Chapter 6

It was a very great house, a very grand house, and there was to be a marvelous feast in it, and a prince and princess from over the seas were that night to honor the mistress of it by their presence. All this Rosa Indica had gathered from the chatter of the flowers, and when she came into the big palace she saw many signs of excitement and confusion: servants out of livery were running up against one another in their hurry-scurry; miles and miles, it seemed, of crimson carpeting were being unrolled all along the terrace and down the terrace steps, since by some peculiar but general impression royal personages are supposed not to like to walk upon anything else, though myself I think they must get quite sick of red carpet, seeing so very much of it spread for them wherever they go. To Rosa Indica, however, the bright scarlet carpeting looked very handsome, and seemed, indeed, a foretaste of heaven.

Soon she was carried quite inside the house, into an immense room with a beautiful dome-shaped ceiling, painted in fresco three centuries before, and fresh as though it had been painted yesterday. At the end of the room was a great chair, gilded and painted, too, three centuries before, and covered with velvet, gold-fringed, and powdered with golden grasshoppers. "That common insect here!" thought Rosa, in surprise, for she did not know that the chief of the house, long, long, long ago, when sleeping in the heat of noon in Palestine in the first crusade, had been awakened by a grasshopper lighting on his eyelids, and so had been aroused in time to put on his armor and do battle with a troop attacking Saracen cavalry, and beat them; wherefore, in gratitude, he had taken the humble field-creature as his badge for evermore.

They set the roots of Rosa Indica now into a vase--such a vase! the royal blue of Sevres, if you please, and with border and scroll work and all kinds of wonders and glories painted on it and gilded on it, and standing four feet high if it stood one inch! I could never tell you the feelings of Rosa if I wrote a thousand pages. Her heart thrilled so with ecstasy that she almost dropped all her petals, only her vanity came to her aid, and helped her to control in a measure her emotions. The gardeners broke off a good deal of mould about her roots, and they muttered one to another something about her dying of it. But Rosa thought no more of that than a pretty lady does when her physician tells her she will die of tight lacing; not she! She was going to be put into that Sevres vase.

This was enough for her, as it is enough for the lady that she is going to be put into a hundred-guinea ball gown.

In she went. It was certainly a tight fit, as the gown often is, and Rosa felt nipped, strained, bruised, suffocated. But an old proverb has settled long ago that pride feels no pain, and perhaps the more foolish the pride the less is the pain that is felt--for the moment.

They set her well into the vase, putting green moss over her roots, and then they stretched her branches out over a gilded trelliswork at the back of the vase. And very beautiful she looked; and she was at the head of the room, and a huge mirror down at the farther end opposite to her showed her own reflection. She was in paradise!

"At last," she thought to herself, "at last they have done me justice!"

The azaleas were all crowded round underneath her, like so many kneeling courtiers, but they were not taken out of their pots; they were only shrouded in moss. They had no Sevres vases. And they had always thought so much of themselves and given themselves such airs, for there is nothing so vain as an azalea,--except, indeed, a camellia, which is the most conceited flower in the world, though, to do it justice, it is also the most industrious, for it is busy getting ready its next winter buds whilst the summer is still hot and broad on the land, which is very wise and prudent in it and much to be commended.

Well, there was Rosa Indica at the head of the room in the Sevres vase, and very proud and triumphant she felt throned there, and the azaleas, of course, were whispering enviously underneath her, "Well, after all, she was only Rosa Damascena not so VERY long ago."

Yes, THEY KNEW! What a pity it was! They knew she had once been Rosa Damascena and never would wash it out of their minds--the tiresome, spiteful, malignant creatures!

Even aloft in the vase, in all her glory, the rose could have shed tears of mortification, and was ready to cry like Themistocles, "Can nobody give us oblivion?"

