Catalogue of the Gallery of Art of The New York Historical Society
Part 7
He is represented as seven or eight years old. He wears a blue scarf indicating his rank. From the collection of M. de Mont Louis, a devoted legitimist, who died at a very advanced age, in 1850. It bears much resemblance to the works of CHARDIN.
(_Bryan Collection._)
B-253. Park of St. Cloud. (13X29.) _Hubert Robert._
(_Bryan Collection._)
B-254. Portrait of Dr. Ambroise Paré, the Father of French Surgery. (14½X11.) _Peter Porbus._
(_Bryan Collection._)
B-255. Italian Scenery, with Figures. (31½X45.) _Joseph Vernet._
Painted by the artist for his friend, Balthazar, the architect, from whose collection it came. It is a fair specimen of the Master.
(_Bryan Collection._)
B-256. The Bay of Baia, an effect of Moonlight. (14½X25½.) _Joseph Vernet._
(_Bryan Collection._)
B-257. A Seaport. (39X53.) _Joseph Vernet._
(_Bryan Collection._)
B-258. Landscape, painted for a Snuff-Box. (5X5.) Round. _Joseph Vernet._
(_Bryan Collection._)
B-259. Portrait of a Receiver-General. (18½X14.) _Robert Tourniere._
(_Bryan Collection._)
B-260. A Nymph of Diana. (42X53.) _Jean Baptiste Greuze._
(_Bryan Collection._)
B-261. A Repetition of the L'Aveugle Dupé. (24X19.) _Jean Baptiste Greuze._
An early production. Bought in New York city.
(_Bryan Collection._)
B-262. Portrait of the Duc de Choiseul. (24X19½.) _Jean Baptiste Greuze._
From the collection of PARANT, who painted, on porcelain, the heads of the celebrities of France. This head was probably procured for that purpose.
(_Bryan Collection._)
B-263. Head of a Young Girl. (17X14.) Oval. _Jean Baptiste Greuze._
(_Bryan Collection._)
B-264. Virginie. (A study.) (18X15.) _Jean Baptiste Greuze._
(_Bryan Collection._)
B-265. Sketch of a Female Head. (18X15.) _Jean Baptiste Greuze._
The celebrated miniature-painter SAINT purchased this sketch at the sale of GREUZE'S own collection after his death.
(_Bryan Collection._)
B-266. The Sister. (18X15.) _Nicholas Bernard Lepicié._
(_Bryan Collection._)
B-267. France Triumphant after the Restoration of Louis XVIII. (54X33½.) _Pierre Paul Prud'hon._
This picture is the finished sketch of a plafond now at Dijon, the birth-place of the painter. It is from the collection of M. VIEN, artist. It was sought of the donor by the Director of the Louvre, for that Gallery.
(_Bryan Collection._)
B-268. Napoleon at Charleroi. (13X16.) _Horace Vernet._
The accessories and the horse are portraits. This little picture ornamented the private study of Louis Philippe.
(_Bryan Collection._)
B-269. The Duke of Orleans. (21X31.) _Horace Vernet._
The Duke is giving orders to his groom. He is attended by a negro-page and two greyhounds. In the background are a "cabriolet" and horse. This is a very early picture of the Master. It was rescued from the Chateau and Park de Monceau, on their destruction.
(_Bryan Collection._)
B-270. Attack repulsed at Constantine, Africa. (18½X15.) _Bellangé._
Death of Richepanse.
(_Bryan Collection._)
B-271. Fox-Chase. (14X18.) _J. B. Descamps._
(_Bryan Collection._)
B-272. Snipe-Shooting. (14X18.) _J. B. Descamps._
(_Bryan Collection._)
B-273. Duck-Shooting. (13X16.) _J. B. Descamps._
(_Bryan Collection._)
B-274. Nymphs and Cupids. (9½X12.) _Vallin._
(_Bryan Collection._)
B-275. Portrait of a Lady, as a Water-Nymph. (33½X23.) _L. J. Schaal._
It has been engraved as LA BELLE SOURCE, and is supposed to be the portrait of the wife of a revolutionary character of some note, named Source. From the Collection PARANT.
(_Bryan Collection._)
B-276. A Voluptuary. (22X18.) Oval. _François Boucher._
(_Bryan Collection._)
B-277. Winter-Scene. (25X30.) _François Boucher._
(_Bryan Collection._)
B-278. Landscape. (9½X12.) _Georges Michel._
The figures, by SWEBACH, are very spirited.
