Chapter 4

here depicted.

[24] Dr. Thompson gives a selection from the long list of subscribers, which includes, besides nobility and clergy, many of the leading actors, dramatic critics, and novelists of the day--showing the widespread interest taken in the memorial.

[25] Edmund Shakespeare is described in the Burial Register as "a Player," to which the Monthly Account adds that he was "buried in the church with a forenoon knell of the great bell," costing 20_s._ (_Vide_ Dr. Thompson's "History.")

[26] The present elevation of the altar at St. Saviour's has been criticised as above the level which a strict adherence to precedent, here and elsewhere, required.

[27] _E.g._, Christ Church Priory, St. Alban's Abbey, All Souls', Oxford, and Winchester Cathedral.

[28] See an interesting article signed "E.I.C." (E.J. Carlos), in the "Gentleman's Magazine" for 1834, Part i, pp. 151-154.

[29] In Pennant "History of London" (1790), and Moss and Nightingale's "History and Antiquities of St. Saviour's Church" (1817-1818), the retro-choir is spoken of as "The Chapel of the Virgin Mary," in distinction from that then known as "the Bishop's Chapel."

[30] In Seymour's "History" (1734), written when the figure was standing upright, it is described as "new painted and flourished up, and looking somewhat dreadful."

In Pennant's "History of London" (vol. i, edit. 1801), it is said to have been removed from the north transept to make room for the Lockyer monument (1672), and then set up against the north wall.

[31] For full particulars of the organ the reader is referred to the specification in the Appendix, as furnished by the builders, Messrs. Lewis and Co., Limited, Ferndale Road, Brixton, S.W.

[32] The veneration in which her name is held is further attested in the parish, where the old street in the Borough, till recent years known as King Street, has been renamed Newcomen Street.