Chapter 23

A wanton woman is the figure of imperfection; in nature an ape, in quality a wagtail, in countenance a witch, and in condition a kind of devil. Her beck is a net, her word a charm, her look an illusion, and her company a confusion. Her life is the play of idleness, her diet the excess of dainties, her love the change of vanities, and her exercise the invention of follies. Her pleasures are fancies, her studies fashions, her delight colours, and her wealth her clothes. Her care is to deceive, her comfort her company, her house is vanity, and her bed is ruin. Her discourses are fables, her vows dissimulations, her conceits subtleties, and her contents varieties. She would she knows not what, and spends she cares not what, she spoils she sees not what, and doth she thinks not what. She is youth's plague and age's purgatory, time's abuse and reason's trouble. In sum, she is a spice of madness, a spark of mischief, a touch of poison, and a fear of destruction.

A QUIET WOMAN.

A quiet woman is like a still wind, which neither chills the body nor blows dust in the face. Her patience is a virtue that wins the heart of love, and her wisdom makes her will well worthy regard. She fears God and flieth sin, showeth kindness and loveth peace. Her tongue is tied to discretion, and her heart is the harbour of goodness. She is a comfort of calamity and in prosperity a companion, a physician in sickness and a musician in help. Her ways are the walk toward heaven, and her guide is the grace of the Almighty. She is her husband's down-bed, where his heart lies at rest, and her children's glass in the notes of her grace; her servants' honour in the keeping of her house, and her neighbours' example in the notes of a good nature. She scorns fortune and loves virtue, and out of thrift gathereth charity. She is a turtle in her love, a lamb in her meekness, a saint in her heart, and an angel in her soul. In sum, she is a jewel unprizeable and a joy unspeakable, a comfort in nature incomparable, and a wife in the world unmatchable.

AN UNQUIET WOMAN.

An unquiet woman is the misery of man, whose demeanour is not to be described but in extremities. Her voice is the screeching of an owl, her eye the poison of a cockatrice, her hand the claw of a crocodile, and her heart a cabinet of horror. She is the grief of nature, the wound of wit, the trouble of reason, and the abuse of time. Her pride is unsupportable, her anger unquenchable, her will unsatiable, and her malice unmatchable. She fears no colours, she cares for no counsel, she spares no persons, nor respects any time. Her command is _must_, her reason _will_, her resolution _shall_, and her satisfaction _so_. She looks at no law and thinks of no lord, admits no command and keeps no good order. She is a cross but not of Christ, and a word but not of grace; a creature but not of wisdom, and a servant but not of God. In sum, she is the seed of trouble, the fruit of travail, the taste of bitterness, and the digestion of death.

A GOOD WIFE.

A good wife is a world of wealth, where just cause of content makes a kingdom in conceit. She is the eye of wariness, the tongue of silence, the hand of labour, and the heart of love; a companion of kindness, a mistress of passion, an exercise of patience, and an example of experience. She is the kitchen physician, the chamber comfort, the hall's care, and the parlour's grace. She is the dairy's neatness, the brew-house's wholesomeness, the garner's provision and the garden's plantation. Her voice is music, her countenance meekness, her mind virtuous, and her soul gracious. She is her husband's jewel, her children's joy, her neighbour's love, and her servant's honour. She is poverty's prayer and charity's praise, religion's love and devotion's zeal. She is a care of necessity and a course of thrift, a book of housewifery and a mirror of modesty. In sum, she is God's blessing and man's happiness, earth's honour and heaven's creature.

AN EFFEMINATE FOOL.

An effeminate fool is the figure of a baby. He loves nothing but gay, to look in a glass, to keep among wenches, and to play with trifles; to feed on sweetmeats and to be danced in laps, to be embraced in arms, and to be kissed on the cheek; to talk idly, to look demurely, to go nicely, and to laugh continually; to be his mistress' servant, and her maid's master, his father's love and his mother's none-child; to play on a fiddle and sing a love-song; to wear sweet gloves and look on fine things; to make purposes and write verses, devise riddles and tell lies; to follow plays and study dances, to hear news and buy trifles; to sigh for love and weep for kindness, and mourn for company and be sick for fashion; to ride in a coach and gallop a hackney, to watch all night and sleep out the morning; to lie on a bed and take tobacco, and to send his page of an idle message to his mistress; to go upon gigs, to have his ruffs set in print, to pick his teeth, and play with a puppet. In sum, he is a man-child and a woman's man, a gaze of folly, and wisdom's grief.

