Captains Of Industry Or Men Of Business Who Did Something Besid
Chapter 2
On reaching his new home, eighty miles from his mother's house, he was so overcome by homesickness that, the first night, he sobbed himself to sleep. Soon he became interested in his shop and in his work, made rapid progress, and approved himself a skillful hand. Having been brought up to go to church every Sunday, he now hired a seat in the gallery of one of the churches at fifty cents a year, which he earned in over-time by forging pot-hooks. Every cent of his spending money was earned in similar ways. Once he made six toasting-irons, and carried them to Worcester, where he sold them for a dollar and a quarter each, taking a book in part payment. When his sister was married he made her a wedding present of a toasting-iron. Nor was it an easy matter for an apprentice then to do work in over-time, for he was expected to labor in his master's service from sunrise to sunset in the summer, and from sunrise to nine o'clock in the winter.
On a bright day in August, 1818, his twentieth birthday, he was out of his time, and, according to the custom of the period, he celebrated the joyful event by a game of ball! In a few months, having saved a little money, he went into business as a manufacturer of ploughs, in which he had some little success. But still yearning to know more of machinery he entered upon what we may call his third apprenticeship, in an armory near Worcester, where he soon acquired skill enough to do the finer parts of the work. Then he engaged in the manufacture of lead pipe, in which he attained a moderate success.
At length, in 1831, being then thirty-three years old, he began the business of making wire, in which he continued during the remainder of his active life. The making of wire, especially the finer and better kinds, is a nice operation. Until Ichabod Washburn entered into the business, wire of good quality was not made in the United States; and there was only one house in Great Britain that had the secret of making the steel wire for pianos, and they had had a monopoly of the manufacture for about eighty years.
Wire is made by drawing a rod of soft, hot iron through a hole which is too small for it. If a still smaller sized wire is desired, it is drawn through a smaller hole, and this process is repeated until the required size is attained. Considerable power is needed to draw the wire through, and the hole through which it is drawn is soon worn larger. The first wire machine that Washburn ever saw was arranged with a pair of self-acting pincers which drew a foot of wire and then had to let go and take a fresh hold. By this machine a man could make fifty pounds of coarse wire in a day. He soon improved this machine so that the pincers drew fifteen feet without letting go; and by this improvement alone the product of one man's labor was increased about eleven times. A good workman could make five or six hundred pounds a day by it. By another improvement which Washburn adopted the product was increased to twenty-five hundred pounds a day.
He was now in his element. He always had a partner to manage the counting-room part of the business, which he disliked.
"I never," said he, "had taste or inclination for it, always preferring to be among the machinery, doing the work and handling the tools I was used to, though oftentimes at the expense of a smutty face and greasy hands."
His masterpiece in the way of invention was his machinery for making steel wire for pianos,--a branch of the business which was urged upon him by the late Jonas Chickering, piano manufacturer, of Boston. The most careless glance at the strings of a piano shows us that the wire must be exquisitely tempered and most thoroughly wrought, in order to remain in tune, subjected as they are to a steady pull of many tons. Washburn experimented for years in perfecting his process, and he was never satisfied until he was able to produce a wire which he could honestly claim to be the best in the world. He had amazing success in his business. At one time he was making two hundred and fifty thousand yards of crinoline wire every day. His whole daily product was seven tons of iron wire, and five tons of steel wire.
This excellent man, in the midst of a success which would have dazzled and corrupted some men, retained all the simplicity, the modesty, and the generosity of his character. He felt, as he said, nowhere so much at home as among his own machinery, surrounded by thoughtful mechanics, dressed like them for work, and possibly with a black smudge upon his face. In his person, however, he was scrupulously clean and nice, a hater of tobacco and all other polluting things and lowering influences.
Rev. H. T. Cheever, the editor of his "Memorials," mentions also that he remained to the end of his life in the warmest sympathy with the natural desires of the workingman. He was a collector of facts concerning the condition of workingmen everywhere, and for many years cherished a project of making his own business a coöperative one.
"He believed," remarks Mr. Cheever, "that the skilled and faithful manual worker, as well as the employer, was entitled to a participation in the net proceeds of business, over and above his actual wages. He held that in this country the entire people are one great working class, working with brains, or hands, or both, who should therefore act in harmony--the brain-workers and the hand-workers--for the equal rights of all, without distinction of color, condition, or religion. Holding that capital is accumulated labor, and wealth the creation of capital and labor combined, he thought it to be the wise policy of the large capitalists and corporations to help in the process of elevating and advancing labor by a proffered interest."
