Part 3
During the reigns of George IV. and William IV., James Wyatt's brother, Jeffry Wyatt, whom George IV. knighted and called Wyatville, continued the work of restoration, and gradually nearly all traces of the Castle as it was during the latter part of the eighteenth century disappeared. He raised the Round Tower to its present height, designed the plan for the east and west sides of the Upper Ward, raised the level of all the roofs, filled up the Brick Court with a grand staircase, and the Horn Court with the Waterloo Gallery, united the stables, which were dotted throughout the Town, on Castle Hill, and built the Brunswick Tower, and the York and Lancaster Tower. It is to Wyatville's good taste and fine artistic perceptions that we owe the fact that Windsor retains its characteristics of a mediæval fortress, and has not been converted into a stiffly symmetrical building, then so much affected.
George IV.'s favourite residence was a lodge near the Long Walk, but two years before his death he removed to the Castle, and his long illness kept him prisoner here till his death. In the same room, later on called the Queen's Drawing-room, exactly seven years later, King William also died.
The chapel of St. George was made a Chapel Royal by Edward III. in 1348. The office of dean was, till the reign of Henry IV., held by a dignitary designated by the name of "custos." John Arundel, in Henry IV.'s reign, being the first to bear the title of "dean." At first the chapel was dedicated to St. Edward, but gradually, owing to its connection with the Order of the Garter, St. George superseded the former patron saint. Later on, Henry VII. had intended to make this chapel the tomb of his race, and the work was actually commenced when the king turned his attention to Westminster. Henry VIII. presented the chapel to Wolsey, and, about 1524, the Cardinal employed Benedetto of Florence to build a sumptuous sarcophagus of black marble, decorated with figures of copper gilt. After his disgrace, the magnificent metalwork lay neglected till the governorships of Colonel Venn and Colonel Whichcott, when these functionaries sold various figures and images as old brass, and realised a very handsome sum by the transaction. In 1805, the marble sarcophagus was removed to St. Paul's, to mark the grave of Lord Nelson.
In 1686 when James II. was mis-ruling the land, he expended some £700 on repairing the chapel and in solemnizing high mass. In George III.'s reign the chapel was made the Royal Mausoleum, and Princess Amelia was the first to be interred in it. His wife, his sister, and six of his children and grandchildren were buried in the vault before George himself. There is room for forty-nine coffins, and already twenty-one have been placed in it, the Duke of Clarence and Avondale having been the last. Although the Prince Consort is buried at Frogmore, Wolsey's Tomb-house was selected as the site for the magnificent memorial in his honour. The interior of the chapel is lined with marble and mosaic, the walls are covered with reliefs, the windows are of stained glass. The cenotaph stands in front of the magnificent altar, and supports a recumbent statue, a personification of the Christian soldier described by St. Paul, of white marble, the face being a portrait of the Prince. A hound, a portrait of the Prince's favourite dog Eos, sits at his feet. This chapel, built by Henry III., and dedicated to St. Edward, and later on, known as Wolsey's Tomb-House, remains now as the Albert Memorial Chapel, one of the most splendid monuments of the age. In the State Apartments there are many articles interesting on account of antiquity or associations. The Malachite Vase in the Ball Room is the best of its kind in England, the French tapestry is said to be unequalled, the Sévres porcelain is exquisitely delicate and beautiful. Many picture-frames, especially in the ante-room, are to be found, the work of Grinling Gibbons. Portraits by Vandyck in his best style abound, and there is a splendid series of portraits by Holbein. In the Guard Chamber there is a shield presented by Francis I. to Henry VIII. on the field of the Cloth of Gold, the work of Benvenuto Cellini.
The Library at Windsor is remarkably large and good, William IV. having gathered here the various collections at Kew, Hampton Court, and Kensington, and having brought to light many antiquarian treasures. Amongst these are the three volumes of the collection of drawings of Leonardo de Vinci, brought to England from Holland by Sir Peter Lely, and bought by Charles II., and the series of eighty-seven studies in red chalk and Indian ink of the principal personages of Henry VIII.'s Court by Hans Holbein. The illuminated manuscripts, both European and Oriental are of much historical interest, and amongst them may be mentioned the "Mentz Psalter," of 1457, a copy of Coverdale's Bible of 1535, and the only perfect copy now in existence of Caxton's _Æsop's Fables_ of 1484.
In the strong room are many gorgeous treasures of plate and jewels, and a set of golden dinner plates sufficient for a hundred guests, a wine-fountain taken from the Spanish Armada, Tippoo's jewelled peacock and solid gold footstool, in the shape of a tiger's head, and many other curiosities too numerous for mention. Some of the state apartments, especially the library, contain fine mantelpieces and panellings of great age, some going as far back as the sixteenth century.
