from limb! When he had in this way looked upon that cloud of faces, he then turned, and moved round the arena through its whole circumference, still looking upwards upon those who filled the seats, not till he had come again to the point from which he started so much as noticing him who stood his victim in the midst. Then, as if apparently for the first time becoming conscious of his presence, he caught the form of Probus, and, moving slowly towards him, looked steadfastly upon him, receiving in return the settled gaze of the Christian. Standing there still a while, each looking upon the other, he then walked round him, then approached nearer, making suddenly, and for a moment, those motions which indicated the roused appetite; but, as it were, in the spirit of self-rebuke, he immediately retreated a few paces, and lay down in the sand, stretching out his head towards Probus, and closing his eyes, as if for sleep.

* * * * *

=_Lydia Maria Child, 1802-._= (Manual, p. 434.)

From "Autumnal Leaves."

=_294._= ILL TEMPER CONTAGIOUS.

It is curious to observe how a man's spiritual state reflects itself in the people and animals around him; nay, in the very garments, trees, and stones.

Reuben Black was an infestation in the neighborhood where he resided. The very sight of him produced effects similar to the Hindoo magical tune called Raug, which is said to bring on clouds, storms, and earthquakes. His wife seemed lean, sharp, and uncomfortable. The heads of his boys had a bristling aspect, as if each individual hair stood on end with perpetual fear. The cows poked out their horns horizontally, as soon as he opened the barn-yard gate. The dog dropped his tail between his legs, and eyed him askance, to see what humor he was in. The cat looked wild and scraggy, and had been known to rush straight up the chimney when he moved towards her. Fanny Kemble's expressive description of the Pennsylvania stage-horses was exactly suited to Reuben's poor old nag. "His hide resembled an old hair-trunk." Continual whipping and kicking had made him such a stoic, that no amount of blows could quicken his pace, and no chirruping could change the dejected drooping of his head. All his natural language said, as plainly as a horse _could_ say it, that he was a most unhappy beast. Even the trees on Reuben's premises had a gnarled and knotted appearance. The bark wept little sickly tears of gum, and the branches grew awry, as if they felt the continual discord, and made sorry faces at each other behind their owner's back. His fields were red with sorrel, or run over with mullein. Every thing seemed as hard and arid as his own visage. Every day, he cursed the town and the neighborhood, because they poisoned his dogs, and stoned his hens, and shot his cats. Continual law-suits involved him in so much expense, that he had neither time nor money to spend on the improvement of his farm.

Against Joe Smith, a poor laborer in the neighborhood, he had brought three suits in succession. Joe said he had returned a spade he borrowed, and Reuben swore he had not. He sued Joe, and recovered damages, for which he ordered the sheriff to seize his pig. Joe, in his wrath, called him an old swindler, and a curse to the neighborhood. These remarks were soon repeated to Reuben. He brought an action for slander, and recovered twenty-five cents. Provoked at the laugh this occasioned, he watched for Joe to pass by, and set his big dog upon him, screaming furiously, "Call me an old swindler again, will you." An evil spirit is more contagious than the plague. Joe went home and scolded his wife, and boxed little Joe's ears, and kicked the cat; and not one of them knew what it was all for. A fortnight after, Reuben's big dog was found dead by poison. Whereupon he brought another action against Joe Smith, and not being able to prove him guilty of the charge of dog-murder, he took his revenge by poisoning a pet lamb belonging to Mrs. Smith. Thus the bad game went on, with mutual worriment and loss. Joe's temper grew more and more vindictive, and the love of talking over his troubles at the grog-shop increased on him. Poor Mrs. Smith cried, and said it was all owing to Reuben Black; for a better hearted man never lived than her Joe, when she first married him.

* * * * *

=_Robert M. Bird, 1803-1854._= (Manual, p. 510.)

From "Nick of the Woods: a Tale of Kentucky."

=_295._= THE QUAKER HUNTSMAN.

"I have a thing to say to thee, which it concerns thee and the fair maid, thee cousin, to know. There was a will, friend, a true and lawful last will and testament of thee deceased uncle, in which theeself and thee cousin was made the sole heirs of the same. Truly, friend, I did take it from the breast of the villain that plotted thee ruin; but, truly, it was taken from me again, I know not how."

"I have it safe," said Roland, displaying it, for a moment, with great satisfaction, to Nathan's eyes. "It makes me master of wealth, which you, Nathan, shall be the first to share. You must leave this wild life of the border, go with me to Virginia--"

"I, friend!" exclaimed Nathan, with a melancholy shake of the head; "thee would not have me back in the Settlements, to scandalize them that is of my faith? No, friend; my lot is cast in the woods, and thee must not ask me again to leave them. And, friend, thee must not think I have served thee for the lucre of money or gain; for truly these things are now to me as nothing. The meat that feeds me, the skins that cover, the leaves that make my bed, are all in the forest around me, to be mine when I want them; and what more can I desire? Yet, friend, if thee thinks theeself obliged by whatever I have done for thee, I would ask of thee one favor that thee can grant."

"A hundred!" said the Virginian, warmly.

"Nay, friend," muttered Nathan, with both a warning and beseeching look, "all that I ask is, that thee shall say nothing of me that should scandalize and disparage the faith to which I was born."

"I understand you," said Roland, "and will remember your wish.... Come with us, Nathan; come with us."

But Nathan, ashamed of the weakness which he could not resist, had turned away to conceal his emotion, and, stalking silently off, with the ever-faithful Peter at his heels, was soon hidden from their eyes.

* * * * *

=_Nathaniel Hawthorne,_= about =_1805-1864._= (Manual, pp. 505, 508.)

From the "Twice-Told Tales."

=_296._= PORTRAIT OF EDWARD RANDOLPH.

