Chapter 9

Carrera 1617, published a large volume concerning the origin of chess, in which he attempts to prove from Herodotus, Euripides, Sophocles, Philostratus, Homer, Virgil, Aristotle, Seneca, Plato, Ovid, Horace, Quintilian, and Martial Vida, that Palamedes invented chess at the siege of Troy.

The Encyclopaedia or Universal Dictionary of Arts and Sciences, dedicated to the King in 1727, contains an account of chess, but it is neither a well informed nor useful article beyond the statement that Schach is originally Persian, and that Schachmat in that language, signifies the king is dead, it vouchsafes neither reasonable nor useful information.

The traditionary names mentioned in the article are Schatrinscha a Persian philosopher, Palamedes, Diogenes and Pyrrhus, its authorities, Nicod, Bochart, Scriverius, Fabricius, and Donates, and it concludes with a sample of the stereotyped character, with which we are so familiar of the trace of chess origin, being lost in the remote ages of antiquity. Chess is thus described in it:

"An ingenious game, played or performed with little round pieces of wood, on a board divided into 64 squares, where art and address are so indispensably requisite, that chance seems to have no place, and a person never loses but by his own fault. On each side are eight noblemen and as many pawns, which are to be moved and shifted, according to certain rules and laws of the game."

The same work specifies the various ancient opinions upon the origin of the game, inclining to those of Nicod and Bochart, supported by Scriverius, who state that Schach is originally Persian, and Schachmat in that language signifies the king dead.

Another opinion is that of all the theories enunciated, the most probable is that of Fabricius, who avers that a celebrated Persian astronomer, one Schatrinscha, invented the game, and gave it his own name, which it still bears in that country. It adds, Donatus observes, that Pyrrhus the most knowing and expert prince of his age, ranging a battle, made use of the men at chess, to form his designs, and to shew the secrets thereof to other. The common opinion was that it was invented by Palamedes at the siege of Troy, others attributed it to Diomedes, who lived in the time of Alexander, but the text concludes by remarking, "The truth appears to be that the game is so very ancient, there is no tracing its author."

CHAUCER

In the Fourteenth and Fifteenth centuries, chess continued to be extremely popular, Chaucer in one of his minor poems "The Boke of the Duchesse," introduces himself in a dream as playing at chess with Fortune, and speaks of false moves, as though dishonest tricks were sometimes practised in the game. He tells us:

At chesse with me she gan to playe, With her fals draughts (moves) dyvers, She staale on me and toke my fers (Queen), And wharne I sawe my fers awaye, Allas I couthe no longer playe, But seyde, farewell swete yuys, And farewell ul that ever ther ys, Therwith fortune seyde Chek here, And mayte in the myd poynt of the Chek here, (chess board) WIth a paune (pawn) errante allas, Ful craftier to playe she was, Than Athalus that made the game, First of the chesse, so was hys name. (ROBERT BELL)-CHAUCER, Vol. VI. p. 157.

SAUL AND BARBIERE

Barbiere 1640, in his work, "The famous game of chess play," dedicated to Lucy, Countess of Bedford, observes:

"For the antiquity of this game, I find upon record, that it was invented 614 years before the Nativity of Christ, so that it is now 2,252 years since it hath been practiced, and it is thought that Xerxes (a puissant King) was the deviser thereof, though some be of opinion that it was made by excellent learned men, as well appeareth by the wonderful invention of the same."

The title is quaintly expressed.

The famous game of chesse play, "Being a princely exercise wherein the learner may profit more by reading of this small book, than by playing of a thousand mates. Now augmented by many material things formerly wanting and beautified by a threefold methode of the Chesse men, of the Chesse play, of the Chesse moves." by J. BARBIERE, P. To which is added representation of a chesse board and pieces, with two players thereat, in the act of drawing for the move with the following lines:

"If on your man you light, The first draught you may play, If not tis mine by right, At first to leade the way.

Printed in London, for John Jackson, dwelling without Temple Barre, 1460.

The introduction is in the following words:

To The Right Honourable, Thrice Noble, and Vertuous Lady, Lucy Countesse of Bedford, one of the Ladies of Her Majesties Privie Chamber.

