Chapter 24

THE REUNION

Stephen awoke quite late in the morning after his arrival in Pat's home town. Standing before a window in his room at the hotel, he saw a young woman cantering across the railroad tracks in the direction of the mesa. It was Helen, and, at sight of her, for a brief and awful moment he wavered in his decision. Then he remembered his suffering, and the determination made while convalescing, and, hastening his toilet, he hurried through breakfast and made his way to the livery-stable where Pat had spent the night. Pat nickered joyful greeting, as if understanding what was to come. Bridling and saddling him, Stephen mounted and rode into the street at a canter. He turned into the avenue, crossed the railroad tracks, and mounted the long, slow rise to the mesa at a walk. He moved slowly because he wanted time to think, to pull himself together, to the end that he might hold himself firmly to his decision in this last talk. And yet--and this was the conflict he suffered--he could hardly restrain himself, hold himself back, from urging Pat to his utmost.

He reached the first flat in the long rise. Absorbed in troubled reflections, he was barely conscious of the nods from two men he passed whom he knew--Hodgins, kindly old soul, book in hand; Maguire, truest of Celts, a twenty-inch slide-rule under his arm. Nodding in friendly recognition, both men gazed at the horse, seeming to understand, and glad to know that he was back. Mounting the second rise, he saw another whom he knew. A quarter of a mile to his left, on the tiny porch of a lone adobe, sat Skeet under a hat, feet elevated to the porch railing, head turned in a listening attitude, as though heeding a call, or many calls, from the direction of a brick-and-stone structure to the southwest. Everywhere familiar objects, scenes, stray people, caught his eye as he rode slowly out upon the mesa, trying to get his thoughts away from the immediate future, from Helen, his successful return of the horse, and that other thing, his determination to leave this spacious land for ever.

Suddenly he saw her. She was standing beside her brown saddler, her hand upon the bridle, gazing thoughtfully toward the mountains, now in their morning splendor. He rode Pat to a point perhaps twenty feet behind her, and then quietly let go of the reins and dropped to earth. For a moment he stood, his heart a well of bitterness; then, taking Pat's rein, he stepped toward her, quietly and slowly, intent upon making her surprise complete, because of her great love for the horse. She continued motionless, her hand upon the bridle, facing the mountains, and he came close before she turned.

He stopped. She stood perfectly still, eyes upon him, upon the horse, a slow pallor creeping into her face. Presently, as one in a spell, she let fall the reins, slowly, mechanically, and stepped toward him, a step ever quickening, her face drawn, in her eyes a strange, unchanging glow, until, when almost upon him, she held out both arms in trembling welcome and uttered a pitiful outcry.

"Stephen! Pat!" she sobbed. "Why--why didn't you--" She checked herself, came close, reached one arm around Pat, the other around Stephen, and went on. "I am--am glad you--you have come back--back to me." Her white face quivered. "Both of you. I--I have suffered."

And Stephen, swept away by the tide of his great love, and forgetting his determination, forgetting everything, bent his head and kissed her. She did not shrink, and he kissed her again. Then he began to talk, to tell her of her wonderful horse. Slowly at first, hesitating, then, as the spirit of the drama gripped him, rapidly, sometimes incoherently, he told of his adventures with the horse, and of Pat's unwavering loyalty throughout, and of that last dread situation when both their lives depended upon Pat's winning in a death-grapple with a wild horse. And then, as the gates of speech were opened, he showed her his own part, telling her that as Pat had been true to her trust, so he himself had tried to be true to her faith and trust, and was still trying and hoping, against his convictions, that she understood, that she would consider his love for her and would take him, because he loved her wholly and he needed her love to live. His tense words broke at last, and then he saw her looking up at him through tear-dimmed eyes and smiling, and in the smile he saw the opening of a life new and wonderful.

After a little she turned to Pat. She fell to stroking him in thoughtful silence. Then she turned back.