A PARASITE.

A parasite is the image of iniquity, who for the gain of dross is devoted to all villainy. He is a kind of thief in committing of burglary, when he breaks into houses with his tongue and picks pockets with his flattery. His face is brazen that he cannot blush, and his hands are limed to catch hold what he can light on. His tongue is a bell (but not of the church, except it be the devil's) to call his parish to his service. He is sometimes a pander to carry messages of ill meetings, and perhaps hath some eloquence to persuade sweetness in sin. He is like a dog at a door while the devils dance in the chamber, or like a spider in the house-top that lives on the poison below. He is the hate of honesty and the abuse of beauty, the spoil of youth and the misery of age. In sum, he is a danger in a court, a cheater in a city, a jester in the country, and a jackanapes in all.

A DRUNKARD.

A drunkard is a known adjective, for he cannot stand alone by himself; yet in his greatest weakness a great trier of strength, whether health or sickness will have the upper hand in a surfeit. He is a spectacle of deformity and a shame of humanity, a view of sin and a grief of nature. He is the annoyance of modesty and the trouble of civility, the spoil of wealth and the spite of reason. He is only the brewer's agent and the alehouse benefactor, the beggar's companion and the constable's trouble. He is his wife's woe, his children's sorrow, his neighbours' scoff, and his own shame. In sum, he is a tub of swill, a spirit of sleep, a picture of a beast, and a monster of a man.

A COWARD.

A coward is the child of fear. He was begotten in cold blood, when Nature had much ado to make up a creature like a man. His life is a kind of sickness, which breeds a kind of palsy in the joints, and his death the terror of his conscience, with the extreme weakness of his faith. He loves peace as his life, for he fears a sword in his soul. If he cut his finger he looketh presently for the sign, and if his head ache he is ready to make his will. A report of a cannon strikes him flat on his face, and a clap of thunder makes him a strange metamorphosis. Rather than he will fight he will be beaten, and if his legs will help him he will put his arms to no trouble. He makes love commonly with his purse, and brags most of his maidenhead. He will not marry but into a quiet family, and not too fair a wife, to avoid quarrels. If his wife frown upon him he sighs, and if she give him an unkind word he weeps. He loves not the horns of a bull nor the paws of a bear, and if a dog bark he will not come near the house. If he be rich he is afraid of thieves, and if he be poor he will be slave to a beggar. In sum, he is the shame of manhood, the disgrace of nature, the scorn of reason, and the hate of honour.

AN HONEST POOR MAN.

An honest poor man is the proof of misery, where patience is put to the trial of her strength to endure grief without passion, in starving with concealed necessity, or standing in the adventures of charity. If he be married, want rings in his ears and woe watereth his eyes. If single, he droppeth with the shame of beggary, or dies with the passion of penury. Of the rich he is shunned like infection, and of the poor learns but a heart-breaking profession. His bed is the earth and the heaven is his canopy, the sun is his summer's comfort and the moon is his winter candle. His sighs are the notes of his music, and his song is like the swan before her death. His study, his patience; and his exercise, prayer: his diet the herbs of the earth, and his drink the water of the river. His travel is the walk of the woful and his horse Bayard of ten toes: his apparel but the clothing of nakedness, and his wealth but the hope of heaven. He is a stranger in the world, for no man craves his acquaintance; and his funeral is without ceremony, when there is no mourning for the miss of him: yet may he be in the state of election and in the life of love, and more rich in grace than the greatest of the world. In sum, he is the grief of Nature, the sorrow of reason, the pity of wisdom, and the charge of charity.