This little book, not so much for the subject sake (though much esteemed), as for bearing in front your Honour's honoured name having found that good acceptance with the world, as now to come to be re-imprinted. I have been desired by the printer, my friend, little to review it, and finding it indeed a prettie thing, but with some wants specially or a good methode, I have to my best skill rectified it for him, leaving to the author (now deceased), with the good respect and commendation due to him for his honest and generous endeavour, his phrase and stile whole as farre as I might of this Madame, I now presume to offer your Honour the censure whose singular judgment, and love in and unto this noble exercise, is reported to be a chief grace to the same, that so both his labour and mine herein, may returne to the sacred Shrine of your Honour's vertues, there still to receive protection against ignorance and malice.

For which attempt of mine, humbly craving pardon I rest, Noble Madame of Your Honour, The most submissive observant, J. BARBIERE, P.

JOHN LYDGATE

The earliest English references to chess, are in the works of Chaucer, Gower, Occreve, Price, Denham, Sir Philip Sydney, Sir Walter Raleigh, &c.

John Lydgate the English Monk of St. Edmund's-Bury, calls this game, the Game Royal, and he dedicates his book, written in the manner of a love poem, to the admirers of chess, which he compares to a love battle, in the following words: M.S.

JOHN LYDGATE.

To all Folky's vertuose, That gentil bene and amerouse, Which love the fair play notable, Of the Chesse most delytable, Whith all her hoole full entente, Where they shall fynde, and son anoone, How that I not yere agoone, Was of a Fers so Fortunate, Into a corner drive and maat.

The old English names in Lydgate, are 1, Kynge, 2, Queen or Fers, 3, Awfn, or Alfin, 4, Knyght, or Horseman, 5, Roke or Rochus, 6, Paune.

Although Shakespeare makes no mention of chess in his works, some of his brother dramatists, and other writers who were contemporary with him, were fond of referring to it. Skelton, poet laureate to Henry the Eighth, says:

For ye play so at the chesse, As they suppose and guess, That some of you but late, Hath played so checkmate, With Lords of High estate, And again, Our dayes be datyed, To be check matyed.

Many other poets and writers of that age, drew similes and figures of speech from the chess board, including Spencer, Cowley, Denham, Beaumont and Fletcher, quaint Arthur Saul and John Dryden.

Middleton's Comedy of Chesse, 1624, was acted at the Globe. It was however a sort of religious controversy, the game being played by a member of the Church of England, and another of the Church of Rome, the former in the end gaining the victory. The play being considered too political, the author was cast into prison, from which he obtained his release by the following petition to the King.

A harmless game, coyned only for delight, T'was played betwixt the black house and the white, The white house won, yet still the black doth brag, They had the power to put me in the bag, Use but your hand, tw'll set me free, T'is but removing of a man, that's me.

Philidor states in his work that historians have commemorated the following Sovereigns as chess players: Charlemagne, Tamerlane, Sebastian, King of Portugal, Philip II King of Spain, The Emperor Charles V, Catherine of Medecis, Queen of France, Pope Leo X, Henry IV of France, Queen Elizabeth, Louis XIII, James I of England (who used to call the game a philosophical folly,) Louis XIV, William III, Charles XII, and Frederick of Russia.

Of these, Charlemagne, who reigned 768 to 814 is the earliest name. Tamerlane or Timur who dominated at the end of the 14th century is the next. The remainder date from the 16th century.

To this list the renowned and esteemed Philidor might have made some very material additions. If the first Indian account of Kings, Kaid and Porus, in Alexander the Great's time, is to be relied on, the Macedonian conqueror who was in friendly alliance with Porus in 326 B.C., might have become acquainted with chess, and Aristotle, some time his tutor, may have played it as supposed in one of the Arabian manuscripts. Chosroes, King of Persia, who reigned from 531 to 579, Harun Ar Rashid, 786 to 809, Al Amin, his first son, 809 to 813, the magnificent Al Mamun, his second son, 813 to 833, Al Mutasem, the most skilful player among the rulers, 833 to 842, and Al Wathick, 842 to 847, the five successive Caliphs of the powerful Abbasside dynasty, during the palmy period called the Golden Age of Arabian Literature, are identified with a very interesting period of chess practice and progress, and are all recorded to have been chess players. Al Walid the Sixth, of Umeyyah, 705 to 715, who through his generals, Tarik Ibn Zeyyad and Musa Ibn Nosseyr and their armies invaded, conquered and occupied Spain, is the earliest ruler we read of as a chess player after its first great friend and patron Chosroes, but it is pretty certain that Justinian, who died in 565, and was contemporary with Chosroes, was also an exponent and supporter of the game.

