Part 4
“Gentlemen,” said a Cambridge professor to his class, “I regret that owing to the forgetfulness of my assistant, I am unable to show you a specimen of the shell of the mollusc of which we are speaking. You have, however, but to step into the parlour of any seaside lodging-house and on the mantelpiece you will see two of the shells in question.” Every undergraduate immediately knew what the shell was like; so will my readers at once recognise the bird of which I write when I inform them that the amadavat is the little red bird with white spots that occurs in every aviary in India. The bird is, indeed, not all red, but the bill is bright red and there are patches of this colour all over the plumage—more in the cock than in the hen, and more in the former in the breeding season than at other times. Thus the general effect is that of a red bird; hence the native name _Lal munia_, which, being interpreted, is the red munia. This is the proper English name of the bird, although fanciers frequently call it the red waxbill. Men of science know it as _Sporæginthus amandava_. I may say here that the name avadavat or amadavat is derived from Ahmedabad, whence great numbers used to be exported, for the bird is a great favourite in England.
It is the cage bird of India _par excellence_. Hundreds of thousands of amadavats must at this moment be living in captivity. The bird takes to cage life as a Scotsman to whisky. Within five minutes of capture the little creature is contentedly eating its seed and singing quite gaily. This is no exaggeration. I was recently out with a friend when we came upon a small boy catching munias. We saw captured a fine cock which my friend purchased for two annas. Not happening to have a cage in his pocket, he put the tiny creature into a fold of his handkerchief and placed the remainder of the handkerchief in his pocket. While we were walking home our captive began twittering in answer to his companions who were still free. If this be not philosophical behaviour, I do not know what is.
Nothing is easier than to catch munias. All that is required is the common, pyramidal-shaped, four-anna wicker cage in which birds are usually carried about in India. To the base of one of the walls of this a flap is attached by a hinge. The flap is the same size and shape as the wall of the cage, and composed of a frame over which a narrow-meshed string net is stretched. A string is fastened to the apex of the flap. The cage, with a captive bird inside, is placed in the open so that the flap rests on the ground. On this some groundsel is thrown. In a few minutes a passing amadavat is attracted to the cage by the song of the bird inside. The new-comer at once begins to feed on the groundsel. Then the bird-catcher, who is seated a few yards away, pulls the string sharply, so that the flap closes over the side of the cage and thus the bird is secured. It is then placed inside the cage and the flap again set. In this manner a dozen or more amadavats can be captured in an hour. As nine red munias are sold for a rupee, and as they will live for years in captivity and cost next to nothing to keep, it is not surprising that they are popular pets.
Moreover, the amadavat is no mean songster. “Eha” is, I think, a little severe on the bird when he states that “fifty in a cage make an admirable chorus.” The bird is small, so is its voice, but what there is of the latter is exceedingly sweet. Were its notes only louder the bird would be in the first rank as a songster. A rippling stream of cheery twitters emanates unceasingly from a cage of munias. The birds seem never to tire. The cock frequently utters, in addition to this perpetual twitter, a warble of five or six notes. The birds love to huddle together in a row on a perch and twitter in chorus. Suddenly the chorus ceases; one of the birds raises his head above the level of the others and sings a solo, while the rest listen in silence with the air of connoisseurs. When he has finished, another bird has a “turn,” then another. The whole performance always puts me in mind of one of those impromptu concerts which soldiers are so fond of getting up.
Quite apart from their song, munias afford him who keeps them much pleasure, because they are most amusing birds to watch. They are very fond of heat. They are happiest when the thermometer stands at about a hundred. When they huddle together for the sake of warmth, all are content except the two end birds, who are kept warm only on one side. No bird, therefore, likes to be an outside one of a row. If two or three, sitting close together, are joined by another, this last does not take up a position at the end of the line. He knows a trick worth two of that. He perches on the backs of two in the middle and tries to wedge himself in between them. Sometimes he succeeds. Sometimes he does not. When he does succeed he frequently upsets the equilibrium of the whole row.
