Chapter 20

"It's so nice to have seen you both," she said. "No, don't trouble. Mr. Quinn will come with me!"

Lord Jasper had gone on in front to find his car, and Lady Cecily and Henry walked down the room together until they came to the courtyard where the car was waiting for them.

"Tell Gilbert I'm angry with him," she said. "He must come and see me soon and tell me how sorry he is. You'll come, too, perhaps, Mr. Quinn!"

He found his tongue suddenly. "I will, Lady Cecily," he said. "I'll come even if he doesn't. I've enjoyed to-night tremendously...."

"Have you, Mr. Quinn?"

"Yes...."

"I say, come along," Lord Jasper shouted to them.

"Poor Jimphy's getting fractious. You can tell me how much you've enjoyed to-night when we meet again!"

He took her to the car, and watched her as she gathered her skirts about her and climbed inside.

"Can't we drop you at your house!" said Lord Jasper. "It won't be any trouble to do so!"

"No, thanks," Henry replied. "I'd rather walk home. It's such a beautiful night!"

Lord Jasper followed Lady Cecily into the car. "You're a romantic chap, Quinn!" he said, and then, as an afterthought, he added quickly, "I say, we must arrange to go to the Empire together some evening. You're the sort of chap I like...."

Lady Cecily waved her hand to him. As the car moved off he saw her beautiful face leaning against the side of the car, and he longed to take her in his arms and kiss her. Then the car turned, and drove quickly off. He stood for a moment or two looking after it, and continued to stand still even when it had swung out of the courtyard into the Strand. Then he walked slowly away from the restaurant. He had not gone very far when his arm was touched, and, turning round, he saw Gilbert.

6

"Hilloa," he said, "you're late!"

"No, I'm not," Gilbert replied.

"Yes, you are. The Jaynes have gone!"

"I saw them going. I've been here for over half-an-hour, waiting for you!"

"Over half-an-hour! What's up, Gilbert?"

Gilbert put his arm in Henry's and made him move out of the Savoy courtyard. "Come down to the Embankment," he said. "It's quieter there. I want to talk to you!"

"But hadn't we better go home? We can talk on the way. It's late...."

"No. I want to go to the Embankment. Damn it all, Quinny, it's a sentimental place for a heart-to-heart talk, isn't it?"

"You aren't drunk, Gilbert, I suppose?"

"Never so sober in my life, Quinny. Besides, I don't get drunk. People who talk about beer and whisky as much as I do, never get drunk. Come along, there's a good chap!"

"Very well ... only I'm not going to stay long. I'm no good for work the day after I've had a long night...."

"I won't keep you long. How did the supper-party go off?"

"Damnably. Two tame novelists turned up ... Boltt and Lensley!"

"Those asses!"

"Yes. Lensley 'chattered' to Lady Cecily, and Boltt bored and bored and bored.... I took him down a bit. I rubbed in the _Morning Report_ review. The little toad could hardly sit still! Of course, he affected the superior person attitude!"

"God be merciful to him, poor little rat! He wants to be a wicked, hell-for-leather fellow, but he hasn't got the stomach for it! What did Cecily say when I didn't turn up?"

"She looked rather cross. She told me as we came away to tell you she was angry with you. You're to go and apologise to her as soon as possible!"

"Did she?"

"Yes. I say, Gilbert, why didn't you turn up?"

They had reached the Embankment, and they crossed to the riverside and leant against the parapet.

"Because I was afraid to," said Gilbert.

"Afraid to!"

"Yes. Can't you see I'm in love with her?"

"Well, I guessed as much...."

"I love her so much that she can do what she likes with me, and all she likes to do is to destroy me!"

"Destroy you!"

"Yes. If you love Cecily, she demands the whole of your life. Every bit of it. She consumes you.... Oh, I know this sounds like a penny dreadful, Quinny, but it's true. I've asked her to run away with me, but she won't come. She says she hates scandal and she likes her social position. My God, I feel sick when I see Jimphy with her ... like a damned big lobster putting his ... his claws about her. He isn't a bad fellow in his silly way, but I can't stand him as Cecily's husband!"

"I know what you mean," said Henry.

