Bob Taylor's Magazine, Vol. I, No. 1, April 1905

Part 7

Chapter 73,503 wordsPublic domain

“I went to dinner, and when I got back Bud Runnels had just come up and was readin’ Tildy’s advertisement. Bud always did love to joke, and this one seemed to tickle him all over. After inquirin’ all about the particulars, he asked where Hank was at.

“‘He’s back there under the big ellum,’ says Denman, ‘sleepin’ sound as a baby.’

“‘What about the four dollars reward?’ says Bud.

“‘Why, I guess that’s jest a part of the joke,’ says Ike.

“‘Well, I don’t see it that away,’ says Bud. ‘The lady has lost her husband, and she wants him found and fetched home. Now, I’m goin’ to take him home, and if she don’t want him, I can easy fetch him back.’

“Ike grinned, and looked ‘round at the boys, and they grinned.

“‘I don’t hear no objection,’ says Ike. ‘You’ll find him back there under the tree.’

“‘Well,’ says Bud, ‘I can easy load him into my wagon and haul him home and unload him in his own yard, but it might be better for you boys that beat him up to jest take holt and come along with me; all a-totin’ of him home in a friendly way. Then if Tildy wants to know how come his face all broke up, you can jest show her the knots on your own heads and it’ll sorter help to explain matters.’

“Nobody didn’t answer right away, and before anybody could think of any objection, Bud added in his insinuatin’ way: ‘It might save trouble to keep Tildy pacified, so she’ll explain to Hank that he was to blame for all that’s been done to him. Now, ever’ body come on and take holt, and I’ll set ’em up to the crowd soon’s we get back.’

“Bud always seems to state a proposition so fair an’ reasonable that you jest can’t turn him down, so the boys jest got up without wastin’ any words, and followed him around to where Hank was. They gathered him up, one at each corner, and Bud holdin’ up his head. They ketched the step, ‘hayfoot-strawfoot,’ and marched up to Hank’s front gate.

“Tildy was sweepin’ off the front porch, and when she saw the crowd she come out to the gate, lookin’ a little pale, but holdin’ her head up, and a stiff upper lip.

“‘What is it?’ says she.

“‘It’s Hank,’ says Bud.

“‘Is he hurt?’ says she.

“‘Oh, no,’ says Bud. ‘That is to say, they ain’t any bones broke. He’s been a-fightin’ ‘round promiscuous, but he’s got no hurts to call for anybody to fetch him home. Fact is I saw a advertisement offerin’ a reward for Hank, and I just discovered him, and rescued him, and fetched him home.’

“‘Didn’t the advertisement say to return him in good order?’ says Tildy.

“‘I b’leeve it did,’ says Bud, ‘but I couldn’t p’form no miracle for four dollars, so I jest fetched him as I found him.’

“‘And didn’t it say bring him securely tied?’ says Tildy.

“Bud was set back considerable at that. ‘That’s a fact,’ says he, ‘and I jest plum overlooked it. It didn’t appear to me to be of no consequence, nohow.’

“‘Well, it’s mighty important to me,’ says Tildy. ‘If he wakes up in a tantrum, and untied, he might be troublesome.’

“‘That’s so,’ says Devil Bill, thinking of the lump on his own head.

“‘So it is,’ says Eli Scoggins, solemnly.

“‘I believe you,’ says Buck Edwards.

“‘Well,’ says Bud Runnels, ‘it ain’t none too late to tie him, but if I was you, Mizzes Binford, I b’leeve I’d jest sew him up, good and snug, in cotton baggin’ or heavy canvas or somethin’ good and stout like that, and leave nothin’ stickin’ out but jest his head.’

“‘Oh,’ says she, ‘I’ve got the very thing!’ and she went ‘round to the shed, and come back with the stoutest, heaviest, widest piece of cotton duckin’ that I ever see.

“‘I bought it at the auction,’ says she, ‘because it was cheap, and Hank said I never would have no use for it but you see he was mistaken.’

“Well, we sewed him up good and tight, and put him on the bed in the spare room and cut a big peachtree limb for Tildy to keep the flies off of him, and she paid Bud the four dollars.

“When Hank waked up, Sunday mornin’, he could hear Tildy fryin’ meat in the kitchen, and he knowed she was cookin’ breakfast. He didn’t seem to want any breakfast, but he thought a cup of strong coffee might be good for his head. He tried to git up, but the sheet seemed to be rolled ‘round him so he couldn’t rise. Then he tried to roll over, so he could git untangled, but he couldn’t even turn over. Then he got mad, and tried to bust the sheet, but he strained at it till he was black in the face, and couldn’t break a stitch. Then he called Tildy. She come in and walked ’round in front of him.

