Boy Woodburn: A Story of the Sussex Downs
Chapter 13
Ally Sloper
Silver opened the gate into the Paddock Close. Boy passed through, leading the old mare.
"Shall I take her?" asked the young man.
"No, thank you," she answered.
In the depths of her eyes there lurked a fugitive twinkle. So far the intercourse between herself and Mr. Silver had consisted in his offering to do things for her and in her refusing his offers.
The Paddock Close stretched away before the girl in the evening light. On the hill half-a-dozen young horses stampeded in the dusk.
An early swift screeched and swept above her. A great white owl swooped out of the wood and waved away up the hillside, hovering over the gorse. Under the hedge a scattered troop of children were coming down the slope along the path that led past the little old church among the sycamores.
Boy led the mare up the hillside, her eyes on the flowing green of the hill. The young man followed in her wake, lazy almost as the old mare, who trailed reluctantly behind with clicking shoes. The dreams seemed to have possessed him, too. He did not speak; his eyes were downward; but he was aware all the time of that slight, slow-moving figure walking just in front of him.
Then something seemed to disturb the stillness and ruffle his brooding mind. It was a vague disease as of a coming sickness, and little more. He emerged from the land of quiet and looked about him, like a stag disturbed by a stalker while grazing.
A man was blundering down the hillside toward them, an easel on his shoulder.
As he came closer his face seemed strangely familiar to the young man. Where had he seen it? Then he recollected in a flash. It was the face Albert had drawn in caricature on the stable-door--the face of Ally Sloper.
Silver found himself wondering whether the owner of the face was aware of his likeness, crude indeed though real, of his great protagonist.
The fellow was incredibly slovenly. His hair was reddish and bushy about the jaw, and but for his eyes you might have mistaken him for a commonplace tramp. Those eyes held you. They were sensitive, suffering, terrible with the terror of a baffled spirit seeking escape and finding none. In that coarse and bloated face they seemed pitifully out of place and crying continually to be released. Indeed, there was something volcanic about the man, as of lava on the boil and ready at any moment to pour forth in destructive torrents. And surely there had been eruptions in the past with fatal consequences.
Now he waddled toward them with an unsavoury grin.
"What luck?" he called, in a somewhat honied voice.
"We won," replied Boy briefly.
She slipped the halter over the head of the old mare, who, too lazy to remove herself, began to graze where she stood.
The artist stood above the girl, showing his broken and dirty teeth, his eyes devouring her.
Silver resented the familiarity of his gaze.
"Mr. Silver, this is Mr. Joses," said the girl.
The difference between the two men amused her: the one clean, keen, beautifully appointed, like a horse got up for a show, the other shaggy and sloppy as a farmyard beast.
"Very pleased to make your acquaintance, sir, I'm sure," grinned the artist, bowing elaborately.
The other responded coldly.
Joses had not made a favourable impression on the young man. Boy saw that at once; and it was not difficult to see. For Silver showed his likes and dislikes much as Billy Bluff did.
The girl wished with all her heart that she was standing behind him that she might see if the hair on the back of his neck had risen.
A spirit of mischief overcame her.
"Mr. Joses'll paint your horses for you," she said demurely.
"Delighted, I'm sure," laughed the artist.
"Thank you," said the young man, with a brevity the girl herself could not have surpassed. His shyness had left him, and with it his tendency to stammer.
Boy felt herself snubbed, and was nettled accordingly.
"I'm going home by the wood," she said.
"I'll come with you," said the artist.
The two moved away down the hill together toward the wood that thrust like a spear into the heart of the Paddock Close.
Silver watched them with steady eyes. As usual he had been left. That swift and slimy artist-chap had chipped in while he was thinking what he should do.
Silver hated artists--not as the result of experience, for he had never met one in the flesh before, but from instinct, conviction, and knowledge of the race acquired from books. Artists and poets: they were all alike--dirty beggars, all manners and no morals, who could talk the hind-leg off a she-ass.
And Silver, being dumb himself and very human, hated men who were articulate.
He watched the pair walking away from him down the hillside. An ill-matched couple they seemed to him: the slight, strenuous girl, her plait of hair like a spear of gold between her shoulders, her slim black legs, and air of a cold flame; and that loose, fat thing who gave the young man the impression of a suet pudding that had taken to drink.
The beast seemed disgustingly fatherly, too, rubbing shoulders with the girl, and fawning on her.
Silver sat down on a log and took out the cigarette-case, which was his habitual comforter.
The old mare grazed beside him in the dusk, and he began to laugh as he looked at her. Her laziness tickled and appealed to him. There was something great about it. She was indolent as was Nature, and for the same reason--that she was aware of immense reserves of power on which she could fall back at any moment.
A rabbit came out of the gorse to feed near by. The owl whooped and swooped and hovered behind her. The sea wind, fresh and crisp, came blowing up the valley; and the young stock, bursting with the ecstasy of life, thundered by in the dusk with downward heads and arched backs and far-flung heels.
Silver sat and smoked.
There was a funny feeling at his heart.
Some vast, deep, silent-running river of Life, of whose presence within him he had only become aware within the last few hours, had been thwarted for the moment, thrust back upon itself, and was tugging and tuzzling within him as it sought to pursue its majestic way toward the Open Sea.