A JUST MAN.

A just man is the child of truth, begotten by virtue and kindness; when Nature in the temper of the spirit made even the balance of indifference. His eye is clear from blindness and his hand from bribery, his will from wilfulness and his heart from wickedness; his word and deed are all one; his life shows the nature of his love, his care is the charge of his conscience, and his comfort the assurance of his salvation. In the seat of justice he is the grace of the law, and in the judgment of right the honour of reason. He fears not the power of authority to equal justice with mercy, and joys but in the judgment of grace, to see the execution of justice. His judgment is worthy of honour, and his wisdom is gracious in truth. His honour is famous in virtue, and his virtue is precious in example. In sum, he is a spirit of understanding, a brain of knowledge, a heart of wisdom, and a soul of blessedness.

A REPENTANT SINNER.

A repentant sinner is the child of grace, who, being born for service of God, makes no reckoning of the mastership of the world, yet doth he glorify God in the beholding of His creatures, and in giving praise to His holy name in the admiration of His workmanship. He is much of the nature of an angel who, being sent into the world but to do the will of his Master, is ever longing to be at home with his fellows. He desires nothing but that is necessary, and delighteth in nothing that is transitory; but contemplates more than he can conceive, and meditates only upon the word of the Almighty. His senses are the tirers of his spirit, while in the course of nature his soul can find no rest. He shakes off the rags of sin, and is clothed with the robe of virtue. He puts off Adam, and puts on Christ. His heart is the anvil of truth, where the brain of his wisdom beats the thoughts of his mind till they be fit for the service of his Maker. His labour is the travail of love, by the rule of grace to find the highway to heaven. His fear is greater than his love of the world, and his love is greater than his fear of God. In sum, he is in the election of love, in the books of life, an angel incarnate and a blessed creature.

A REPROBATE.

A reprobate is the child of sin who, being born for the service of the devil, cares not what villainy he does in the world. His wit is always in a maze, for his courses are ever out of order; and while his will stands for his wisdom, the best that falls out of him is a fool. He betrays the trust of the simple, and sucks out the blood of the innocent. His breath is the fume of blasphemy, and his tongue the firebrand of hell His desires are the destruction of the virtuous, and his delights are the traps to damnation. He bathes in the blood of murder, and sups up the broth of iniquity. He frighteth the eyes of the godly, and disturbeth the hearts of the religious. He marreth the wits of the wise, and is hateful to the souls of the gracious. In sum, he is an inhuman creature, a fearful companion, a man-monster, and a devil incarnate.

AN OLD MAN.

An old man is the declaration of time in the defect of Nature, and the imperfection of sense in the use of reason. He is in the observation of Time, a calendar of experience; but in the power of action, he is a blank among lots. He is the subject of weakness, the agent of sickness, the displeasure of life, and the forerunner of death. He is twice a child and half a man, a living picture, and a dying creature. He is a blown bladder that is only stuffed with wind, and a withered tree that hath lost the sap of the root, or an old lute with strings all broken, or a ruined castle that is ready to fall. He is the eyesore of youth and the jest of love, and in the fulness of infirmity the mirror of misery. Yet in the honour of wisdom he may be gracious in gravity, and in the government of justice deserve the honour of reverence. Yea, his word may be notes for the use of reason, and his actions examples for the imitation of discretion. In sum, in whatsoever estate he is but as the snuff of a candle, that pink it ever so long it will out at last.

A YOUNG MAN.

A young man is the spring of time, when nature in her pride shows her beauty to the world. He is the delight of the eye and the study of the mind, the labour of instruction and the pupil of reason. His wit is in making or marring, his wealth in gaining or losing, his honour in advancing or declining, and his life in abridging or increasing. He is a bloom that either is blasted in the bud or grows to a good fruit, or a bird that dies in the nest or lives to make use of her wings. He is a colt that must have a bridle ere he be well managed, and a falcon that must be well maned or he will never be reclaimed. He is the darling of nature and the charge of reason, the exercise of patience and the hope of charity. His exercise is either study or action, and his study either knowledge or pleasure. His disposition gives a great note of his generation, and yet his breeding may either better or worse him, though to wish a blackamoor white be the loss of labour, and what is bred in the bone will never out of the flesh. In sum, till experience have seasoned his understanding, he is rather a child than a man, a prey of flattery or a praise of providence, in the way of grace to prove a saint, or in the way of sin to grow a devil.

