Part 16

I cannot tell you how I got back to York. If I walked, it was somnambulistically. Possibly I rode the railroad or in a farmer’s cart. Part of my mind, a tiny part that kept coming back to pierce me no matter how often I crushed it out, remembered those who died, those who would have lived, but for me. Another part was concerned only with the longing to get back to my own time, to the haven, to Catty. A much larger part was simply blank, except for the awesome, incredible knowledge that the past could be changed—that the past _had_ been changed.

I must have wound my watch—Barbara’s watch—for it was ten oclock on the night of July Fourth when I got to the barn. Ten oclock by 1863 time; the other dial showed it to be 8:40, that would be twenty of nine in the morning, 1952 time. In two hours I would be home, safe from the nightmare of happenings that never happened, of guilt for the deaths of men not supposed to die, of the awful responsibility of playing destiny. If I could not persuade Barbara to smash her damnable contrivance I would do so myself.

The dogs barked madly, but I was sure no one heeded. It was the Fourth of July, and a day of victory and rejoicing for all Pennsylvanians. I stole into the barn and settled myself in the exact center, even daring the use of a match, my last one, to be sure I’d be directly under the reflector when it materialized.

I could not sleep, though I longed to blot out the horror and wake in my own time. Detail by detail I went over what I had seen, superimposing it like a palimpsest upon the history I’d always known. Sleep would have kept me from this wretched compulsion and from questioning my sanity, but I could not sleep.

I have heard that in moments of overwhelming shock some irrelevancy, some inconsequential matter persistently forces itself on the attention. The criminal facing execution thinks, not of his imminent fate or of his crime, but of the cigarette stub he left burning in his cell. The bereaved widow dwells, not on her lost husband, but on tomorrow’s laundry. So it was with me. Behind that part of my mind re-living the past three days, a more elementary part gnawed at the identification of the slain captain.

I knew that face. Particularly did I know that face set in a sneer, distorted with anger. But I could not remember it in Confederate uniform. I could not remember it with sandy mustaches. And yet the sandy, reddish hair, revealed in that terrible moment when his hat flew off, was as familiar as part of the face. Oh, I thought, if I could only place it once and for all and free my mind at least of this trivial thing.

I wished there were some way I could have seen the watch, to concentrate on the creeping progress of the hands and distract myself from the wave after wave of wretched meditations which flowed over me. But the moonlight was not strong enough to make the face distinguishable, much less the figures on the dials. There was no narcotic.

As one always is at such times I was convinced the appointed moment had passed unnoticed. Something had gone wrong. Over and over I had to tell myself that minutes seem hours in the waiting dark; it might feel like two or three in the morning to me; it was probably barely eleven. No use. A minute—or an hour or a second—later I was again positive midnight had passed.

Finally I began to suffer a monstrous illusion. I began to think it was getting lighter. That dawn was coming. Of course I knew it could not be; what I fancied lifting darkness was only a sick condition of swollen, overtired eyes. Dawn does not come to Pennsylvania at midnight, and it was not yet midnight. At midnight I would be back at Haggershaven, in 1952.

Even when the barn was fully lighted by the rising sun and I could see the cattle peaceful in their stalls I refused to believe what I saw. I took out my watch only to find something had disturbed the works; the hands registered five oclock. Even when the farmer, milk pails over arm, started in surprise, exclaiming, “Hay, what you doing here?”—even then, I did not believe.

Only when, as I opened my mouth to explain to my involuntary host, did something happen. The puzzle which had pursued me for three days suddenly solved itself. I knew why the face of the Southron captain had been so familiar. Familiar beyond any of the better known warriors on either side. I had indeed known that face intimately; seen those features enraged or sneering. The nose, the mouth, the eyes, the expression were Barbara Haggerwells’. The man dead in the peach orchard was the man whose portrait hung in the library of Haggershaven, its founder, Herbert Haggerwells. Captain Haggerwells—never to become a major now, or buy this farm. Never to marry a local girl or beget Barbara’s great grandfather. Haggershaven had ceased to exist in the future.