"I had heard much of what you have been through," she began, slowly, her voice soft and vibrant with deep sympathy, in her eyes that same steady glow. "The rangers reported to headquarters, and headquarters reported to Daddy. They told of the running fight, Stephen, and how--how you were hurt. And they told of the renegades, and their descent upon your camp, and of Pat's disappearance. And they told of the way you mounted another horse, hurt and sick though you were, and rode off in pursuit. But from there they knew nothing more. But they had spoken of the cavalry, and I wrote to Fort Wingate, inquiring, and they told me what they knew--that you had joined them and ridden with them through that dreadful fight, though they had tried to keep you out of it on account of your condition, and that afterward you had gone off with some cowboys--they didn't know to what ranch. So I looked up every brand in that section, Stephen," she went on, her voice beginning to break. "And I wrote to every place that might by any possible chance know something. But nobody knew. And--and--there I--I was stopped. You had been swallowed up in that desert, and I--I knew you must be ill--and I realized that I--I had sent you into it all." She sobbed and leaned her head against him. "I couldn't do anything, Stephen. I was helpless. All I have been able to do at any time, Stephen, was to--to sit at a window and wait--wait to hear from you--wait for your return--and hope, hope day in and day out that--that you were safe. I--I have--have suffered, Stephen," she concluded, sobbing wretchedly now. "I have suffered--suffered so much!"

He drew her close in his arms, united at last in complete understanding. The brown saddler, left free, wandered away indifferently; but Pat remained beside them, and presently they felt the tender touch of his beautiful head, as if in comprehension and blessing. Their hands went out to him, and Pat nickered softly at the love in their caress. Then Stephen gently raised Helen's sweet, tear-stained face to his, and in her eyes he read the certainty of the great happiness of years to come, while Pat, raising his head proudly to the desert, stood above them as if in solemn protection.

THE END

ZANE GREY'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list

THE LIGHT OF WESTERN STARS

Colored frontispiece by W. Herbert Dunton.

Most of the action of this story takes place near the turbulent Mexican border of the present day. A New York society girl buys a ranch which becomes the center of frontier warfare. Her loyal cowboys defend her property from bandits, and her superintendent rescues her when she is captured by them. A surprising climax brings the story to a delightful close.

DESERT GOLD

Illustrated by Douglas Duer.

Another fascinating story of the Mexican border. Two men, lost in the desert, discover gold when, overcome by weakness, they can go no farther. The rest of the story describes the recent uprising along the border, and ends with the finding of the gold which the two prospectors had willed to the girl who is the story's heroine.

RIDERS OF THE PURPLE SAGE

Illustrated by Douglas Duer.

A picturesque romance of Utah of some forty years ago when Mormon authority ruled. In the persecution of Jane Withersteen, a rich ranch owner, we are permitted to see the methods employed by the invisible hand of the Mormon Church to break her will.

THE LAST OF THE PLAINSMEN

Illustrated with photograph reproductions.

This is the record of a trip which the author took with Buffalo Jones, known as the preserver of the American bison, across the Arizona desert and of a hunt in "that wonderful country of yellow crags, deep canons and giant pines." It is a fascinating story.

THE HERITAGE OF THE DESERT

Jacket in color. Frontispiece.

This big human drama is played in the Painted Desert. A lovely girl, who has been reared among Mormons, learns to love a young New Englander. The Mormon religion, however, demands that the girl shall become the second wife of one of the Mormons--

Well, that's the problem of this sensational, big selling story.

BETTY ZANE

Illustrated by Louis F. Grant.

This story tells of the bravery and heroism of Betty, the beautiful young sister of old Colonel Zane, one of the bravest pioneers. Life along the frontier, attacks by Indians, Betty's heroic defense of the beleaguered garrison at Wheeling, the burning of the Fort, and Betty's final race for life make up this never-to-be-forgotten story.

GROSSET & DUNLAP, PUBLISHERS, NEW YORK

NOVELS OF FRONTIER LIFE BY WILLIAM MacLEOD RAINE

HANDSOMELY BOUND IN CLOTH. ILLUSTRATED.

May be had wherever books are sold. Ask for Grosset and Dunlap's list

MAVERICKS.

A tale of the western frontier, where the "rustler," whose depredations are so keenly resented by the early settlers of the range, abounds. One of the sweetest love stories ever told.

A TEXAS RANGER.

How a member of the most dauntless border police force carried law into the mesquite, saved the life of an innocent man after a series of thrilling adventures, followed a fugitive to Wyoming, and then passed through deadly peril to ultimate happiness.

WYOMING.

In this vivid story of the outdoor West the author has captured the breezy charm of "cattleland," and brings out the turbid life of the frontier with all its engaging dash and vigor.

RIDGWAY OF MONTANA.

The scene is laid in the mining centers of Montana, where politics and mining industries are the religion of the country. The political contest, the love scene, and the fine character drawing give this story great strength and charm.

BUCKY O'CONNOR,

Every chapter teems with wholesome, stirring adventures, replete with the dashing spirit of the border, told with dramatic dash and absorbing fascination of style and plot.