(_Bryan Collection._)
B-279. Landscape. (14X18.) _Frederic M. Kruseman._
(_Bryan Collection._)
B-280. The Inheritance. (17X21.) _Felix Van der Eycken._
Painted for the donor.
(_Bryan Collection._)
B-281. Student Travellers, Regaling at a Hostelry in Flanders. (22X29.) _Felix Van der Eycken._
Bought in New York city.
(_Bryan Collection._)
B-282. Landscape, with Sheep. (17½X15.) _Balthasar Ommeganck._
(_Bryan Collection._)
B-283. Catechism before Marriage, according to Belgian Law, being necessary for State and Matrimonial Security. (37½X48.) _Jean Henri de Coene._
(_Bryan Collection._)
B-284. Portrait of an Old Man. (9½X7½.) _M. Dykemans._
(_Bryan Collection._)
B-285. Portrait of the Artist, (1737-1815.) (36X30.) _John Singleton Copley._
(_Bryan Collection._)
B-286. Portrait of Guy Bryan, (1755-1829.) (36½X28.) _Thomas Sully._
This portrait of the father of the donor of the Bryan Collection was considered by DUNLAP one of the happiest efforts of Mr. SULLY.
(_Bryan Collection._)
B-287. The Confessional. (35X28.) _William E. West._
Mr. WEST is well known by his having painted the best portrait of Lord Byron. This picture was a favorite of the late Washington Irving.
(_Bryan Collection._)
B-288. Landscape. (48½X64.) _George L. Brown._
This view is from Nature, in the Island of Capri, Vesuvius being seen in the distance.
(_Bryan Collection._)
B-289. A Midnight Conversation. (25X32.) _William Hogarth._
Engraved as the frontispiece of Ireland's Hogarth. In Walpole's anecdotes of painters a catalogue is given professing to contain a complete list of all of HOGARTH'S paintings and their then owners. This painting appears in that list, but the owner's name is not given.
(_Bryan Collection._)
B-290. The Harlot's Progress. (25X31½.) _Copy from William Hogarth._
This copy is by HORREMANS, of Vienna, and is one of the famous series of the "Harlot's Progress." The copyist has seen fit to make some variations from the print.
(_Bryan Collection._)
B-291. Portrait. (48X39.) _Sir Joshua Reynolds._
In his early style.
(_Bryan Collection._)
B-292. Pallas Appearing to Achilles, after the Death of Patroclus. (17½X14.) _Benjamin West._
This is a sketch for a large picture.
(_Bryan Collection._)
B-293. Portrait of Charles Wilson Peale, (1741-1827.) (28X23.) _Benjamin West._
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-294. View of Genesee Falls, New York. (9½X13.) _Count Beaujolais._
This sketch is quite faithful as a representation of the locality. Its chief interest, however, consists in its having been made by the brother of Louis Philippe, when the two princes were on their visit to this country, after the first French Revolution. Collection Louis Philippe.
(_Bryan Collection._)
B-295. Landscape. (17½X24.) _Joseph Vollmering._
(_Bryan Collection._)
B-296. Winter-Scene. (10½X13½.) _Joseph Vollmering._
(_Bryan Collection._)
B-297. Murillo Sketching the Beggar-Boy. (17X21.) _Edwin White._
(_Bryan Collection._)
B-298. Family Group. (56X89.) _Charles Wilson Peale._
This composition contains portraits of the artist and his brothers, St. George and James Peale; his sister, Margaret J. Ramsey; his wife, Rachel Brewer Peale; his cousin, Margaret Durgan; his sister, Elizabeth Digby Peale Polk; his mother, Margaret Peale; his children, Titian R. and Rembrandt Peale; also the old dog Argus, so well known to the frequenters of the Museum. The following inscription is on the picture: "C. W. Peale painted these portraits of his family in 1773--wishing to finish every work he had undertaken--completed this picture in 1809."
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-299. Portrait of George Washington, (1732-1799.) (29X24.) _Charles Wilson Peale._
(_Bryan Collection._)
B-300. Portrait of John Beale Bordley, (1727-1804.) (23X20.) _Charles Wilson Peale._
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-301. Portrait of Pieter Johan Van Berckel, (1725-1800.) (23X20.) _Charles Wilson Peale._
Minister Plenipotentiary from the Netherlands to the United States of America, 1782--being the first Minister sent and recognized.
