Part 6

George still plays the part of Greatheart manfully and is ready for any event, having used his observing powers on the fruits and berries like a Boy Scout. Think of that sharp picture against the pale sky of evening--"a little dwarf riding on a crow." Then of the changing picture--like a lovely scene in a play--as night falls upon the lake. See how the Sylphs come while the boy stands entranced. Did he remember the words of Bee's mother as he was carried "through the waters, in halls of crystal and porphyry"? And what a lovely word the last one is!

[Sidenote: _Chapter VIII._]

It would be good fun to try to draw a dwarf from the description given at the beginning of this chapter, helped by a glance at some of the little pictures in this book. Can't you feel how quick the dwarfs were as you say the words "incredible nimbleness," rolling them round your tongue? I wonder what it means to "look like an old poet." Pic's last sentence, at all events, is very like poetry. Rug is very good at argument and at sticking to his own opinion. Tad is a dwarf of character--"Justice should prevail, and not custom." As for Pan, he might have been a very sensible father, mightn't he? There is a pretty picture when Bee raises herself upon her elbow and another one of a different kind when Pic stands upon his dignity (to make himself taller) and speaks the sounding sentence which begins, "She is only a child." And what a depth of real truth there is in Tad's words, "You will consider us less ugly when you like us better." No one who is loved can be ugly to the one who loves.

And what a sad reproach there is in Tad's words to Rug: "You are more like a man than a dwarf." This chapter ends with another charming picture.

[Sidenote: _Chapter IX._]

How many colours or tints are mentioned in the first paragraph of this chapter? In the next paragraph poetry and gentle fun have kissed each other. A dwarf of "great majesty"? Oh, yes. Majesty is not a matter of inches. The _dwarf_ monarch understood little girls in a wonderful way and Bee was soon at her ease as every guest is who asks for a pair of slippers, right off. The next thing such a guest would do would be to poke the fire! The illustrious Belisarius? He was a famous general who won many victories in Italy and the East, and was brave, generous, just and faithful and afraid of nothing but his wife. Bee was just a little ungracious about those slippers, don't you think? But there was some excuse for her--she _did_ want to be at home again. It would be a lovely arrangement if those who love each other _could_ exchange dreams when they are parted for a time. Some people say they do, and possibly the dwarf poet believed it to be possible.

[Sidenote: _Chapter X._]

It was a strange but beautiful underground world in which the dwarfs had their home. Why _lava_ pavement? Bee's lessons must have been fascinating. If only we could all learn without books! Then perhaps we also should "move with grace and express ourselves according to the rule of poetry." What a delightful picture of a puppet show is given in this chapter! There are clever men and women to-day who can make dolls act in this way. Read the description again, for it is well worth while. Wouldn't you like to play the theorbo? It has a lovely name. Did the dwarfs change as the days and months passed and the years made their round?

[Sidenote: _Chapters XI. and XII._]

The deep, deep darkness between the rocky walls makes the light shine all the brighter, and Bee's exclamation might be that of a blind girl whose sight is suddenly restored. Have you ever seen a chalice, a pyx, or a patin, and would you know them if you saw them again? Or a thurible? And wouldn't you like that set of moonstone chessmen? What a wonderful description of a coffer full of jewels! Yet, with all this wealth before her Bee chooses to go back to earth and into the sunshine back to her mother and George of the White Moor, more precious than pearls. Read again and again, nay, learn by heart what King Loc said to Bee after he had tested her--for he was only testing her all the time. Was there ever such a proposal of marriage? But little King Loc has his own dignity--also his hopes.

[Sidenote: _Chapter XIII._]

Who would be a princess and wear a crown which interfered with flowing locks and merry gambols? The story-teller strikes a sad note. Bee and the little king are both unhappy and there is a pathetic and very beautiful picture of the princess gazing on the sunbeam; another of her arrival on earth again. The king's instructions are difficult and there is danger in them. The journey home is fascinating, reminding us of Peter and Wendy on the way to the Land of Lost Boys; so also is the arrival home, which is fully described. But the sad ending is told in a few curt words. It is much too pitiful for a long description.

[Sidenote: _Chapter XIV._]

Is this story beginning to remind you of an old, old tale told long ago among the Ancient Greeks, a tale of a lost princess carried off to the Underworld by Pluto and mourned on earth by Ceres, the goddess of the corn? If you happen to know that old, old story you will be able to make interesting comparisons. But to return to King Loc. The secret comes out. Did Bee know that she loved George of the White Moor when King Loc had asked her, long before, whether she loved anyone else? Have _you_ known Bee's secret all along? The effect of her declaration is rather piteous--with a smile behind the sadness. King Loc's exit is very dignified and dramatic and, by the way, what an excellent play could be made from this story, or a series of tableaux.