Nobody could give that, for the azaleas, who were so irritated at being below her, were not at all likely to hold their tongues. But she had great consolations and triumphs, and began to believe that, let them say what they chose, she had never been a common garden wall rose. The ladies of the house came in and praised her to the skies; the children ran up to her and clapped their hands and shouted for joy at her beauty; a wonderful big green bird came in and hopped before her, cocked his head on one side, and said to her, "Pretty Poll! oh, SUCH a pretty Poll!"

"Even the birds adore me here!" she thought, not dreaming he was only talking of himself; for when you are as vain as was this poor dear Rosa, creation is pervaded with your own perfections, and even when other people say only "Poll!" you feel sure they are saying "You!" or they ought to be if they are not.

So there she stood in her grand Sevres pot, and she was ready to cry with the poet, "The world may end tonight!" Alas! it was not the world which was to end. Let me hasten to close this true heart-rending history.

There was a great dinner as the sun began to set, and the mistress of the house came in on the arm of the great foreign prince; and what did the foreign prince do but look up at Rosa, straight up at her, and over the heads of the azaleas, and say to his hostess: "What a beautiful rose you have there! A Niphetos, is it not?"

And her mistress, who had known her long as simple Rosa Damascena, answered, "Yes, sir; it is a Niphetos."

Oh, to have lived for that hour! The silly thing thought it worth all her suffering from the gardener's knife, all the loss of her robust health and delightful power of flowering in all four seasons. She was a Niphetos, really and truly a Niphetos! and not one syllable hinted as to her origin! She began to believe she had been BORN a tea rose!

The dinner was long and gorgeous; the guests were dazzling in jewels and in decorations; the table was loaded with old plate and rare china; the prince made a speech and used her as a simile of love and joy and purity and peace. The rose felt giddy with triumph and with the fumes of the wines around her. Her vase was of purple and gold, and all the voices round her said, "Oh, the beautiful rose!" No one noticed the azaleas. How she wished that the blackbird could see for a minute, if the cat would gobble him up the next!

The day sped on; the chatelaine and her guests went away; the table was rearranged; the rose tree was left in its place of honor; the lights were lit; there was the sound of music near at hand; they were dancing in other chambers.

Above her hung a chandelier--a circle of innumerable little flames and drops that looked like dew or diamonds. She thought it was the sun come very close. After it had been there a little while it grew very hot, and its rays hurt her.

"Can you not go a little farther away, O Sun?" she said to it. It was flattered at being taken for the sun, but answered her: "I am fixed in my place. Do you not understand astronomy?"

She did not know what astronomy was, so was silent, and the heat hurt her. Still, she was in the place of honor: so she was happy.

People came and went; but nobody noticed her. They ate and drank, they laughed and made love, and then went away to dance again, and the music went on all night long, and all night long the heat of the chandelier poured down on her.

"I am in the place of honor," she said to herself a thousand times in each hour.

But the heat scorched her, and the fumes of the wines made her faint. She thought of the sweet fresh air of the old garden where the Banksiae were. The garden was quite near, but the windows were closed, and there were the walls now between her and it. She was in the place of honor. But she grew sick and waxed faint as the burning rays of the artificial light shining above her seemed to pierce through and through her like lances of steel. The night seemed very long. She was tired.

She was erect there on her Sevres throne, with the light thrilling and throbbing upon her in every point. But she thought of the sweet, dark, fresh nights in the old home where the blackbird had slept, and she longed for them.

The dancers came and went, the music thrummed and screamed, the laughter was both near and far; the rose tree was amidst it all. Yet she felt alone--all alone! as travelers may feel in a desert. Hour succeeded hour; the night wore on apace; the dancers ceased to come; the music ceased, too; the light still burned down upon her, and the scorching fever of it consumed her like fire.

Then there came silence--entire silence. Servants came round and put out all the lights--hundreds and hundreds of lights--quickly, one by one. Other servants went to the windows and threw them wide open to let out the fumes of wine. Without, the night was changing into the gray that tells of earliest dawn. But it was a bitter frost; the grass was white with it; the air was ice. In the great darkness that had now fallen on all the scene this deadly cold came around the rose tree and wrapped her in it as in a shroud.