CROOKED TRAILS AND STRAIGHT.

A story of Arizona; of swift-riding men and daring outlaws; of a bitter feud between cattle-men and sheep-herders. The heroine is a most unusual woman and her love story reaches a culmination that is fittingly characteristic of the great free West.

BRAND BLOTTERS.

A story of the Cattle Range. This story brings out the turbid life of the frontier, with all its engaging dash and vigor, with a charming love interest running through its 320 pages.

GROSSET & DUNLAP, PUBLISHERS, NEW YORK

JACK LONDON'S NOVELS

May be had wherever books are sold. Ask for Grosset & Dunlap's list.

JOHN BARLEYCORN. Illustrated by H. T. Dunn.

This remarkable book is a record of the author's own amazing experiences. This big, brawny world rover, who has been acquainted with alcohol from boyhood, comes out boldly against John Barleycorn. It is a string of exciting adventures, yet it forcefully conveys an unforgettable idea and makes a typical Jack London book.

THE VALLEY OF THE MOON. Frontispiece by George Harper.

The story opens in the city slums where Billy Roberts, teamster and ex-prize fighter, and Saxon Brown, laundry worker, meet and love and marry. They tramp from one end of California to the other, and in the Valley of the Moon find the farm paradise that is to be their salvation.

BURNING DAYLIGHT. Four illustrations.

The story of an adventurer who went to Alaska and laid the foundations of his fortune before the gold hunters arrived. Bringing his fortunes to the States he is cheated out of it by a crowd of money kings, and recovers it only at the muzzle of his gun. He then starts out as a merciless exploiter on his own account. Finally he takes to drinking and becomes a picture of degeneration. About this time he falls in love with his stenographer and wins her heart but not her hand and then--but read the story!

A SON OF THE SUN. Illustrated by A. O. Fischer and C. W. Ashley.

David Grief was once a light-haired, blue-eyed youth who came from England to the South Seas in search of adventure. Tanned like a native and as lithe as a tiger, he became a real son of the sun. The life appealed to him and he remained and became very wealthy.

THE CALL OF THE WILD. Illustrations by Philip R. Goodwin and Charles Livingston Bull. Decorations by Charles E. Hooper.

A book of dog adventures as exciting as any man's exploits could be. Here is excitement to stir the blood and here is picturesque color to transport the reader to primitive scenes.

THE SEA WOLF. Illustrated by W. J. Aylward.

Told by a man whom Fate suddenly swings from his fastidious life into the power of the brutal captain of a sealing schooner. A novel of adventure warmed by a beautiful love episode that every reader will hail with delight.

WHITE FANG. Illustrated by Charles Livingston Bull.

"White Fang" is part dog, part wolf and all brute, living in the frozen north; he gradually comes under the spell of man's companionship, and surrenders all at the last in a fight with a bull dog. Thereafter he is man's loving slave.

GROSSET & DUNLAP, PUBLISHERS, NEW YORK

STORIES OF RARE CHARM BY GENE STRATTON-PORTER

May be had wherever books are sold. Ask for Grosset and Dunlap's list

LADDIE.

Illustrated by Herman Pfeifer.

This is a bright, cheery tale with the scenes laid in Indiana. The story is told by Little Sister, the youngest member of a large family, but it is concerned not so much with childish doings as with the love affairs of older members of the family. Chief among them is that of Laddie, the older brother whom Little Sister adores, and the Princess, an English girl who has come to live in the neighborhood and about whose family there hangs a mystery. There is a wedding midway in the book and a double wedding at the close.

THE HARVESTER.

Illustrated by W. L. Jacobs.

"The Harvester," David Langston, is a man of the woods and fields, who draws his living from the prodigal hand of Mother Nature herself. If the book had nothing in it but the splendid figure of this man it would be notable. But when the Girl comes to his "Medicine Woods," and the Harvester's whole being realizes that this is the highest point of life which has come to him--there begins a romance of the rarest idyllic quality.

FRECKLES.

Decorations by E. Stetson Crawford.

Freckles is a nameless waif when the tale opens, but the way in which he takes hold of life; the nature friendships he forms in the great Limberlost Swamp; the manner in which everyone who meets him succumbs to the charm of his engaging personality; and his love-story with "The Angel" are full of real sentiment.

A GIRL OF THE LIMBERLOST.

Illustrated by Wladyslaw T. Brenda.

