Chapter 2

The rawness of it made Ted wince. "Oh, I don't know," he stammered. "I've a job half promised in Chicago."

"What doing?"

Ted laughed a short and ugly laugh. "Driving a brewery auto truck."

Jo Haley tossed his cigar dexterously to the opposite corner of his mouth and squinted thoughtfully along its bulging sides.

"Remember that Wenzel girl that's kept books for me for the last six years? She's leaving in a couple of months to marry a New York guy that travels for ladies' cloaks and suits. After she goes it's nix with the lady bookkeepers for me. Not that Minnie isn't a good, straight girl, and honest, but no girl can keep books with one eye on a column of figures and the other on a traveling man in a brown suit and a red necktie, unless she's cross-eyed, and you bet Minnie ain't. The job's yours if you want it. Eighty a month to start on, and board."

"I--can't, Jo. Thanks just the same. I'm going to try to begin all over again, somewhere else, where nobody knows me."

"Oh yes," said Jo. "I knew a fellow that did that. After he came out he grew a beard, and wore eyeglasses, and changed his name. Had a quick, crisp way of talkin', and he cultivated a drawl and went west and started in business. Real estate, I think. Anyway, the second month he was there in walks a fool he used to know and bellows: 'Why if it ain't Bill! Hello, Bill! I thought you was doing time yet.' That was enough. Ted, you can black your face, and dye your hair, and squint, and some fine day, sooner or later, somebody'll come along and blab the whole thing. And say, the older it gets the worse it sounds, when it does come out. Stick around here where you grew up, Ted."

Ted clasped and unclasped his hands uncomfortably. "I can't figure out why you should care how I finish."

"No reason," answered Jo. "Not a darned one. I wasn't ever in love with your ma, like the guy on the stage; and I never owed your pa a cent. So it ain't a guilty conscience. I guess it's just pure cussedness, and a hankerin' for a new investment. I'm curious to know how'll you turn out. You've got the makin's of what the newspapers call a Leading Citizen, even if you did fall down once. If I'd ever had time to get married, which I never will have, a first-class hotel bein' more worry and expense than a Pittsburg steel magnate's whole harem, I'd have wanted somebody to do the same for my kid. That sounds slushy, but it's straight."

"I don't seem to know how to thank you," began Ted, a little husky as to voice.

"Call around to-morrow morning," interrupted Jo Haley, briskly, "and Minnie Wenzel will show you the ropes. You and her can work together for a couple of months. After then she's leaving to make her underwear, and that. I should think she'd have a bale of it by this time. Been embroidering them shimmy things and lunch cloths back of the desk when she thought I wasn't lookin' for the last six months."

Ted came down next morning at 8 A.M. with his nerve between his teeth and the chip still balanced lightly on his shoulder. Five minutes later Minnie Wenzel knocked it off. When Jo Haley introduced the two jocularly, knowing that they had originally met in the First Reader room, Miss Wenzel acknowledged the introduction icily by lifting her left eyebrow slightly and drawing down the corners of her mouth. Her air of hauteur was a triumph, considering that she was handicapped by black sateen sleevelets.

I wonder how one could best describe Miss Wenzel? There is one of her in every small town. Let me think (business of hand on brow). Well, she always paid eight dollars for her corsets when most girls in a similar position got theirs for fifty-nine cents in the basement. Nature had been kind to her. The hair that had been a muddy brown in Minnie's schoolgirl days it had touched with a magic red-gold wand. Birdie Callahan always said that Minnie was working only to wear out her old clothes.

After the introduction Miss Wenzel followed Jo Haley into the lobby. She took no pains to lower her voice.

"Well I must say, Mr. Haley, you've got a fine nerve! If my gentleman friend was to hear of my working with an ex-con I wouldn't be surprised if he'd break off the engagement. I should think you'd have some respect for the feelings of a lady with a name to keep up, and engaged to a swell fellow like Mr. Schwartz."

"Say, listen, m' girl," replied Jo Haley. "The law don't cover all the tricks. But if stuffing an order was a criminal offense I'll bet your swell traveling man would be doing a life term."