Of the one hundred and sixty monarchs who ruled the East Africa and Spain from the days of Bekr, Omar, and the Prophet to the downfall of Moorish ascendancy in the middle of the Thirteenth century, we read of several who emulated the tastes of their most famous predecessors, and the Rahmans, Mansur and An Nassirs vied with Harun and Al Mamum in their patronage and encouragement of all sorts of learning arts and sciences. Of the powerful Abbasside dynasty which lasted from 749 to 1258, there were 37 Caliphs whose chess doings and sayings alone would, it is said fill a good-sized volume.

NOTE. In addition to the 37 of Abbas and 14 of Umeyyah 664 to 749, there were 17 of Beni Umeyyah 755 to 1030, there were 14 Fatimites, 893 to 1169, 5 Almmoravides (exclusive of Abdullah, the founder), the Mahdi, 1059 to 1145, 13 Almohades, 1130 to 1269, and 8 Sultans of Almowat, 1095 to 1256. These with about 52 other rulers, Sultans, Emperors or Kings of Cordova, Toledo, Seville, Khorassan, Valentia and Badajoz, make up a list of about 160 rulers, who swayed the East Africa and Mohammedan Spain for about 650 years. The Moors after suffering great defeats in 1085 and 1139 received a final check in the great battle of 1212, and in 1248 when Ferdinand III of Castile took Seville their powers of aggression had vanished.

NOTE. Abbasides is the name generally given to the Beni Abbas or descendants of Abbas, who succeeded the Beni Umeyyah in the Empire of the East. Owing to their descent from the uncle of the Prophet, they had ever since the introduction of Islam been held in great esteem by the Arabs, and had frequently aspired to the Khalifate. In the year 132, A.D. 749-750, Abul-abbas Abdullah, son of Mohammed, son of Ali, son of Abdullah, son of Abbas Ibn Aldi-l-Mutalib, uncle of the Prophet Mohammed, revolted at Kujah, and after putting to death Merwan II, the last Khalif of the house of Umeyyah, was unanimously raised to the throne. Thirty-seven Khalifs of the dynasty of Abbas reigned for a period of 523 lunar or Mohammedan years over the East (Spain, Africa and Egypt) having been successively detached from their Empire, until the last of them, Al Mut'assem, was deprived both of his kingdom and his life by the Tartars under Hulaku Khan, 1258.

NOTE. The Khalif Al Mamum was one day playing with one of his courtiers, who moved negligently and in a careless manner, the Khalif perceived it and got wrath, and turned over the board and men, and said: "He wants to deceive me and practice on my understanding; and he vowed on earth that this person should never play with him again." In like manner, it is related of Walid ben Abdul Malik ben Merwan, that on an occasion when one of his courtiers, who used to play with him negligently at chess, omitted to follow the proper rules of the game, the Khalif struck him a blow with the Ferzin (or Queen) which broke his head, saying: "Woe unto thee! Art thou playing chess, and art thou in thy senses."