Within the antique frame which so recently had enclosed a sable waste of canvas, now appeared a visible picture--still dark, indeed, in its hues and shadings, but thrown forward in strong relief.... The whole portrait started so distinctly out of the background, that it had the effect of a person looking down from the wall at the astonished and awe-stricken spectators. The expression of the face, if any words can convey an idea of it, was that of a wretch detected in some hideous guilt, and exposed to the bitter hatred, and laughter, and withering scorn of a vast, surrounding multitude. There was the struggle of defiance, beaten down and overwhelmed by the crushing weight of ignominy. The torture of the soul had come forth upon the countenance. It seemed as if the picture, while hidden behind the cloud of immemorial years, had been all the time acquiring an intenser depth and darkness of expression, till now it gloomed forth again, and threw its evil omen over the present hour. Such, if the wild legend may be credited, was the portrait of Edward Randolph, as he appeared when a people's curse had wrought its influence upon his nature.

* * * * *

=_297._= DESCRIPTION OF AN OLD SAILOR.

Many such a day did I sit snugly in Mr. Bartlett's store, attentive to the yarns of Uncle Parker--uncle to the whole village by right of seniority, but of southern blood, with no kindred in New England. His figure is before me now, enthroned upon a mackerel barrel--a lean, old man, of great height, but bent with years, and twisted into an uncouth, shape by seven broken limbs; furrowed, also, and weather-worn, as if every gale, for the better part of a century, had caught him somewhere on the sea. He looked like a harbinger of tempest, a shipmate of the Flying Dutchman.... One of Uncle Parker's eyes had been blown out with gunpowder, and the other did but glimmer in its socket. Turning it upward as he spoke, it was his delight to tell of cruises against the French, and battles with his own ship-mates, when he and an antagonist used to be seated astride of a sailor's chest, each fastened down, by a spike-nail through his trousers, and there to fight it out.

* * * * *

From the "Blithedale Romance."

=_298._= A PICTURE OF GIRLHOOD.

Priscilla had now grown to be a very pretty girl, and still kept budding and blossoming, and daily putting on some new charm, which you no sooner became sensible of than you thought it worth all she had previously possessed. So unformed, vague, and without substance, as she had come to us, it seemed as if we could see Nature shaping out a woman before our very eyes, and yet had only a more reverential sense of the mystery of a woman's soul and frame. Yesterday, her cheek was pale,--to-day it had a bloom. Priscilla's smile, like a baby's first one, was a wondrous novelty. Her imperfections and short-comings affected me with a kind of playful pathos, which was as absolutely bewitching a sensation as ever I experienced. After she had been a month or two at Blithedale, her animal spirits waxed high, and kept her pretty constantly in a state of bubble and ferment, impelling her to far more bodily activity than she had yet strength to endure. She was very fond of playing with the other girls out of doors. There is hardly another sight in the world so pretty as that of a company of young girls, almost women grown, at play, and so giving themselves up to their airy impulse that their tiptoes barely touch the ground.

Girls are incomparably wilder and more effervescent than boys, more untamable, and regardless of rule and limit, with an ever-shifting variety, breaking continually into new modes of fun, yet with a harmonious propriety through all. Their steps, their voices, appear free as the wind, but keep consonance with a strain of music inaudible to us. Young men and boys, on the other hand, play according to recognized law, old, traditionary games, permitting no caprioles of fancy, but with scope enough for the outbreak of savage instincts....

Especially it is delightful to see a vigorous young girl run a race, with her head thrown back, her limbs moving more friskily than they need, and an air between that of a bird and a young colt. But Priscilla's peculiar, charm, in a foot-race, was the weakness and irregularity with which she ran....

When she had come to be quite at home among us, I used to fancy that Priscilla played more pranks, and perpetrated more mischief, than any other girl in the community. For example, I once heard Silas Foster, in a very gruff voice, threatening to rivet three horse-shoes round Priscilla's neck, and chain her to a post, because she, with some other young people, had clambered upon a load of hay, and caused it to slide off the cart. How she made her peace I never knew; but very soon afterwards I saw old Silas, with his brawny hands round Priscilla's waist, swinging her to and fro, and finally depositing her on one of the oxen, to take her first lessons in riding. She met with terrible mishaps in her efforts to milk a cow; she let the poultry into the garden; she generally spoilt whatever part of the dinner she took in charge; she broke crockery; she dropped our biggest pitcher into the well; and--except with her needle and those little wooden instruments for purse-making--was as unserviceable a member of society as any young lady in the land. There was no other sort of efficiency about her. Yet everybody was kind to Priscilla; everybody loved her and laughed at her to her face, and did not laugh behind her back; everybody would have given her half of his last crust, or the bigger share of his plum-cake. These were pretty certain indications that we were all conscious of a pleasant weakness in the girl, and considered her not quite able to look after her own interests, or fight her battle with the world.

* * * * *

From "The Marble Faun."

=_299._= SCULPTURE: ART AND ARTISTS.

A sculptor, indeed, to meet the demands which our preconceptions make upon him, should be even more indispensably a poet than those who deal in measured verse and rhyme. His material, or instrument, which serves him in the stead of shifting and transitory language, is a pure, white, undecaying substance. It insures immortality to whatever is wrought in it, and therefore makes it a religious obligation to commit no idea to its mighty guardianship, save such as may repay the marble for its faithful care, its incorruptible fidelity, by warming it with an etherial life. Under this aspect, marble assumes a sacred character; and no man should dare to touch it unless he feels within himself a certain consecration and a priesthood, the only evidence of which, for the public eye, will be the high treatment of heroic subjects, or the delicate evolution of spiritual, through material beauty....