Ted worked that day with his teeth set so that his jaws ached next morning. Minnie Wenzel spoke to him only when necessary and then in terms of dollars and cents. When dinner time came she divested herself of the black sateen sleevelets, wriggled from the shoulders down a la Patricia O'Brien, produced a chamois skin, and disappeared in the direction of the washroom. Ted waited until the dining-room was almost deserted. Then he went in to dinner alone. Some one in white wearing an absurd little pocket handkerchief of an apron led him to a seat in a far corner of the big room. Ted did not lift his eyes higher than the snowy square of the apron. The Apron drew out a chair, shoved it under Ted's knees in the way Aprons have, and thrust a printed menu at him.

"Roast beef, medium," said Ted, without looking up.

"Bless your heart, yuh ain't changed a bit. I remember how yuh used to jaw when it was too well done," said the Apron, fondly.

Ted's head came up with a jerk.

"So yuh will cut yer old friends, is it?" grinned Birdie Callahan. "If this wasn't a public dining-room maybe yuh'd shake hands with a poor but proud workin' girrul. Yer as good lookin' a divil as ever, Mister Ted."

Ted's hand shot out and grasped hers. "Birdie! I could weep on your apron! I never was so glad to see any one in my life. Just to look at you makes me homesick. What in Sam Hill are you doing here?"

"Waitin'. After yer ma died, seemed like I didn't care t' work fer no other privit fam'ly, so I came back here on my old job. I'll bet I'm the homeliest head waitress in captivity."

Ted's nervous fingers were pleating the tablecloth. His voice sank to a whisper. "Birdie, tell me the God's truth. Did those three years cause her death?"

"Niver!" lied Birdie. "I was with her to the end. It started with a cold on th' chest. Have some French fried with yer beef, Mr. Teddy. They're illigent to-day."

Birdie glided off to the kitchen. Authors are fond of the word "glide." But you can take it literally this time. Birdie had a face that looked like a huge mistake, but she walked like a panther, and they're said to be the last cry as gliders. She walked with her chin up and her hips firm. That comes from juggling trays. You have to walk like that to keep your nose out of the soup. After a while the walk becomes a habit. Any seasoned dining-room girl could give lessons in walking to the Delsarte teacher of an Eastern finishing school.

From the day that Birdie Callahan served Ted with the roast beef medium and the elegant French fried, she appointed herself monitor over his food and clothes and morals. I wish I could find words to describe his bitter loneliness. He did not seek companionship. The men, although not directly avoiding him, seemed somehow to have pressing business whenever they happened in his vicinity. The women ignored him. Mrs. Dankworth, still dashing and still widowed, passed Ted one day and looked fixedly at a point one inch above his head. In a town like ours the Haley House is like a big, hospitable clubhouse. The men drop in there the first thing in the morning, and the last thing at night, to hear the gossip and buy a cigar and jolly the girl at the cigar counter. Ted spoke to them when they spoke to him. He began to develop a certain grim line about the mouth. Jo Haley watched him from afar, and the longer he watched the kinder and more speculative grew the look in his eyes. And slowly and surely there grew in the hearts of our townspeople a certain new respect and admiration for this boy who was fighting his fight.

Ted got into the habit of taking his meals late, so that Birdie Callahan could take the time to talk to him.

"Birdie," he said one day, when she brought his soup, "do you know that you're the only decent woman who'll talk to me? Do you know what I mean when I say that I'd give the rest of my life if I could just put my head in my mother's lap and have her muss up my hair and call me foolish names?"

Birdie Callahan cleared her throat and said abruptly: "I was noticin' yesterday your gray pants needs pressin' bad. Bring 'em down tomorrow mornin' and I'll give 'em th' elegant crease in the laundry."

So the first weeks went by, and the two months of Miss Wenzel's stay came to an end. Ted thanked his God and tried hard not to wish that she was a man so that he could punch her head.

The day before the time appointed for her departure she was closeted with Jo Haley for a long, long time. When finally she emerged a bellboy lounged up to Ted with a message.

"Wenzel says th' Old Man wants t' see you. 'S in his office. Say, Mr. Terrill, do yuh think they can play to-day? It's pretty wet."

Jo Haley was sunk in the depths of his big leather chair. He did not look up as Ted entered. "Sit down," he said. Ted sat down and waited, puzzled.