The story of a girl of the Michigan woods; a buoyant, lovable type of the self-reliant American. Her philosophy is one of love and kindness towards all things; her hope is never dimmed. And by the sheer beauty of her soul, and the purity of her vision, she wins from barren and unpromising surroundings those rewards of high courage.

AT THE FOOT OF THE RAINBOW.

Illustrations in colors by Oliver Kemp.

The scene of this charming love story is laid in Central Indiana. The story is one of devoted friendship, and tender self-sacrificing love. The novel is brimful of the most beautiful word painting of nature, and its pathos and tender sentiment will endear it to all.

GROSSET & DUNLAP, PUBLISHERS, NEW YORK

JOHN FOX, JR'S.

STORIES OF THE KENTUCKY MOUNTAINS

May be had wherever books are sold. Ask for Grosset and Dunlap's list

THE TRAIL OF THE LONESOME PINE.

Illustrated by F. C. Yohn.

The "lonesome pine" from which the story takes its name was a tall tree that stood in solitary splendor on a mountain top. The fame of the pine lured a young engineer through Kentucky to catch the trail, and when he finally climbed to its shelter he found not only the pine but the foot-prints of a girl. And the girl proved to be lovely, piquant, and the trail of these girlish foot-prints led the young engineer a madder chase than "the trail of the lonesome pine."

THE LITTLE SHEPHERD OF KINGDOM COME

Illustrated by F. C. Yohn.

This is a story of Kentucky, in a settlement known as "Kingdom Come." It is a life rude, semi-barbarous; but natural and honest, from which often springs the flower of civilization.

"Chad," the "little shepherd," did not know who he was nor whence he came--he had just wandered from door to door since early childhood, seeking shelter with kindly mountaineers who gladly fathered and mothered this waif about whom there was such a mystery--a charming waif, by the way, who could play the banjo better than anyone else in the mountains.

A KNIGHT OF THE CUMBERLAND.

Illustrated by F. C. Yohn.

The scenes are laid along the waters of the Cumberland, the lair of moonshiner and feudsman. The knight is a moonshiner's son, and the heroine a beautiful girl perversely christened "The Blight." Two impetuous young Southerners fall under the spell of "The Blight's" charms and she learns what a large part jealousy and pistols have in the love making of the mountaineers.

Included in this volume is "Hell fer-Sartain" and other stories, some of Mr. Fox's most entertaining Cumberland valley narratives.

Ask for complete free list of G. & D. Popular Copyrighted Fiction

Grosset & Dunlap, Publishers, New York

B. M. Bower's Novels

THRILLING WESTERN ROMANCES

Large 12 mos. Handsomely bound in cloth. Illustrated

CHIP, OF THE FLYING U

A breezy wholesome tale, wherein the love affairs of Chip and Della Whitman are charmingly and humorously told. Chip's jealousy of Dr. Cecil Grantham, who turns out to be a big blue eyed young woman is very amusing. A clever, realistic story of the American Cowpuncher.

THE HAPPY FAMILY

A lively and amusing story, dealing with the adventures of eighteen jovial, big hearted Montana cowboys. Foremost amongst them, we find Ananias Green, known as Andy, whose imaginative powers cause many lively and exciting adventures.

HER PRAIRIE KNIGHT

A realistic story of the plains, describing a gay party of Easterners who exchange a cottage at Newport for the rough homeliness of a Montana ranch-house. The merry-hearted cowboys, the fascinating Beatrice, and the effusive Sir Redmond, become living, breathing personalities.

THE RANGE DWELLERS

Here are everyday, genuine cowboys, just as they really exist. Spirited action, a range feud between two families, and a Romeo and Juliet courtship make this a bright, jolly, entertaining story, without a dull page.

THE LURE OF DIM TRAILS

A vivid portrayal of the experience of an Eastern author, among the cowboys of the West, in search of "local color" for a new novel. "Bud" Thurston learns many a lesson while following "the lure of the dim trails" but the hardest, and probably the most welcome, is that of love.

THE LONESOME TRAIL

"Weary" Davidson leaves the ranch for Portland, where conventional city life palls on him. A little branch of sage brush, pungent with the atmosphere of the prairie, and the recollection of a pair of large brown eyes soon compel his return. A wholesome love story.

THE LONG SHADOW

A vigorous Western story, sparkling with the free, outdoor, life of a mountain ranch. Its scenes shift rapidly and its actors play the game of life fearlessly and like men. It is a fine love story from start to finish.

Ask for a complete free list of G. & D. Popular Copyrighted Fiction.

Grosset & Dunlap, 526 West 26th St., New York