These were the opinions of a man who had had long experience in all the grades, from half-frozen apprentice to millionaire manufacturer.
He died in 1868, aged seventy-one years, leaving an immense estate; which, however, chiefly consisted in his wire-manufactory. He had made it a principle not to accumulate money for the sake of money, and he gave away in his lifetime a large portion of his revenue every year. He bequeathed to charitable associations the sum of four hundred and twenty-four thousand dollars, which was distributed among twenty-one objects. His great bequests were to institutions of practical and homely benevolence: to the Home for Aged Women and Widows, one hundred thousand dollars; to found a hospital and free dispensary, the same amount; smaller sums to industrial schools and mission schools.
It was one of his fixed convictions that boys cannot be properly fitted for life without being both taught and required to use their hands, as well as their heads, and it was long his intention to found some kind of industrial college. Finding that something of the kind was already in existence at Worcester, he made a bequest to it of one hundred and ten thousand dollars. The institution is called the Worcester County Free Institute of Industrial Science.
ELIHU BURRITT,
THE LEARNED BLACKSMITH.
Elihu Burritt, with whom we have all been familiar for many years as the Learned Blacksmith, was born in 1810 at the beautiful town of New Britain, in Connecticut, about ten miles from Hartford. He was the youngest son in an old-fashioned family of ten children. His father owned and cultivated a small farm; but spent the winters at the shoemaker's bench, according to the rational custom of Connecticut in that day. When Elihu was sixteen years of age, his father died and the lad soon after apprenticed himself to a blacksmith in his native village.
He was an ardent reader of books from childhood up; and he was enabled to gratify this taste by means of a small village library, which contained several books of history, of which he was naturally fond. This boy, however, was a shy, devoted student, brave to maintain what he thought right, but so bashful that he was known to hide in the cellar when his parents were going to have company.
As his father's long sickness had kept him out of school for some time, he was the more earnest to learn during his apprenticeship; particularly mathematics, since he desired to become, among other things, a good surveyor. He was obliged to work from ten to twelve hours a day at the forge; but while he was blowing the bellows he employed his mind in doing sums in his head. His biographer gives a specimen of these calculations which he wrought out without making a single figure:--
"How many yards of cloth, three feet in width, cut into strips an inch wide, and allowing half an inch at each end for the lap, would it require to reach from the centre of the earth to the surface, and how much would it all cost at a shilling a yard?"
He would go home at night with several of these sums done in his head, and report the results to an elder brother who had worked his way through Williams College. His brother would perform the calculations upon a slate, and usually found his answers correct.
When he was about half through his apprenticeship he suddenly took it into his head to learn Latin, and began at once through the assistance of the same elder brother. In the evenings of one winter he read the Æneid of Virgil; and, after going on for a while with Cicero and a few other Latin authors, he began Greek. During the winter months he was obliged to spend every hour of daylight at the forge, and even in the summer his leisure minutes were few and far between. But he carried his Greek grammar in his hat, and often found a chance, while he was waiting for a large piece of iron to get hot, to open his book with his black fingers, and go through a pronoun, an adjective or part of a verb, without being noticed by his fellow-apprentices.
So he worked his way until he was out of his time, when he treated himself to a whole quarter's schooling at his brother's school, where he studied mathematics, Latin and other languages. Then he went back to the forge, studying hard in the evenings at the same branches, until he had saved a little money; when he resolved to go to New Haven, and spend a winter in study. It was far from his thoughts, as it was from his means, to enter Yale College; but he seems to have had an idea that the very atmosphere of the college would assist him. He was still so timid that he determined to work his way without asking the least assistance from a professor or tutor.
He took lodgings at a cheap tavern in New Haven, and began the very next morning a course of heroic study. As soon as the fire was made in the sitting-room of the inn, which was at half-past four in the morning, he took possession, and studied German until breakfast-time, which was half-past seven. When the other boarders had gone to business, he sat down to Homer's Iliad, of which he knew nothing, and with only a dictionary to help him.
"The proudest moment of my life," he once wrote, "was when I had first gained the full meaning of the first fifteen lines of that noble work. I took a short triumphal walk in favor of that exploit."
Just before the boarders came back for their dinner, he put away all his Greek and Latin books, and took up a work in Italian, because it was less likely to attract the notice of the noisy crowd. After dinner he fell again upon his Greek, and in the evening read Spanish until bed-time. In this way he lived and labored for three months, a solitary student in the midst of a community of students; his mind imbued with the grandeurs and dignity of the past, while eating flapjacks and molasses at a poor tavern.