_21._ _FOR THE TIME BEING_

I am writing this, as I said, in 1877. I am a healthy man of forty-five, no doubt with many years ahead of me. I might live to be a hundred, except for an illogical feeling that I must die before 1921. However, eighty-nine should be enough for anyone. So I have ample time to put my story down. Still, better to have it down and done with; should anything happen to me tomorrow it will be on paper.

For what? As confession and apology? As an inverted substitute for the merciful amnesia which ought to have erased my memory as well as my biography? (I have written to Wappinger Falls; there are no records of any Hodgins family, or of Backmakers. Does this mean the forces I set in motion destroyed Private Hodgins as well as Captain Haggerwells? Or only that the Hodginses and Backmakers settled elsewhere? In either case I am like Adam—in this world—a special, parentless creation.) There is no one close enough to care, or intimate enough to accept my word in the face of all reason. I have not married in this time, nor shall I. I write only as old men talk to themselves.

The rest of my personal story is simple. The name of the farmer who found me in his barn was Thammis; they had need of a hired hand and I stayed on. I had no desire to go elsewhere; in fact I could not bear to leave what was—and will never be—Haggershaven.

In the beginning I used to go to the location of the Agati’s garden and look across at the spot where I left our cottage and Catty. It was an empty pilgrimage. Now I content myself with the work which needs doing. I shall stay here till I die.

Catty. Haggershaven. Are they really gone, irrevocably lost, in a future which never existed, which couldnt exist, once the chain of causation was broken? Or do they exist after all, in a universe in which the South won the battle of Gettysburg and Major Haggerwells founded Haggershaven? Could another Barbara devise a means to reach that universe? I would give so much to believe this, but I cannot. I simply cannot.

Children know about such things. They close their eyes and pray, “Please God, make it didnt happen.” Often they open their eyes to find it happened anyway, but this does not shake their faith that many times the prayer is granted. Adults smile, but can any of them be sure the memories they cherish were the same yesterday? Do they _know_ that a past cannot be expunged? Children know it can.

And once lost, that particular past can never be regained. Another and another perhaps, but never the same one. There are no parallel universes—though this one may be sinuous and inconstant.

That this world is a better place than the one into which I was born, and promises to grow still better, seems true. What idealism lay behind the Southron cause triumphed in the reconciliation of men like Lee; what was brutal never got the upper hand as it did in my world. The Negro is free; black legislatures pass advanced laws in South Carolina; black congressmen comport themselves with dignity in Washington. The Pacific railroad is built, immigrants pour in to a welcoming country to make it strong and wealthy; no one suggests they should be shut out or hindered.

There are rumors of a deal between northern Republicans and southern Democrats, betraying the victory of the Civil War—how strange it is still, after fourteen years, to use this term instead of the familiar War of Southron Independence—in return for the presidency. If this is true, my brave new world is not so brave.

It may not be so new either. Prussia has beaten France and proclaimed a German Empire; is this the start in a different way of the German Union? Will 1914 see an Emperors’ War—there is none in France now—leaving Germany facing ... whom?

Any one of the inventions of my own time would make me a rich man if I could reproduce them, or cared for money. With mounting steel production and the tremendous jump in population, what a success the minible would be. Or the tinugraph. Or controllable balloons.

The typewriter I have seen. It has developed along different and clumsier lines; inevitably, I suppose, given initial divergence. It may mean greater advances; more likely not. The universal use of gaslight must be far in the future if it is to come at all; certainly its advent is delayed by all this talk of inventing electric illumination. If we couldnt put electricity to work it’s unlikely my new contemporaries will be able to. Why, they havent even made the telegraph cheap and convenient.

And something like HX-1? It is inconceivable. Could it be that in destroying the future in which Haggershaven existed I have also destroyed the only dimension in which time travel was possible?

So strangely easily I can write the words, “I destroyed.”

Catty.