She shivered from head to foot.

The cruel glacial coldness crept into the hot banqueting chamber, and moved round it in white, misty circles, like steam, like ghosts of the gay guests that had gone. All was dark and chill-- dark and chill as any grave!

What worth was the place of honor now?

Was this the place of honor?

The rose tree swooned and drooped! A servant's rough hand shook down its worn beauty into a heap of fallen leaves. When they carried her out dead in the morning, the little Banksia-buds, safe hidden from the frost within their stems, waiting to come forth when the summer should come, murmured to one another:--

"She had her wish; she was great. This way the gods grant foolish prayers, and punish discontent!"

LAMPBLACK

A poor black paint lay very unhappy in its tube one day alone, having tumbled out of an artist's color box and lying quite unnoticed for a year. "I am only Lampblack," he said to himself. "The master never looks at me: he says I am heavy, dull, lustreless, useless. I wish I could cake and dry up and die, as poor Flake-white did when he thought she turned yellow and deserted her."

But Lampblack could not die; he could only lie in his tin tube and pine, like a silly, sorrowful thing as he was, in company with some broken bits of charcoal and a rusty palette knife. The master never touched him; month after month passed by, and he was never thought of; the other paints had all their turn of fair fortune, and went out into the world to great academies and mighty palaces, transfigured and rejoicing in a thousand beautiful shapes and services. But Lampblack was always passed over as dull and coarse, which indeed he was, and knew himself to be so, poor fellow, which made it all the worse. "You are only a deposit!" said the other colors to him; and he felt that it was disgraceful to be a deposit, though he was not quite sure what it meant.

"If only I were happy like the others!" thought poor, sooty Lampblack, sorrowful in his corner. "There is Bistre, now, he is not so very much better-looking than I am, and yet they can do nothing without him, whether it is a girl's face or a wimple in a river!"

The others were all so happy in this beautiful bright studio, whose open casements were hung with myrtle and passion-flower, and whose silence was filled with the singing of nightingales. Cobalt, with a touch or two, became the loveliness of summer skies at morning; the Lakes and Carmines bloomed in a thousand exquisite flowers and fancies; the Chromes and Ochres (mere dull earths) were allowed to spread themselves in sheets of gold that took the shine of the sun into the darkest places; Umber, a sombre and gloomy thing, could lurk yet in a child's curls and laugh in a child's smiles; whilst all the families of the Vermilions, the Blues, the Greens, lived in a perpetual glory of sunset or sunrise, of ocean waves or autumn woods, of kingly pageant or of martial pomp.

It was very hard. Poor Lampblack felt as if his very heart would break, above all when he thought of pretty little Rose Madder, whom he loved dearly, and who never would even look at him, because she was so very proud, being herself always placed in nothing less than rosy clouds, or the hearts of roses, or something as fair and spiritual.

"I am only a wretched deposit!" sighed Lampblack, and the rusty palette knife grumbled back, "My own life has been ruined in cleaning dirty brushes, and see what the gratitude of men and brushes is!"

"But at least you have been of use once; but I never am--never!" said Lampblack, wearily; and indeed he had been there so long that the spiders had spun their silver fleeces all about him, and he was growing as gray as an old bottle does in a dark cellar.

At that moment the door of the studio opened, and there came a flood of light, and the step of a man was heard: the hearts of all the colors jumped for joy, because the step was that of their magician, who out of mere common clays and ground ores could raise them at a touch into splendors of the gods and divinities immortal.

Only the heart of poor dusty Lampblack could not beat a throb the more, because he was always left alone and never was thought worthy even of a glance. He could not believe his senses when this afternoon--oh, miracle and ecstasy!--the step of the master crossed the floor to the obscured corner where he lay under his spiders' webs, and the hand of the master touched him. Lampblack felt sick and faint with rapture. Had recognition come at last?

