Category: Plays/Films/Dramas

Charles Frohman: Manager and Man

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Chapters

24. Chapter 24

Frohman could pack a world of meaning in a word or a sentence. As Sir Herbert Beerbohm Tree once expressed it, "he was witty with a dry form of humor that takes your breath away...

27. Chapter 27

All right, we'll fix the title. I am glad they are asking about it. About people, they all seem to want Collier salaries. As you have chiefly character parts, and they are so go...

1. Chapter 1

Note: Project Gutenberg also has an HTML version of this file which includes the original illustrations. See 26146-h.htm or 26146-h.zip: (https://www.gutenberg.org/dirs/2/6/1/4/...

23. Chapter 23

By this he meant a curtain that did not leave interest or emotion subdued or declining. He wanted the full sweep of rage, terror, pity, suspense, or anger alive with the end of...

18. Chapter 18

"Where is that _Peter Pan_ model?" When he was told he said: "I want to see it, but do I have to look at anything else in the gallery?" On being assured that he did not, he said...

21. Chapter 21

Back in Charles's mind was a definite and well-ordered policy about plays. His first production on any stage was a melodrama, and, though in later years he ran the whole range f...

20. Chapter 20

Now began the last of the chain of dramatic events which ended in death. As soon as "The Hyphen" was announced, Frohman began to get threatening letters warning him that it woul...

4. Chapter 4

Charles was already planning a series of benefits for volunteer firemen and widows and orphans in future towns. It was a case of "anything to get a crowd." He hesitated a moment...

3. Chapter 3

Thus it came about that from a little Iowa town there flashed back to New York on a memorable morning in January, 1877, the following telegram from Gustave to Charles Frohman:

25. Chapter 25

He thereupon got "The Red Mill," acquired Montgomery and Stone, and thus began a new and brilliant managerial career. No one rejoiced over Dillingham's success more than Frohman...

7. Chapter 7

The season of 1883-84 had seen Charles Frohman launched as independent manager. He had at its conclusion cut his managerial teeth on the last of three productions which, while n...

26. Chapter 26

Scott started to put one of the life-preservers on Frohman, who protested. Finally, with great reluctance, he acquiesced. There was no belt left for Scott. Frohman insisted that...

15. Chapter 15

While the star of Maude Adams rose high in the theatrical heaven, another lovely luminary was about to appear over the horizon. The moment was at hand when Charles Frohman was t...

2. Chapter 2

But Charles became quite discriminating. Every Saturday night he went down to the old Theatre Comique, where Harrigan and Hart were serving their apprenticeship for the career w...

17. Chapter 17

In the case of Edna May there could be no star-making. The spectacular rise of this charming girl from the chorus to the most-talked-of musical comedy role in the English-speaki...

22. Chapter 22

In the towns of Kent we got on the trail of Dickens with the enthusiasm of a Hopkinson Smith; in London, between Drury Lane and Wardour Street, we hunted for the Old Curiosity S...

16. Chapter 16

In presenting Clara Bloodgood as star in Clyde Fitch's play "The Girl with the Green Eyes," Frohman achieved another one of his many sensations. The smart, charming girl who had...

6. Chapter 6

During these days Charles gave frequent evidence of his tact and persuasiveness. Often when matters of policy had to be fixed and discussed, the managers of out-of-town theaters...

12. Chapter 12

A unique feature of the first night's performance of "Romeo and Juliet" was the presence of Mary Anderson. This distinguished actress, who had just arrived from London for a bri...

8. Chapter 8

As he said this to Dixey the man opposite happened to lower his paper and revealed himself to be the lawyer Frohman had just engaged. He was having a breakfast spree himself wit...

10. Chapter 10

The rehearsals of "Surrender" were marked by many amusing episodes. Maude Bancks, for example, who was playing the part of a Northern girl in a Southern town, had to wear a red...

9. Chapter 9

Before going to Boston he arranged with Al Hayman to take a half-interest in the play. When he reached Boston he went out to the house of Isaac B. Rich, who was then associated...

5. Chapter 5

Here is another episode of those early days that resulted in a life-long and significant friendship. In a Philadelphia newspaper office Charles met a rangy, keen-eyed young man...

19. Chapter 19

On one of Gillette's many trips with him Frohman got up an elaborate supper for Mark Twain at the Savoy and invited a brilliant group of celebrities, including all three of the...

13. Chapter 13

Never, perhaps, in the history of the American stage was the advent of a play so long heralded. The name "Chantecler" was on every tongue. Long before the piece was launched hat...

11. Chapter 11

The Empire Theater now became the nerve-center of the Charles Frohman interests. He established his offices on the third floor, and there they remained until his death. He pract...

14. Chapter 14

Frohman now engaged Gillette to make the adaptation, but he said absolutely nothing about the condition that Doyle had made. Gillette, as most American theater-goers know, wove...

28. Chapter 28

Who are you and who am I that can decide the financial value of this play? The most extraordinary plays succeed, and many that deserve a better fate fail; so how are we to know...

29. Chapter 29

The following is the complete list of productions made by Charles Frohman in England, either alone or in collaboration with other managers, such as the Gattis, George Edwardes,...