Chapter 2

Here sit the scholars at great desks with ingenious shelves and racks, and they write all day and copy excerpts from the older authors. If one of them hesitates and seems to chew upon his pencil, it is but indecision whether Hume or Buckle will weigh heavier on his page. Or if one of them looks up from his desk in a blurred near-sighted manner, it is because his eyes have been so stretched upon the distant centuries, that they can hardly focus on a room. If a scholar chances to sneeze because of the infection, let it be his consolation that the dust arises from the most ancient and respected authors! Pages move silently about with tall dingy tomes in their arms. Other tomes, whose use is past, they bear off to the shades below.

I am told that once in a long time a student of fresher complexion gets in--a novitiate with the first scholastic down upon his cheek--a tender stripling on his first high quest--a broth of a boy barely off his primer--but no sooner is he set than he feels unpleasantly conspicuous among his elders. Most of these youth bolt, offering to the doorman as a pretext some neglect--a forgotten mission at a book-stall--an errand with a tailor. Even those few who remain because of the greater passion for their studies, find it to their comfort to break their condition. Either they put on glasses or they affect a limp. I know one persistent youth who was so consumed with desire for history, yet so modest against exposure, that he bargained with a beggar for his crutch. It was, however, the rascal's only livelihood. This crutch and his piteous whimper had worked so profitably on the crowd that, in consequence, its price fell beyond the student's purse. My friend, therefore, practiced a palsy until, being perfect in the part, he could take his seat without notice or embarrassment. Alas, the need of these pretenses is short. Such is the contagion of the place--a breath from Egypt comes up from the lower stacks--that a youth's appearance, like a dyer's hand, is soon subdued to what it works in. In a month or so a general dust has settled on him. Too often learning is a Rip Van Winkle's flagon.

On a rare occasion I have myself been a student, and have plied my book with diligence. Not long ago I spent a week of agreeable days reading the many versions of Shakespeare that were played from the Restoration through the eighteenth century. They are well known to scholars, but the general reader is perhaps unfamiliar how Shakespeare was perverted. From this material I thought that I might lay out an instructive paper; how, for example, the whirling passion of Lear was once wrought to soft and pleasant uses for a holiday. Cordelia is rescued from the villains by the hero Kent, who cries out in a transport, "Come to my arms, thou loveliest, best of women!" The scene is laid in the woods, but as night comes on, Cordelia's old nurse appears. A scandal is averted. Whereupon Kent marries Cordelia, and they reign happily ever afterward. As for Lear, he advances into a gentle convalescence. Before the week is out he will be sunning himself on the bench beneath his pear tree and babbling of his early days.

There were extra witches in Macbeth. Romeo and Juliet lived and the quarreling families were united. Desdemona remained un-smothered to the end. There was one stout author--but here I trust to memory--who even attempted to rescue Hamlet and to substitute for the distant rolling of the drum of Fortinbras, the pipes and timbrels of his happy wedding. There is yet to be made a lively paper of these Shakespeare tinkers of the eighteenth century.

And then John Timbs was to have been my text, who was an antiquary of the nineteenth century. I had come frequently on his books. They are seldom found in first-hand shops. More appropriately they are offered where the older books are sold--where there are racks before the door for the rakings of the place, and inside an ancient smell of leather. If there are barrels in the basement, stocked and overflowing, it is sure that a volume of Timbs is upon the premises.

I visited the Public Library and asked a sharp-nosed person how I might best learn about John Timbs. I followed the direction of his wagging thumb. The accounts of the encyclopedias are meager, a date of birth and of death, a few facts of residence, the titles of his hundred and fifty books, and little more. Some neglect him entirely; skipping lightly from Timbrel to Timbuctoo. Indeed, Timbuctoo turned up so often that even against my intention I came to a knowledge of the place. It lies against the desert and exports ostrich feathers, gums, salts and kola-nuts. Nor are timbrels to be scorned. They were used--I quote precisely--"by David when he danced before the ark." Surely not Noah's ark! I must brush up on David.

