Chapter 6

'Have they ever found the man who injured Dick?' asked Alan, as Lady Coke's story came to an end.

'No,' replied Lady Coke sadly, 'never. Not a trace of him ever came to light. Shall I tell you why--or perhaps one of the chief reasons why--the search was discontinued? It is the grandest part of poor Dick's story,' continued Aunt Betty, putting down her knitting and looking earnestly at the children's interested faces. 'Dick alone knew who did the cruel deed. During the delirium of illness his nurses were keenly attentive to every word he uttered, hoping he would mention the name of his assailant. But no! All through the dangerous fever, and all through the suffering, he never gave the smallest hint as to who the man was, or what the quarrel (if there had been one) was about. On recovering his senses he made his father and mother understand, in the halting speech which was all he could manage, that he wished to keep the name of the man a secret; that, should he have mentioned it during his fever, he begged they would respect his desire, and not permit the name to escape them. 'Give him a chance,' he said. He always feared that the knowledge of what he had done might some day drive the man to desperation, and make him become more wicked through horror at his own action.'

'Don't his father and mother know even now who did it?' asked Georgie, with wide-open eyes of wonder.

'No, as Dick never told them, they will not press him to do so against his will.'

'I could have understood it,' said Alan, 'if the man had fought him fairly, face to face. But to set on him unawares! That's what the scoundrel seems to have done!'

'Yet Dick forgives him!' replied his aunt, gently.

'I don't think,' said Marjorie, 'that Dick is quite right all the same. It is fair enough that Dick should forgive injuries to himself if he chooses, but it is hardly just to his father and mother not to have that man punished as he ought to be.'

'I can't see how it would help Peet even if the man were caught' said Estelle, thoughtfully. 'If he is a sailor, he would not have enough money to pay any of Dick's doctor's bills. I thought sailors were so poor, Aunty?'

'They generally are, dear, and most probably this man was. We know nothing about him, however, nor what it was that led to the terrible thing he did. Let us hope, as Dick does, that the unhappy fellow has repented.'

'Then he would have to come back to say so,' said Alan.

'I don't know that. First, he may think he has killed Dick, and be afraid to show himself. Or he may not be able to find Dick now that Peet has left Cornwall, without betraying why he was inquiring for him. A deeply repentant man would give himself up to justice, certainly; that is, one would think so. But we know absolutely nothing to help us in our judgment of him, and can but hope and pray for him as Dick does.'

Lady Coke was silent for some moments, then, with a smile, she said: 'Now we have talked enough. Go and have your play, my dears.'

'I like what you said, Aunt Betty,' said Alan, as they all got up, and prepared to set off on their games; 'and I, for one, mean to try to follow Dick's example, and be as good as he is.'

* * * * *

The story of Dick's misfortune had greatly excited the sympathy of the children. Alan and the two girls allowed Peet's caustic remarks to pass without reply. They even tried to avoid annoying him by a too free use of the lawns and shrubberies. Georgie, whose youthful fancy had soared to greater heights of pity and sympathy, had at once glorified Peet into a hero, and, to the wonder of the gardener, would stand staring at him with respectful admiration. One day, unfortunately, his feelings carried him so far as to make him offer to help his former enemy in some work in the hothouses, over which Peet appeared to be very busy.

'There's no way for you to help me,' was the gardener's surly answer, 'except by taking yourself off, Master Georgie. Children ought not to be about when there's serious work going on.'

Peet's hero-stage passed away on the spot. Georgie was deeply hurt, and came to the decision that Aunt Betty had been taken in. Peet was not at all the person she thought him. He was nothing but a very disagreeable, rude old man, and he wished that his aunt would 'send him away.'