Returning to his home in New Britain, he obtained the mastership of an academy in a town near by: but he could not bear a life wholly sedentary; and, at the end of a year, abandoned his school and became what is called a "runner" for one of the manufacturers of New Britain. This business he pursued until he was about twenty-five years of age, when, tired of wandering, he came home again, and set up a grocery and provision store, in which he invested all the money he had saved. Soon came the commercial crash of 1837, and he was involved in the widespread ruin. He lost the whole of his capital, and had to begin the world anew.
He resolved to return to his studies in the languages of the East. Unable to buy or find the necessary books, he tied up his effects in a small handkerchief, and walked to Boston, one hundred miles distant, hoping there to find a ship in which he could work his passage across the ocean, and collect oriental works from port to port. He could not find a berth. He turned back, and walked as far as Worcester, where he found work, and found something else which he liked better. There is an Antiquarian Society at Worcester, with a large and peculiar library, containing a great number of books in languages not usually studied, such as the Icelandic, the Russian, the Celtic dialects, and others. The directors of the Society placed all their treasures at his command, and he now divided his time between hard study of languages and hard labor at the forge. To show how he passed his days, I will copy an entry or two from a private diary he then kept:--
"Monday, June 18. Headache; 40 pages Cuvier's Theory of the Earth; 64 pages French; 11 hours forging.
"Tuesday, June 19. 60 lines Hebrew; 30 pages French; 10 pages of Cuvier; 8 lines Syriac; 10 lines Danish; 10 lines Bohemian; 9 lines Polish; 15 names of stars; 10 hours forging.
"Wednesday, June 20. 25 lines Hebrew; 8 lines Syriac; 11 hours forging."
He spent five years at Worcester in such labors as these. When work at his trade became slack, or when he had earned a little more money than usual, he would spend more time in the library; but, on the other hand, when work in the shop was pressing, he could give less time to study. After a while, he began to think that he might perhaps earn his subsistence in part by his knowledge of languages, and thus save much waste of time and vitality at the forge. He wrote a letter to William Lincoln, of Worcester, who had aided and encouraged him; and in this letter he gave a short history of his life, and asked whether he could not find employment in translating some foreign work into English. Mr. Lincoln was so much struck with his letter that he sent it to Edward Everett, and he having occasion soon after to address a convention of teachers, read it to his audience as a wonderful instance of the pursuit of knowledge under difficulties. Mr. Everett prefaced it by saying that such a resolute purpose of improvement against such obstacles excited his admiration, and even his veneration.
"It is enough," he added, "to make one who has good opportunities for education hang his head in shame."
All this, including the whole of the letter, was published in the newspapers, with eulogistic comments, in which the student was spoken of as the Learned Blacksmith. The bashful scholar was overwhelmed with shame at finding himself suddenly famous. However, it led to his entering upon public life. Lecturing was then coming into vogue, and he was frequently invited to the platform. Accordingly, he wrote a lecture, entitled "Application and Genius," in which he endeavored to show that there is no such thing as genius, but that all extraordinary attainments are the results of application. After delivering this lecture sixty times in one season, he went back to his forge at Worcester, mingling study with labor in the old way.
On sitting down to write a new lecture for the following season, on the "Anatomy of the Earth," a certain impression was made upon his mind, which changed the current of his life. Studying the globe, he was impressed with the _need_ that one nation has of other nations, and one zone of another zone; the tropics producing what assuages life in the northern latitudes, and northern lands furnishing the means of mitigating tropical discomforts. He felt that the earth was made for friendliness and coöperation, not for fierce competition and bloody wars.
Under the influence of these feelings, his lecture became an eloquent plea for peace, and to this object his after life was chiefly devoted. The dispute with England upon the Oregon boundary induced him to go to England, with the design of traveling on foot from village to village, preaching peace, and exposing the horrors and folly of war. His addresses attracting attention, he was invited to speak to larger bodies, and, in short, he spent twenty years of his life as a lecturer upon peace, organizing Peace Congresses, advocating low uniform rates of ocean postage, and spreading abroad among the people of Europe the feeling which issued, at length, in the arbitration of the dispute between the United States and Great Britain; an event which posterity will, perhaps, consider the most important of this century. He heard Victor Hugo say at the Paris Congress of 1850:--
"A day will come when a cannon will be exhibited in public museums, just as an instrument of torture is now, and people will be amazed that such a thing could ever have been."