"As a wizard at figures," mused Jo Haley at last, softly as though to himself, "I'm a frost. A column of figures on paper makes my head swim. But I can carry a whole regiment of 'em in my head. I know every time the barkeeper draws one in the dark. I've been watchin' this thing for the last two weeks hopin' you'd quit and come and tell me." He turned suddenly and faced Ted. "Ted, old kid," he said sadly, "what'n'ell made you do it again?"

"What's the joke?" asked Ted.

"Now, Ted," remonstrated Jo Haley, "that way of talkin' won't help matters none. As I said, I'm rotten at figures. But you're the first investment that ever turned out bad, and let me tell you I've handled some mighty bad smelling ones. Why, kid, if you had just come to me on the quiet and asked for the loan of a hundred or so why----"

"What's the joke, Jo?" said Ted again, slowly.

"This ain't my notion of a joke," came the terse answer. "We're three hundred short."

The last vestige of Ted Terrill's old-time radiance seemed to flicker and die, leaving him ashen and old.

"Short?" he repeated. Then, "My God!" in a strangely colorless voice--"My God!" He looked down at his fingers impersonally, as though they belonged to some one else. Then his hand clutched Jo Haley's arm with the grip of fear. "Jo! Jo! That's the thing that has haunted me day and night, till my nerves are raw. The fear of doing it again. Don't laugh at me, will you? I used to lie awake nights going over that cursed business of the bank--over and over--till the cold sweat would break out all over me. I used to figure it all out again, step by step, until--Jo, could a man steal and not know it? Could thinking of a thing like that drive a man crazy? Because if it could--if it could--then----"

"I don't know," said Jo Haley, "but it sounds darned fishy." He had a hand on Ted's shaking shoulder, and was looking into the white, drawn face. "I had great plans for you, Ted. But Minnie Wenzel's got it all down on slips of paper. I might as well call her, in again, and we'll have the whole blamed thing out."

Minnie Wenzel came. In her hand were slips of paper, and books with figures in them, and Ted looked and saw things written in his own hand that should not have been there. And he covered his shamed face with his two hands and gave thanks that his mother was dead.

There came three sharp raps at the office door. The tense figures within jumped nervously.

"Keep out!" called Jo Haley, "whoever you are." Whereupon the door opened and Birdie Callahan breezed in.

"Get out, Birdie Callahan," roared Jo. "You're in the wrong pew."

Birdie closed the door behind her composedly and came farther into the room. "Pete th' pasthry cook just tells me that Minnie Wenzel told th' day clerk, who told the barkeep, who told th' janitor, who told th' chef, who told Pete, that Minnie had caught Ted stealin' some three hundred dollars."

Ted took a quick step forward. "Birdie, for Heaven's sake keep out of this. You can't make things any better. You may believe in me, but----"

"Where's the money?" asked Birdie.

Ted stared at her a moment, his mouth open ludicrously.

"Why--I--don't--know," he articulated, painfully. "I never thought of that."

Birdie snorted defiantly. "I thought so. D'ye know," sociably, "I was visitin' with my aunt Mis' Mulcahy last evenin'."

There was a quick rustle of silks from Minnie Wenzel's direction.

"Say, look here----" began Jo Haley, impatiently.

"Shut up, Jo Haley!" snapped Birdie. "As I was sayin', I was visitin' with my aunt Mis' Mulcahy. She does fancy washin' an' ironin' for the swells. An' Minnie Wenzel, there bein' none sweller, hires her to do up her weddin' linens. Such smears av hand embridery an' Irish crochet she never see th' likes, Mis' Mulcahy says, and she's seen a lot. And as a special treat to the poor owld soul, why Minnie Wenzel lets her see some av her weddin' clo'es. There never yet was a woman who cud resist showin' her weddin' things to every other woman she cud lay hands on. Well, Mis' Mulcahy, she see that grand trewsow and she said she never saw th' beat. Dresses! Well, her going away suit alone comes to eighty dollars, for it's bein' made by Molkowsky, the little Polish tailor. An' her weddin' dress is satin, do yuh mind! Oh, it was a real treat for my aunt Mis' Mulcahy."

Birdie walked over to where Minnie Wenzel sat, very white and still, and pointed a stubby red finger in her face. "'Tis the grand manager ye are, Miss Wenzel, gettin' satins an' tailor-mades on yer salary. It takes a woman, Minnie Wenzel, to see through a woman's thricks."