“‘Tildy,’ says he, ‘what’s the matter with this sheet?’

“‘I don’t see nothin’ wrong with it,’ says she.

“‘Well, then,’ says Hank, ‘what in the nation is the matter with me?’

“‘Oh!’ says Tildy; ‘that’s different. If I undertake to stan’ here and tell all that’s wrong with you, my breakfast’ll be burnt to a cinder before I’m half through.’ And with that, she turned ‘round and marched away to the kitchen.

“Well, of course Hank was fightin’ mad, but he wasn’t in no shape to do nothin’ but jest lay still and think, and not in no great shape for thinkin’, so he jest went to sleep again.

“Next time he opened his eyes, Tildy was standin’ over him with a dish of meat and bread, and a cup of hot coffee.

“‘Good mornin’,’ says she, mighty polite. ‘Would you like to have some breakfast?’

“Hank grinned, kinder sheepish, and she propped up his head, and begun to feed him with a spoon. When he tried to speak, she would pour a spoonful of coffee in his mouth, right quick, and he’d have to stop to swaller, and time he’d git that down, she’d have another one ready for him. He was tryin’ to talk all the time, but she didn’t give him a chance to say a word. Finally, she got so tickled, seein’ him swaller so fast, that she spilt a lot of hot coffee down his neck.

“‘Jerusalem!’ he yelled. ‘Woman, do you want to scald me to death?’ And with that he begun to cuss, and bluster about what he would do when he got loose. Tildy set the dishes on the table without sayin’ a word. Then she went to the front door, and called to little Johnnie Martin, in the next yard.

“‘Johnnie,’ she says, ‘is Brother Collins at home?’

“‘Yessum,’ says Johnnie.

“‘All right,’ says Tildy, and she went in and put on her bonnet and started out the front door.

“‘Where you goin’, Tildy?’ Hank asked.

“‘I’m goin’ after Brother Collins.’

“‘What for?’

“‘I want him to talk to you.’

“‘Me?’ says Hank. ‘I don’t want to talk to no preacher!’

“‘I don’t want you to talk to him,’ says Tildy. ‘I want him to talk to you,’ and she walked out the door. When Hank heard her slam the gate behind her, he hollered like the house was afire.

“‘Oh, Tildy!’ She come back to the door and looked in.

“‘Why, Tildy,’ says Hank, pitiful as a baby, ‘you don’t aim to make me the laughin’-stock of the settlement, do you?’

“‘I don’t see why you need to bother about that,’ says Tildy. ‘If it’s no disgrace to git drunk, and gamble, and fight, in a corner grocery, it’s no disgrace to talk to a minister of the gospel.’ She started out again, but Hank called her back.

“‘Hold on, Tildy; I’ll agree to anything you say, if you won’t call in the preacher.’

“‘What you goin’ to do about them circulars I got printed?’ she asked.

“‘Why, I’m goin’ down there and maul the life out of old Goatwhiskers for printin’ them things,’ says Hank. Tildy started out again, and he yelled after her to come back. Promised he wouldn’t say a word to him.

“‘What are you goin’ to say to the boys you had the fight with?’

“‘Fight!’ says Hank. ‘It wasn’t no fight. The whole crowd lit into me and mauled me most to death, and I hadn’t said a word.’

“‘I understand you knocked ’em all down with a cheer, if that’s any satisfaction to you,’ says Tildy.

“‘All right, then,’ says Hank, ‘I’m willin’ to call it square, if they are.’

“‘Not goin’ to say a word to nobody about nothin’?’ she asked.

“‘Not a word,’ says he.

“‘Not goin’ to drink any more?’

“‘Not a drop, Tildy. Now, come on and cut this devilish thing off. I feel like I’ll die if it stays on me another minute.’ Tildy couldn’t think of nothin’ more he could promise, so finally she cut the bastin’ threads and let him loose. Well, sir, he didn’t say a word out of the way to them boys that beat ’em up, and he wouldn’t even take a few drinks to taper off, and it’s my opinion,” said old Eli, solemnly, “that he wouldn’t drink a drop of liquor, right now, if he was bit by a snake.”

They were driving into Jonesboro when the old man finished his story, and the big town clock struck four.

