Chapter 36

Is one whose want of money and want of wit have engaged him beyond his abilities. The little knowledge he has of himself, being suitable to the little he has in his profession, has made him believe himself fit for it. This double ignorance has made him set a value upon himself, as he that wants a great deal appears in a better condition than he that wants a little. This renders him confident and fit for any undertaking, and sometimes (such is the concurrent ignorance of the world) he prospers in it, but oftener miscarries and becomes ridiculous; yet this advantage he has, that as nothing can make him see his error, so nothing can discourage him that way, for he is fortified with his ignorance, as barren and rocky places are by their situation, and he will rather believe that all men want judgment than himself. For, as no man is pleased that has an ill opinion of himself, Nature, that finds out remedies herself, and his own ease, render him insensible of his defects. From hence he grows impudent; for, as men judge by comparison, he knows as little what it is to be defective as what it is to be excellent. Nothing renders men modest but a just knowledge how to compare themselves with others; and where that is wanting impudence supplies the place of it, for there is no vacuum in the minds of men, and commonly, like other things in Nature, they swell more with rarefaction than condensation. The more men know of the world, the worse opinion they have of it; and the more they understand of truth, they are better acquainted with the difficulties of it, and consequently are the less confident in their assertions, especially in matters of probability, which commonly is squint-eyed and looks nine ways at once. It is the office of a just judge to hear both parties, and he that considers but the one side of things can never make a just judgment, though he may by chance a true one. Impudence is the bastard of ignorance, not only unlawfully but incestuously begotten by a man upon his own understanding, and laid by himself at his own door, a monster of unnatural production; for shame is as much the propriety of human nature, though overseen by the philosophers, and perhaps more than reason, laughing, or looking asquint, by which they distinguish man from beasts; and the less men have of it the nearer they approach to the nature of brutes. Modesty is but a noble jealousy of honour, and impudence the prostitution of it; for he whose face is proof against infamy must be as little sensible of glory. His forehead, like a voluntary cuckold's, is by his horns made proof against a blush. Nature made man barefaced, and civil custom has preserved him so; but he that's impudent does wear a vizard more ugly and deformed than highway thieves disguise themselves with. Shame is the tender moral conscience of good men. When there is a crack in the skull, Nature herself, with a tough horny callous repairs the breach; so a flawed intellect is with a brawny callous face supplied. The face is the dial of the mind; and where they do not go together, 'tis a sign that one or both are out of order. He that is impudent is like a merchant that trades upon his credit without a stock, and if his debts were known would break immediately. The inside of his head is like the outside, and his peruke as naturally of his own growth as his wit. He passes in the world like a piece of counterfeit coin, looks well enough until he is rubbed and worn with use, and then his copper complexion begins to appear, and nobody will take him but by owl-light.

AN IMITATOR

Is a counterfeit stone, and the larger and fairer he appears the more apt he is to be discovered; whilst small ones, that pretend to no great value, pass unsuspected. He is made like a man in arras-hangings, after some great master's design, though far short of the original. He is like a spectrum or walking spirit, that assumes the shape of some particular person and appears in the likeness of something that he is not because he has no shape of his own to put on. He has a kind of monkey and baboon wit, that takes after some man's way whom he endeavours to imitate, but does it worse than those things that are naturally his own; for he does not learn, but take his pattern out, as a girl does her sampler. His whole life is nothing but a kind of education, and he is always learning to be something that he is not nor ever will be. For Nature is free, and will not be forced out of her way, nor compelled to do anything against her own will and inclination. He is but a retainer to wit and a follower of his master, whose badge he wears everywhere, and therefore his way is called servile imitation. His fancy is like the innocent lady's, who, by looking on the picture of a Moor that hung in her chamber, conceived a child of the same complexion; for all his conceptions are produced by the pictures of other men's imaginations, and by their features betray whose bastards they are. His Muse is not inspired, but infected with another man's fancy; and he catches his wit, like the itch, of somebody else that had it before, and when he writes he does but scratch himself. His head is, like his hat, fashioned upon a block and wrought in a shape of another man's invention. He melts down his wit and casts it in a mould; and as metals melted and cast are not so firm and solid as those that are wrought with the hammer, so those compositions that are founded and run in other men's moulds are always more brittle and loose than those that are forged in a man's own brain. He binds himself apprentice to a trade which he has no stock to set up with, if he should serve out his time and live to be made free. He runs a-whoring after another man's inventions, for he has none of his own to tempt him to an incontinent thought, and begets a kind of mongrel breed that never comes to good.