Nevertheless, Peet _had_ improved. It was not all imagination on the part of the children. Lady Coke had sent for him after her talk with the young people, and the result of the interview was good for all parties. Peet's chief reason for soreness, as regarded the three children from Begbie Hall, was that they made as much use of the grounds of the Moat House as they did of the gardens of Begbie Hall. Estelle's arrival appeared to him to make the state of things worse, since she was the excuse for the whole party to tear about _his_ neatly kept lawns, and climb _his_ trees, instead of confining themselves to those of Begbie Hall, and worrying their own gardeners. He had not dared to express as much as this to Lady Coke, but she was too quick not to discover the true cause of his discontent, though she only alluded to it by saying she desired all the children should play together, whether in her grounds or elsewhere. Kind as she was, Peet understood that he had a mistress who must be obeyed. He was devotedly attached to her, and grateful for her goodness to him and his. This, perhaps, more than anything, made him exercise self-control. He was more than ever careful in hiding the key of the ruin, and would not allow even the other gardeners to enter it on any excuse whatever.

Another reason for the calm which prevailed was, perhaps, that Marjorie and Alan were fully occupied in trying to discover why Thomas was making so much effort to get into the ruined summer-house. It seemed a delightful thing to be mixed up in a mystery, and each hoped to have a share in solving it. Such a puzzle made constant private talks necessary, in order to think out a clue. Estelle took an almost painful interest in their conjectures, but shrank from all part in their wanderings round the ruin, or down to the cliff walk. Alan had shown Marjorie where the secret entrance to the cave was, and called it the Smugglers' Hole, for want of a better name. Together they had penetrated to the foot of the slippery, broken steps. Each had carried a bicycle lamp to make their footsteps clear, and great was the rejoicing when they finally arrived at the sandy beach of the bay.

But the young, active spirits were too restless to remain long there, where nothing was to be gained by lingering. The cave itself was more full of interest than the beach, and they devoted the remainder of the afternoon to hunting about among the crevices and chasms, and peeping into gaps and fissures till they almost forgot the time.

(_Continued on page 114._)

THE GIANT OF THE TREASURE CAVES.

(_Continued from page 111._)

When at last Alan and Marjorie had turned their steps homeward from the cave, and had climbed the greater number of the rough steps, they came quite unexpectedly upon a most important discovery--one which, without their lamps, would have entirely escaped their attention.

They had reached a sort of landing, when Alan, looking keenly at the rocks, suddenly perceived a narrow opening, almost entirely concealed behind a projecting spur of limestone. Calling to Marjorie, who was in advance of him, and already some way up the last flight of steps, he held his lamp high, and examined the gap till she joined him.

'There is something more than a mere attempt at a cave here,' he said. 'We _must_ see what it is.'

'It's very late,' hesitated Marjorie, doubtfully. 'If we are asked where we have been, what shall we say? All our secrets will come out, and then good-bye to all fun.'

'Oh, this won't take us long,' returned Alan, who did not intend to give up investigations just as he appeared to be on the verge of scoring the greatest success of the day.

As it turned out, it was fortunate indeed that the quest was not given up, for something happened only a few days later which made their discoveries of the utmost importance.

The narrow cleft led them, after some winding, into a comparatively wide passage, into which the daylight was streaming through a great opening to the right. In some excitement they ran to look out, and found, to their delight, that they were standing at the hole in the cliff which they had seen from the beach in Smugglers' Bay. Sure enough, there was the stream of water flowing at their side which made the thin cascade.

'I do believe we are in the passage which leads to the ruined summer-house!' cried Marjorie, breathlessly.

Alan was for trying it at once, but here Marjorie's counsels did prevail. She pointed out how low the sun was, and that probably they were very late for the schoolroom tea already.

'Right you are,' said Alan, looking longingly up and down the passage and walls, which stretched away into deep but--to him--alluring gloom. 'We will come again to-morrow. We must slip away directly after breakfast; and mind we don't let anybody see or follow us. It will be a feather in our caps if we can get into the ruined summer-house without troubling old Peet for the key.'