“Great guns!” cried Hodges in amazement, “it’s four o’clock!”

“Egzackly,” said Eli, with an air of innocent triumph. “I’ve drove over this road so often, I can time the trip to a minute. You said you wanted to be here egzackly at four o’clock—”

“Four devils!” Hodges yelled. “I said four hours! I’m two hours late. I’ll have to stay in this jay town a whole day!”

“My, my!” exclaimed old Eli. “Somebody’s made a terrible mistake. I do hope I wasn’t in no way to blame for it. Now, if you’d just mentioned that you was behind time, I could easy have put them grays through two hours earlier.”

“Oh, it’s my fault, I guess,” said Hodges, when his wrath had subsided. “I told old Elrod, but I ought to have told you, too. Then I rode along for four mortal hours sucking that bottle of foolkiller, and didn’t have sense enough to look at my watch once. Well, well! I’ll just charge it up to Hodges, and see it don’t happen again.”

Though Eli was not to blame, he was inconsolable, till Hodges gave him a dollar at parting. Tears of gratitude stood in the old man’s eyes.

“Good-bye, Stranger,” he said. “I do hope old man Elrod won’t find out about you bein’ late. He’d be powerful pestered to know you’d been disappointed. Good-bye.” And as he drove away, he muttered to himself: “Darn the feller! I think he might have offered to fill my bottle.”

The modern lecturer is the alarm clock of civilization wound up to go off with a whiz and a bang at any hour in the evening, according to the whims of his audience. A Northern audience wants to be aroused at 8 P.M. sharp, a Southern audience anywhere between 8.30 P.M. and daylight, A.M. But some time in the night he is sure to wake the natives, for he is a traveling gesture tied to a bell clapper and

When his hands begin to swing And his bell begins to ring His waking listeners laugh and weep And then, alas! go back to sleep. But still he screams and fights the air And stamps his foot and pulls his hair And growls and roars upon the stage Like some fierce lion in a rage, Until at last his clock runs down And he winds it up for another town. Selah!

—_Robert L. Taylor._

THE MAN AND THE MATINEE BY SYBIL STEWART

There was a ring at the door, a light tripping of feet up the stairs, a swish of skirts in the hall, then a quick little tap at Mabel’s door.

Mabel had looked up from her book at the first of these sounds with the eager interest an invalid must feel in any interruption to the long day. At each succeeding sound her face grew brighter until she cried a cordial, “Come in,” and, as the door flew open, added, “There, I knew it was you and I’m awfully glad. You are as good as a breath of the blessed out-doors.” And she kissed the newcomer’s glowing cheeks.

There was a general breeziness about Cora that justified Mabel’s words. She sailed into the room, veils fluttering and skirts rustling, kissed her friend swiftly and settled upon the arm of her chair like a bird on a bough.

“But, Angel of Peace, there’s nothing blessed about me. I’m in another scrape.” She opened her big eyes impressively upon her audience. The audience sat up in her chair and asked with interest, “What disagreeable thing has happened now?”

“Oh, I didn’t say it was disagreeable, did I? It wasn’t at all; at least it _is_ not. Quite otherwise, really.”

“Well, Cora, you are the only person I know who can get into a dreadful scrape and have a lovely time there.”

“That’s because I feel so much at home. And then, some way, even if the scrape is personally painful I can enjoy its picturesqueness objectively, you know. That’s the way with this one. Personally it was very painful to be placed in such a position, especially with such people, you know.”

“No, I don’t know, but I’m dying to. I only live to hear your adventures. I never could have stood this sprained ankle if you had not come in to refresh me with your hairbreadth escapes. You are a perfect Sinbad.”

“Now you need not poke fun at me. Queer things do happen to me and I thought you liked to hear about them.”

“Why, I do, I do. I was just telling you how I liked it.”

“Well, you may thank your poor little ankle for preventing you from sharing this adventure, because if you had been able to walk I should have invited you to go to the Valley of Diamonds with me, and then I wonder what you would have done with that conscience of yours?”

“What are you talking about? I suppose you have been entering Tiffany’s vaults?”

“Not exactly—and it wasn’t a Valley of Diamonds, but a Valley of Matinee Tickets, which is quite as remarkable as anything Sinbad saw.”

“Don’t prelude so much. I am harrowed to the last degree.”

“I’ll tell you the whole story.” Cora shook her broad hat back over her tawny hair, dropped down upon a stool and clasped her hands about her knees. Mabel settled herself in the Morris chair with a sigh of satisfaction and anticipation.