The master took him up, "You will do for this work," he said; and Lampblack was borne trembling to an easel. The colors, for once in their turn neglected, crowded together to watch, looking in their bright tin tubes like rows of little soldiers in armor.

"It is the old dull Deposit," they murmured to one another, and felt contemptuous, yet were curious, as scornful people often will be.

"But I am going to be glorious and great," thought Lampblack, and his heart swelled high; for never more would they be able to hurl the name of Deposit at him, a name which hurt him none the less, but all the more indeed, because it was unintelligible.

"You will do for this work," said the master, and let Lampblack out of his metal prison house into the light and touched him with the brush that was the wand of magic.

"What am I going to be?" wondered Lampblack, as he felt himself taken on to a large piece of deal board, so large that he felt he must be going to make the outline of an athlete or the shadows of a tempest at the least.

Himself he could not tell what he was becoming: he was happy enough and grand enough only to be employed, and, as he was being used, began to dream a thousand things of all the scenes he would be in, and all the hues that he would wear, and all the praise that he would hear when he went out into that wonderful great world of which his master was an idol. From his secret dreams he was harshly roused; all the colors were laughing and tittering round him till the little tin helmets they wore shook with their merriment.

"Old Deposit is going to be a signpost," they cried to one another so merrily that the spiders, who are not companionable creatures, felt themselves compelled to come to the doors of their dens and chuckle too. A signpost! Lampblack, stretched out in an ecstasy upon the board, roused himself shivering from his dreams, and gazed at his own metamorphosis. He had been made into seven letters, thus:--

BANDITA

This word in the Italian country, where the English painter's studio was, means, Do not trespass, do not shoot, do not show yourself here: anything, indeed, that is peremptory and uncivil to all trespassers. In these seven letters, outspread upon the board, was Lampblack crucified!

Farewell, ambitious hopes and happy dreams! He had been employed to paint a signboard, a thing stoned by the boys, blown on by the winds, gnawed by the rats, and drenched with the winter's rains. Better the dust and the cobwebs of his old corner than such shame as this!

But help was there none. His fate was fixed. He was dried with a drench of turpentine, hastily clothed in a coat of copal, and here he yet was fully aware of all his misery, was being borne away upon the great board out of doors and handed to the gardener. For the master was a hasty and ardent man, and had been stung into impatience by the slaughter of some favorite blue thrushes in his ilex trees that day, and so in his haste had chosen to do journeyman's work himself. Lampblack was carried out of the studio for the last time, and as the door closed on him he heard all the colors laughing, and the laugh of little Rose Madder was highest of all as she cried to Naples Yellow, who was a dandy and made court to her: "Poor old ugly Deposit! He will grumble to the owls and the bats now!"

The door shut, shutting him out forever from all that joyous company and palace of fair visions, and the rough hands of the gardener grasped him and carried him to the edge of the great garden, where the wall overlooked the public road, and there fastened him on high with a band of iron round the trunk of a tree.

That night it rained heavily, and the north wind blew, and there was thunder also. Lampblack, out in the storm without his tin house to shelter him, felt that of all creatures wretched on the face of the earth there was not one so miserable as he.

A signboard! Nothing but a signboard!

The degradation of a color, created for art and artists, could not be deeper or more grievous anywhere. Oh, how he sighed for his tin tube and the quiet nook with the charcoal and the palette knife!

He had been unhappy there indeed, but still had had always some sort of hope to solace him--some chance still remaining that one day fortune might smile and he be allowed to be at least the lowest stratum of some immortal work.

But now hope was there none. His doom, his end, were fixed and changeless. Never more could he be anything but what he was; and change there could be none till weather and time should have done their work on him, and he be rotting on the wet earth, a shattered and worm-eaten wreck.