After the Castle itself, the chief glory of Windsor is the Great Park, the remnant of a tract of 180 miles in circuit, which formed the happy hunting-ground of our mediæval kings. It is joined to the town and Castle by the Long Walk, the noble avenue of elms planted by Charles II. The Park is gently undulating, and dotted here and there with magnificent oaks and beeches, sometimes standing singly, sometimes in thick clumps. Looking from George the Fourth's Gateway to the gilt statue which he erected to "the best of fathers," the beauty of the landscape thrills one with the satisfaction of perfection. The spirit of romance seems to pervade each fairy glade and hill, and visions of days long past arise before us, when lord and ladye fair on fiery steeds rode through the enchanted spot, and paused in their pursuit of the bounding deer, moved by the genius of the place, to whisper words of love. An oak measuring 26 feet 10 inches, at the height of 5 feet from the ground, is reckoned to be 800 years old. Three oaks in Cranbourne Chase, the oldest of which is probably 450 years, are called respectively, Queen Anne, Queen Charlotte, and Queen Victoria, these names it is scarcely necessary to explain, having been given since they evolved from their sapling stage. Herne's Oak, which Shakespeare memorialises in _The Merry Wives_, was, according to some blown down in a storm in 1863, and a sapling was planted to mark the spot. According to others it was cut down in mistake with other decayed trees by order of George III. At one corner of the Park there are some dozen oak trees, all as old as the Norman Conquest.
In fact, wherever one glances, be it at an old elm, or a bit of old carving half hidden in grass, or a china cup in the drawing-room, or a picture in the library, from the marble sarcophagus erected in memory of the Prince Consort to a blade of grass on the terrace, one finds endless cause for interest and deeper investigation. Such historical associations cling to every stone or crumb of earth, such romantic stories are whispered to one at every turn, such echoes of old-world times are re-called at every foot-fall, that no one could weary of visiting again and again this wondrous spot, to dream of bygone faces, fashions, and manners. And as one gazes, one feels the same pride in its beauty as stirred the hearts of Henry III. and Edward III., one understands the desire of the world-satiated Henry VIII. to rest in peace by the side of his best loved queen under those cool gray stones, and one feels a deep thankfulness that the storm-tossed Charles is at rest for evermore in that calm, sanctified, world-remote spot.
And Windsor does more than turn one's thoughts down the vista of past ages, it ennobles, it purifies. A reverence, an awe that only the sublime can inspire, takes possession of one's heart when one contemplates this most glorious of England's royal homes. Nor has the hand of time dimmed its lustre. Windsor is still the home of the illustrious Queen whom all her subjects delight to honour. It is associated with tender memories of all the joys and many sorrows which the Ruler of our mighty Empire has experienced during the course of her long and glorious reign. And when we reflect on all that our Queen has done for the welfare of our nation, and of the vast Empire over which she rules, we can but echo the Laureate's words:--
"May she rule us long, And leave us rulers of her blood As noble till the latest day! May children of our children say, She wrought her people lasting good; Her court was pure; her life serene; God gave her peace; her land reposed; A thousand claims to reverence closed In her a Mother, Wife, and Queen."
And ever mindful of her great sorrow let us say:--
"The love of all Thy sons encompass Thee, The love of all Thy daughters cherish Thee, The love of all Thy people comfort Thee, Till God's love set Thee at His side again."
Wallingford Castle.
BY J.E. FIELD, M.A.
The Castle, to which Wallingford owes its importance through six centuries of our annals, may have had its origin in a primitive fortress belonging to the original settlement upon the river-bank. But its actual history begins in the reign of Edward the Confessor, who, according to Domesday, had fifteen acres here, where a body of his huscarles or military retainers lived; these acres being the same that Milo Crispin, the Norman lord of the Castle, was occupying at the time of the Survey.
Whatever fortress existed in Edward's day was held by Wigod, the kinsman and cupbearer to the King; and the fact that Wigod favoured the cause of the Norman Duke, coupled with the circumstance of an advantageous position on an important ford of the river, caused Wallingford and its Castle to become what they were in history.
Hither, in consequence of the welcome offered by the English Thane, William came after the Battle of Hastings, when London was fortified against him; and here he received the homage of Archbishop Stigand and the English nobles. Before moving back towards London he made the Norman influence secure at Wallingford by the marriage of his favourite chieftain, Robert D'Oilgi, with Wigod's daughter, who became eventually, if she was not already, heiress of the castle; for her only brother fell in battle, fighting by William's side against his son Robert. The King remained to take part in the festivities of the marriage, and ordered D'Oilgi to build a castle upon his new inheritance. In five years the castle was completed. D'Oilgi had an only daughter, Maud, who was married to another Norman chieftain, Milo Crispin, and after his death she became the wife of Brien Fitz-Count.
Tradition and history point to each of these lords in turn as having made additions to the castle which their father-in-law erected; for Crispin is said to have been the founder of the Collegiate Church in the southern precinct, and Fitz-Count is recorded as the builder of the famous dungeon called Cloere Brien, or Brien's Close, in the north-western precinct. Further additions and renovations were made in later times; but under these Norman owners the Castle must have extended itself to the dimensions which it retained to the last, and of which we can still trace the relics.