'But,' said Marjorie, after a long pause, during which she was thinking deeply, 'what if Thomas knows of this way in?'

'He can't,' returned Alan, 'or he would have been before, and got all he wanted.'

'Then,' replied Marjorie, after another pause for thought, 'you may be sure there is some reason: something that prevents his going up the passage, and will prevent our going too. Thomas is sure to be up to all dodges.'

This idea was so distasteful to Alan that he required a good deal of persuasion before he gave up his determination to explore further. Marjorie did persuade him, nevertheless, but next morning he could not refrain from reproaches for having yielded to her. It turned out that Colonel De Bohun had some business to do in the neighbouring town of Matherton, and told Alan at breakfast that he was to go and see if Estelle would like a ride. He intended to take the three elder children with him.

'What a nuisance!' exclaimed Alan, as he and Marjorie stood a moment on the doorstep before he started off on his father's mission. 'Why should father have ordered the horses just to-day? We can't make an excuse either, for we are all supposed to be keen on riding. If only the horses could go dead lame for an hour or two!'

Marjorie sympathised, but there was no help for it. More provoking still, there appeared to be things for the children to do for the next two or three days. A large garden party for young people, given by Mrs. De Bohun, took up most of one day, the children being required to help in the preparations for the entertainment of their guests. A picnic with friends, to a distant ruin by the sea, fully filled another day, and it was not till these and a tennis party for children at Lord Gallway's were over, that a free afternoon left the brother and sister at liberty to carry out their plans.

They had intended to set off immediately after breakfast, but an exciting rumour had come that a strange vessel was to be seen hanging about in rather a suspicious way. The coastguard had been on the look-out, but the result of his investigations being as yet unknown, the Colonel asked the children if they would like to accompany him to the cliffs. The proposal was hailed with delight. The whole morning passed only too quickly in talking to the coastguard on duty, peeping through his telescope, and staring at the vessel. The sailor gave it as his opinion that it was a French boat, though something in the rig made him not quite positive. It cruised about in a queer manner, 'just as if she was on the watch for something,' as the man said. However, towards mid-day she drew out into the offing, and they saw her sails slowly disappearing below the horizon.

The excitement of this incident only died down in the children's minds when, after lunch, they started off for the Wilderness. Alan and Marjorie had other ideas concerning the ship, and were determined to watch for its return. There would be plenty of time for that after their search in the cave was over. Meantime it was certain that neither Estelle nor Georgie must be allowed to accompany them. Happily for all parties, Estelle had promised to read a new fairy story to Georgie, and had settled to go to the top of the ruined summer-house for the purpose.

The air was fresher there, and the shade of the trees seemed cooler than anywhere else on that hot August day. Estelle sat lazily comfortable on some rugs, her back against the coping, while Georgie stretched himself at full length on the iron seat close to her. Here Alan and Marjorie left them, feeling sure that Georgie would be asleep in the twinkling of an eye. They begged him, nevertheless, to keep that eye, as long as it _was_ open, on Bootles, the fox-terrier. Georgie gave a lazy assent, without troubling himself to keep either eye on the dog. Estelle was quite as capable of attending to such matters as he. Accordingly, she it was who drew the dog to lie down near her, keeping a hand on his collar till Alan and Marjorie were out of sight. Alas! they little knew what would be the result of her care.

(_Continued on page 123._)

PUZZLERS FOR WISE HEADS.

5.--ARITHMOREM.

Substitute Roman figures for the Arabic numerals, and transpose the letters. The initials will give a woman's name.

1.-- 300. A T S R A U A. 2.-- 560. R E A N E A. 3.-- 100. B E G R R N O A O. 4.-- 50. Y 0 E N. 5.--1050. R T A I E. 6.-- 500. A N I I. 7.--1500. N N Y R O A. 8.--2000. E T E.