Timbs is matter for an engaging paper. His passion was London. He had a fling at other subjects--a dozen books or so--but his graver hours were given to the study of London. There is hardly a park or square or street, palace, theatre or tavern that did not yield its secret to him. Here and there an upstart building, too new for legend, may have had no gossip for him, but all others John Timbs knew, and the personages who lived in them. And he knew whether they were of sour temper, whether they were rich or poor, and if poor, what shifts and pretenses they practiced. He knew the windows of the town where the beaux commonly ogled the passing beauties. He knew the chatter of the theatres and of society. He traced the walls of the old city, and explored the lanes. Unless I am much mistaken, there is not a fellow of the _Dunciad_ to whom he has not assigned a house. Nor is any man of deeper knowledge of the clubs and coffee-houses and taverns. One would say that he had sat at Will's with Dryden, and that he had gone to Button's arm in arm with Addison. Did Goldsmith journey to his tailor for a plum-colored suit, you may be sure that Timbs tagged him at the elbow. If Sam Johnson sat at the Mitre or Marlowe caroused in Deptford, Timbs was of the company. There has scarcely been a play acted in London since the days of Burbage which Timbs did not chronicle.

But presently I gave up the study of John Timbs. Although I had accumulated interesting facts about him, and had got so far as to lay out several amusing paragraphs, still I could not fit them together to an agreeable result. It was as though I could blow a melodious C upon a horn, and lower down, after preparation, a dulcet G, but failed to make a tune of them.

But although my studies so far have been unsuccessful, doubtless I shall persist. Even now I have several topics in mind that may yet serve for pleasant papers. If I fail, it will be my comfort that others far better than myself achieve but a half success. Although the digamma escapes our salt, somewhere he lurks on the lonely mountains. And often when our lamps burn late, we fancy that we catch a waving of his tail and hear him padding across the night. But although we lash ourselves upon the chase and strain forward in the dark, the timid beast runs on swifter feet and scampers off.

On a Rainy Morning.

A northeaster blew up last night and this morning we are lashed by wind and rain. M---- foretold the change yesterday when we rode upon a 'bus top at nightfall. It was then pleasant enough and to my eye all was right aloft. I am not, however, weather-wise. I must feel the first patter of the storm before I hazard a judgment. To learn even the quarter of a breeze--unless there is a trail of smoke to guide me--I must hold up a wet finger. In my ignorance clouds sail across the heavens on a whim. Like white sheep they wander here and there for forage, and my suspicion of bad weather comes only when the tempest has whipped them to a gallop. Even a band around the moon--which I am told is primary instruction on the coming of a storm--stirs me chiefly by its deeper mystery, as if astrology, come in from the distant stars, lifts here a warning finger. But M---- was brought up beside the sea, and she has a sailor's instinct for the weather. At the first preliminary shifting of the heavens, too slight for my coarser senses, she will tilt her nose and look around, then pronounce the coming of a storm. To her, therefore, I leave all questions of umbrellas and raincoats, and on her decision we go abroad.

Last night when I awoke I knew that her prophecy was right again, for the rain was blowing in my face and slashing on the upper window. The wind, too, was whistling along the roofs, with a try at chimney-pots and spouts. It was the wolf in the fairy story who said he'd huff and he'd puff, and he'd blow in the house where the little pig lived; yet tonight his humor was less savage. Down below I heard ash-cans toppling over all along the street and rolling to the gutters. It lacks a few nights of Hallowe'en, but doubtless the wind's calendar is awry and he is out already with his mischief. When a window rattles at this season, it is the tick-tack of his roguish finger. If a chimney is overthrown, it is his jest. Tomorrow we shall find a broken shutter as his rowdy celebration of the night.