If he had sympathetic hearers, he produced upon them extraordinary effects. Nathaniel P. Rogers, one of the heroes of the Anti-slavery agitation, chanced to hear him in Boston in 1845 on his favorite subject of Peace. He wrote soon after:--
"I had been introduced to Elihu Burritt the day before, and was much interested in his original appearance, and desirous of knowing him further. I had not formed the highest opinion of his liberality. But on entering the hall my friends and I soon forgot everything but the speaker. The dim-lit hall, the handful audience, the contrast of both with the illuminated chapel and ocean multitude assembled overhead, bespeak painfully the estimation in which the great cause of peace is held in Christendom. I wish all Christendom could have heard Elihu Burritt's speech. One unbroken, unabated stream it was of profound and lofty and original eloquence. I felt riveted to my seat till he finished it. There was no oratory about it, in the ordinary sense of that word; no graces of elocution. It was mighty thoughts radiating off from his heated mind like the sparkles from the glowing steel on his own anvil, getting on as they come out what clothing of language they might, and thus having on the most appropriate and expressive imaginable. Not a waste word, nor a wanting one. And he stood and delivered himself in a simplicity and earnestness of attitude and gesture belonging to his manly and now honored and distinguished trade. I admired the touch of rusticity in his accent, amid his truly splendid diction, which betokened, as well as the vein of solid sense that ran entirely through his speech, that he had not been educated at the college. I thought of ploughman Burns as I listened to blacksmith Burritt. Oh! what a dignity and beauty labor imparts to learning."
Elihu Burritt spent the last years of his life upon a little farm which he had contrived to buy in his native town. He was never married, but lived with his sister and her daughters. He was not so very much richer in worldly goods than when he had started for Boston with his property wrapped in a small handkerchief. He died in March, 1879, aged sixty-nine years.
MICHAEL REYNOLDS,
ENGINE-DRIVER.
Literature in these days throws light into many an out-of-the-way corner. It is rapidly making us all acquainted with one another. A locomotive engineer in England has recently written a book upon his art, in order, as he says, "to communicate that species of knowledge which it is necessary for an engine-driver to possess who aspires to take high rank on the footplate!" He magnifies his office, and evidently regards the position of an engineer as highly enviable.
"It is very _natural_," he remarks, "for those who are unacquainted with locomotive driving to admire the life of an engine-man, and to imagine how very pleasant it must be to travel on the engine. But they do not think of the gradations by which alone the higher positions are reached; they see only on the express engine the picturesque side of the result of many years of patient observation and toil."
This passage was to me a revelation; for I had looked upon an engineer and his assistant with some compassion as well as admiration, and have often thought how extremely disagreeable it must be to travel on the engine as they do. Not so Michael Reynolds, the author of this book, who has risen from the rank of fireman to that of locomotive inspector on the London and Brighton railroad. He tells us that a model engineer "is possessed by a master passion--a passion for the monarch of speed." Such an engineer is distinguished, also, for his minute knowledge of the engine, and nothing makes him happier than to get some new light upon one of its numberless parts. So familiar is he with it that his ear detects the slightest variation in the beats of the machinery, and can tell the shocks and shakes which are caused by a defective road from those which are due to a defective engine. Even his nose acquires a peculiar sensitiveness. In the midst of so much heat, he can detect that which arises from friction before any mischief has been done. At every rate of speed he knows just how his engine ought to sound, shake, and smell.
Let us see how life passes on a locomotive, and what is the secret of success in the business of an engineer. The art of arts in engine-driving is the management of the fire. Every reader is aware that taking care of a fire is something in which few persons become expert. Most of us think that we ourselves possess the knack of it, but not another individual of our household agrees with us. Now, a man born with a genius for managing a locomotive is one who has a high degree of the fire-making instinct. Mr. Reynolds distinctly says that a man may be a good mechanic, may have even built locomotives, and yet, if he is not a good "shovel-man," if he does not know how to manage his fire, he will never rise to distinction in his profession. The great secret is to build the fire so that the whole mass of fuel will ignite and burn freely without the use of the blower, and so bring the engine to the train with a fire that will last. When we see an engine blowing off steam furiously at the beginning of the trip, we must not be surprised if the train reaches the first station behind time, since it indicates a fierce, thin fire, that has been rapidly ignited by the blower. An accomplished engineer backs his engine to the train without any sign of steam or smoke, but with a fire so strong and sound that he can make a run of fifty miles in an hour without touching it.