"I thought that if Cecily and I were to go away together, we could get our lives into some sort of perspective, and then I could go on with my work and have her as well, but she won't go away with me. She wants me to hang around, being her lover ... and I can't do that, Quinny. It's mean and furtive, and I hate that. You're always listening for some one coming ... a servant or the husband or some one ... and I can't stand that. If I love a woman, I love her, and I don't want to spend part of my life in pretending that I don't. I loathe myself when I have to change the talk suddenly or move away when a door opens.... Do you understand, Quinny?"

Henry nodded his head, but did not speak.

"Once when I'd been begging Cecily to go away with me, Jimphy walked into the room ... and I had to pretend to be talking about some nasturtiums that Cecily had grown. I felt like a cad. That's what's rotten about loving another man's wife. It's the treachery of the thing, the pretending.... I've often wondered why it is that love of that sort seems so romantic and splendid in books and so damnably mean when it comes into the Divorce Court ... but when I met Cecily I knew why ... it's because of the treachery and the deceit. I used to think that it was beautiful in books because artists were able to see the hidden beauty, and ugly in the Divorce Court because ordinary people only saw the surface things ... but I'm not sure now."

He stopped speaking, but Henry did not speak instead. He did not know what to say; he felt indeed that there was nothing to be said, that he must simply listen. He watched the electric signs on the other side of the river as they spelt out the virtues of Someone's Teas and Another's Whisky, and wondered how long it would be before Gilbert said something else. He was beginning to be bored by the business, and he felt sleepy. He was jealous too, when he thought that Gilbert had kissed Cecily and had been held in her beautiful arms....

"Cecily doesn't mind about the shabbiness of it," he heard Gilbert saying. "We've talked about that, and she says it doesn't matter a bit. All that matters to her is that she shan't be found out ... too publicly anyhow! She called me a prig when I said that I was afraid of tainting my work...."

"Tainting your work?"

"Yes. Perhaps it is priggish of me, but I feel that if I'm mean in one thing I may be mean in another. I'm terribly afraid of doing bad work, Quinny, and I got an idea into my head that if I let taint into my life in one place, I couldn't confine it and it would spread to other places. Do you see? If I let myself get into a rotten position with Cecily, I might write down...."

"I don't see that," said Henry. "Because you love a married woman, it doesn't follow that you'll pot-boil."

"No, perhaps not. But I was afraid of it. I suppose it was priggish of me. That wasn't the only thing, however. I knew that if I did what Cecily wanted me to do, I'd spend most of my time with her or thinking about her. I can't work if I'm doing that, for I think of her and long for her.... Oh, let's go home. It isn't fair to keep you here listening to my twaddle!"

But they did not move. They gazed down on the swiftly-flowing river, and presently they heard Big Ben striking one deep note.

"One o'clock!" said Gilbert.

"What are you going to do about it, Gilbert?" Henry asked at last.

"I'm going away from London. I've chucked my job on the _Daily Echo_...."

"Good Lord, man, what for?"

"Well, I'm fed-up with the English theatre to begin with, and I'm fed-up with journalism too ... and it's the only way I can get free of Cecily. I must finish the new comedy and I can't finish it if I stay in town and see Cecily. She won't let me finish it. She'll make me go here and go there with her. Shell keep me making love to her when I ought to be working. God damn women, Quinny!"

"You're excited, Gilbert!"

"Yes, I know I am. When I'm with Cecily, I'm like a jelly-fish. She sucks the brains out of me. She doesn't care whether I finish my comedy or not. She doesn't care what happens to my work so long as I hang around and love her and kiss her whenever she wants me to. My brains go to bits when I'm with her. I'm all emotion and sensation ... just like those asses Lensley and Boltt. Quinny, fancy spending your life turning out the sort of stuff those two men write. They've written about a dozen books each, and I suppose they're good for twenty or thirty more. I'd rather be a scavenger!"

They walked along the Embankment towards Waterloo Bridge.

"I'm going to Anglesey," Gilbert said. "I shall go and stay there until the end of the summer!"

"I shall miss you, Gilbert. So will Ninian and Roger!"