Needless to say, the birds roost huddled together, and at bed-time there is great manœuvring to avoid an outside position. Each tries to get somewhere in the middle, and, in order to do so, adopts one of two methods. He either flops on top of birds already in position, and, if he cannot wedge himself in, sleeps with one foot on the back of one bird and the other on its neighbour’s back. The birds do not seem to mind being sat upon in this way. The other method is for the two outer birds to press inwards until one of those in the middle of the row is squeezed so hard as to lose its foothold and be violently ejected upwards. The bird thus jockeyed out of its position then hops to one end and in its turn begins to push inwards, and so the process continues until the birds grow too sleepy to struggle any more. All this contest is conducted without a sound. There is no bickering or squabbling. The only thing I know like it is the contest in the dining-room of an Indian hotel, when two “boys,” each belonging to a different master, seize a dish simultaneously. Each is determined to secure that dish, and neither dares utter a sound for fear of angering his _Sahib_. Thus they struggle in grim silence. Eventually one is victorious and walks off in triumph with the dish. The defeated servant at once accepts the situation; so is it with a munia ejected from a central position.
Although amadavats are widely distributed in India and fairly common in most parts of the country, they usually escape notice on account of their small size. When flying overhead they are probably mistaken for sparrows. Moreover, they do not often visit gardens; they prefer open country.
Amadavats belong to the finch family, to the great tribe which includes the sparrow, the canary, and the weaver-bird. By their coarse, stout beak, tapering to a point, you may know them. The use of this big beak is to husk grain. Finches do not gobble up their seed whole as pigeons or fowls do; they carefully husk each grain before swallowing it. Hence the meal of a bird of this family is a somewhat protracted affair. He who keeps an aviary should remember this and provide his birds with several seed-boxes, otherwise one or two bullies (for there are bullies even among tiny birds) are apt to monopolise the food.
He should also bear in mind that Nature does not provide her feathered children with teeth. Seed-eating birds, therefore, habitually swallow small stones and pieces of grit. These perform the function of millstones inside the bird. From this it follows that it is cruel to keep seed-eating birds without supplying them with sand and grit.
The bone of a cuttle-fish, tied to the wall of the cage, is much appreciated by all the finch tribe and helps to keep them in condition.
The nest of the amadavat is a large ball of fibrous material, somewhat carelessly put together, with a hole at one side by way of entrance. Winter is the season in which to look for the nests, but they are not easy to find, being well concealed in low bushes. Six pure white glossless eggs are usually laid.
THE NUTMEG BIRD
The nutmeg bird or spotted munia (_Uroloncha punctulata_) is second only to the amadavat as an aviary favourite. The two species are almost invariably caged. This is, perhaps, the reason why I was once gravely assured by a lady that the spotted munia is the hen; and the amadavat the cock of one and the same species! Needless to say, the birds, although relatives, belong to different genera. The stouter bill of the spotted munia proclaims this. In colour the beak is bluish black or dark slate colour, and contrasts strongly with the chocolate-brown of the head, neck, back, wings, and tail. The breast is white with a number of black rings, which give it the appearance of a nutmeg-grater, hence the popular name of the bird. Fanciers go one better and call it the spice bird. If in years to come the former name be forgotten, etymologists will put their wise heads together and puzzle and wrangle over the derivation of the name “spice bird”!
The habits of the spotted munia are those of the amadavat. Like the latter, it seems to thrive in captivity; it also loves warmth, and likes to go to roost with a warm companion on each side of it. Red and spotted munias live together very amicably in a cage; but as the latter, owing to their less showy plumage, are usually in a minority, they have to be content with outside positions at roosting-time. Sometimes my munias take it into their tiny heads to sleep on a perch which runs across a corner of the cage, and is barely long enough to accommodate them all. There are several other finer and longer perches, but, for some reason or other, they seem to prefer this one. Possibly its breadth is better adapted to the grip of their feet than that of any of the others. I may here say, in parenthesis, for the benefit of those who keep cage birds, that every cage should contain several perches of varying diameter, so as to permit the inmates of the cage the luxury of a change of grip.