1. An early British prince. 2. A very great king. 3. An inventor in the middle ages. 4. A small town in Buckinghamshire. 5. An English bishop who suffered martyrdom. 6. An extensive region of Southern Asia. 7. An ancient province of France. 8. A small insect

C. J. B.

[_Answer on page 147._]

* * * * *

ANSWER TO PUZZLE ON PAGE 75.

4.--Quick-lime.

THE DEAD WATCH.

In the eighteenth century, when watches were less common in country districts than they are now, a Highland soldier gained one as part of his share in some plunder after a great battle. The watch was going well and ticking merrily when he received it; but naturally, at the end of a day or so it ran down and stopped, because he knew nothing of how to wind it.

The man had never seen a watch before, much less possessed one, and he was greatly alarmed at this sudden silence. But he determined to do as well as he could with the treasure that had fallen to his share, and so offered it to a comrade in exchange for some really far less valuable article of jewellery. His friend, not being so ignorant, was curious to know why he parted with it so cheaply.

'Why,' said the other, with a proud look, as though he had got the better of the bargain, 'why do I want to get rid of it? Because it died last night!'

LYING AWAKE AT NIGHT.

'Good morning Mr. Sun!' Jack said, As by the blind he stood; 'All night I lay awake in bed And thought you'd gone for good. The white moon kept me company From ten o'clock till two: Then in the darkest hour of night, Behind the hill she slipped from sight To go and look for you.

'I thought and thought of lots of things As in my bed I lay; The whole long list of English kings From Alfred till to-day. I thought of bats and bicycles, Of stilts, and tops that hum, Then turning to the window-pane, I thought of _you_, and sighed again: "Whenever _will_ he come!"

'The house was still as still could be, But on the stair-case near, The big clock seemed to talk to me In whispers hard to hear. "He's coming! Tick! He's coming soon!" I thought I heard it say: "Look, look toward the window-blind,-- Tick-tock, tick-tock--and you shall find The darkness growing grey."

'But as it spoke, a gurgle low Towards me seemed to float, As though the poor old clock, you know, Had something in its throat. And then it chuckled: "All is right," And loudly chimed with glee: "Oh, what's the time? Oh, tell me, _do_!" I cried, and counted one and two, And then I counted three.

'But after that I fell asleep,-- At least, I think I did,-- For soon the sun began to peep Beneath a sleepy lid. Then bright and brighter grew the ray, And o'er my bedroom cast A glow that chased the gloom away From every corner where it lay, And morn had come at last.'

THE MUSIC OF THE NATIONS.

IV.--THE JURUPARIS OF SOUTH AMERICA, THE MEXICAN WHISTLE, AND THE CHINESE HINEN.

Of all the so-called musical instruments of the world, that known as the Juruparis, used by the Indians of the Rio Negro, seems to involve most misery to humanity in general. To women and girls the very sight of it means death in some form or other, usually by poison, and boys are strictly forbidden to see it until grown to manhood, and then only after a most severe preliminary course of fasting.

The Juruparis is kept concealed in the bed of some stream far away in the gloomy forest, and wherever that river may wander, or however brightly its waters may sparkle in the sunny glades, no mortal who values his life may cool his parching lips with its freshness, or bathe his aching limbs in its clear depths. Only for solemn festivals is the Juruparis brought out by night and blown outside the place of meeting, and it is restored to its forest home immediately afterwards.

The word Juruparis means 'demon,' and it is supposed that its mysteries date back to some pre-historic Indian tradition, as various tribes inhabiting the vast forests round the Amazon district practise weird ceremonies in honour of the demons.

In form the Juruparis is a slender tube from four to five feet long, made from strips of palm wood. Close to the mouth is an oblong hole, and when the instrument is to be used a piece of curved Uaruma or Arrowroot wood is inserted into the opening, which is then nearly closed with wet clay.