Day broke--a gloomy, misty morning.

From where he was crucified upon the tree-trunk he could no longer even see his beloved home, the studio; he could only see a dusky, intricate tangle of branches all about him, and below the wall of flint, with the Banksia that grew on it, and the hard muddy highway, drenched from the storm of the night.

A man passed in a miller's cart, and stood up and swore at him, because the people had liked to come and shoot and trap the birds of the master's wooded gardens, and knew that they must not do it now.

A slug crawled over him, and a snail also. A woodpecker hammered at him with its strong beak. A boy went by under the wall and threw stones at him, and called him names. The rain poured down again heavily. He thought of the happy painting room, where it had seemed always summer and always sunshine, and where now in the forenoon all the colors were marshaling in the pageantry of the Arts, as he had seen them do hundreds of times from his lone corner. All the misery of the past looked happiness now.

"If I were only dead, like Flakewhite," he thought; but the stones only bruised, they did not kill him; and the iron band only hurt, it did not stifle him. For whatever suffers very much has always so much strength to continue to exist. And almost his loyal heart blasphemed and cursed the master who had brought him to such a fate as this.

The day grew apace, and noon went by, and with it the rain passed. The sun shone out once more, and Lampblack, even imprisoned and wretched as he was, could not but see how beautiful the wet leaves looked, and the gossamers all hung with raindrops, and the blue sky that shone through the boughs; for he had not lived with a great artist all his days to be blind, even in pain, to the loveliness of nature. The sun came out, and with it some little brown birds tripped out too--very simple and plain in their costumes and ways, but which Lampblack knew were the loves of the poets, for he had heard the master call them so many times in summer nights. The little brown birds came tripping and pecking about on the grass underneath his tree-trunk, and then flew on the top of the wall, which was covered with Banksia and many other creepers. The brown birds sang a little song, for though they sing most in the moonlight, they do sing by day too, and sometimes all day long. And what they sung was this:--

"Oh, how happy we are, how happy! No nets dare now be spread for us, no cruel boys dare climb, and no cruel shooters fire. We are safe, quite safe, and the sweet summer has begun!"

Lampblack listened, and even in his misery was touched and soothed by the tender liquid sounds that these little throats poured out among the light yellow bloom of the Banksia flowers. And when one of the brown birds came and sat on a branch by him, swaying itself and drinking the raindrops off a leaf, he ventured to ask, as well as he could for the iron that strangled him, why they were so safe, and what made them so happy.

The bird looked at him in surprise.

"Do you not know?" he said. "It is YOU!"

"I!" echoed Lampblack, and could say no more, for he feared that the bird was mocking him, a poor, silly, rusty black paint, only spread out to rot in fair weather and foul. What good could he do to any creature?

"You," repeated the nightingale. "Did you not see that man under the wall? He had a gun; we should have been dead but for you. We will come and sing to you all night long, since you like it; and when we go to bed at dawn, I will tell my cousins, the thrushes and merles, to take our places, so that you shall hear somebody singing near you all the day long."

Lampblack was silent.

His heart was too full to speak.

Was it possible that he was of use, after all?

"Can it be true?" he said timidly.

"Quite true," said the nightingale.

"Then the master knew best," thought Lampblack.

Never would he adorn a palace or be adored upon an altar. His high hopes were all dead, like last year's leaves. The colors in the studio had all the glories of the world, but he was of use in it, after all: he could save these little lives. He was poor and despised, bruised by stones and drenched by storms; yet was he content, nailed there upon his tree, for he had not been made quite in vain.

The sunset poured its red and golden splendors through the darkness of the boughs, and the birds sang all together, shouting for joy and praising God.

THE CHILD OF URBINO

It was in the year of grace 1490, in the reign of Guidobaldo, Lord of Montefeltro, Duke of Urbino,--the year, by the way, of the birth of that most illustrious and gracious lady, Vittoria Colonna.