"Well I'll be dinged!" exploded Jo Haley.

"Yuh'd better be!" retorted Birdie Callahan.

Minnie Wenzel stood up, her lip caught between her teeth.

"Am I to understand, Jo Haley, that you dare to accuse me of taking your filthy money, instead of that miserable ex-con there who has done time?"

"That'll do, Minnie," said Jo Haley, gently. "That's a-plenty."

"Prove it," went on Minnie, and then looked as though she wished she hadn't.

"A business college edjication is a grand foine thing," observed Birdie. "Miss Wenzel is a graduate av wan. They teach you everything from drawin' birds with tail feathers to plain and fancy penmanship. In fact, they teach everything in the writin' line except forgery, an' I ain't so sure they haven't got a coorse in that."

"I don't care," whimpered Minnie Wenzel suddenly, sinking in a limp heap on the floor. "I had to do it. I'm marrying a swell fellow and a girl's got to have some clothes that don't look like a Bird Center dressmaker's work. He's got three sisters. I saw their pictures and they're coming to the wedding. They're the kind that wear low-necked dresses in the evening, and have their hair and nails done downtown. I haven't got a thing but my looks. Could I go to New York dressed like a rube? On the square, Jo, I worked here six years and never took a sou. But things got away from me. The tailor wouldn't finish my suit unless I paid him fifty dollars down. I only took fifty at first, intending to pay it back. Honest to goodness, Jo, I did."

"Cut it out," said Jo Haley, "and get up. I was going to give you a check for your wedding, though I hadn't counted on no three hundred. We'll call it square. And I hope you'll be happy, but I don't gamble on it. You'll be goin' through your man's pants pockets before you're married a year. You can take your hat and fade. I'd like to know how I'm ever going to square this thing with Ted and Birdie."

"An' me standin' here gassin' while them fool girls in the dinin'-room can't set a table decent, and dinner in less than ten minutes," cried Birdie, rushing off. Ted mumbled something unintelligible and was after her.

"Birdie! I want to talk to you."

"Say it quick then," said Birdie, over her shoulder. "The doors open in three minnits."

"I can't tell you how grateful I am. This is no place to talk to you. Will you let me walk home with you to-night after your work's done?"

"Will I?" said Birdie, turning to face him. "I will not. Th' swell mob has shook you, an' a good thing it is. You was travelin' with a bunch of racers, when you was only built for medium speed. Now you're got your chance to a fresh start and don't you ever think I'm going to be the one to let you spoil it by beginnin' to walk out with a dinin'-room Lizzie like me."

"Don't say that, Birdie," Ted put in.

"It's the truth," affirmed Birdie. "Not that I ain't a perfec'ly respectable girrul, and ye know it. I'm a good slob, but folks would be tickled for the chance to say that you had nobody to go with but the likes av me. If I was to let you walk home with me to-night, yuh might be askin' to call next week. Inside half a year, if yuh was lonesome enough, yuh'd ask me to marry yuh. And b'gorra," she said softly, looking down at her unlovely red hands, "I'm dead scared I'd do it. Get back to work, Ted Terrill, and hold yer head up high, and when yuh say your prayers to-night, thank your lucky stars I ain't a hussy."

III

WHAT SHE WORE

Somewhere in your story you must pause to describe your heroine's costume. It is a ticklish task. The average reader likes his heroine well dressed. He is not satisfied with knowing that she looked like a tall, fair lily. He wants to be told that her gown was of green crepe, with lace ruffles that swirled at her feet. Writers used to go so far as to name the dressmaker; and it was a poor kind of a heroine who didn't wear a red velvet by Worth. But that has been largely abandoned in these days of commissions. Still, when the heroine goes out on the terrace to spoon after dinner (a quaint old English custom for the origin of which see any novel by the "Duchess," page 179) the average reader wants to know what sort of a filmy wrap she snatches up on the way out. He demands a description, with as many illustrations as the publisher will stand for, of what she wore from the bedroom to the street, with full stops for the ribbons on her robe de nuit, and the buckles on her ballroom slippers. Half the poor creatures one sees flattening their noses against the shop windows are authors getting a line on the advance fashions. Suppose a careless writer were to dress his heroine in a full-plaited skirt only to find, when his story is published four months later, that full-plaited skirts have been relegated to the dim past!