No ideas such as the foregoing--no misgivings suggested by them--probably troubled the self complacency of most of these clever sculptors. Marble, in their view, had no such sanctity as we impute to it....

Yet we love the artists, in every kind; even these, whose merits we are not quite able to appreciate. Sculptors, painters, crayon sketchers, or whatever branch of aesthetics they adopted, were certainly pleasanter people, as we saw them that evening, than the average whom we meet in ordinary society. They were not wholly confined within the sordid compass of practical life; they had a pursuit which, if followed faithfully out, would lead them to the beautiful, and always had a tendency thitherward, even if they lingered to gather up golden drops by the wayside. Their actual business (though they talked about it very much as other men talk of cotton, politics, flour barrels, and sugar) necessarily illuminated their conversation with something akin to the ideal....

As interesting as any of these relics was a large portfolio of old drawings, some of which, in the opinion of their possessor, bore evidence on their faces of the touch of master-hands.

... According to the judgment of several connoisseurs, Raphael's own hand had communicated its magnetism to one of these sketches; and if genuine, it was evidently his first conception of a favorite Madonna, now hanging in the private apartment of the Grand Duke, at Florence.... There were at least half a dozen others, to which the owner assigned as high an origin. It was delightful to believe in their authenticity, at all events; for these things make the spectator, more vividly sensible of a great painter's power, than the final glow and perfected art of the most consummate picture that may have been elaborated from them. There is an effluence of divinity in the first sketch; and there, if any where, you find the pure light of inspiration, which the subsequent toil of the artist serves to bring out in stronger lustre, indeed, but likewise adulterates it with what belongs to an inferior mood. The aroma and fragrance of new thought were perceptible in these designs, after three centuries of wear and tear. The charm lay partly in their very imperfection; for this is suggestive, and sets the imagination at work; whereas, the finished picture, if a good one, leaves the spectator nothing to do, and if bad, confuses, stupefies, disenchants, and disheartens him.

* * * * *

From the "English Note Books."

=_300._= RUINS OF FURNESS ABBEY.

The most interesting part is that which was formerly the church, and which, though now roofless, is still surrounded by walls, and retains the remnants of the pillars that formerly supported the intermingling curves of the arches. The floor is all overgrown with grass strewn with fragments and capitals of pillars. It was a great and stately edifice, the length of the nave and choir having been nearly three hundred feet, and that of the transept more than half as much. The pillars along the nave were alternately, a round solid one, and a clustered one. Now, what remains of some of them is even with the ground: others present a stump just high enough to form a seat; and others are perhaps a man's height from the ground; and all are mossy, and with grass and weeds rooted into their chinks, and here and there a tuft of flowers giving its tender little beauty to their decay. The material of the edifice is a soft red stone, and it is now extensively overgrown with a lichen of a very light gray hue, which at a little distance makes the walls look as if they had long ago been whitewashed and now had partially returned to their original color. The arches of the nave and transept were noble and immense; there were four of them together, supporting a tower which has long since disappeared,--arches loftier than I ever conceived to have been made by man. Very possibly, in some cathedral that I have seen, or am yet to see, there may be arches as stately as these, but I doubt whether they can ever show to such advantage in a perfect edifice as they do in this ruin,--most of them broken, only one, as far as I recollect, still completing its sweep. In this state they suggest a greater majesty and beauty than any finished human work can show; the crumbling traces of the half-obliterated design producing somewhat of the effect of the first idea of any thing admirable, when it dawns upon the mind of an artist or a poet,--an idea which, do what he may, he is sure to fall short of in his attempt to embody it....

Conceive all these shattered walls, with here and there an arched door, or the great arched vacancy of a window; these broken stones and monuments scattered about; these rows of pillars up and down the nave, these arches, through which a giant might have stepped, and not needed to bow his head, unless in reverence to the sanctity of the place,--conceive it all, with such verdure and embroidery of flowers as the gentle, kindly moisture of the English climate procreates on all old things, making them more beautiful than new, conceive it with the grass for sole pavement of the long and spacious aisle, and the sky above for the only roof. The sky, to be sure, is more majestic than the tallest of those arches; and yet these latter, perhaps, make the stronger impression of sublimity, because they translate the sweep of the sky to our finite comprehension. It was a most beautiful, warm, sunny day, and the ruins had all the pictorial advantage of bright light, and deep shadows. I must not forget that birds flew in and out among the recesses, and chirped and warbled, and made themselves at home there. Doubtless, the birds of the present generation are the posterity of those who first settled in the ruins, after the Reformation; and perhaps the old monks of a still earlier day may have watched them building about the abbey, before it was a ruin at all.

* * * * *

From the "American Note Books."

=_301._= SCENERY OF THE MERRIMAC.

I never could have conceived that there was so beautiful a river-scene in Concord as this of the North Branch. The stream flows through the midmost privacy and deepest heart of a wood, which, as if but half satisfied with its presence, calm, gentle and unobtrusive as it is, seems to crowd upon it, and barely to allow it passage, for the trees are rooted on the very verge of the water, and dip their pendent branches into it. On one side there is a high bank forming the side of a hill, the Indian name of which I have forgotten, though Mr. Thoreau told it to me; and here in some instances the trees stand leaning over the river, stretching out their arms as if about to plunge in headlong. On the other side, the bank is almost on a level with the water, and there the quiet congregation of trees stood with feet in the flood, and fringed with foliage down to its very surface. Vines here and there twine themselves about bushes or aspens or alder-trees, and hang their clusters, though scanty and infrequent this season, so that I can reach them from my boat, I scarcely remember a scene of more complete and lovely seclusion than the passage of the river through this wood. Even an Indian canoe in olden times, could not have floated onward in deeper solitude than my boat. I have never elsewhere had such an opportunity to observe how much more beautiful reflection is than what we call reality. The sky and the clustering foliage on either hand, and the effect of sunlight as it found its way through the shade, giving lightsome hues in contrast with the quiet depth of the prevailing tints, all these seemed unsurpassably beautiful when beheld in upper air. But on gazing downward, there they were, the same even to the minutest particular, yet arrayed in ideal beauty which satisfied the spirit incomparably more than the actual scene. I am half convinced that the reflection is indeed the reality, the real thing which Nature imperfectly images to our grosser sense. At any rate the disembodied shadow is nearest to the soul.