Well, when a dozen birds persist in roosting on a perch intended only to seat ten, at least one of them is unable to find room on the perch, and is obliged either to sleep on the backs of some of his companions or make-believe that he is roosting on the perch. This latter feat is accomplished by the bird clutching hold of the two wires between which the perch passes and maintaining himself at an angle of 45° with the vertical. In this attitude a bird will sometimes sleep! Of course, its body is in part resting on that of its neighbour, but, allowing for this, a more uncomfortable position is inconceivable to a human being. The spotted munia, however, seems to find it tolerably comfortable.
Birds sleep standing, often on one leg. Did this require any appreciable muscular effort on the part of the bird there could be no rest in such an attitude, and the bird would fall off its perch as soon as it went to sleep. As a matter of fact, the muscles and tendons of a bird’s hind-limb are so arranged that, to use the words of Mr. F. W. Headley, “when the leg bends at the ankle, there is a pull upon the tendons, the muscles are stretched, the toes are bent and grasp the perch on which the bird sits. Thus he is maintained by his own weight, which bends the leg and so causes the toes to grip.” Thanks to this feature of their anatomy, passerine birds are able to sleep on branches of trees out of reach of prowling beasts of prey.
The great force with which a bird grasps its perch is worthy of note. As every hawker is aware, a falcon, when carried on the wrist, grips the leather gauntlet so tightly as to almost stop the circulation of the blood in the hand of the carrier. A fox cannot open its mouth when once its snout is in the iron grip of an eagle. Examples of the power of the grip of the foot of a passerine bird will occur to every one who has had much to do with our feathered friends. Crows habitually roost in the topmost branches of trees, which must be very violently shaken in a gale of wind; yet the birds never seem to lose their hold.
I have said that the habits of the spotted munia are those of the amadavat; what was said of the latter applies to the former, with one exception. The spotted munia is no songster. Those who keep the bird must have seen him go through all the motions of singing, with a considerable display of energy, but scarcely a sound seems to issue. You may perhaps hear the feeblest noise, like that made by a wheezy and decrepit mosquito. When you see the bird’s mandibles moving nineteen to the dozen with scarcely a sound issuing, you are inclined to think that he is either playing dumb crambo or that he has taken leave of his senses. Nothing of the kind. The bird is singing his top notes, which are doubtless greatly appreciated by his mate. Sound is, as we all know in this scientific age, vibration appreciable to the ear. Air is the usual vibrating medium. Only certain vibrations are perceptible to the human auditory organ. Those having a recurrence of below thirty or above sixteen thousand per second do not produce the sensation of sound to the average human ear. There are thus numbers of vibrations continually going on which are lost to us; to this category belong the vibrations in the air produced by the vocal cords of the spotted munia. The ear of a bird is constituted very differently from that of man, so that it is not surprising if birds can hear certain sounds imperceptible to us human beings. I may here say that the range of the human ear varies greatly in different individuals. Some men can hear vibrations of which the recurrence is but fifteen in the second, while others are said to appreciate notes caused by forty thousand vibrations per second. I have a friend who cannot hear a black partridge when it is calling; its notes are too high for the unusually limited range of his ear. I do not know if there are any people to whom the note of the nutmeg bird sounds quite loud; if there be, and these lines meet their eye, I hope they will give their brethren of more limited capacity the benefit of their experience.