A HOLY MAN.

A holy man is the chiefest creature in the workmanship of the world. He is the highest in the election of love, and the nearest to the image of the human nature of his Maker. He is served of all the creatures in the earth, and created but for the service of his Creator. He is capable of the course of nature, and by the rule of observation finds the art of reason. His senses are but servants to his spirit, which is guided by a power above himself. His time is only known to the eye of the Almighty, and what he is in his most greatness is as nothing but in His mercy. He makes law by the direction of life, and lives but in the mercy of love. He treads upon the face of the earth till in the same substance he be trod upon, though his soul that gave life to his senses live in heaven till the resurrection of his flesh. He hath an eye to look upward towards grace, while labour is only the punishment of sin. His faith is the hand of his soul, which layeth hold on the promise of mercy. His patience is the tenure of the possession of his soul, his charity the rule of his life, and his hope the anchor of his salvation. His study is the state of obedience, and his exercise the continuance of prayer; his life but a passage to a better, and his death the rest of his labours. His heart is a watch to his eye, his wit a door to his mouth, his soul a guard to his spirit, and his limbs are but labourers for his body. In sum, he is ravished with divine love, hateful to the nature of sin, troubled with the vanities of the world, and longing for his joy but in heaven.

GEOFFREY MINSHULL.

_After "The Good and the Bad" published in 1616, came, in 1618, "Essays and Characters of a Prison and Prisoners, by G. M. of Grayes Inn, Gent." G.M. signed his name in full--Geffray Minshul--after the Dedication to his uncle, Mr. Matthew Mainwaring of Nantwich, Cheshire, and he dates from the King's Bench Prison. Philip Bliss found record in a History of Nantwich of a monument there in St. Mary's Church, erected by Geoffrey Minshull of Stoke, Esq., to the memory of his ancestors. He quotes also from Geoffrey Minshull's Characters the folloiuing passage from the Dedication, and the Character of a Prisoner._

FROM THE DEDICATION OF "ESSAYS AND CHARACTERS OF A PRISON AND PRISONERS."

"Since my coming into this prison, what with the strangeness of the place and strictness of my liberty, I am so transported that I could not follow that study wherein I took great delight and chief pleasure, and to spend my time idly would but add more discontentments to my troubled breast, and being in this chaos of discontentments, fantasies must arise, which will bring forth the fruits of an idle brain, for _e malis minimum_. It is far better to give some account of time, though to little purpose, than none at all. To which end I gathered a handful of essays, and few characters of such things as by my own experience I could say _Probatum est:_ not that thereby I should either please the reader, or show exquisiteness of invention, or curious style; seeing what I write of is but the child of sorrow, bred by discontentments and nourished up with misfortunes, to whose help melancholy Saturn gave his judgment, the night-bird her invention, and the ominous raven brought a quill taken from his own wing, dipped in the ink of misery, as chief aiders in this architect of sorrow."

A CHARACTER OF A PRISONER.

A prisoner is an impatient patient, lingering under the rough hands of a cruel physician: his creditor having cast his water knows his disease, and hath power to cure him, but takes more pleasure to kill him. He is like Tantalus, who hath freedom running by his door, yet cannot enjoy the least benefit thereof. His greatest grief is that his credit was so good and now no better. His land is drawn within the compass of a sheep's skin, and his own hand the fornication that bars him of entrance: he is fortune's tossing-ball, an object that would make mirth melancholy: to his friends an abject, and a subject of nine days' wonder in every barber's shop, and a mouthful of pity (that he had no better fortune) to midwives and talkative gossips; and all the content that this transitory life can give him seems but to flout him, in respect the restraint of liberty bars the true use. To his familiars he is like a plague, whom they dare scarce come nigh for fear of infection; he is a monument ruined by those which raised him, he spends the day with a _hei mihi! væ miserum!_ and the night with a _nullis est medicabilis herbis._

HENRY PARROT [?].