* * * * *

From the "French and Italian Note Books."

=_302._= A DUNGEON OF ANCIENT ROME.

We were now in the deepest and ugliest part of the old Mamertine Prison, one of the few remains of the kingly period of Rome, and which served the Romans as a state prison for hundreds of years before the Christian era. A multitude of criminals or innocent persons, no doubt, have languished here in misery, and perished in darkness. Here Jugurtha starved; here Catiline's adherents were strangled; and methinks, there can not be in the world another such an evil den, so haunted with black memories and indistinct surmises of guilt and suffering. In old Rome, I suppose, the citizens never spoke of this dungeon above their breath. It looks just as bad as it is; round, only seven paces across, yet so obscure that our tapers could not illuminate it from side to side,--the stones of which it is constructed being as black as midnight. The custode showed us a stone post at the side of the cell, with the hole in the top of it, into which, he said, St. Peter's chain had been fastened; and he uncovered a spring of water, in the middle of the stone floor, which he told us had miraculously gushed up to enable the Saint to baptize his jailor. The miracle was perhaps the more easily wrought, inasmuch as Jugurtha had found the floor of the dungeon oozy with wet. However, it is best to be as simple and childlike as we can in these matters; and whether St. Peter stamped his visage into the stone, and wrought this other miracle or no, and whether or no he ever was in the prison at all, still the belief of a thousand years and more, gives a sort of reality and substance to such traditions. The custode dipped an iron ladle into the miraculous water, and we each of us drank a sip; and, what is very, remarkable, to me it seemed hard water and almost brackish, while many persons think it the sweetest in Rome. I suspect that St. Peter still dabbles in this water, and tempers its qualities according to the faith of those who drink it.

* * * * *

=_William Gilmore Simms, 1806-1870._= (Manual, pp. 490, 510.)

From "Eutaw, a Sequel to The Foragers."

=_303._= THE BATTLE OF EUTAW.

Up to this moment nothing had seemed more certain than the victory of the Americans. The consternation in the British camp was complete. Everything was given up for lost by a considerable portion of the army. The commissaries destroyed their stores, the loyalists and American deserters, dreading the rope, seizing every horse which they could command, fled incontinently for Charleston, whither they carried such an alarm that the stores along the road were destroyed, and the trees felled across it for the obstruction of the victorious Americans, who were supposed to be pressing down upon the city with all their might.

Equally deceived were the conquerors. Flushed with success, the infantry scattered themselves about the British camp, which, as all the tents had been left standing, presented a thousand objects to tempt the appetites of a half-starved and half-naked soldiery. Insubordination followed disorder....

No more could be done. The laurels won in the first act of this exciting drama, were all withered in the second. Both parties claimed a victory. It belonged to neither. The British were beaten from the field at the point of the bayonet, sought shelter in a fortress, and repulsed their assailants from that fortress. It is to the shame and discredit of the Americans that they were repulsed. The victory was in their hands.

* * * * *

From the "Life of Francis Marion."

=_304._= CHARACTER AND SERVICES OF GENERAL MARION.

No commander had ever been more solicitous of the safety and comfort of his men. It was this which had rendered him so sure of their fidelity, which had enabled him to extract from them such admirable service. This simple entreaty stayed their quarrels; ... No duel took place among his officers during the whole of his command.

The province which was assigned to his control by Governor Rutledge, was the constant theatre of war. He was required to cover an immense extent of country. With a force constantly unequal and constantly fluctuating, he contrived to supply its deficiencies by the resources of his own vigilance and skill. His personal bravery was frequently shown, and the fact that he himself conducted an enterprise, was enough to convince his men that they were certain to be led to victory.... He had no lives to waste, and the game he played was that which enabled him to secure the greatest results, with the smallest amount of hazard. Yet, when the occasion seemed to require it, he could advance and strike with an audacity, which in the ordinary relations of the leader with the soldier, might well be thought inexcusable rashness.... The reader will perceive a singular discrepancy between the actual events detailed in the life of every popular hero, and the peculiar fame which he holds in the minds of his countrymen. Thus, while Marion is every where regarded as the peculiar representative in the southern States, of the genius of partizan warfare, we are surprised, when we would trace, in the pages of the annalist, the sources of this fame, to find the details so meagre and so unsatisfactory. Tradition mumbles over his broken memories, which we vainly strive to pluck from his lips, and bind together in coherent and satisfactory records. The spirited surprise, the happy ambush, the daring onslaught, the fortunate escape,--these, as they involve no monstrous slaughter,--no murderous strife of masses,--no rending of walled towns and sack of cities, the ordinary historian disdains. The military reputation of Marion consists in the frequent performance of deeds, unexpectedly, with inferior means, by which the enemy was annoyed and dispirited, and the hearts and courage of his countrymen warmed into corresponding exertions with his own. To him we owe that the fires of patriotism were never extinguished, even in the most disastrous hours, in the low country of South Carolina. He made our swamps and forests sacred, as well because of the refuge which they gave to the fugitive patriot, as for the frequent sacrifices which they enabled him to make, on the altars of liberty and a befitting vengeance.... It is enough that his fame has entered largely into that of his country, forming a valuable portion of its national stock of character. His memory is in the very hearts of our people.