When not in use, the Juruparis is wrapped in a great-coat made of strips of the tough bark of the Jebaru-tree, which are wound round and round the sacred instrument and held in place by a rough framework of wood. In the museum at Kew Gardens a Juruparis in its outer casing may be seen. In ancient days the Indians of the American continent seem to have been more clever at making musical instruments than of recent years.

The Aztecs held pipes and flutes in great respect, and they were played at all religious ceremonies. At the great yearly festival of Tezcatlepoca, who was always represented as a handsome youth, a young man was sacrificed to the god, and a chief condition of the selection was that the selected person should be a really fine flute-player, presumably so that he might amuse Tezcatlepoca in another world. As the victim ascended the high mound on which the sacrificial altar stood, facing the rising sun, it was his duty to break a flute on every step.

The whistle shown in the illustration is made of burnt clay and painted. Instruments were shaped like all kinds of grotesque animals, birds, fish, and so on. Some have finger-holes, enabling the pitch to be altered and give different tones, others have a little ball of clay set loosely in a hollow place, so that when the air is set in motion a shrill whistling sound is emitted.

Whistling with the mouth, by the way, is strongly disapproved by the Arabs, who call it 'El Sifr,' and say that Satan must have touched any one before he can whistle, and that it takes forty days to purify the mouth which has so defiled itself. The Burmese were, up to a very late date, ignorant of the art, and expressed great astonishment when an American whistled an air, exclaiming that 'he made music with his mouth.' The natives of Tonga Islands, in Polynesia, consider whistling most disrespectful to their gods, and even in European countries it is objected to at certain times. In Northern Germany peasants say that whistling in the evening makes the angels weep, and in Iceland the feeling is so strong that even swinging a stick or whip, which may make the air whistle, is supposed to have an evil effect.

The curious little instruments called by the Chinese 'Hinen' are of very ancient construction. They are made of baked clay with five finger-holes, three in front and two behind. They are wind instruments blown by the mouth and tuned in what is called the Pentatonic scale, which sounds much as the scale of C Major would if F and B were omitted.

HELENA HEATH.

FLOWERS OF THE NIGHT.

People often speak of flowers going to sleep at night, and it is perfectly true that many of them do close up their petals when it is dark. Some, indeed, sleep very early--our British wild plant, the goat's beard, is also called 'Jack go to bed at noon,' because the tops close about mid-day. We have other plants, such as the daisy and the dandelion, which shut their flowers early in the evening. But numerous are the blossoms that are open all night, both wild and garden kinds, affording food to night-flying insects. Then, again, we have flowers which are usually closed by daylight, but open after sunset, and which we should call 'flowers of the night.' Most of these are garden species, though there are a few wild ones. Often we are drawn to them by a fragrance which is wafted upon the evening air.

Perhaps the best known of all, a flower which seems to be at home even in a city garden, is the evening primrose, an American plant, which does not belong to the family of the true primroses. But the flowers have a primrose tint, and they are slightly fragrant, opening usually about six or seven in the evening, though an occasional bud may expand during the day. The flower has little hooks upon what is called the calyx, and when the petals open they burst the hooks with a snapping noise. One of the garden varieties has snow-white flowers. Another name for the plant is 'evening star.'

The most splendid of all the flowers of darkness is the cereus, the blossoms of which begin to open at seven or eight o'clock in the evening, and are fully out when midnight comes. Before daylight arrives the flowers have generally decayed, so rapid is their progress. So huge are these that they quite surpass the largest blooms found on the sun-flower, being nearly three feet in circumference. The outer portion is dark brown; the inner shades range from yellow to a pure white. When a dozen or so happen to expand at the same time the effect is startling. They also give out a fine scent.

One of these plants of the night caused such wonder when it arrived in England, that folks called it the 'marvel of Peru.' It is not at all uncommon now amongst the choice garden plants of other lands. The flowers are of several colours and open when the sun has set; the most conspicuous kind has long, dull, white flowers, which have a scent like the orange blossom or the heliotrope. One kind, however, opens earlier in the afternoon, and so that is known as the 'four-o'clock flower.' They are plants fond of warmth, but they do well out of doors during a hot summer.