This morning is by general agreement a nasty day. I am not sure that I assent. If I were the old woman at the corner who sells newspapers from a stand, I would not like the weather, for the pent roof drops water on her stock. Scarcely is the peppermint safe beyond the splatter. Nor is it, I fancy, a profitable day for a street-organ man, who requires a sunny morning with open windows for a rush of business. Nor is there any good reason why a house-painter should be delighted with this blustering sky, unless he is an idle fellow who seeks an excuse to lie in bed. But except in sympathy, why is our elevator boy so fiercely disposed against the weather? His cage is snug as long as the skylight holds. And why should the warm dry noses of the city, pressed against ten thousand windows up and down the streets, be flat and sour this morning with disapproval?

It may savor of bravado to find pleasure in what is so commonly condemned. Here is a smart fellow, you may say, who sets up a paradox--a conceited braggart who professes a difference to mankind. Or worse, it may appear that I try my hand at writing in a "happy vein." God forbid that I should be such a villain! For I once knew a man who, by reading these happy books, fell into pessimism and a sharp decline. He had wasted to a peevish shadow and had taken to his bed before his physician discovered the seat of his anæmia. It was only by cutting the evil dose, chapter by chapter, that he finally restored him to his friends. Yet neither supposition of my case is true. We who enjoy wet and windy days are of a considerable number, and if our voices are seldom heard in public dispute, it is because we are overcome by the growling majority. You may know us, however, by our stout boots, the kind of battered hats we wear, and our disregard of puddles. To our eyes alone, the rain swirls along the pavements like the mad rush of sixteenth notes upon a music staff. And to our ears alone, the wind sings the rattling tune recorded.

Certainly there is more comedy on the streets on a wet and windy day than there is under a fair sky. Thin folk hold on at corners. Fat folk waddle before the wind, their racing elbows wing and wing. Hats are whisked off and sail down the gutters on excited purposes of their own. It was only this morning that I saw an artistocratic silk hat bobbing along the pavement in familiar company with a stranger bonnet--surely a misalliance, for the bonnet was a shabby one. But in the wind, despite the difference of social station, an instant affinity had been established and an elopement was under way.

Persons with umbrellas clamp them down close upon their heads and proceed blindly like the larger and more reckless crabs that you see in aquariums. Nor can we know until now what spirit for adventure resides in an umbrella. Hitherto it has stood in a Chinese vase beneath the stairs and has seemed a listless creature. But when a November wind is up it is a cousin of the balloon, with an equal zest to explore the wider precincts of the earth and to alight upon the moon. Only persons of heavier ballast--such as have been fed on sweets--plump pancake persons--can hold now an umbrella to the ground. A long stowage of muffins and sugar is the only anchor.

At this moment beneath my window there is a dear little girl who brings home a package from the grocer's. She is tugged and blown by her umbrella, and at every puff of wind she goes up on tiptoe. If I were writing a fairy tale I would make her the Princess of my plot, and I would transport her underneath her umbrella in this whisking wind to her far adventures, just as Davy sailed off to the land of Goblins inside his grandfather's clock. She would be carried over seas, until she could sniff the spice winds of the south. Then she would be set down in the orchard of the Golden Prince, who presently would spy her from his window--a mite of a pretty girl, all mussed and blown about. And then I would spin out the tale to its true and happy end, and they would live together ever after. How she labors at the turn, hugging her paper bag and holding her flying skirts against her knees! An umbrella, however, usually turns inside out before it gets you off the pavement, and then it looks like a wrecked Zeppelin. You put it in the first ash-can, and walk off in an attempt not to be conspicuous.

Although the man who pursues his hat is, in some sort, conscious that he plays a comic part, and although there is a pleasing relish on the curb at his discomfort, yet it must not be assumed that all the humor on the street rises from misadventure. Rather, it arises from a general acceptance of the day and a feeling of common partnership in the storm. The policeman in his rubber coat exchanges banter with a cab-driver. If there is a tangle in the traffic, it comes nearer to a jest than on a fairer day. A teamster sitting dry inside his hood, whistles so cheerily that he can be heard at the farther sidewalk. Good-naturedly he sets his tune as a rival to the wind.

