Chapter 8

"What is the use? Charlotte will bring it all home to me." And indeed I delighted to please her thus. My occupation is gone now.

'I shall come to be lectured. I perceive you are ready with animadversion; you are not at all well satisfied on some points, so I will open my ears to hear, nor will I close my heart against conviction; but I forewarn you, I have my own doctrines, not acquired, but innate, some that I fear cannot be rooted up without tearing away all the soil from which they spring, and leaving only unproductive rock for new seed.

'I have read the _Caxtons_, I have looked at _Fanny Hervey_. I think I will not write what I think of either--should I see you I will speak it.

'Take a hundred, take a thousand of such works and weigh them in the balance against a page of Thackeray. I hope Mr. Thackeray is recovered.

'The _Sun_, the _Morning Herald_, and the _Critic_ came this morning. None of them express disappointment from _Shirley_, or on the whole compare her disadvantageously with _Jane_. It strikes me that those worthies--the _Athenaeum_, _Spectator_, _Economist_, made haste to be first with their notices that they might give the tone; if so, their manoeuvre has not yet quite succeeded.

'The _Critic_, our old friend, is a friend still. Why does the pulse of pain beat in every pleasure? Ellis and Acton Bell are referred to, and where are they? I will not repine. Faith whispers they are not in those graves to which imagination turns--the feeling, thinking, the inspired natures are beyond earth, in a region more glorious. I believe them blessed. I think, I _will_ think, my loss has been _their_ gain. Does it weary you that I refer to them? If so, forgive me.--Yours sincerely,

'C. BRONTE.

'Before closing this I glanced over the letter inclosed under your cover. Did you read it? It is from a lady, not quite an old maid, but nearly one, she says; no signature or date; a queer, but good-natured production, it made me half cry, half laugh. I am sure _Shirley_ has been exciting enough for her, and too exciting. I cannot well reply to the letter since it bears no address, and I am glad--I should not know what to say. She is not sure whether I am a gentleman or not, but I fancy she thinks so. Have you any idea who she is? If I were a gentleman and like my heroes, she suspects she should fall in love with me. She had better not. It would be a pity to cause such a waste of sensibility. You and Mr. Smith would not let me announce myself as a single gentleman of mature age in my preface, but if you had permitted it, a great many elderly spinsters would have been pleased.'

The last words that I have to say concerning Emily are contained in a letter to me from Miss Ellen Nussey.

'So very little is known of Emily Bronte,' she writes, 'that every little detail awakens an interest. Her extreme reserve seemed impenetrable, yet she was intensely lovable; she invited confidence in her moral power. Few people have the gift of looking and smiling as she could look and smile. One of her rare expressive looks was something to remember through life, there was such a depth of soul and feeling, and yet a shyness of revealing herself--a strength of self-containment seen in no other. She was in the strictest sense a law unto herself, and a heroine in keeping to her law. She and gentle Anne were to be seen twined together as united statues of power and humility. They were to be seen with their arms lacing each other in their younger days whenever their occupations permitted their union. On the top of a moor or in a deep glen Emily was a child in spirit for glee and enjoyment; or when thrown entirely on her own resources to do a kindness, she could be vivacious in conversation and enjoy giving pleasure. A spell of mischief also lurked in her on occasions when out on the moors. She enjoyed leading Charlotte where she would not dare to go of her own free-will. Charlotte had a mortal dread of unknown animals, and it was Emily's pleasure to lead her into close vicinity, and then to tell her of how and of what she had done, laughing at her horror with great amusement. If Emily wanted a book she might have left in the sitting-room she would dart in again without looking at any one, especially if any guest were present. Among the curates, Mr. Weightman was her only exception for any conventional courtesy. The ability with which she took up music was amazing; the style, the touch, and the expression was that of a professor absorbed heart and soul in his theme. The two dogs, Keeper and Flossy, were always in quiet waiting by the side of Emily and Anne during their breakfast of Scotch oatmeal and milk, and always had a share handed down to them at the close of the meal. Poor old Keeper, Emily's faithful friend and worshipper, seemed to understand her like a human being. One evening, when the four friends were sitting closely round the fire in the sitting-room, Keeper forced himself in between Charlotte and Emily and mounted himself on Emily's lap; finding the space too limited for his comfort he pressed himself forward on to the guest's knees, making himself quite comfortable. Emily's heart was won by the unresisting endurance of the visitor, little guessing that she herself, being in close contact, was the inspiring cause of submission to Keeper's preference. Sometimes Emily would delight in showing off Keeper--make him frantic in action, and roar with the voice of a lion. It was a terrifying exhibition within the walls of an ordinary sitting-room. Keeper was a solemn mourner at Emily's funeral and never recovered his cheerfulness.'