(_Bryan Collection._)
B-302. Portrait of Gilbert C. Stuart, (1755-1828.) (23X20.) _Charles Wilson and Rembrandt Peale._
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-303. Portrait of George Washington, (1732-1799.) (30½X24½.) _Gilbert C. Stuart._
(_Bryan Collection._)
B-304. Portrait of John Adams, (1735-1826.) (20X22½.) _Gilbert C. Stuart._
(_Bryan Collection._)
B-305. Portrait of Alexander Hamilton, (1757-1804.) (30X25½.)
From the American Museum Collection, 1863.
(_Bryan Collection._)
B-306. Portrait of Thomas Jefferson, (1743-1826.) (29X24.) _Rembrandt Peale._
Painted in 1805.
(_Bryan Collection._)
B-307. Portrait of Dr. Joseph Priestley, (1733-1804.) (23X20.) _Rembrandt Peale._
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-308. Portrait of Mrs. James Madison, (1772-1849.) (30X24½.) _Rembrandt Peale._
From the American Museum Collection, 1863.
(_Bryan Collection._)
B-309. Portrait of Stephen Decatur, U. S. N., (1751-1808.) (28½X23.) _Rembrandt Peale._
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-310. Portrait of Jacob Jones, U. S. N., (1768-1850.) (28½X23.) _Rembrandt Peale._
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-311. Portrait of William Bainbridge, U. S. N., (1774-1833.) (28½X23.) _Rembrandt Peale._
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-312. Portrait of Oliver H. Perry, U. S. N., (1785-1819.) (28½X23.) _Rembrandt Peale._
From the Peale Gallery, Phila., 1854.
(_Bryan Collection._)
B-313. Portrait of William Handy, M.D. (30X25.) _Edward Savage._
From the American Museum Collection, 1863.
(_Bryan Collection._)
B-314. Portrait of the Seneca Chief, Corn Plant, or Ki-on-twog-ky. (30X25.) _F. Bartoli._
This portrait was painted at New York city, in the year 1796, and is engraved in McKenney's History of the Indian Tribes, Vol. I., page 85.
(_Bryan Collection._)
B-315. Portrait of Jean Parisot de la Valette. (29X24.)
Grand Master of the Knights of Malta, 1565. A modern copy of this picture is in the Gallery at Versailles.
(_Bryan Collection._)
B-316. Portrait of Cadwallader D. Colden, (1769-1834.) (35X28½.) _John Wesley Jarvis._
First Vice President of the Society, 1821.
From the American Museum Collection, 1863.
(_Bryan Collection._)
B-317. Portrait of William Tilghman, (1756-1827.) (21X17.) _Rembrandt Peale._
Chief Justice of Pennsylvania.
From the American Museum Collection, 1863.
(_Bryan Collection._)
B-318. A Presentation at the Temple. (30X38.) _Spanish School._
(_Bryan Collection._)
B-319. St. Cecilia. In the Style of Correggio. (47X66.)
(_Bryan Collection._)
B-320. Fête Champêtre. (30X39½.) _Gonzales Coques._
(_Bryan Collection._)
B-321. Female Head. (18½X14½.) _School of Correggio._
(_Bryan Collection._)
B-322. St. Paul restored to Sight. (18½X14½.) _Copy from Domenichino._
(_Bryan Collection._)
B-323. Adoration of the Shepherds. (16X11½.) _Copy from Spagnoletto._
(_Bryan Collection._)
B-324. Female Head. (19X15.) _Copy from Greuze._
Original in the Lichtenstein Gallery.
(_Bryan Collection._)
B-325. Family Group, of the Artist, Wife and Children. (39X36½.) _Michael Van Musscher._
(_Bryan Collection._)
B-326. Æneas and his son Ascanius visiting Dido. (25X21.) _Constantine Netscher._
(_Bryan Collection._)
B-327. Portrait of Orelia Doria. (49X29.) _Italian School._
(_Bryan Collection._)
B-328. Portrait of Madalena Doria. (49X29.) _Italian School._
(_Bryan Collection._)
B-329. German Baron and his Family. (21X27½.) _Bartholomew Vander Helst._
(_Bryan Collection._)
B-330. Virgin and Child. (17X11½.)
(_Bryan Collection._)
B-331. Christ appearing to the Magdalen. (23X19.) _Fra Bartolomeo._
(_Bryan Collection._)
B-332. Virgin and Child. (22½X16.) _Bernardo Zenale._
From the Collection of Du Bluisel, Paris, 1870.