One of the jessamines is named the night-flower, because it opens towards evening; and that grand species of lily called the Victoria Regina comes amongst the flowers that prefer night to-day.

We have in Britain a family of wild plants named the 'catch-flies.' They do not catch flies or other insects by their flowers, as some plants can, but they take them by the stems, which are sticky, and insects coming against these are entangled. The Latin name of Silena arose from an old legend that it belonged first to a young man whom the goddess Minerva employed to catch flies for her owls. She found him one day idling about, and in her anger turned him into a plant which should be always catching flies. Yorkshire has a night-flowering plant of this kind, with pale flowers and a forked stem. Then there is the white or evening campion of our hedgerows, which opens generally in the twilight, sending forth a perfume. Another, rather rarer, is the 'dame's rocket,' also a night flower. Yet another well-known evening flower in gardens is the tobacco plant, which has a white flower and a very strong, sweet scent.

SOWING AND REAPING.

The day had really been very sultry, and it was not to be wondered at that Miss Allan had not explained the lesson quite so clearly as she generally did. The children, too, had been troubled by the heat, and let their attention wander, so that a few of them went home with very vague ideas about spring-time and harvest, sowing and reaping, planting and watering. Ella and Willie Hope especially had their heads full of ideas which would have greatly surprised any farmer had he heard them.

'Dead things become alive in the earth,' said Ella.

'Little things grow big underground,' declared Willie.

One thing turns into many if we bury it,' continued Ella.

They walked on in silence for some time, then Ella's face began to shine. 'Just think, Willie,' exclaimed she, eagerly, 'if I bury my doll, it may turn into a real baby.'

'Yes,' assented the boy, 'and if I bury my box of tin soldiers, before long I shall have a regiment of strong men to fight the Russians with.'

'And--who knows?--if Mother were to give us her purse, we might make a whole tree of sovereigns grow! How happy Mother would be if she could have money without Father tiring himself so much to gain it!'

A moment's pause to enjoy the thought of such happiness, and then Willie remarked, a little doubtfully, 'Ella, don't you think that if it were so easy to make live soldiers and trees of gold grow up, people would have thought of it before now? I don't understand why nobody has ever tried.'

Ella wrinkled her brow, and looked very serious indeed. The remark was not to be slighted, and yet she felt quite sure that no real objection could be made to the conclusion at which they had arrived. Indeed, her brow soon cleared again, and, turning to her brother with a triumphant air, she exclaimed, 'Now I know! Of course, if we have ideas that other people never think of, it means we are _geniuses_! Most people never think of the plainest things till some genius has done so, and then it all seems so easy. I remember what Miss Allan said when she told us the story of Christopher Columbus. Any one could have taken a ship and sailed away to Africa---- '

'America,' murmured Willie, timidly.

'Well, America, then; it's all the same,' went on Ella, with an impatient shrug of her shoulder. 'But nobody did. There were no geniuses except Columbus, and he thought, "People are stupid not to go to America, but I will show them the way." What did he go for, Willie? Do you remember?'

'Cousin Jack said he went to find the egg conjurors play with, but I think he was joking.'

'Well, anyhow, he was a genius, and that's why we read about him in our school-books. Wouldn't it be fun, Willie, if children were to read about us at school?'

Willie looked doubtful. 'I don't think they'd like us,' he answered. 'People in school-books are often not nice.'

'Well, it doesn't matter much,' said Ella.

Then the children went home in silence with all their wonderful plans dancing wildly in their brains. What grand things they would do, what a marvellous garden they would have, and how every one would try to discover their secret! They were rather old for such fancies; but they had not begun lessons very early in their lives, owing to both being in rather weak health.