NOTE. The 37th and last Khalif of Abbaside, was dethroned and put to death by Hulaku. the son of Genghis Khan in 1258, when the Tartars were also sorely troubling part of the Christian world, and frightening the Popes. Unluckily for Oriental Literature we are told, scarcely any of the comparatively few works of the "Golden Age of Arabian Literature" saved from destruction, have been translated or made known to us, but we may conclude that of the one hundred and sixty rulers, not a few emulating Harun, Mamun, Walid and Mutasem, were more or less like them, devoted to the game. The powerful Abbaside Dynasty lasted from 749 to 1258, and there were 37 Khalifs of that race, the chess sayings and doings of whom alone, it is said, would fill a good-size volume, chess has had to contend against the consideration that the greatest historians and biographers, with the exception of Cunningham and Forbes, and perhaps Gibbon were not players, hence what we do possess is gathered from scattered allusion, incidental and accidental rather than sustained or connected narrative or biographical notice. Canute the Dane, 1016-1035, William the First, and other English Kings, not so well attested, are absent from Philidor's list. Henry I, John, two of the Edwards, I and IV, and Charles I are identified with the chess incidents. Accounts of Henry VII and Henry VIII, contain items of expense connected with the game. The bluff king it is said played chess, as Wolsey and Cranmer did, and as Pitt, and Wilberforce, and Sunderland, Bolingbroke and Sydney Smyth have in our generations. The vain and tyrant king, like the Ras of Abyssinia, who we hear of through Salt and Buckle much preferred winning, and was probably readily accommodated. Less magnanimous and wise, these two, Henry and Ras, did not in this respect resemble Al Mamun and Tamerlane, whom Ibn Arabshah, Gibbon and others tell us, had no dislike to being beaten, but rather honored their opponents. The chessmen of Henry VIII were last heard of in the possession of Sir Thomas Herbert, those of Charles I were with Lord Barrington. Chess men were kept for Queen Elizabeth's use by Lord Cecil, the Earl of Leicester, and Sir John Harrington.

In olden times as supposed, Alexander the Great, perhaps from acquaintance with India and its Kings, and their powerful Porus, 326 B.C., may have known chess and possibly Aristotle, sometime his tutor, who some say, invented chess, also played it. The most ancient names are the renowned Prince Yudhistheira, eldest son of King Pandu of the Sanskrit chess period, the yet earlier Prince Nala of the translated poems, and further back we have the Brahmin Radha Kants account from the old Hindu law book, that the wife of Ravan, King of Lanka, Ceylon, invented chess in the second age of the world. Associated with games not chess, but more like Draughts in China, there are Emperor Yao, 2300 B.C., Wa Wung 1122 B.C., Confucius 551 B.C., Hung Cochu, 172 B.C, and in Egypt, Queen Hatasu about 1750 B.C., Amenoph II, 1687 to 1657 B.C., and Rameses IV 1559 to 1493 B.C.

NOTE. The Throne, Cartouche, Signet, and other relics. The Draught Box and Draughtsmen of Queen Hatasu in the Manchester Exhibition 1887. Date B.C. 1600. The catalogue says: These remarkable relics, the workmanship of royal artists 3,500 years ago, i.e., 200 years before the birth of Moses, are now being exhibited for the first time, by the kind permission of their owner, Jesse Haworth, Esq. Queen Hatasu was the favourite daughter of Thotmes I, and the sister of Thotmes II and III, Egyptian Kings of the XVIII dynasty. She reigned conjointly with her eldest brother, then alone for 15 years, and for a short time with her younger brother, Thotmes III. She was the Elizabeth of Egyptian history: had a masculine genius and unbounded ambition. A woman, she assumed male attire; was addressed as a king even in the inscriptions upon her monument. Her edifices are said to be "the most tasteful, most complete and brilliant creations which ever left the hands of an Egyptian architect." The largest and most beautifully executed obelisk; still standing at Karnak, bears her name. On the walls of her unique and beautiful temple at Dayr el Baharee, we see a naval expedition sent to explore the unknown land of Punt, the Somali country on the East coast of Africa near Cape Guardafui 600 years before the fleets of Solomon, and returning laden with foreign woods, rare trees, gums, perfumes and strange beasts. Here we have 1. Queen Hatasu's throne, made of wood foreign to Egypt, the legs most elegantly carved in imitation of the legs of an animal, covered with gold down to the hoof, finishing with a silver band. Each leg has carved in relief two Uroei, the sacred cobra serpent of Egypt, symbolic of a goddess. These are plated with gold. Each arm is ornamented with a serpent curving gracefully along from head to tail, the scales admirably imitated by hundreds of inlaid silver rings. The only remaining rail is plated with silver. The gold and silver are of the purest quality.

2. A fragment of the Cartouche or oval bearing the royal name, and once attached to the Throne; the hieroglyphics are very elegantly carved in relief, with a scroll pattern round the edge, and around one margin, and a palm frond pattern around the other. About one fourth of the oval remains, by means of which our distinguished Egyptologist, Miss Amelia B. Edwards, L.L.D., has been able to complete the name and identify the throne. On one side is the great Queen's throne name, Ru-ma-ka. On the other the family name, Amen Knum Hat Shepsu, commonly read Hatasu. With all its imperfections it is unique, being the only throne which has ever been disinterred in Egypt.