THE DID-HE-DO-IT
Mr. “did-he-do-it” is a dandy of the first water. I should like to add “and so is his wife,” for she dresses exactly as he does, and is every bit as particular regarding her personal appearance, but owing to the peculiarity of our Anglo-Saxon tongue, it is incorrect to apply the term “dandy” to a lady, and there appears to be no feminine equivalent of it. I must therefore be content to say that Mrs. Did-he-do-it is a dressy little person. Before describing the attire of the Did-he-do-it let me say that the bird is correctly styled the red-wattled lapwing. Ornithologists used to call it _Lobivanellus goensis_, but this was found to be a bit of a mouthful for even an ornithologist; accordingly the bird is now named _Sarcogrammus indicus_ for short.
The Did-he-do-it belongs to the noble family of plovers. Its head, neck, and upper back are black, and the under parts are white. A broad white band runs down each side of the neck from the eye to join the white of the under parts. The wings are of a beautiful greenish-bronze hue; the legs are bright yellow. The beak is crimson-red, as is the forwardly pointing wattle which forms so conspicuous a feature of the bird’s physiognomy. The lapwing is thus an easy bird to identify. Even if you cannot see him, you know he is there the moment you hear his loud, shrill “Did he do it, pity to do it.” The only bird with which he can possibly be confounded is his cousin, the yellow-wattled lapwing (_Sarciophorus malabaricus_). This latter, however, has a yellow wattle and one syllable less in its cry.
The Did-he-do-it is a bird which frequents open plains in the neighbourhood of water. I have never seen it perched on a tree, and as it does not possess the luxury of a hind toe, I imagine that, like the old lady after a rough Channel crossing, it likes to feel itself on “_terra cotta._”
This bird is not likely to be seen within municipal limits, but it is fairly abundant outside Madras. It feeds chiefly upon insects and small crustacea. It is not a gluttonous fowl. “Eha” declares that you never find it where there is food and that it does without sleep, since you never catch it napping. Jerdon, however, informs us that in the South of India it is said to sleep on its back with its legs in the air—a distinctly undignified position for a dandy. It sleeps thus so as to be able to catch on its toes the sky in case this should happen to fall down. As “Eha” says, the chief point about this truly native yarn is that it is impossible to contradict it, for who has seen a lapwing asleep?
The nesting habits of the Did-he-do-it are most interesting. Strictly speaking, it does not build a nest. It scrapes a cavity, about a quarter of an inch deep, in some stony place. This is the nest. Round it there are a few pieces of _kankar_ or some twigs; whether these are brought thither by the bird, or have merely been brushed there in the making of the cavity, I know not. Very frequently the nest is situated in the ballast of the railway line. Sometimes it is so placed that the footboard of every carriage passes over the head of the sitting bird. There is no accounting for tastes! Four eggs are usually laid; they are much more pointed at one end than at the other, and are invariably placed in the nest so as to form a star, the blunt ends projecting outwards and the thin ends nearly meeting at the centre.
Lapwings’ eggs are protectively coloured. Being laid in the open and not hidden away in a nest, it is important that they should not be conspicuous, otherwise they would soon be espied and devoured by some egg-eating creature. Thus they are coloured so as to assimilate with their surroundings. The ground colour is greenish and is boldly splotched with sepia, some of the splotches being darker than others. The eggs are dull and not glossy, hence are very difficult to distinguish from the stones which lie round about them. From the above description it will be seen that the Did-he-do-it’s egg is very like that of his cousin the English plover, whose eggs are held to be so great a delicacy. Why these eggs are so much esteemed I do not know. I suspect that it is because they are difficult to find, and so costly. If tripe and onions cost fifty shillings a pound, this dish would probably form the _pièce de résistance_ of every millionaire’s banquet.
The eggs of the Did-he-do-it, then, are interesting as forming perfect examples of protectively coloured objects. As I have previously remarked, the theory of protective colouration has my deepest sympathy. It is an unfortunate jade upon which every biologist seems to think that he is entitled to take free rides; the result is that the poor beast’s ribs are cutting through its skin! For example, every bird’s egg is supposed to be protectively coloured—even the gorgeous shining blue egg laid by the seven sisters, which is, in truth, about as much protectively coloured as the I Zingari Cricket Club blazer is. The majority of eggs are laid in nests which are either covered in or more or less well concealed among foliage, hence there is no necessity for them to be protectively coloured. Dame Nature is free to exercise on them to the uttermost her artistic temperament, with the result that there are few things more beautiful than a collection of birds’ eggs.