"I shall miss you three, but it can't be helped. I'm the sort of man who succumbs to women ... I can't help it. If they're beautiful and soft and full of love ... like Cecily ... they down me. Their femininity topples me over, and there's no work to be got out of me while I'm like that. But my work's of more consequence to me than loving and kissing, Quinny, and if I can't do it while I'm Cecily's lover, then I'll go away from her and do it!"

"What makes you think you could do it if she were to go away with you?"

"I don't know. Hope, I suppose."

They walked up Villiers Street into the Strand, and made their way towards Bloomsbury.

"I suppose," said Gilbert, "you wouldn't like to come to Anglesey too?"

Henry hesitated for a few moments. He had a vision of Lady Cecily's beautiful face leaning against the padded side of the car, and he remembered that she had smiled and waved her hand to him....

"No," he replied, "I don't think so ... not at present at any rate!" and then, added in explanation, "If I go, too, the house will be broken up. That would be a pity!"

"I forgot that," Gilbert answered. "Yes, of course!"

THE SIXTH CHAPTER

1

Gilbert did not leave London, as he had intended, for Sir Geoffrey Mundane definitely decided to produce "The Magic Casement" in succession to the play which was then being performed at his theatre. He had already discussed the caste with Gilbert, and on the morning after the scene on the Embankment, he telephoned to Gilbert, telling him that he had made engagements for the play, and would like to fix a date on which he should read the manuscript to the company. "Any day'll suit me," Gilbert had informed him, and Sir Geoffrey thereupon settled that the reading should take place two days later. "I suppose," he said, "you'd like to attend the rehearsals?" and Gilbert, forgetting his resolution to fly from Lady Cecily, said that he would. He thought that the experience would be very valuable to him. He became so excited at the prospect of seeing a play of his performed at a West End theatre that he was unable to sit still, and his language, always extravagant, became absurd. He broke every rule that Roger had invented. "It'll take all the royalties you'll receive to pay off this score!" Roger said, thrusting the fine-book before him.

"Poo!" said Gilbert. "I'll buy up the Ten Commandments with one night's royalty! Oh, it's going to be a success, I tell you. It'll run for a year ... more than that ... two years!..." He began to estimate the number of performances the play would receive. "Six evening performances and two matinées every week for fifty-two weeks! Eight times fifty-two, Roger ... you were a Second Wrangler, you ought to know that! Four hundred and sixteen! Lordy God, what a lot! And if I get ten pounds every time it's done ... Oh-h-h! Four thousand, one hundred and sixty pounds! And then there'll be American rights and provincial rights.... I'll tell you what I'll do, coves! I'll buy you all a stick of barley-sugar each, or a penn'orth of acid-drops ... which 'ud you like?..."

It was during the rehearsals of "The Magic Casement" that "Broken Spears" was published.

"It isn't as good as 'Drusilla,'" they said to Henry, when they had read it, "but it'll be more popular!"

It was. The critics who had praised "Drusilla" were not impressed by "Broken Spears," but the critics who had been indifferent to "Drusilla" praised "Broken Spears" so extravagantly that six thousand copies of it were sold in six months, apart from the copies which were sold to the lending libraries, and the sale of "Drusilla," in consequence of the success of "Broken Spears," increased from three hundred and seventy-five copies to one thousand five hundred and eighty. Mr. Quinn, in thanking Henry for a copy of it, merely said, in direct reference to the book, "_I see you've been tickling the English. Don't go on doing it!_" and the effect of this criticism was so stimulating that Henry destroyed the three chapters of "Turbulence" which were in manuscript and started to re-write the book. Literary agents now began to write to him, telling him how charmed they were with his work and how certain they were of their ability to increase his income considerably; and a publisher of some enterprise and resource wrote to him and said that he would like to see his third book.

"You look as if you were established, Quinny!" said Roger, and Henry blushed and murmured deprecatingly about himself.

"How's the Bar?" he said.

"Oh, it's not bad. I got a fellow off to-day who ought to have had six months hard," Roger answered. "And a new solicitor has given me a brief. We ought to ask him to dinner and feed him well. F. E. Robinson always tells his butler to bring out the second-quality wine for solicitors. Snob!"

"We seem to be getting on, don't we, coves?" Gilbert interjected. "Look at all these press-cuttings!..."