3. A female face boldy, but exquisitely carved in dark wood, from the lid of a coffin, the effigy strongly resembling the face of the sitting statue of Hatasu in the Berlin Museum: the eyes and double crown are lost.

4. The Signet: This is a Scarabaeus, in turquoise bearing the Cartouche of Queen Hatasu, once worn as a ring.

5. The Draught Box and Draughtmen: The box is of dark wood, divided on its upper side by strips of ivory into 30 squares, on its under side into 20 squares, 12 being at one end and 8 down the centre; some of these contained hieroglyphics inlaid, three of which still remain, also a drawer for holding the draughts. These draughts consist of about 20 pieces, carved with most exquisite art and finish in the form of lions' heads--the hieroglyphic sign for "Hat" in Hatasu. Also two little standing figures of Egyptian men like pages or attendants, perfect, and admirable specimens of the delicate Egyptian art. These may have been markers, or perhaps the principle pieces. Two sides of another draught box, of blue porcelain and ivory, with which are two conical draughts of blue porcelain and ivory and three other ivory pieces.

6. Also parts of two porcelain rings and porcelain rods, probably for some unknown game.

7. With the above were found a kind of salvo or perfume spoon in green slate, and a second in alabaster.

The coffin of Thotmes I and the bodies of Thotmes II and III, were found at Dayr el Baharee in 1881, that of their sister, Queen Hatasu, had disappeared but her cabinet was there, and is now in the Boulack Museum, and I have no doubt whatever, says Miss Edwards, "that this throne and these other relics are from that tomb."

HIEROGLYPHICS OF ANCIENT EGYPT

NOTE. The name which occurs most frequently on the finest monuments of Egyptian art is Ramses, which immediately recalls the names of Rhamses, Ramesses, or Ramestes, and Raamses, (Exod. i., 11) occuring in Hebrew, Greek and Roman writers, and when we find this name with all its adjuncts, distinguishing some of the finest remains of antiquity from the extremity of Nubia to the shores of the Mediterranean, we are immediately led to ask whether this must not have been the title of Sesostris. The Flaminian obelisk at Rome, its copy, the Salustian, the Mahutean, and Medicean, in the same place; those at El-Ocsor, the ancient Thebes, and a bilingual inscription at Nahr-el-Kelb, in Syria, all bear this legend. The power and dominions of this Prince, must therefore have been of no ordinary magnitude; and such was in fact that of the Rhamses, whom the priests at Thebes described to Germanicus as the greatest conqueror who ever lived (Tacit. Annal. 11 p. 78 ed, Elzevir, 1649). But none of the ancient historians give this name to Sesostris. He is however called Sethos by Manetho who tells us (Joseph, contra, Apion, 1 p. 1053) that he was also called Rhamesses, from his grandfather Rhampses, and thus affords a clue by which all doubt is removed; and as Sethos, Sesostris and Sessosis, are virtually the same name, and confessedly belong to the same person, so was the Rhamses of Tacitus and the REMSS of these hieroglyphical inscriptions, no other than that mighty conqueror. His grandfather is called Rhameses Meiammun by Manetho (15th King of the 18th dynasty) and that name appears in the great palace of Medinet Abu and some other buildings in the ruins of Thebes, but the one is always named Ramses Ammon-mei and has distinctive titles different from those of the other. This is alone sufficient to identify them; for as the Ptolemies were distinguished by their surnames Philadelphus, Epiphanes, Soter &c., so were the ancient Egyptian Kings by their peculiar titles, as is manifest from the double scrolls by which their names are usually expressed. >From the tomb of Ramses Mei-ammun, in the Biban-el-muluk, Mr. Belzoni brought the cover of his sarcophagus of red granite, ornamented with a recumbent figure of the deceased King in the character of Osiris. It is now preserved in the Fitz-William Museum at Cambridge, to which it was presented by that justly regretted traveller.

CORRECTION. The 16th King of the 18th dynasty he must have been if they were seventeen, for Sesostris in the tables is 1st King of the 19th dynasty.