(_Bryan Collection._)
B-333. Triptique. (18X32.)
(_Bryan Collection._)
B-334. Landscape, with Figures. (28½X42.) _Adam Pynaker._
(_Bryan Collection._)
B-335. Family Fête. (33X39.) _Jan Steen._
From the Collection of Comtesse de Vergez, Paris, 1870.
(_Bryan Collection._)
B-336. Landscape, with Figures. (37X51.) _William de Buytenweg._
(_Bryan Collection._)
B-337. Bacchanal. (21X32.) _Sebastien Bourdon._
From the Olmade Collection, Paris, 1868.
(_Bryan Collection._)
B-338. Landscape, with Figures. (25½X30.) Cornelius Huysmans.
(_Bryan Collection._)
B-339. Landscape. (22X32½.) _Minderhout Hobbema._
(_Bryan Collection._)
B-340. The Fortune Teller. (23½X21.) _Antoine Watteau._
(_Bryan Collection._)
B-341. Snow Scene. (8X10.) _Philip Wouwermans._
From the Gaudinot Collection, Paris, 1839.
(_Bryan Collection._)
B-342. Dutch Interior. (23X21.) _Renier Brakenburg._
From the Olmade Collection, Paris, 1868.
(_Bryan Collection._)
B-343. Portrait of Margerethea De Bije. (19X14½.) _Constantine Netscher._
Wife of François Meerman, Recorder of the City of Leyden. She died December 12, 1712.
(_Bryan Collection._)
B-344. Interior of a Cottage. (14X11.)
(_Bryan Collection._)
B-345. Portrait of a Dog. (29X42.) _John B. Weenix._
(_Bryan Collection._)
B-346. The Artist. (5X4.) _Godfrey Schalcken._
(_Bryan Collection._)
B-347. Landscape with Cattle. (16X22.) _Albert Cuyp._
(_Bryan Collection._)
B-348. Italian Landscape. (18½X25.) _Jan Hackaert._
(_Bryan Collection._)
B-349. Still Life. (19½X24.) _J. B. Simeon Chardin._
(_Bryan Collection._)
B-350. The Sacrifice. (17½X23.) _Leonard Bramer._
From the Olmade Collection, Paris, 1868.
(_Bryan Collection._)
B-351. The Village Fête. (11½X14½.) _Renier Brakenburg._
(_Bryan Collection._)
B-352. Flemish Interior. (15½X19½.) _Renier Brakenburg._
(_Bryan Collection._)
B-353. Portrait. (25X21¾.) _J. B. Simeon Chardin._
(_Bryan Collection._)
B-354. Landscape. (15X22.) _Adam Pynaker._
(_Bryan Collection._)
B-355. Pleasure Party. (19X15½.) _Antoine Watteau._
(_Bryan Collection._)
B-356. Interior. (15X12.) _Egbert van Hemskerk._
(_Bryan Collection._)
B-357. The Virgin and the Infant Jesus crushing the Serpent. (50X23.) _Pietro Berretini da Cortona._
From the Olmade Collection, Paris, 1868.
(_Bryan Collection._)
B-358. Landscape. (9X12.) _Dutch School._
From the Olmade Collection, Paris, 1868.
(_Bryan Collection._)
B-359. Entrance to a Park. (25X19½.) _Isaac Moucheron and John Lingelbach._
(_Bryan Collection._)
B-360. Marine View. (15½X24.)
(_Bryan Collection._)
B-361. Portrait. (23X18.) _Francis Hals._
(_Bryan Collection._)
B-362. Winter Scene. (14X18½.) _Egbert Vander Poel._
(_Bryan Collection._)
B-363. Portrait. (32½X26.) _Mlle. Ledoux._
(_Bryan Collection._)
B-364. Landscape. (9½X11.) _Isaac Moucheron._
(_Bryan Collection._)
B-365. Portrait of a Gentleman. (18X15.) _Gerard Terburg._
(_Bryan Collection._)
B-366. Portrait of a Lady. (18X15.) _Gerard Terburg._
(_Bryan Collection._)
B-367. Temptation of St. Anthony. (15X11½.) _Matthew Van Helmont._
From the Olmade Collection, Paris, 1868.
(_Bryan Collection._)
B-368. The Frozen Canal. (14X21.) _Hendrik Van Avercamp._
From the Olmade Collection, Paris, 1868.