[Sidenote: _Chapter XV._]

Poor King Loc cannot understand the situation. He is a king, he has learning, wealth, and merit. Why; therefore, does not Bee love him? Further, he is good and wishes to be just. Poor little King Loc! Nur introduces and describes himself in a speech worth learning and remembering. His long speech about ourselves is full of wisdom and warning. Read it again and again. The last portion is very beautiful. And what a wonderful way the dwarfs had of finding things out without books. George of the Moor was easily traced. King Loc is very undwarflike or, let us say, very human when he learns where George is. But would the laugh of these little creatures even in unison be a "jovial great guffaw"? Surely it is only jolly giants who make great guffaws. Perhaps you can describe the dwarf laughter in a better way. What do you think the writer means by making Nur live in a deep well?

[Sidenote: _Chapter XVI._]

There is an interesting glimpse of one of the duties of the dwarfs in the first paragraph of this chapter. Have you read Mrs. Ewing's _Lob-lie-by-the-Fire_? If not, get it from the library and read about what one of our poets calls "the lubber-fiend." Dwarf madness seems to be an amiable thing. "A shell of mother-of-pearl _irisated_." Remember that Iris was the Greek goddess of the rainbow. George was no more happy among the beauties of the sea-world than was Bee among the treasures of the caves, and he learnt the same lesson as she did. You will find it in the sentence which begins: "The years went by." Compare King Loc with the Princess of the Sylphs. Achilles was the Greek hero who fought against Troy and killed their champion, Hector. Disguised as a girl, he was once sent by his mother to the court of King Lycomedes because she wished to prevent his setting out for the Siege of Troy. Tannhauser is the hero of the German story, who visited the court of Venus, the Goddess of Love, and there forgot everything but pleasure; but later he repented. The story is set to music in Wagner's opera. George was not the first, nor the last, to be saved from slackness and inspired to deeds of courage by a book. Compare his request to be set free with that of Bee in a former part of the story. What do you think about Nur's opinion on science and poetry?

[Sidenote: _Chapter XVII._]

What is the "bezel" of a ring? And how would you like to go boating on a petroleum lake? There is a wonderful description of King Loc's journey through the sea cavern. Does it recall any piece of literature, prose or verse, song or story. There is a good picture in the story of the meeting of George and his rival. Aristotle was a Greek philosopher who knew almost everything there was to be known. If King Loc had belonged to our time we should call him a "sport." But it was too much to hurl Bee's name at him without any preparation. On the whole the shadows of the story appear to be lifting in this chapter, don't they?

[Sidenote: _Chapter XVIII._]

John's exclamation was not quite polite. If he did not see a ghost he might have guessed that it was an angel. The people had given a natural cause for the disappearance of George, but explained Bee's absence in a more wonderful and mysterious way, with a touch of poetry. The home-coming of George has various effects, according to the character of the people he meets. Freeheart back again, too, and still at his old game of "making a song about it"! The light grows brighter and brighter.

[Sidenote: _Chapter XIX._]

It was the common people who were expected to know all about the habits of the dwarfs. Glauce is good fun and a clever girl would love to act her part in a play; she is by no means unimportant in the story. Cider added to oats for a horse! I wonder what Glauce meant by "drinking fair"? And what the neighbours said afterwards about her late husband's story?

[Sidenote: _Chapter XX._]

An "espadon" must be a terrible weapon, judging by its name. Avalon lies at the farthest verge of the western sea and is the last home of all good knights, including King Arthur:

The island-valley of Avilion; Where falls not hail, or rain, or any snow, Nor ever wind blows loudly: but it lies Deep-meadowed, happy, fair with orchard-lawns And bowery hollows crowned with summer sea.

And Thule is the northernmost land of all the world. Freeheart's ideas of costume are quite original; but his notion of wine-inspired courage is not so praiseworthy. He is, however, a better diplomatist than George, and has a very charming way of telling the young lover that he has been foolishly rude. George's entry, reception, and meeting with little King Loc make a splendid moving picture. Disappointment in love has not soured the little king, but has made him something of a poet; and how gently he reproves the hot-headed George! How kind George is, too, in the midst of his happiness. And all ends in mock-heroics and good fun.

[Sidenote: _Chapter XXI._]

The last scene of all makes one long to have a play based upon this story. Who would not be proud to act King Loc and have such a lofty mind? It would be difficult, of course, to get together such a wedding present as he gave Bee, but the players could easily agree to play the game of "Let's pretend," as Shakespeare did when he hung up a card, on the curtain, bearing the words, "This is a wood."