But what of Tyss’s philosophy? Is it possible I shall be condemned to repeat the destruction throughout eternity? Have I written these lines an infinite number of times before? Or is the mercy envisaged by Enfandin a reality? And what of Barbara’s expression as she bade me goodbye? Could she possibly

* * * * *

Editorial note by Frederick Winter Thammis: Quite recently, in the summer of 1953 to be exact, I commissioned the remodelling of my family home near York, Pennsylvania. Among the bundles of old books and papers stored in the attic was a box of personal effects, labelled “H M Backmaker.” In it was the manuscript concluding with an unfinished sentence, reproduced above.

My father used to tell me that when he was a boy there was an old man living on the farm, nominally as a hired hand, but actually as a pensioner, since he was beyond the age of useful labor. My father said the children considered him not quite right in his mind, but very entertaining, for he often repeated long, disjointed narratives of an impossible world and an impossible society which they found as fascinating as the Oz books. On looking back, he said, Old Hodge talked like an educated man, but this might simply be the impression of young, uncultivated minds.

Clearly it was in some attempt to give form and unity to his tales that the old man wrote his fable down, and then was too shy to submit it for publication. This is the only reasonable way to account for its existence. Of course he says he wrote it in 1877, when he was far from old, and disconcertingly, analysis of the paper shows it might have been written then.

Two other items should be noted. In the box of Backmaker’s belongings there was a watch of unknown manufacture and unique design. Housed in a cheap nickel case, the jeweled movement is of extraordinary precision and delicacy. The face has two dials, independently set and wound.

The second is a quotation. It can be matched by similar quotations in any of half a hundred volumes on the Civil War. I pick this only because it is handy. From W. E. Woodward’s _Years of Madness_, p. 202:

“ ... Union troops that night and next morning took a position on Cemetery Hill and Round Top.... The Confederates could have occupied this position but they failed to do so. It was an error with momentous consequences.”

About Ward Moore

On the battlefield at Gettysburg, Pennsylvania, there is a small hill called Little Round Top. One morning in July, 1863, the Confederate Army made the tactical error of not occupying this hill. It was a mistake that cost them victory in a battle which—in the view of many historians—was the turning point of the Civil War. In the ninety years since Gettysburg one question has never been far from the minds of most Southerners—and a good many Yankees, too: What if the battle had gone the other way, what if the South had won the war? Ward Moore—a Northerner himself—has settled the matter at last in a book that might be called imaginative historical fiction, an excursion into the world of might-have-been so filled with exact and convincing detail that, for a few hours, it seems true.

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The author of _Bring the Jubilee_ was born in Madison, New Jersey, in 1903. “From the age of five,” he writes, “books have been for me the essential narcotic; as a natural consequence I detested school. When this detestation did not bring on psychosomatic illnesses to save me from the hated classrooms, I was not above malingering or playing hooky—now a lost art, but one practiced in my generation. Three weeks short of graduation I quit high school and have not been inside a school house since, except to vote.

* * * * *

“My first short story was written at the age of eleven and was followed by a flood of juvenilia, some little of which was unfortunately published. Happily, markets and industry died simultaneously; I wrote only desultorily until my first novel _Breathe the Air Again_ was published in 1942. This was acclaimed by Max Eastman in the American Mercury, who predicted that I would fall heir to ‘the cloak of Upton Sinclair.’ Something went wrong with the tailoring arrangements; my next novel was _Greener Than You Think_ (Sloane, 1947), a satirical fantasy.”

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In addition to these two novels, Mr. Moore has published a number of short stories in such disparate media as Amazing Stories and Harper’s Bazaar, Fantasy and Science Fiction and The Reporter, Science Fiction Quarterly and Tomorrow.

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He concludes: “I have been intensely interested in the history of the Civil War ever since—at the age of six—I came across a book with nice black woodcuts showing the firing on Fort Sumter and the burning of Richmond. As an amateur I’ve read hundreds of dull volumes and a score of fascinating ones on the Irrepressible Conflict. A novel based on the concept ‘what would have happened if the South had won at Gettysburg,’ was practically inevitable. _Bring the Jubilee_ is it.”

_The Idea Behind_

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