_In 1626--year of the death of Francis Bacon--appeared "Cures for the Itch; Characters, Epigrams, Epitaphs by H. P." with the motto "Scalpat qui Tangitur." H. P. was read by Philip Bliss into Henry Parrot, who published a collection of epigrams in 1613, as "Laquei Ridiculosi, or Springes for Woodcocks." The Characters in this little volume are of a Ballad Maker, a Tapster, a Drunkard, a Rectified Young Man, a Young Novice's New Younger Wife, a Common Fiddler, a Broker, a Jovial Good Fellow, a Humourist, a Malapert Young Upstart, a Scold, a Good Wife, and a Self-Conceited Parcel-Witted Old Dotard._

A SCOLD

Is a much more heard of, than least desired to be seen or known, she-kind of serpent; the venomed sting of whose poisonous tongue, worse than the biting of a scorpion, proves more infectious far than can be cured. She's of all other creatures most untameablest, and covets more the last word in scolding than doth a combater the last stroke for victory. She loudest lifts it standing at her door, bidding, with exclamation, flat defiance to any one says black's her eye. She dares appear before any justice, nor is least daunted with the sight of constable, nor at worst threatenings of a cucking-stool. There's nothing mads or moves her more to outrage than but the very naming of a wisp, or if you sing or whistle when she is scolding. If any in the interim chance to come within her reach, twenty to one she scratcheth him by the face; or do but offer to hold her hands, she'll presently begin to cry out murder. There's nothing pacifies her but a cup of sack, which taking in full measure of digestion, she presently forgets all wrongs that's done her, and thereupon falls straight a-weeping. Do but entreat her with fair words, or flatter her, she then confesseth all her imperfections, and lays the guilt upon her maid. Her manner is to talk much in her sleep, what wrongs she hath endured of that rogue her husband, whose hap may be in time to die a martyr; and so I leave them.

A GOOD WIFE

Is a world of happiness, that brings with it a kingdom in conceit, and makes a perfect adjunct in society; she's such a comfort as exceeds content, and proves so precious as cannot be paralleled, yea more inestimable than may be valued. She's any good man's better second self, the very mirror of true constant modesty, the careful housewife of frugality, and dearest object of man's heart's felicity. She commands with mildness, rules with discretion, lives in repute, and ordereth all things that are good or necessary. She's her husband's solace, her house's ornament, her children's succour, and her servant's comfort. She's (to be brief) the eye of wariness, the tongue of silence, the hand of labour, and the heart of love. Her voice is music, her countenance meekness, her mind virtuous, and her soul gracious. She's a blessing given from God to man, a sweet companion in his affliction, and joint-copartner upon all occasions. She's (to conclude) earth's chiefest paragon, and will be, when she dies, heaven's dearest creature.

* * * * *

_In_ 1629_ appeared sixteen pieces in fifty-six pages entitled "Micrologia, Characters or Essayes, of Persons, Trades, and Places, offered to the City and Country, by R. M." There was an "R. M." who wrote from the coast of Guiana in November 1817 "Newes of Sir W. Raleigh. With the true Description of Guiana: as also relation of the excellent Government, and much hope of the prosperity of the Voyage. Sent from a gentleman of his Fleet (R. M.) to a most especiall Friend of his in London. From the River of Caliana on the Coast of Guiana, Novemb._ 17, 1617," _published in 1618. The Characters of Persons and Trades in "Micrologia" are: a Fantastic Tailor, a Player, a Shoemaker, a Ropemaker, a Smith, a Tobacconist, a Cunning Woman, a Cobbler, a Tooth-drawer, a Tinker, a Fiddler, a Cunning Horse-Courser; and of Places, Bethlem, Ludgate, Bridewell, Newgate.

This is R. M.'s character of a Player--_

PLAYER