I started to read a story once. It was a good one. There was in it not a single allusion to brandy-and-soda, or divorce, or the stock market. The dialogue crackled. The hero talked like a live man. It was a shipboard story, and the heroine was charming so long as she wore her heavy ulster. But along toward evening she blossomed forth in a yellow gown, with a scarlet poinsettia at her throat. I quit her cold. Nobody ever wore a scarlet poinsettia; or if they did, they couldn't wear it on a yellow gown. Or if they did wear it with a yellow gown, they didn't wear it at the throat. Scarlet poinsettias aren't worn, anyhow. To this day I don't know whether the heroine married the hero or jumped overboard.

You see, one can't be too careful about clothing one's heroine.

I hesitate to describe Sophy Epstein's dress. You won't like it. In the first place, it was cut too low, front and back, for a shoe clerk in a downtown loft. It was a black dress, near-princess in style, very tight as to fit, very short as to skirt, very sleazy as to material. It showed all the delicate curves of Sophy's under-fed, girlish body, and Sophy didn't care a bit. Its most objectionable feature was at the throat. Collarless gowns were in vogue. Sophy's daring shears had gone a snip or two farther. They had cut a startlingly generous V. To say that the dress was elbow-sleeved is superfluous. I have said that Sophy clerked in a downtown loft.

Sophy sold "sample" shoes at two-fifty a pair, and from where you were standing you thought they looked just like the shoes that were sold in the regular shops for six. When Sophy sat on one of the low benches at the feet of some customer, tugging away at a refractory shoe for a would-be small foot, her shameless little gown exposed more than it should have. But few of Sophy's customers were shocked. They were mainly chorus girls and ladies of doubtful complexion in search of cheap and ultra footgear, and--to use a health term--hardened by exposure.

Have I told you how pretty she was? She was so pretty that you immediately forgave her the indecency of her pitiful little gown. She was pretty in a daringly demure fashion, like a wicked little Puritan, or a poverty-stricken Cleo de Merode, with her smooth brown hair parted in the middle, drawn severely down over her ears, framing the lovely oval of her face and ending in a simple coil at the neck. Some serpent's wisdom had told Sophy to eschew puffs. But I think her prettiness could have triumphed even over those.

If Sophy's boss had been any other sort of man he would have informed Sophy, sternly, that black princess effects, cut low, were not au fait in the shoe-clerk world. But Sophy's boss had a rhombic nose, and no instep, and the tail of his name had been amputated. He didn't care how Sophy wore her dresses so long as she sold shoes.

Once the boss had kissed Sophy--not on the mouth, but just where her shabby gown formed its charming but immodest V. Sophy had slapped him, of course. But the slap had not set the thing right in her mind. She could not forget it. It had made her uncomfortable in much the same way as we are wildly ill at ease when we dream of walking naked in a crowded street. At odd moments during the day Sophy had found herself rubbing the spot furiously with her unlovely handkerchief, and shivering a little. She had never told the other girls about that kiss.

So--there you have Sophy and her costume. You may take her or leave her. I purposely placed these defects in costuming right at the beginning of the story, so that there should be no false pretenses. One more detail. About Sophy's throat was a slender, near-gold chain from which was suspended a cheap and glittering La Valliere. Sophy had not intended it as a sop to the conventions. It was an offering on the shrine of Fashion, and represented many lunchless days.

At eleven o'clock one August morning, Louie came to Chicago from Oskaloosa, Iowa. There was no hay in his hair. The comic papers have long insisted that the country boy, on his first visit to the city, is known by his greased boots and his high-water pants. Don't you believe them. The small-town boy is as fastidious about the height of his heels and the stripe of his shift and the roll of his hat-brim as are his city brothers. He peruses the slangily worded ads of the "classy clothes" tailors, and when scarlet cravats are worn the small-town boy is not more than two weeks late in acquiring one that glows like a headlight.

Louie found a rooming-house, shoved his suitcase under the bed, changed his collar, washed his hands in the gritty water of the wash bowl, and started out to look for a job.

Louie was twenty-one. For the last four years he had been employed in the best shoe store at home, and he knew shoe leather from the factory to the ash barrel. It was almost a religion with him.