A SOT

Has found out a way to renew not only his youth, but his childhood, by being stewed, like old Aeson, in liquor; much better than the virtuoso's way of making old dogs young again, for he is a child again at second hand, never the worse for the wearing, but as purely fresh, simple, and weak as he was at first. He has stupefied his senses by living in a moist climate, according to the poet, _Boeotum in crasso jurares aëre natum_. He measures his time by glasses of wine, as the ancients did by water-glasses; and as Hermes Trismegistus is said to have kept the first account of hours by the pissing of a beast dedicated to Serapis, he revives that custom in his own practice, and observes it punctually in passing his time. He is like a statue placed in a moist air; all the lineaments of humanity are mouldered away, and there is nothing left of him but a rude lump of the shape of a man, and no one part entire. He has drowned himself in a butt of wine, as the Duke of Clarence was served by his brother. He has washed down his soul and pissed it out, and lives now only by the spirit of wine or brandy, or by an extract drawn off his stomach. He has swallowed his humanity and drunk himself into a beast, as if he had pledged Madam Circe and done her right. He is drowned in a glass like a fly, beyond the cure of crumbs of bread or the sunbeams. He is like a springtide; when he is drunk to his high-water-mark he swells and looks big, runs against the stream, and overflows everything that stands in his way; but when the drink within him is at an ebb, he shrinks within his banks and falls so low and shallow that cattle may pass over him. He governs all his actions by the drink within him, as a Quaker does by the light within him; has a different humour for every nick his drink rises to, like the degrees of the weather-glass; and proceeds from ribaldry and bawdry to politics, religion, and quarrelling, until it is at the top, and then it is the dog-days with him; from whence he falls down again until his liquor is at the bottom, and then he lies quiet and is frozen up.

A JUGGLER

Is an artificial magician, that with his fingers casts a mist before the eyes of the rabble and makes his balls walk invisible which way he pleases. He does his feats behind a table, like a Presbyterian in a conventicle, but with much more dexterity and cleanliness, and therefore all sorts of people are better pleased with him. Most professions and mysteries derive the practice of all their faculties from him, but use them with less ingenuity and candour; for the more he deceives those he has to do with the better he deals with them; while those that imitate him in a lawful calling are far more dishonest, for the more they impose the more they abuse. All his cheats are primitive, and therefore more innocent and of greater purity than those that are by tradition from hand to hand derived to them; for he conveys money out of one man's pocket into another's with much more sincerity and ingenuity than those that do it in a legal way, and for a less considerable, though more conscientious, reward. He will fetch money out of his own throat with a great deal more of delight and satisfaction to those that pay him for it than any haranguer whatsoever, and make it chuck in his throat better than a lawyer that has talked himself hoarse, and swallowed so many fees that he is almost choked. He will spit fire and blow smoke out of his mouth with less harm and inconvenience to the Government than a seditious holder-forth, and yet all these disown and scorn him, even as men that are grown great and rich despise the meanness of their originals. He calls upon "Presto begone," and the Babylonian's tooth, to amuse and divert the rabble from looking too narrowly into his tricks; while a zealous hypocrite, that calls heaven and earth to witness his, turns up the eye and shakes the head at his idolatry and profanation. He goes the circuit to all country fairs, where he meets with good strolling practice, and comes up to Bartholomew Fair as his Michaelmas term; after which he removes to some great thoroughfare, where he hangs out himself in effigy, like a Dutch malefactor, that all those that pass by may for their money have a trial of his skill. He endeavours to plant himself as near as he can to some puppet-play, monster, or mountebank, as the most convenient situation; and when trading grows scant they join all their forces together and make up one grand show, and admit the cutpurse and balladsinger to trade under them, as orange-women do at a playhouse.