* * * * *

=_Harriet Beecher Stowe, 1812-._= (Manual, p. 484.)

From "Uncle Tom's Cabin."

=_305._= MEMORIALS OF A DEAD CHILD.

At the door, however, he stopped a moment, and then coming back, he said, with some hesitation,--

"Mary, I don't know how you'd feel about it, but there's that drawer full of things-of-of-poor little Henry's." So saying, he turned quickly on his heel, and shut the door after him.

His wife opened the little bedroom door adjoining her room, and taking the candle, set it down on the top of a bureau there; then from a small recess she took a key, and put it thoughtfully in the lock of a drawer, and made a sudden pause, while two boys, who, boy-like, had followed close on her heels, stood looking, with silent, significant glances, at their mother. And O, mother that reads this, has there never been in your house a drawer, or a closet, the opening of which has been to you like the opening again of a little grave? Ah! happy mother that you are, if it has not been so.

Mrs. Bird slowly opened the drawer. There were little coats, of many a form and pattern, piles of aprons, and rows of small stockings; and even a pair of little shoes, worn and rubbed at the toes, were peeping from the folds of a paper. There was a toy horse and wagon, a top, a ball,--memorials gathered with many a tear and many a heart-break! She sat down by the drawer, and leaning her head on her hands over it, wept till the tears fell through her fingers into the drawer; then, suddenly raising her head, she began, with nervous haste, selecting the plainest and most substantial articles, and gathering them into a bundle.

"Mamma," said one of the boys, gently touching her arm, "are you going to give away those things?"

"My dear boys," she said, softly and earnestly, "if our dear loving little Henry looks down from heaven, he would be glad to have us do this. I could not find it in my heart to give them away to any common person--to anybody that was happy; but I give them to a mother more heart-broken and sorrowful than I am; and I hope God will send his blessing with, them!"

* * * * *

From "Old-Town Folks."

=_306._= THE OLD MEETING HOUSE.

Going to meeting, in that state of society into which I was born, was as necessary and inevitable a consequence of waking up on Sunday morning, as eating one's breakfast. Nobody thought of staying away,--and, for that matter, nobody wanted to stay away. Our weekly life was simple, monotonous, and laborious; and the chance of seeing the whole neighborhood together in their best clothes on Sunday, was a thing which, in the dearth of all other sources of amusement, appealed to the idlest and most unspiritual of loafers. They who did not care for the sermon or the prayers, wanted to see Major Broad's scarlet coat and laced ruffles, and his wife's brocade dress, and the new bonnet which Lady Lothrop had just had sent up from Boston. Whoever had not seen these would be out of society for a week to come, and not be able to converse understandingly on the topics of the day.

The meeting on Sunday united in those days, as nearly as possible, the whole population of a town,--men, women, and children. There was then in a village but one fold and one shepherd, and long habit had made the tendency to this one central point so much a necessity to every one, that to stay away from "meetin," for any reason whatever, was always a secret source of uneasiness. I remember in my early days, sometimes when I had been left at home by reason of some of the transient ailments of childhood, how ghostly and supernatural the stillness of the whole house and village outside the meeting-house used to appear to me, how loudly the clock ticked and the flies buzzed down the window-pane, and how I listened in the breathless stillness to the distant psalm-singing, the solemn tones of the long prayer, and then to the monotone of the sermon, and then again to the closing echoes of the last hymn, and thought sadly, what if some day I should be left out, when all my relations and friends had gone to meeting in the New Jerusalem, and hear afar the music from the crystal walls.

The arrangement of our house of worship in Oldtown was somewhat peculiar, owing to the fact of its having originally been built as a missionary church for the Indians. The central portion of the house, usually appropriated to the best pews, was in ours devoted to them; and here were arranged benches of the simplest and most primitive form; on which were collected every Sunday, the thin and wasted remnants of what once was a numerous and powerful tribe. There were four or five respectable Indian families, who owned comfortable farms in the neighborhood, and came to meeting in their farm-wagons, like any of their white neighbors.

... Besides our Indian population, we had also a few negroes, and a side gallery was appropriated to them. One of them was that of Aunt Nancy Prime, famous for making election-cake and ginger-pop, and who was sent for at all the great houses on occasions of high festivity, as learned in all mysteries relating to the confection of cakes and pies. A tight, trig, bustling body she, black and polished as ebony, smooth-spoken and respectful, and quite a favorite with everybody. Nancy had treated herself to an expensive luxury in the shape of a husband,--an idle, worthless mulatto man, who was owned as a slave in Boston. Nancy bought him, by intense labors in spinning flax, but found him an undesirable acquisition, and was often heard to declare, in the bitterness of her soul, when her husband returned from his drinking bouts, that she should never buy another nigger, she knew. Prominent there was the stately form of old Boston Foodah, an African Prince, who had been stolen from the coast of Guinea in early youth, and sold in Boston at some period of antiquity whereto the memory of man runneth not.

* * * * *

=_Maria J. McIntosh, 1815-._= (Manual, p. 484.)

From "Two Pictures."

=_307._= DEBATE BETWEEN WEBSTER AND HAYNE.

... Webster, Clay, Calhoun--the triumvirate to which, it is to be feared, we shall long have to look back as to our last, were still living; and as Augusta Moray gazed on the dark, melancholy eyes of the first, shadowed by that wonderful brow, or looked into the face of the second, where if prescient thought sometimes rose as a flitting cloud, it was chased away before the glow of the warm heart and the quick kindling fancy, or turned to the sharp angular lines and firmly compressed lips that marked the iron strength of the third, she felt that she stood in the midst of her dream fulfilment. The session was one of peculiar interest. Great questions agitated the public mind, and were treated greatly. Two great parties, springing from the very foundations of our civil polity, strove for supremacy in our legislative halls. The one, looking into the depths of our colonial history, took its stand on the unquestionable truth, that each state of the Union was sovereign over herself, from which was drawn the corollary, that she was as free to leave as she had been to enter the Union. The other contended that the present constitution of these United States defined the boundary of the powers of each state, as well as of the great whole into which they had been voluntarily fused; that to look behind that, was such a resort to first principles or natural rights, as is involved in revolution, and must be decided as revolution ever is, by the relative strength of the ruling and the revolting forces.