He held out a fistful of slips which had come that evening from a Press-Cutting Agency. "All about me," he said, "and the play. Mundane knows more about the preliminary puff than any one else in England. He calls me 'this talented young author from whom much may be expected.' I never thought I should get pleasure out of a trade advertisement, but I do. I'm lapping up this stuff like billy-o. I saw a poster on the side of a 'bus this afternoon, advertising 'The Magic Casement.' Mundane's name was in big letters, and you could just see mine with the naked eye. I hopped on to the 'bus and went for a fourpenny ride on it, so's I could touch the damn thing ... and I very nearly told the conductor who I was. It's no good pretending I'm not conceited. I am, and I don't care. Where's Ninian?"

"Not come in yet. How'd the rehearsals go to-day?" Roger answered.

"Better than any other day. They're beginning to feel their parts. It's about time, too. I felt sick with fright yesterday, they were so wooden. Mundane might have been the village idiot, instead of the fine actor he is ... but they're better now. Ninian's late!"

"Is he? He'll be here presently. By the way, my Cousin Rachel's coming to town to-morrow. She's been investigating something or other ... factory life, I think. I thought I'd bring her here to dinner. She may be interesting."

"Do," said Gilbert, and then, as he heard the noise of the street-door being closed, he added, "There's Ninian now!"

Ninian, on his way to his room, stopped for a moment or two, to shout at them, "I say, the mater and Mary've come up from Devon. I got a wire this afternoon. I'm not grubbing with you to-night. They want to go to a theatre, and I've got to climb into gaudy garments and go with them...."

He closed the door and ran up the stairs, but before he reached the first landing, Gilbert called after him, "I say, Ninian!"

"Yes," he answered, pausing on the stairs.

"Bring them to dinner to-morrow night. Roger's Cousin Rachel is coming, and we may as well make a party of it. Gaudy garments and liqueurs. Do you think they'll stay for the first night of my play?"

"That's one of the reasons why they've come up," Ninian answered.

2

Rachel Wynne and Mrs. Graham and Mary dined with them on the following evening, and it seemed to Henry when he saw Mary entering Ninian's sitting-room that she was a stranger to him. He had known her as a child and as a young, self-conscious girl, but this Mary was a woman. He felt shy in her presence, and when, for a few moments, he was left alone with her, he hardly knew what to say to her. They had been "Quinny" and "Mary" to each other before, but now they avoided names.... He spoke tritely about her journey to London, reminding her of the slowness of the train between Whitcombe and Salisbury, and wondered whether she liked London better than Boveyhayne. His old disability to say the things that were in his mind prevented him from re-establishing his intimacy with her. He tried to say, "Hilloa, Mary!" but could not do so, and his shyness affected her so that she stood before him, fingering her fan nervously, and answering "Yes" and "Oh, yes!" and "No" and "Oh, no!" to all that he said. He liked the sweep of her hair across her brow and the soft flush in her cheeks and the slender lines of her neck and the gleam of a gold chain that held a pendant suspended about her throat. He thought, too, that her eyes shone like lustres in the light, and suddenly, as he thought this, he felt that he could speak to her with his old freedom. He moved towards her, shaping his lips to say, "Oh, Mary, I ..." but the door opened before he could speak, and Rachel Wynne entered the room with Roger and Mrs. Graham.

"Yes, Quinny?" Mary said, saying his name quite easily now.

He laughed nervously and looked at the others. "I've forgotten what I was going to say," he said, and went forward to greet Mrs. Graham.

"My cousin, Rachel Wynne," said Roger, introducing her to him.

Rachel Wynne was a tall, thin girl, with a curious tightened look, as if she were keeping a close hold on herself. When she held out her hand to him, he had a sensation of discomfort, not because her clasp was firm, but because she seemed to be looking, not through him, but into him. He was very sensitive to the opinion of people about him, feeling very quickly the dislike of any one who did not care for him, and in a moment he knew that Rachel Wynne was antipathetic to him. Henry was always rude to people whom he disliked ... he could not be civil to them, however hard he might try to be so, but his feeling in the presence of people who disliked him, was one of powerlessness: he was tongue-tied and nervous and very dull, and his faculties seemed to shrivel up. There was a look of cold efficiency about Rachel Wynne that frightened him. She seemed to be incapable of wasting time or of waywardness. Her career at Newnham, Roger had told him, had been one of steady brilliance. "There wasn't a flicker in it," he had said to Henry. "Rachel's always well-trimmed!"