“Well, you know this is the 28th of the month. That means I’ve been absolutely broke for a week.”

Mabel accepted this axiom and told her to go on and not be slangy.

“And doubtless you know too that ‘The Golden Quest’ has been running all week at Howards?

“I should think I did know it. I’ve been reading the papers every morning and eating my heart out in bitterness and tears. I’d give my eyes to see that third act. They do say she has the most gorgeous costumes in America, and her voice—”

“Oh, yes, her voice, but lots of people have voices. Not many of us have quarts of diamonds, and I was wild to see those, and I hadn’t a cent except the quarter Uncle Joe gave me when I had my first tooth pulled. That always stands between me and starvation and I like to keep it there; besides, the tickets were two dollars. I could not go to Daddy after the affair of The Gold Buckles, and I felt a certain delicacy in approaching the cook on the subject. I was thinking of selling my new shoes when Laura’s note came saying six of us were to lunch with her Saturday. I thought that would make me forget myself during the worst time and keep me from pawning my gold handled umbrella.

“Saturday came and I rode down to Laura’s, trying to avoid the posters. It was an awfully nice luncheon and Geraldine wore her new green. Beautiful dress but it makes her look bunchy. Well, any way we had just gotten to mushroom timbales—don’t you love timbales? I wonder how they make them—. Well, we were at timbales when the ’phone rang and the maid said someone wanted me. It was Mary, our cook, and she said a messenger boy had just brought some theater tickets and should she send them to me or was I coming back before the matinee. My heart leaped within me, but I calmed myself by considering that they were probably tickets for Stereopticon Views of Palestine, for Aunt Myra is always sending me that kind of thing. So I managed to contain myself sufficiently to ask details. My dear, can you imagine the tumult and wild joy raised in my bosom when Mary read over the tickets and found they were for ‘The Golden Quest’ and there were six of them? I told her to send them to Laura’s and then I tore back to the dining room. You should have heard the shrieks of jubilation. We beat the table with our forks and sang the opening chorus. Six tickets and six girls and all in our happy clothes, the matinee only an hour off and they had all wanted to see it as much as I. When the first wild burst was over, it occurred to me to wonder where the tickets came from. At first they seemed a direct answer to prayer, but I began to think there must be a more palpable source. It wasn’t Daddy. He had not forgiven me enough yet to be so horribly generous. And the only other person was Aunt Myra and she is old fashioned and Presbyterian.”

“What has that to do with it, Cora?”

“Why, it means she regards me as a raging heathen and never shows me any consideration as her niece, but a great deal of attention as a soul to be saved. She sends me little books and a weekly paper, and when a missionary visits her house she invites me over. She hopes to show me the beauties of a Higher Life, but it only sets me against Presbyterianism, because all the missionaries make noises with their soup and it must be awful to belong to a church like that.”

“Cora, you are a disgrace to a civilized family. And besides, it may after all have been your aunt that sent the tickets, hoping to win you through kindness.”

“Mabel, you rave! Aunt Myra regards the theater as the clearest manifestation of the Evil One on earth, and her saintly little Caddie is not allowed to look at a poster. A nephew is visiting them now, and I dare say they are taking him to the midweek lectures on Genesis in the Light of Arabian Topography. I know Aunt hopes to win him to her church, as he has heaps of money and they need a new chapel. As he belongs to her side of the family I suppose he trots along, and perhaps leads the experience meeting. I should not wonder if he wears a lawn tie in the morning,—that is a special mark of sanctity, you know.”

“Cora, I refuse to listen to you. You don’t know a thing about real church life, so leave it alone and go back to your matinee.”

“With gleesome heart, my dear. After I had cut Aunt Myra off my list of possible donors I was absolutely at a loss, and we girls just decided to believe in fairy godmothers, when the boy came with the tickets. How we gloated over that little envelope. I pulled them out, and Mabel—they were box-seats—six seats, box-seats to “The Golden Quest.” Talk about your Valley of Diamonds! We were all dazed and felt as if we were enchanted. It is such a beautiful thing to have your dreams come true in that miraculous way, though to be sure I had no more dreamed of box-seats than I had dreamed of the Koh-i-nor in my new hat. We wondered more than ever, and took turns looking at the tickets for some revealing clue. They were good bona-fide tickets, but that was all. There was no card, no name, no hint; even the envelope was the theater one with just the address scribbled over the ads. on the outside.