On neither side was there any trickery, any bullying, any flimsy display of rhetorical power. All was grand as the subject for which they contended, solemn as the doom to which they seemed, approaching. In the chief magistrate of that time all saw the unflinching executor of the nation's will--a man whose words were the sure prefigurements of his deeds. Their verdict must be carefully weighed, for it would be surely executed. In stern silence each sat to hear, to deliberate, to judge. The sharp logic and fiery vehemence of Hayne called up no angry flash, roused no personal vindictiveness; and the deep tones of Webster found as ready an entrance to southern as to northern hearts, while in those powerful, words which seemed the fit weapons of a nation's champion, his mighty mind swept away all that opposed it, save that principle which lay imbedded in the very deepest stratum of the life of his opponents, and which could not be torn away from them till feeling and life were extinct.

It was in the capital, and in the presence of these great men, that Augusta liked best to find herself. We are afraid she did not always listen when men of more ordinary power occupied the floor,--the gallery was an excellent dreaming place at such times.

* * * * *

=_Catharine Anne Warfield,[70] 1817-._=

From "The Romance of Beauseincourt."

=_308._= VIEW OF THE SKY BY NIGHT.

I had derived great and constant pleasure from the undisturbed possession of this place of promenade during my whole sojourn.... Often, when my mind had been distracted with anxious cares, I had literally waited down its excitement and anguish in my fierce and rapid movements to and fro, over its smooth painted floor, the daily care of Sylphy, who might be heard in the hot season busily employed in refreshing it with mop and broom and water during the first hours of the morning, the pleasant, dewy freshness of which operation might be felt gratefully in the atmosphere of our heated chamber.

The long gallery was very solitary, of course, at an hour like this, and it was with a feeling of calm relief that I paced its lonely length, stopping at intervals to look out upon the night; one of cloudy sultriness, occasionally relieved by gusts of warm, damp wind, that bore the distant odors of swamp and forest on its wings, and promised speedy rain. Here and there in the dappled heavens were liquid purple spaces, like the open sea described by Arctic voyagers, around which hung masses of silvery clouds, projecting like ice cliffs; and into these patches of sky the large yellow moon would now and then sail majestically, suddenly emerging, like a ship from a fog, from the fleecy screen that veiled her light, to cross these spaces, and plunge into mist and shadow again.

There was something in the whole effect calculated to absorb the mind of an absent dreamer, intent on the future, and for the first time for many weeks putting aside all foreign considerations, in favor of self too long merged in others and neglected.

[Footnote 70: One of our most accomplished female writers; a native of Mississippi, but long resident in Kentucky.]

* * * * *

=_Herman Melville, 1819-._= (Manual, p. 505.)

From "Moby Dick."

=_309._= SPERM WHALE FISHING.

It was a sight full of quick wonder and awe! The vast swells of the omnipotent sea; the surging, hollow roar they made as they rolled along the eight gunwales, like gigantic bowls in a boundless bowling-green; the brief suspended agony of the boat, as it would tip for an instant on the knife-like edge of the sharper waves, that almost seemed threatening to cut it in two; the sudden profound dip into the watery glens and hollows; the keen spurrings and goadings to gain the top of the opposite hill; the headlong, sled-like slide down its other side; all these, with the cries of the headsmen and harpooners, and the shuddering gasps of the oarsmen, with the wondrous sight of the ivory Pequod bearing down upon her boats, with outstretched sails, like a wild hen after her screaming brood; all this was thrilling. Not the raw recruit, marching from the bosom of his wife into the fever heat of his first battle; not the dead man's ghost, encountering the first unknown phantom in the other world; neither of these can feel stranger and stronger emotions than that man does, who for the first time finds himself pulling into the charmed, churned circle of the hunted sperm whale.

Soon we were running through a suffusing wide veil of mist; neither ship nor boat to be seen.

"Give way, men," whispered Starbuck, drawing still further aft the sheet of his sail; "there is time to kill a fish yet before the squall comes. There's white water again! close to! Spring!" Though not one of the oarsmen was then facing the life and death peril so close to them ahead, yet with their eyes on the intense countenance of the mate in the stern of the boat, they knew that the imminent instant had come; they heard, too, an enormous wallowing sound as of fifty elephants stirring in their litter. Meanwhile the boat was still booming through the mist, the waves curling and hissing around us like the erected crests of enraged serpents.

"That's his hump. _There, there_, give it to him!" whispered Starbuck.

A short rushing sound leaped out of the boat; it was the darted iron of Queequeg. Then all in one welded commotion, came an invisible push from astern, while forward the boat seemed striking on a ledge; the sail collapsed and exploded; a gush of scalding vapor shot up near by; something rolled and tumbled like an earthquake beneath us. The whole crew were half suffocated as they were tossed helter-skelter into the white curdling cream of the squall. Squall, whale, and harpoon had all blended together and the whale, merely grazed by the iron, escaped.

Though completely swamped, the boat was nearly unharmed. Swimming round it we picked up the floating oars, and lashing them across the gunwale, tumbled back to our places. There we sat up to our knees in the sea, the water covering every rib and plank, so that to our downward gazing eyes, the suspended craft seemed a coral boat grown up to us from the bottom of the ocean.