There were no ragged edges about Rachel Wynne. Her frock was neatly made, so neatly that he was unaware of it, and her hair was bound tightly to her head by a black velvet ribbon. She had a look of cold tidiness, as if she had been frozen into her shape and could not be thawed out of it; but she was not cold in spirit, as he discovered during dinner when the conversation shifted from generalities about themselves to the work she had lately been doing. They had been talking about Gilbert's play, and then Mrs. Graham had turned to Henry and told him how much she liked his novels. Her tastes were simple, and she preferred "Broken Spears" to "Drusilla." "Of course, 'Drusilla' is very clever!" she said a little deprecatingly, and then she turned to Rachel and asked her whether she had read Henry's novels.

"No," Rachel answered. "I very seldom read novels!..."

He felt contempt for her. Now he knew why he had been chilled by her presence. She belonged to that order of prigs which will not read novels, preferring instead to read "serious" books. Such a woman would treat "Tom Jones" as a frivolous book, less illuminating than some tedious biography or history book. She might even deny that it had any illumination at all.... He could not prevent a sneer from his retort to her statement that she seldom read novels.

"I suppose," he said, "you think that novels are not sufficiently serious?"

"Oh, no," she answered quickly. "I just haven't time for novel-reading!"

That seemed to him to be worse than if she had said that she preferred to read solid books. A novel, in her imagination, was a light diversion in which one only indulged in times of unusual slackness. No wonder, he thought to himself, all reformers and serious people make such a mess of the social system when they despise and ignore the principal means of knowing the human spirit.

"That's a pity," he said aloud. "I should have thought that you'd find novels useful to you in your work. I mean, there's surely more chance of understanding the people of the eighteenth century if you read Fielding's 'Tom Jones' than there is if you read Lecky's 'England in the Eighteenth Century.'"

"Is there?" said Rachel.

"Of course, there is," Gilbert hurled at her from the other side of the table. "Fielding was an artist, inspired by God, but Lecky was simply a fact-pedlar, inspired by the Board of Education. Why even that dull ass, Richardson, makes you understand more about his period than Lecky does!"

"Perhaps," said Rachel, in a tone which indicated that there was no doubt in her mind about the relative values of Lecky and Fielding. She turned to Henry. "I wish you'd write a book about the factory system," she said. "That would be worth doing!"

He disliked the suggestion that "Broken Spears" and "Drusilla" had not been worth doing, and he let his resentment of her attitude towards his work affect the tone of his voice as he answered, "I don't know anything about factories!"

"You should learn about them," she retorted.

No, he did not like this woman, aggressive and assertive. He turned to speak to Mary ... but Rachel Wynne had not finished with him.

"I've spent six months in the north of England," she said, reaching for the salted almonds. "I've seen every kind of factory, model and otherwise!"

"Oh, yes," he answered, vaguely irritated by her. He wished that she would talk to her other neighbour and leave him in peace with Mary. As an Improved Tory, he knew that he ought to get all the information about factories out of her that he could, but as Henry Quinn, he had no other desire than to be quit of her as quickly as possible.

"And I think the model factories are no better than the rotten ones," she went on.

"What's that you say?" Roger called to her from the other side of the table.

She repeated her remark. "I went over a model factory last week ... a cocoa and chocolate works ... and I'd rather be a tramp than work in it," she went on.

"But isn't it rather wonderfully organised?" Roger asked.

"Oh, yes, it's marvellously arranged. There are baths and gymnasia and continuation classes and free medical inspection and model houses and savings banks and all the rest of it ... but I'd rather be a tramp, I tell you.... You see, even with the best of employers, genuinely philanthropic people eager to deal justly with the workers who make their fortunes for them, the factory system remains a rotten one. You can't make a decent, human thing out of it because it's fundamentally vile!..."

"My dear Rachel!..." Roger began, but she would not listen to interruptions.