Unhappily there was no one at home to whom they could tell their plans. Mother was away, Father was too busy to listen to all the stories of his children, and their elder sister, Mary, had laughed at them too often to be taken into their confidence. But, after, all, they concluded it was better so. Their secret would remain a real, real secret, and so, at the right moment, all the world, even the world of home, would be struck with surprise!

That night nothing could be done; they had too many lessons to learn, too many toys to put away, too many tiresome questions about school to answer. Besides, there were so many important things to think about before beginning the great work. In what ground, for example, would it be best to plant the soldiers, and was not the season too far advanced? It would be such a pity if any stupid mistake should spoil their beautiful plan, for then nobody would believe they were geniuses.

'I tell you what,' said Ella next morning, 'we must begin with only one thing. Let us try your soldiers first. If they grow well, then I will plant my doll. If she turns into another doll, then we will tell Mother, and she will give us her money to sow. How many soldiers have you, Willie?'

'Only one boxful,' answered Willie, sadly. 'Perhaps we had better sow our pennies first, and then, when the tree of sovereigns comes up, we can buy whole regiments of soldiers.'

But Ella shook her head. 'No,' said she, seriously. 'You forget that the Japanese are losing a lot of men at the front. Father said so this morning, and they must not be kept waiting for two harvests. You have sixpence, I have twopence; with that let us buy all the soldiers we can, and plant them at once; then they may reach Port--Port Alfred--in time.'

'Port _Arthur_, Father said.' murmured Willie, timidly, feeling, however, that Ella was decidedly a genius. Yet he had still an objection to make. 'The soldiers should be Japanese,' said he. 'When I asked Father why our soldiers did not help the Japanese, he answered that we were at peace with the Russians, and the army dared not go without the permission of the Government. So, even if the soldiers grew, they would have to stay in England. Perhaps it would be better to send the boxes there to the Japanese. They could put the soldiers into the ground and use them as soon as they come up.'

'No, stupid!' exclaimed Ella, rudely. 'You'd give our secret away if you did that. Besides, if you planted a turnip in a cabbage-field, that does not make it a cabbage. The men would be English just the same. Instead, we can buy a box of Japs and paint those you have, so that no one will ever think they are English soldiers. Mind you plant them with all their arms, so that they may grow up all ready for the war.'

'And, Ella, what do you think?' asked Willie, a little hesitatingly; 'should I plant one of my ships too, so that they may sail away at once?'

'Do!' replied Ella, enthusiastically. And Willie felt his spirits return.

That evening, in the twilight, the roses were awakened from their dreams by the sound of children's voices, and by strange movements at their roots. If ever roses were indignant, I am sure these were so then. What! Their sweet, fragrant, dewy earth invaded by rough soldiers! The soil around their roots violently scraped away to make room for Willie's ship! What did the fair flowers know of war and the Far East? How could they guess that Ella was a genius? The Wind, it is true, told them many things he saw in his wanderings, but he did not care to talk about violence and bloodshed to things so sweet.

But the children did not hear the roses' sighs, and did not try to explain. Had they done so, perhaps they would have heard some murmured words, 'Sow seeds of peace! sow seeds of peace!' The moon saw the children and smiled, thinking perhaps that they ought to have been born in her land. Anyhow, the great work was soon accomplished, and the children stole back to their room full of hope and excitement.

A sudden thought made Ella tremble as she ran along the passage, 'Oh, Willie!' she exclaimed, catching him by the arm, 'if the soldiers come up little by little, they will be seen by everybody, and if they spring up all at once, they will frighten every one. Fancy the garden full of armed men, and nobody knowing where they come from!'

'They are sure to grow up, all at once,' replied Willie, after a moment's reflection. 'Just like mushrooms, you know. They are men toys, not baby toys, so they must spring up men. But they _will_ frighten everybody; what shall we do, Ella?'

Poor Ella! Even her busy brain was puzzled for a moment. But, of course, being a genius, she found a solution even to that difficulty, and Willie was obliged to admire her more than ever.