* * * * *

=_Josiah Gilbert Holland, 1819-._=

From The Bay Path.

=_310._= THE WEDDING-PRESENT.

John Woodcock was the first to break the silence. Rising from his seat, and making his way out of the crowd around him, he crossed the room to where his daughter was standing absorbed in, and half bewildered by the scene, and whispering a few words in her ear, took her by the hand, and led her before the married pair. Mary extended her hand to him instantly and cordially, and exclaimed, "I knew that you would come to me and congratulate me."

"That wan't my arrant any way," said Woodcock bluntly, "and I shouldn't begin with you if it was."

"Why John! I am astonished!" exclaimed the bride; "I thought you was one of the best friends I had in the world."

But Mary was somewhat affected with Woodcock's seriousness, and, with no reply to Holyoke, beyond a smile, she asked Woodcock's reasons for the statement he had made.

"I didn't come up here to talk about this, and p'raps it ain't the right time to do it, but there's no use backin' down when you begin. I've got a consait that men and women ain't built out of the same kind of timber. Look at my hand--a great pile o' bones covered with brown luther, with the hair on,--and then look at yourn. White oak ain't bass, is it? Every man's hand ain't so black as mine, and every woman's ain't so white as yourn, but there's always difference enough to show, and there's just as much odds in their doin's and dispositions as there is in their hands. I know what women be. I've wintered and summered with 'em, and take 'em by and large, they're better'n men. Now and then a feller gets hitched to a hedgehog, but most of 'em get a woman that's too good for 'em. They're gentle and kind, and runnin' over with good feelin's, and will stick to a fellow a mighty sight longer'n he'll stick to himself. My woman's dead and gone, but if there wan't any women in the world, and I owned it, I'd sell out for three shillin's, and throw in stars enough to make it an object for somebody to take it off my hands.

"Some time ago," resumed Woodcock. "I heerd the little ones and some of the old ones tellin' what they was goin' to give Mary Pynchon when she got married; and it set me to thinkin' what I could give her, for I knew if anybody ought to give her anything, it was me. But I hadn't any money, and I couldn't send to the Bay for anything, and I shouldn't 'a known what to get if I could, I might have shot a buck, but I couldn't 'a brought it to the weddin', and it didn't seem exactly ship-shape to give her anything she could eat up and forget. So I thought I'd give her a keepsake my wife left me when she died. It's all I've got of any vally to me, and it's somethin' that'll grow better every day it is kep', if you'll take care of it. I don't know what'll come of me, and I want to leave it in good hands."

The bride began to grow curious, and despite their late repulse the group began to collect again.

"It's a queer thing for a present, perhaps, (and Woodcock's lip began to quiver and his eye to moisten,) but I hope it'll do you some service. 'Taint anything't you can wear in your hair, or throw over your shoulders. It's--it's--"

"It's what?" inquired Mary, with an encouraging smile.

Woodcock took hold of the hand of his child, and placing it in that of the questioner, burst out with, "God knows that's the handle to it," and retreated to the window, where he spent several minutes looking out into the night, and endeavoring to repress the spasms of a choking throat. Neither Mary Holyoke nor her husband could disguise their emotions, as they saw before them the living testimonial of Woodcock's gratitude and trust. Mary stooped and kissed the gift-child, who clung to her as if, contrary to her father's statement, she was an article of wearing apparel.

* * * * *

=_John Esten Cooke,[71] 1830-._=

From "Estcourt, or the Memoirs of a Virginia Gentleman."

=_311._= THE PORTRAIT.

"I see you are prepared now," said the painter; "the thought I endeavored to suggest has entered your mind, for I read the expression in your face like an open book. Well, see if I have deceived you--look!"

And as he spoke, the painter removed a green curtain from the frame of a picture, so arranged that the full light of the middle window fell upon it.

Estcourt almost cried out with astonishment. Here, before him, as though ready to start from the canvas, was the woman who had been, his fate--who had died long years before; there in the full blaze of light, he saw her who had thrown the shadow upon his existence, which still clouded it, fresh, softly smiling, alive almost on the speaking and eloquent canvas. The blue eyes beamed with a tender and subdued sweetness, the delicate forehead, with its soft brown curls, rose airily above the perfectly arched brows, the innocent lips were half parted, and the portrait seemed almost ready to move from its frame, and descend, a living woman, into the apartment.

[Footnote 71: Conspicuous among the younger writers of Virginia, of which State he is a native; author of many novels.]

* * * * *

=_312._= ASPECTS OF SUMMER.

The glory of the summer deepened and grew more intense, the foliage assumed a darker tint of emerald, the sky glowed with a more dazzling blue, and the songs of the busy harvesters came sad and slow, like the long, melancholy swell of pensive sighs across the hills and fields, dying away finally into the "harvest home," which told that the golden grain would wave no more in the wind until another year. The "harvest moon" looked down on bare fields now, and June was dead. At last came August, the month of great white clouds and imperial sunsets, the crowning hours of the rich summer, soon to fade away into the yellow autumn, the month of reveries and dreams on the banks of shadowy streams, or beneath, the old majestic trees of silent forests.

* * * * *

=_Sarah A. Dorsey,[72] about 1835-._=

From "Lucia Dare."

=_313._= SCENERY AND SOCIETY AT NATCHEZ, MISSISSIPPI.