(_Bryan Collection._)
B-369. Portrait of a Lady. (22X18.) _Thomas Gainsborough._
(_Bryan Collection._)
B-370. Landscape. (28X24½.) _Adam Pynaker._
(_Bryan Collection._)
B-371. The Lovers. (10X8½.)
(_Bryan Collection._)
B-372. Interior. (9½X13½.) _Adrian Van Ostade._
(_Bryan Collection._)
B-373. St. Jerome at Prayer. (15½X12½.) _Lodovico Mazzolino._
(_Bryan Collection._)
B-374. Family Group. (14X41½.) _Henry Goltzius._
(_Bryan Collection._)
B-375. Virgin and Child. (13X9½.)
(_Bryan Collection._)
B-376. The Flight into Egypt. (12X8½.) Oval Top.
(_Bryan Collection._)
B-377. Virgin and Child. (7X6.) _Bernard Van Orley._
(_Bryan Collection._)
B-378. Scene from "M. de Pourceaugnac." (9X15.) _Antoine Watteau._
From the Collection of Comtesse de Vergez, Paris, 1870.
(_Bryan Collection._)
B-379. The Fatigues of War. (9X13.) _Antoine Watteau._
(_Bryan Collection._)
B-380. The Relaxations of War. (9X13.) _Antoine Watteau._
(_Bryan Collection._)
B-381. The Lover's Present. (12X15.) _S. Freudenberger._
Water-color of a lady receiving a present of a spaniel dog. Signed and dated Paris, 1770.
(_Bryan Collection._)
The following described Pictures were STOLEN from the BRYAN COLLECTION before it was received by the Society.
Cupid discharging an Arrow. _In the style of Correggio._
Cupid after the discharge of the Arrow--with finger raised constraining silence. _In the style of Correggio._
Adoration of the Magi. _Leonard Bramer._
The Virgin, with the infant Christ and Joseph, sits in front of a ruined building. Around them the Magi are grouped in adoration. The distribution of the light in this little picture is truly grand, and the color is rich and harmonious. The influence of Rembrandt is apparent in every touch.
Vision of St. Louis. _Anthony van Dyck._
The sainted King starts from a canopied couch to gaze upon the apparition of Pope GREGORY IV., who appears before him, cloud-borne, and surrounded by angels. In the background is a sentinel. This little picture is noble in style and harmonious in color. The action of the figures is remarkably free and vigorous.
A Lace-Worker. _Peter De Hooghe._
A young woman sits by an open window, with her hands resting upon the cushion on which is her work. The light falls in a broad mass upon one side of her face and figure, while the other is in the half-shadow of reflected light. This little sketch, so unobtrusive in subject and treatment, will impress the close observer with a sense of great power and thorough knowledge--knowledge which is content to know without seeming learned.
Miniature Portrait. _Balthazar Denner._
An old man, wearing a cap, and a breastplate over a rich doublet. This head is painted with an elaborateness of detail worthy of Gerard Douw, while at the same time it is modelled with a free and learned hand.
(_Collection of General Count Turenne._)
THE DURR COLLECTION
WITH ADDITIONS PURCHASED BY THE
DURR GALLERY FUND
LOUIS DURR
Louis Durr was born in Carlsruhe, Germany, in 1821, and died in New York City, March 31, 1880. His father was the Treasurer of the Duke of Baden-Baden, and was a watch-maker by trade, as well as a dealer in works of art.
Mr. Durr graduated from the Lyceum in his native city, and after visiting Geneva and Paris, came to this country with his brother in 1848 and for a time was connected with Balbach's gold smelting works in Newark, N. J. In 1853-54 he was established at 111 Nassau Street, this city, as a refiner of gold and silver. In 1856 he removed to 51 Ann Street and the following year to 53 Ann Street, where he carried on his business as an assayer and refiner for many years with his brother.
He accumulated a fortune and spent all his spare time studying and collecting works of art. He lived at No. 30 East 4th Street, where he kept his paintings.
He was a member of the Liederkranz Club, then near his home, and became a member of this Society in 1873.
By will Mr. Durr directed that the most meritorious works of art were to be selected from his gallery of paintings and placed by his executors in some public art gallery, to be known as the "Durr Gallery of Paintings," the residue of his paintings to be sold and the proceeds invested for the purchase of suitable additions for the "Durr Gallery of Paintings."