A ROMANCE-WRITER

Pulls down old histories to build them up finer again, after a new model of his own designing. He takes away all the lights of truth in history to make it the fitter tutoress of life; for Truth herself has little or nothing to do in the affairs of the world, although all matters of the greatest weight and moment are pretended and done in her name, like a weak princess that has only the title, and falsehood all the power. He observes one very fit decorum in dating his histories in the days of old and putting all his own inventions upon ancient times; for when the world was younger, it might perhaps love and fight, and do generous things at the rate he describes them; but since it is grown old, all these heroic feats are laid by and utterly given over, nor ever like to come in fashion again; and therefore all his images of those virtues signify no more than the statues upon dead men's tombs, that will never make them live again. He is like one of Homer's gods, that sets men together by the ears and fetches them off again how he pleases; brings armies into the field like Janello's leaden soldiers; leads up both sides himself, and gives the victory to which he pleases, according as he finds it fit the design of his story; makes love and lovers too, brings them acquainted, and appoints meetings when and where he pleases, and at the same time betrays them in the height of all their felicity to miserable captivity, or some other horrid calamity; for which he makes them rail at the gods and curse their own innocent stars when he only has done them all the injury; makes men villains, compels them to act all barbarous inhumanities by his own directions, and after inflicts the cruellest punishments upon them for it. He makes all his knights fight in fortifications, and storm one another's armour before they can come to encounter body for body, and always matches them so equally one with another that it is a whole page before they can guess which is likely to have the better; and he that has it is so mangled that it had been better for them both to have parted fair at first; but when they encounter with those that are no knights, though ever so well armed and mounted, ten to one goes for nothing. As for the ladies, they are every one the most beautiful in the whole world, and that's the reason why no one of them, nor all together with all their charms, have power to tempt away any knight from another. He differs from a just historian as a joiner does from a carpenter; the one does things plainly and substantially for use, and the other carves and polishes merely for show and ornament.

A LIBELLER

Is a certain classic author that handles his subject-matter very ruggedly, and endeavours with his own evil words to corrupt another man's good manners. All his works treat but of two things, his own malice and another man's faults, both which he describes in very proper and pertinent language. He is not much concerned whether what he writes be true or false; that's nothing to his purpose, which aims only at filthy and bitter, and therefore his language is, like pictures of the devil, the fouler the better. He robs a man of his good name, not for any good it will do him (for he dares not own it), but merely, as a jackdaw steals money, for his pleasure. His malice has the same success with other men's charity, to be rewarded in private; for all he gets is but his own private satisfaction and the testimony of an evil conscience; for which, if it be discovered, he suffers the worst kind of martyrdom and is paid with condign punishment, so that at the best he has but his labour for his pains. He deals with a man as the Spanish Inquisition does with heretics, clothes him in a coat painted with hellish shapes of fiends, and so shows him to the rabble to render him the more odious. He exposes his wit like a bastard, for the next comer to take up and put out to nurse, which it seldom fails of, so ready is every man to contribute to the infamy of another. He is like the devil, that sows tares in the dark, and while a man sleeps plants weeds among his corn. When he ventures to fall foul on the Government or any great persons, if he has not a special care to keep himself, like a conjurer, safe in his circle, he raises a spirit that falls foul on himself and carries him to limbo, where his neck is clapped up in the hole, out of which it is never released until he has paid his ears down on the nail for fees. He is in a worse condition than a schoolboy, for when he is discovered he is whipped for his exercise, whether it be well or ill done; so that he takes a wrong course to show his wit, when his best way to do so is to conceal it; otherwise he shows his folly instead of his wit, and pays dear for the mistake.

A FACTIOUS MEMBER

Is sent out laden with the wisdom and politics of the place he serves for, and has his own freight and custom free. He is trusted like a factor to trade for a society, but endeavours to turn all the public to his own private advantages. He has no instructions but his pleasure, and therefore strives to have his privileges as large. He is very wise in his politic capacity as having a full share in the House and an implicit right to every man's reason, though he has none of his own, which makes him appear so simple out of it. He believes all reason of State consists in faction, as all wisdom in haranguing, of which he is so fond that he had rather the nation should perish than continue ignorant of his great abilities that way; though he that observes his gestures, words, and delivery will find them so perfectly agreeable to the rules of the House that he cannot but conclude he learnt his oratory the very same way that jackdaws and parrots practise by; for he coughs and spits and blows his nose with that discreet and prudent caution that you would think he had buried his talent in a handkerchief, and were now pulling it out to dispose of it to a better advantage. He stands and presumes so much upon the privileges of the House, as if every member were a tribune of the people and had as absolute power as they had in Rome, according to the lately established fundamental custom and practice of their quartered predecessors of unhappy memory. He endeavours to show his wisdom in nothing more than in appearing very much unsatisfied with the present manage of State affairs, although he knows nothing of the reasons. So much the better, for the thing is the more difficult, and argues his judgment and insight the greater; for any man can judge that understands the reasons of what he does, but very few know how to judge mechanically without understanding why or wherefore. It is sufficient to assure him that the public money has been diverted from the proper uses it was raised for because he has had no share of it himself, and the government ill managed because he has no hand in it, which, truly, is a very great grievance to the people, that understand, by himself and his party, that are their representatives, and ought to understand for them how able he is for it. He fathers all his own passions and concerns, like bastards, on the people, because, being entrusted by them without articles or conditions, they are bound to acknowledge whatsoever he does as their own act and deed.