It must be that only good-tempered persons are abroad--those whose humor endures and likes the storm--and that when the swift dark clouds drove across the world, all sullen folk scurried for a roof. And is it not wise, now and then, that folk be thus parceled with their kind? Must we wait for Gabriel's Trump for our division? I have been told--but the story seems incredible--that that seemingly cursed thing, the Customs' Wharf, was established not so much for our nation's profit as in acceptance of some such general theory--in a word, that all sour persons might be housed together for their employment and society be rid of them. It is by an extension of this obscure but beneficent division that only those of better nature go abroad on these blustering November days.

There are many persons, of course, who like summer rains and boast of their liking. This is nothing. One might as well boast of his appetite for toasted cheese. Does one pin himself with badges if he plies an enthusiastic spoon in an ice-cream dish? Or was the love of sack ever a virtue, and has Falstaff become a saint? If he now sing in the Upper Choir, the bench must sag. But persons of this turn of argument make a point of their willingness to walk out in a June rain. They think it a merit to go tripping across the damp grass to inspect their gardens. Toasted cheese! Of course they like it. Who could help it? This is no proof of merit. Such folk, at best, are but sisters in the brotherhood.

And yet a November rain is but an August rain that has grown a beard and taken on the stalwart manners of the world. And the November wind, which piped madrigals in June and lazy melodies all the summer, has done no more than learn brisker braver tunes to befit the coming winter. If the wind tugs at your coat-tails, it only seeks a companion for its games. It goes forth whistling for honest celebration, and who shall begrudge it here and there a chimney if it topple it in sport?

Despite this, rainy weather has a bad name. So general is its evil reputation that from of old one of the lowest circles of Hell has been plagued with raw winds and covered thick with ooze--a testament to our northern March--and in this villains were set shivering to their chins. But the beginning of the distaste for rainy weather may be traced to Noah. Certain it is that toward the end of his cruise, when the passengers were already chafing with the animals--the kangaroos, in particular, it is said, played leap-frog in the hold and disturbed the skipper's sleep--certain it is while the heavens were still overcast that Noah each morning put his head anxiously up through the forward hatch for a change of sky. There was rejoicing from stem to stern--so runs the legend--when at last his old white beard, shifting from west to east, gave promise of a clearing wind. But from that day to this, as is natural, there has persisted a stout prejudice against wind and rain.

But this is not just. If a rainy day lacks sunshine, it has vigor for a substitute. The wind whistles briskly among the chimney tops. There is so much life on wet and windy days. Yesterday Nature yawned, but today she is wide awake. Yesterday the earth seemed lolling idly in the heavens. It was a time of celestial vacation and all the suns and moons were vacant of their usual purpose. But today the earth whirls and spins through space. Her gray cloud cap is pulled down across her nose and she leans in her hurry against the storm. The heavens have piped the planets to their work.

Yesterday the smoke of chimneys drifted up with tired content from lazy roofs, but today the smoke is stretched and torn like a triumphant banner of the storm.

"1917."

I dreamed last night a fearful dream and this morning even the familiar contact of the subway has been unable to shake it from me.

I know of few things that are so momentarily tragical as awakening from a frightful dream. Even if you know with returning consciousness that it was a dream, it seems as if a part of it must have a basis in fact. The death that was recorded--is it true or not? And in your mind you grope among the familiar landmarks of your recollection to discover where the true and the fictitious join.

But this dream of last night was so vivid that this morning I cannot shake it from me.

I dreamed--ridiculously enough--that the whole world was at war, and that big and little nations were fighting.

In my dream the round earth hung before me against the background of the night, and red flames shot from every part.