'Let's write a letter to the General,' suggested she a little while before they went to bed, 'and ask him to go away quietly, without frightening any one. If we bury the letter beside the soldiers, as soon as they become alive they will find it, and read it. We can ask him to come secretly into our room and salute us before he goes.'

(_Concluded on page 122._)

THE HONEST SAILOR.

Many years ago, a young sailor entered a shop in Glasgow, to make a purchase. As he was about to leave, he placed a letter upon a counter near the window, and was sticking a postage stamp upon it, when he clumsily knocked his elbow against the window and broke one of its panes. The poor fellow was much confused when he saw the damage which he had done. He had no money to pay for a new pane, as he had spent his few last coppers in preparing this letter for his mother. He apologised to the shopkeeper as best he could, and promised to pay for the broken square when he returned from his next voyage. The shopkeeper accepted his promise, though he may very well have doubted whether he would ever see the sailor again.

Months and years passed by, and the shopkeeper forgot all about the sailor and the broken square of glass. One day, however, a seaman came into the shop, and looking the shopkeeper full in the face said, 'Do you know me?'

The shopkeeper replied that he did not.

'Well, I am the lad who broke that square,' said the seaman, pointing to the window. 'I have been to China and the Indies since then, but I have not forgotten my debt. Here is the money.'

He placed a sovereign on the counter, and having received the change which was due to him, went out of the shop with the light heart and cheerful face of a man who has got rid of a heavy 'obligation.'

SOWING AND REAPING.

(_Concluded from page 119._)

Willie was startled by the roll of drums, and a sharp call of 'To arms!' He sat up hastily in his bed, and returned the salute of the Japanese General standing at the foot of his bed. 'Sire,' said the gallant soldier bravely, 'the moment has come. Our country expects that every man this day will do his duty. We depart with your permission, and when we have taken the Czar prisoner, we shall bring him to you in chains.'

Another roll of drums and the room was filled with soldiers, all of whom greeted Willie with profound respect. They waved their swords in the air, and with a loud 'Hurrah!' which sounded very English indeed, they whirled rapidly out of the room, leaving the little boy quite dazed.

The roll of drums and the blowing of trumpets continued, and Willie thought he heard the sound of cannon, but he was quite unable to leave his bed, something seeming to hold him there. So, with those warlike sounds in his ears, he fell asleep again, and only woke up when Ella rushed into his room all flushed and excited, holding in her hand a tin soldier, like those they had buried the night before. 'Oh. Willie!' she exclaimed, 'wasn't it dreadful? However did those horrid Russians find their way here? I'm quite sure we didn't bury any of them in the garden. What a dreadful battle! And how strange that only you and I should know anything about it! But the Japanese won! This morning I found this soldier on the ground, but he is quite a toy again, and has not a single wound. I'm afraid he's a coward!'

'I don't understand, Ella,' said Willie, quite dumbfounded. 'I didn't see any battle. The General came to salute me before leaving for Japan--for where the war is, I mean--but the troops left quite quietly. Oh, no! I remember now, I did hear the sound of cannon, but somehow I fell asleep. Anyhow, I am sure--quite sure--that I saw no battle. Tell me about it, do!'

Ella looked at him indignantly. 'I hate boys who don't tell the truth,' exclaimed she indignantly. 'As if you hadn't fought yourself last night! Why, you killed a Russian as easily as if he had been a fly!'

'Where is he?' asked Willie, half convinced. 'I really don't remember, but I'd like to see him.' Then, hesitatingly, 'Is he really dead, Ella?'

'I know nothing about him,' answered she, quite snappishly. 'The Japs are very ungrateful and have gone away without a word, and there is not a sign of them, either in the house or in the garden.'

'We told them to go away quietly,' said Willie; 'perhaps they will telegraph from Port Arthur. Do tell me about the battle.'

'Nonsense!' replied she, pettishly. 'You saw the battle as well as I