A PLAY-WRITER

Of our times is like a fanatic, that has no wit in ordinary easy things, and yet attempts the hardest task of brains in the whole world, only because, whether his play or work please or displease, he is certain to come off better than he deserves, and find some of his own latitude to applaud him, which he could never expect any other way, and is as sure to lose no reputation, because he has none to venture:--

Like gaming rooks, that never stick To play for hundreds upon tick, 'Cause, if they chance to lose at play, They've not one halfpenny to pay; And, if they win a hundred pound, Gain, if for sixpence they compound.

Nothing encourages him more in his undertaking than his ignorance, for he has not wit enough to understand so much as the difficulty of what he attempts; therefore he runs on boldly like a foolhardy wit, and Fortune, that favours fools and the bold, sometimes takes notice of him for his double capacity, and receives him into her good graces. He has one motive more, and that is the concurrent ignorant judgment of the present age, in which his sottish fopperies pass with applause, like Oliver Cromwell's oratory among fanatics of his own canting inclination. He finds it easier to write in rhyme than prose, for the world being over-charged with romances, he finds his plots, passions, and repartees ready made to his hand, and if he can but turn them into rhyme the thievery is disguised, and they pass for his own wit and invention without question, like a stolen cloak made into a coat or dyed into another colour. Besides this, he makes no conscience of stealing anything that lights in his way, and borrows the advice of so many to correct, enlarge, and amend what he has ill-favouredly patched together, that it becomes like a thing drawn by counsel, and none of his own performance, or the son of a whore that has no one certain father. He has very great reason to prefer verse before prose in his compositions; for rhyme is like lace, that serves excellently well to hide the piecing and coarseness of a bad stuff, contributes mightily to the bulk, and makes the less serve by the many impertinences it commonly requires to make way for it, for very few are endowed with abilities to bring it in on its own account. This he finds to be good husbandry and a kind of necessary thrift, for they that have but a little ought to make as much of it as they can. His prologue, which is commonly none of his own, is always better than his play, like a piece of cloth that's fine in the beginning and coarse afterwards; though it has but one topic, and that's the same that is used by malefactors, when they are to be tried, to except against as many of the jury as they can.

A MOUNTEBANK

Is an epidemic physician, a doctor-errant, that keeps himself up by being, like a top, in motion, for if he should settle he would fall to nothing immediately. He is a pedlar of medicines, a petty chapman of cures, and tinker empirical to the body of man. He strolls about to markets and fairs, where he mounts on the top of his shop, that is his bank, and publishes his medicines as universal as himself; for everything is for all diseases, as himself is of all places--that is to say, of none. His business is to show tricks and impudence. As for the cure of diseases, it concerns those that have them, not him, further than to get their money. His pudding is his setter that lodges the rabble for him, and then slips him, who opens with a deep mouth, and has an ill day if he does not run down some. He baits his patient's body with his medicines, as a rat-catcher does a room, and either poisons the disease or him. As soon as he has got all the money and spent all the credit the rabble could spare him, he then removes to fresh quarters where he is less known and better trusted. If but one in twenty of his medicines hit by chance, when nature works the cure, it saves the credit of all the rest, that either do no good or hurt; for whosoever recovers in his hands, he does the work under God; but if he die, God does it under him: his time was come, and there's an end. A velvet jerkin is his prime qualification, by which he is distinguished from his pudding, as he is with his cap from him. This is the usher of his school, that draws the rabble together, and then he draws their teeth. He administers physic with a farce, and gives his patients a preparative of dancing on the rope, to stir the humours and prepare them for evacuation. His fool serves for his foil, and sets him off as well as his bragging and lying. The first thing he vents is his own praise, and then his medicines wrapped up in several papers and lies. He mounts his bank as a vaulter does his wooden horse, and then shows tricks for his patients, as apes do for the King of Spain. He casts the nativity of urinals, and tries diseases, like a witch, by water. He bails the place with a jig, draws the rabble together, and then throws his hook among them. He pretends to universal medicines; that is, such as, when all men are sick together, will cure them all, but till then no one in particular.

A WITTOL