The village of Natchez, under the hill, was clustered close to the water's edge; the bluffs rose precipitously, garnished with pine trees, and locusts, and tufted grasses; the vista here terminated in Brown's beautiful gardens, gay with flower-beds and closely-clipped hedges. Far away over the river stretched the broad emerald plain of Louisiana, level with the stream, extending for many, many miles, its champaign checkered with groups of white plantation-houses, spotted with groves of trees, rich in autumnal beauty, glowing with crimson, gold, and green, softened by veils of long, gray moss. This plain was dotted with lovely lakes, whose waters shone in the slanting rays of the declining sun.... The sun went down quickly, as he does at sea, a round, red fire-ball, while light, splendid clouds of purple, pink, lilac, and gray, on the blue, blue heavens, refracted the ascending, slender, quivering rays of the disappearing orb, the type of Deity in all natural religions, the Totem of the Natchez Indians. Beloved city--bright "city of the Sun"! How often have I paced with restless child's feet, the road that Lucian was now traveling over, and listened, as he did, but more lingeringly, to the sounds of gentle human life, stirring within thy peaceful homes! How often have I thanked God for my beautiful childhood's home--for my precious Southern Land--for its sunshine, its verdure, its forests, its flowers, its perfume; but oh! above all, for the loving, refined, intelligent, gentle race of people it was my great, my priceless privilege, to be born amongst--a people worthy to live with, yes, _worthy to die for_! The stern besom of war has wept over you, beloved Natchez--your fairest homes have been desolated, your lovely gardens are now only remembrances--your family circles are broken up--your bravest sons are sleeping in the dust of death, or weeping tears of bitterness in exile--your daughters, bowed down with penury and grief, are mourning beside their darkened firesides--your joyous households transferred to other and kindlier lands. The forms of my kindred faded into phantoms of the past--strangers sit now in the place that once was mine; but yet, thou art lovely, still beloved in thy ruin, in thy desolation--city of my heart--city of my love--city of my childish joy! Oh! city of my dead!

[Footnote 72: Prominent among the living authors of Louisiana.]

* * * * *

=_Anne Moncure Crane.[73]_=

From "Opportunity;" a Novel.

=_314._= IMPRESSION OF A SEA SCENE.

The tide had been out, but it was now rising; and they stood silently watching the long, low waves dissolve in foam, whose white edges each time crept nearer and nearer their feet. No one was conscious of the duration of the silence. The sea's monotony of motion and sound seemed to fill the void, and lull them to quietude. But beautiful as was the scene that lay before her, Harvey gradually forgot it ...

The two women had been nearly facing each other; and in a moment or two Harvey put his hand upon Rose's shoulder, and with the other, motioned her to look out upon the sea at her side. As she obeyed, her faint, inarticulate expression of surprise and pleasure made both men follow her example. It was only a coasting vessel, which had come rather close to the shore, and was sailing swiftly by, before the freshening breeze; but Its broad, white sails, with the moonlight upon them, and its gliding, soundless motion, gave it an unearthly effect, as of a phantom of light floating between the dark sea and sky, or a great white-winged spirit sweeping past. When it had vanished into the distance and darkness, Rose turned, and looked up at Harvey with mute but half-parted lips, with eyes dilating with light, only this for a moment, but Miss Barney knew she had accomplished her wish.

The others also did not speak. But Grahame made an involuntary angry movement of his foot upon the sand.

[Footnote 73: A young authoress of Maryland: has written two novels of unusual promise.]

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=_Mary Clemmer Ames,[74] about 1837-._=

From "A Woman's Right."

=_315._= A RAILWAY DEPOT IN THE COUNTRY.

... Yet this depot was the centre of attraction for miles around. It was the grand hall of re-union for all the people of the scattered town, not second in importance even to the meeting-house. Here, twice a day, stopped the great Western and Eastern trains, the two fiery arteries through which flowed all the tumultuous life of the vast outer world that had ever come to this secluded hamlet. Its primitive inhabitants in their isolated farm-houses, under the hills and on the stony mountain-moors, could never have realized the existence of another world than the green, grand world of nature around them and above them, and would have been as oblivious of the great god "News" as the denizens of Greenland, if it had not been for the daily visits of this Cyclops with the burning eye. Now twice a day, the shriek of his diabolical whistle pierced the umbrageous woods and hilly gorges for miles away, and its cry to many a solitary household was the epoch of the day. Hearing it, John mounted his nag and scampered away to the station for the Boston journals of yesterday. Seth harnessed Peggy, and drove off in the buggy in all possible haste, to see if the mail had brought a letter from Amzi who was in New York, or from Nimrod who had gone to work in "Bosting," or if the train had brought Sally and her children from the city, who were expected home on a visit. Here, under pretext of waiting for the cars, congregated the drones and supernumeraries of the different neighborhoods, lounging on the steps, hacking the benches with their jack-knives for hours together, while they discussed politics, and talked over their own and their neighbors' affairs.

A walk to the station on a summer evening, was more to the boys and girls of this rural region, than a Broadway promenade to a metropolitan belle. Their day's task done, here they met in pairs, comparing finery and indulging in flirtations, with an impunity which would not have been tolerated by their elders at the Sunday recess in the meeting-house. Then, besides, it was such an exciting sight to see the cars come in, to see the long rows of strange faces, and to catch glimpses of the new fashions at their open windows. Besides, at rare intervals, a real city lady would actually alight at the rustic station of Hilltop, followed by an avalanche of trunks, "larger than hen-houses," the girls would afterwards affirm to their astonished mothers, when it was discovered that the city-lady, in her languishing necessity for country-air, had really condescended to come in search of a remote country-cousin. Besides the fine lady, sometimes small companies of dashing young gentlemen, with fishing-rods and retinues of long-eared dogs, or a long-haired artist with a portfolio under his arm, all lured by the mountains and woods and streams, to seek pleasure in far different ways, would alight at the station, and ask of some staring rustic where they could find the hotel.

[Footnote 74: An active writer, chiefly known as a newspaper correspondent from Washington; a native of Vermont, has published a novel of much descriptive vigor.]