I heard cries of anguish--men blinded by gases and crazed by suffering. I saw women dressed in black--a long procession stretching hideously from mist to mist--walking with erect heads, dry-eyed, for grief had starved them of tears. I saw ships sinking and a thousand arms raised for a moment above the waves. I saw children lying dead among their toys.

And I saw boys throw down their books and tools and go off with glad cries, and men I saw, grown gray with despair, staggering under heavy weights.

There were millions of dead upon the earth that hung before me, and I smelled the battlefield.

And I beheld one man--one hundred men--secure in an outlawed country--who looked from far windows--men bitter with disappointment--men who blasphemed of God, while their victims rotted in Flanders.

And in my dream it seemed that I did not have a sword, but that I, too, looked upon the battle from a place where there were no flames. I ran little errands for the war.

* * * * *

There is the familiar window--that dull outline across the room. Here is the accustomed door. The bed is set between. It was but a dream after all. And yet how it has shaken me!

Of course the dream was absurd. No man--no nation certainly--could be so mad. The whole whirling earth could not burn with fire. Until the final trumpet, no such calamity is possible. Thank God, it was but a dream, and I can continue today my peaceful occupation.

Calico, I'm told, is going up. I must protect our contracts.

On Going Afoot.

There is a tale that somewhere in the world there is a merry river that dances as often as it hears sweet music. The tale is not precise whether this river is neighbor to us or is a stream of the older world. "It dances at the noise of musick," so runs the legend, "for with musick it bubbles, dances and grows sandy." This tale may be the conceit of one of those older poets whose verses celebrate the morning and the freshness of the earth--Thomas Heywood could have written it or even the least of those poets who sat their evenings at the Mermaid--or the tale may arise more remotely from an old worship of the god Pan, who is said to have piped along the streams. I offer my credence to the earlier origin as the more pleasing. And therefore on a country walk I observe the streams if by chance any of them shall fit the tale. Not yet have I seen Pan puffing his cheeks with melody on a streamside bank--by ill luck I squint short-sightedly--but I often hear melodies of such woodsy composition that surely they must issue from his pipe. The stream leaps gaily across the shallows that glitter with sunlight, and I am tempted to the agreeable suspicion that I have hit upon the very stream of the legend and that the god Pan sits hard by in the thicket and beats his shaggy hoof in rhythm. It is his song that the wind sings in the trees. If a bird sings in the meadow its tune is pitched to Pan's reedy obligato.

Whether or not this is true, I confess to a love of a stream. This may be merely an anæmic love of beauty, such as is commonly bred in townsfolk on a holiday, or it may descend from braver ancestors who once were anglers and played truant with hook and line. You may recall that the milk-women of Kent told Piscator when he came at the end of his day's fishing to beg a cup of red cow's milk, that anglers were "honest, civil, quiet men." I have, also, a habit of contemplation, which I am told is proper to an angler. I can lean longer than most across the railing of a country bridge if the water runs noisily on the stones. If I chance to come off a dusty road--unless hunger stirs me to an inn--I can listen for an hour, for of all sounds it is the most musical. When earth and air and water play in concert, which are the master musicians this side of the moon, surely their harmony rises above the music of the stars.

In a more familiar mood I throw stepping stones in the water to hear them splash, or I cram them in a dam to thwart the purpose of the stream, laying ever a higher stone when the water laps the top. I scoop out the sand and stones as if a mighty shipping begged for passage. Or I rest from this prodigious engineering upon my back and watch the white traffic of the clouds across the summer sky. The roots of an antique oak peep upon the flood as in the golden days of Arden. Apple blossoms fall upon the water like the snow of a more kindly winter. A gay leaf puts out upon the channel like a painted galleon for far adventure. A twig sails off freighted with my drowsy thoughts. A branch of a willow dips in the stream and writes an endless trail of words in the running water. In these evil days when the whole fair world is trenched and bruised with war, what wisdom does it send to the valleys where men reside--what love and peace and gentleness--what promise of better days to come--that it makes this eternal stream its messenger!