So well do the eggs of the lapwing assimilate with their surroundings, that, if you would discover a clutch of them, your only chance is to watch the actions of the possessors of the nest. But the Did-he-do-it is a wily bird, and if you are not very cute he will live up to his name by “doing you in the eye.” He does not, like babblers and bulbuls, make a tremendous noise as you approach the nest. He assumes a nonchalant, I might say jaunty, air, hoping thereby to put the intruder off the scent. The other day I had the pleasure of circumventing a couple of lapwings. Feeling tolerably certain that a pair had a nest on a flat piece of ground near a canal bank, I determined to find that nest. My wife accompanied me. On arriving at the spot we took cover under some trees and scanned the horizon with field-glasses, but saw no trace of a lapwing. I began to think I had made a mistake. After a time we walked on towards the canal; when we had gone some three hundred yards my wife noticed a bird on a ridge by the canal. By the aid of glasses I saw it was a Did-he-do-it. We both dropped down and watched. The bird had “spotted” us, for he had assumed the air of an old sailor who is smoking a pipe over a mug of beer, the air of a man without a care in the world. Presently he quietly disappeared behind the little ridge. We then made a big detour so as to reach the other side of this. Having arrived there we sat behind a tree. The lapwing was now eyeing us suspiciously. We affected to take no notice of him. Presently a second Did-he-do-it came out from behind a clump of low plants only to disappear into it almost immediately, and then ostentatiously reappear after a few seconds. Had we not known the wiles of the lapwing we should have located the nest behind that clump. But we knew better and waited. One of the birds again disappeared behind the clump, but emerged at the other side and strolled along very slowly; presently it came to some stones, where it stood motionless for a few seconds. It then sat down, or rather slowly sank into a sitting position. There was no doubt that the bird was now on the nest. We made for it. As we approached, the bird that was not on the nest flew off, making a noise with the object of putting us off the scent. The lapwing on the nest quietly got up and strolled off without a sound. On arriving at the place where she had been sitting we found three eggs. I took one of them for a lady who was anxious to have one. Meanwhile both birds had flown away without making any noise. Having examined the nest, we returned to our watching place. In about ten minutes the bird was again sitting quite happily. She had not missed the egg.
COBBLER OR TAILOR?
The disagreement between the popular and the scientific name of the tailor-bird (_Orthotomus sutorius_) must, I suppose, be attributed to the fact that the average ornithologist is not learned in the Classics. I freely admit that I did not notice the discrepancy until it was pointed out to me. _Orthotomus sutorius_ means, not the tailoring, but the cobbling _Orthotomus_. It was, I believe, Forester who, considerably over a century ago, gave the bird the specific name which it now possesses, or rather the allied name, _sutoria_. If he wrote this in mistake for _sartoria_, the error was a stroke of genius, since the bird should certainly be called the cobbler rather than the tailor. The so-called sewing of the nest is undoubtedly a great performance for a little bird that does not possess a workbox. Nevertheless, if the _dirzie_ who squats in the verandah did not work more neatly than the tailor-bird he would soon lose his place. _Orthotomus sutorius_ does not sew leaves one to another, it merely cobbles them together, much as the “boy” cobbles together the holes in his master’s socks.
When last I wrote about the tailor-bird, I had honestly to admit that I did not know how the bird did its work. My attitude towards its sewing was then that of the child who sings—
Twinkle, twinkle, little star, How I wonder what you are!
To-day I can boast with the learned astronomer—
Twinkle, twinkle, little star, Now we all know what you are!
for I have found out how the bird does its sewing.