In 1880 the executors of his estate under the terms of his will offered the collection of paintings to The New York Historical Society, and in 1882 they were transferred to the Society, together with the proceeds of the above-mentioned sale, which the Society designated the "Durr Gallery Fund" and from which the Gallery is added to.
THE DURR COLLECTION
NO. SUBJECTS OF PAINTINGS. ARTISTS.
D-1. St. Ferdinand I., King of Castile, receiving the Code de las Partidas from the Madonna. (65X41½.) _Murillo._
(_Durr Collection._)
D-2. The Immaculate Conception. (24X32.) _Murillo._
From the Emmet Collection.
(_Durr Collection._)
D-3. Jesus Suffering. (19X24.) _J. A. Escalante._
Signed. From the Emmet Collection.
(_Durr Collection._)
D-4. Jesus Victorious. (19X24.) _J. A. Escalante._
Signed. From the Emmet Collection.
(_Durr Collection._)
D-5. St. John the Baptist. (41X65½.) _Velasquez._
From a collection brought from Seville, and purchased by Mr. Francis Tomes.
(_Durr Collection._)
D-6. Ecce Homo. (50X80.) _Luis Morales._
From a Catholic church in Mexico, brought to New York about 1855.
(_Durr Collection._)
D-7. Portrait of a Philosopher. (29X39.) _Spagnoletto._
Purchased in Philadelphia.
(_Durr Collection._)
D-8. Adoration of the Shepherds. (45X37.) _Il Bassano._
Brought from Italy by Mr. W. Metcalfe.
(_Durr Collection._)
D-9. Martyrdom of St. Sebastian. (21X27.) _Tintoretto._
(_Durr Collection._)
D-10. Martyrdom of St. Lawrence. (90X97.) _Titian._
This painting is signed, and shows evidences of being the first of three of this subject which Titian painted--the second, ordered by King Philip II. of Spain, remains at the Escurial; the third is in the Jesuits' Church at Venice. This composition is esteemed by such authorities as Kugler one of the most important of Titian's works.
From the collection owned by Gideon Nye, Jr., who valued this picture at sixteen thousand guineas.
(_Durr Collection._)
D-11. Portrait. (19X25.)
The following is inscribed in French on the back of the portrait: "Collection of Alix, General-in-Chief of Westphalia.--This precious picture was found in the wagon of a vivandière, named Michau, who was killed at the battle of Marengo. After being in the possession of General Lemarois, it passed into the private cabinet of the Chevalier Denon, Director of the Musée Napoleon."
(_Durr Collection._)
D-12. Assumption of the Virgin. (19½X40½.) _Piazetta._
(_Durr Collection._)
D-13. Italian Palace. (68½X47½.) _Pannini._
From the Stone Collection.
(_Durr Collection._)
D-14. Landscape. (28½X23½.) _Salvator Rosa._
(_Durr Collection._)
D-15. Arion and Dolphin. (60½X45½.) _Annibale Caracci._
Signed.
(_Durr Collection._)
D-16. Christ and the Disciples at Emmaus. (70½X46½.) _Paul Veronese._
Bought in Philadelphia. The same composition, with slight variations, is in the Dresden Gallery.
(_Durr Collection._)
D-17. Madonna and Child. (18X22½.) _Fra Bartolomeo._
(_Durr Collection._)
D-18. Holy Family. (7X9½.) _School of Correggio._
(_Durr Collection._)
D-19. Portrait of Jerome Savonarola. (22½X28½.) _Fra Bartolomeo._
(_Durr Collection._)
D-20. Lucretia. (22X26½.) _Venetian School, 17th Century._
(_Durr Collection._)
D-21. Nymphs Disarming Cupids. (14X11.) _Francesco Albano._
(_Durr Collection._)
D-22. Pieta. (11X15.) _Annibale Caracci._
(_Durr Collection._)
D-23. Bacchus and Ariadne. (51X39½.) _Titian._
This is an old copy. The original is now in the National Gallery, London.
(_Durr Collection._)
D-24. Palace of the Prince of Orange, in the South of France, with Portrait figures. (44X43.) _Federigo Zuccaro._
(_Durr Collection._)
D-25. Cattle Piece. (13X13.) _Tempesta._
(_Durr Collection._)
D-26. Cattle Piece. (13X13.) _Tempesta._
(_Durr Collection._)
D-27. Spanish Lady and Children. (67X85½.) _Velasquez._
Purchased with Le Brun's Scenes in the Life of Alexander.
(_Durr Collection._)