From the river bank a few yards above the bridge it is easy to form an idea of what the great Norman fortress was. The lofty mound upon which the Keep was built, perhaps a prehistoric tumulus in its origin, is still the most prominent object, though all vestiges of the tower and its outworks have now disappeared, giving place to a luxuriant growth of forest trees. Close beside this mound, traces of the southern moat are to be seen, opening out upon the ditch which still separates the castle grounds from the meadow beside the river. The broken ground rising within the ditch shows the line of the eastern front of the castle with its projecting bastions overlooking the river, though all that now remains is an ivy-covered ruin with the opening of a large window, known as the Queen's Tower. In the background, and more to the right, is another fragmentary ruin, forming a central portion of the north wall; while a modern boat-house marks the outflow of the moat at its north-eastern angle. From this point along the northern front a triple entrenchment is clearly shown by the undulations of the ground; the innermost ditch, close beneath the wall, being the moat of the Castle itself, while the second is the moat of the Castle precincts enclosing a space of intermediate ground on the west and south, and the outermost is the moat which enclosed the whole town; the three being brought close together in parallel lines along this side of the Castle. It must have been from this point of view, that Leland, in Henry the Eighth's reign, described the Castle as having "three dikes, large, deep, and well watered; about each of the two first dikes are embattled walls, sore in ruin and for the most part defaced; all the goodly buildings, with the towers and dungeon, be within the three dikes." Camden, who tells that "the size and magnificence of the Castle used to strike me with amazement when I came hither, a lad, from Oxford," describes it more accurately as "environed with a double wall and a double ditch."
South of the great mound and its protecting moat is the ruined tower and south wall of the Collegiate Church of St. Nicholas, now surmounted by a modern turret; and adjoining it are some fragments of the other buildings of the college, with a good doorway and some windows of perpendicular character. Beyond these ruins a large portion of the second moat is to be seen. The south-western angle of the precincts, with the banks of the moat well preserved before it and behind it, is occupied by the modern dwelling-house. Lastly, near the north-western angle, where this outer precinct ends, the site of Brien Fitzcount's dungeon is shown; and the remains of it, with massive rings fixed to the stonework, existed here within the present century.
If the Norman Conqueror himself gained no direct advantage from the castle which he required D'Oilgi to build, his policy certainly bore its fruit in the days of his grandchildren. In the civil wars of Stephen's reign Brien Fitzcount was a leading supporter of Maud, the daughter of Henry Beauclerk and widow of the Emperor Henry IV. of Germany. The escape of the Empress from Oxford Castle, her flight in white garments through snow and ice by night to Abingdon, and her safe arrival at Wallingford Castle, are a familiar tale, perhaps embellished through the ages, but well grounded in history. Stephen set up opposing forts across the river at Crowmarsh, and traces of them may still be seen on either side of the road near the eastern end of the bridge, while the meadow on the north is still called the Barbican.
Terrible stories are told of the sufferings endured by followers of Stephen who had the misfortune to become prisoners here under Fitzcount's custody; and for one influential prisoner, William Martel, the new dungeon of Brien's Close was made, from which he was only released on condition of delivering up the Castle of Shirburn and its adjacent lands as a ransom. Throughout the war Wallingford Castle under its indomitable lord was the most powerful of all the strongholds of the empress; and it was here, in a meadow beneath the walls, that the war was ended, through the treaty proposed by the Earl of Arundel, granting the kingdom to Stephen for his life and the succession to the Empress's son, Henry Plantagenet.
Brien Fitzcount took the cross and died in the Holy Land; his wife spent the rest of her life in a convent; their two sons were lepers; and the Castle of Wallingford passed to the new King, Henry II. The part which it had taken in the cause of the Empress and her son had its reward in the high position which it occupied under the Plantagenet Kings. Henry favoured the town with special privileges, apparently exceeding any that were granted elsewhere; and here, at Easter 1155, he held his first Parliament. At Henry's death, Richard Coeur de Lion, before starting for the Holy Land, gave to his brother John the Honour of Wallingford; and one of John's first acts of rebellion was to gain possession of the Castle also, which the King had left in charge of the Archbishop of Rouen. When the barons under the Earl of Leicester recovered it for the King, the Queen Dowager, Eleanor of Poitou, became its custodian; and it is probably from her that the ruined fragment of the east front bore the name of the Queen's Tower, and from her also, we must presume, the meadow in front of it was called the Queen's Arbour. The value which John set upon the place still continued when he became King, as we may infer from his frequent visits to it, and the additions which he made to its garrison. His younger son, Richard, Earl of Cornwall and afterwards King of the Romans, was made Constable at the close of John's reign; and the Castle and Honour was eventually bestowed upon him by his brother Henry III.