A true story? Well---what is it all about? It is a story of mother-love, child-love, and lover's love. It is full of kindliness, courage, gaiety, forgiveness, compassion, helpfulness, resource, and fortitude. And these things have always been true, are true to-day and will be true long, long after we all reach the "island valley of Avilion." So, what greater truth could we ask for?

We give here for purposes of enjoyment and comparison a prose story and a poem, both of which tell the story of the Greek maiden who was carried off to the dark Underworld, but who, unlike Bee, became the bride of its king; also another story of dwarfs and their ways.

*THE SORROW OF DEMETER*

In the fields of Enna, in the happy island of Sicily, the beautiful Persephone was playing with the girls who lived there with her. She was the daughter of the Lady Demeter, and every one loved them both; for Demeter was good and kind to all, and no one could be more gentle and merry than Persephone. She and her companions were gathering flowers from the field, to make crowns for their long flowing hair. They had picked many roses and lilies and hyacinths which grew in clusters around them, when Persephone thought she saw a splendid flower far off; and away she ran, as fast as she could, to get it. It was a beautiful narcissus, with a hundred heads springing from one stem; and the perfume which came from its flowers gladdened the broad heaven above, and the earth and sea around it. Eagerly Persephone stretched out her hand to take this splendid prize, when the earth opened. and a chariot stood before her drawn by four coal-black horses; and in the chariot there was a man with a dark and solemn face, which looked as though he could never smile, and as though he had never been happy. In a moment he got out of his chariot, seized Persephone round the waist, and put her on the seat by his side. Then he touched the horses with his whip, and they drew the chariot down into the great gulf, and the earth closed over them again.

Presently the girls who had been playing with Persephone came up to the place where the beautiful narcissus was growing; but they could not see her anywhere. And they said, "Here is the very flower which she ran to pick, and there is no place here where she can be hiding." Still for a long time they searched for her through the fields of Enna; and when the evening was come, they went home to tell the Lady Demeter that they could not tell what had become of Persephone.

Very terrible was the sorrow of Demeter when she was told that her child was lost. She put a dark robe on her shoulders, and took a flaming torch in her hand, and went over land and sea to look for Persephone. But no one could tell her where she was gone. When ten days were passed she met Hekate, and asked her about her child; but Hekate said, "I heard her voice, as she cried out when some one seized her; but I did not see it with my eyes, and so I know not where she is gone." Then she went to Helios, and said to him, "O Helios, tell me about my child. Thou seest everything on the earth, sitting in the bright sun." Then Helios said to Demeter, "I pity thee for thy great sorrow, and I will tell thee the truth. It is Hades who has taken away Persephone to be his wife in the dark and gloomy land which lies beneath in the earth."

Then the rage of Demeter was more terrible than her sorrow had been; and she would not stay in the palace of Zeus, on the great Thessalian hill, because it was Zeus who had allowed Hades to take away Persephone. So she went down from Olympus, and wandered on a long way until she came to Eleusis, just as the sun was going down into his golden cup behind the dark blue hills. There Demeter sat down close to a fountain, where the water bubbled out from the green turf and fell into a clear basin, over which some dark olive-trees spread their branches.

Just then the daughters of Keleos, the king of Eleusis, came to the fountain with pitchers on their heads to draw water; and when they saw Demeter, they knew from her face that she must have some great grief; and they spoke kindly to her, and asked if they could do anything to help her. Then she told them how she had lost and was searching for her child; and they said, "Come home and live with us: and our father and mother will give you everything that you can want, and do all that they can to soothe your sorrow." So Demeter went down to the house of Keleos, and she stayed there for a whole year. And all this time, although the daughters of Keleos were very gentle and kind to her, she went on mourning and weeping for Persephone. She never laughed or smiled, and scarcely ever did she speak to any one, because of her great grief. And even the earth, and the things which grow on the earth, mourned for the sorrow which had come upon Demeter. There was no fruit upon the trees, no corn came up in the fields, and no flowers blossomed in the gardens. And Zeus looked down from his high Thessalian hill, and saw that everything must die unless he could soothe the grief and anger of Demeter. So he sent Hermes down to Hades, the dark and stern king, to bid him send Persephone to see her mother Demeter. But before Hades let her go, he gave her a pomegranate to eat, because he did not wish her to stay away from him always, and he knew that she must come back if she tasted but one of the pomegranate seeds. Then the great chariot was brought before the door of the palace, and Hermes touched with his whip the coal-black horses, and away they went as swiftly as the wind, until they came close to Eleusis. Then Hermes left Persephone, and the coal-black horses drew the chariot away again to the dark home of King Hades.

The sun was sinking down in the sky when Hermes left Persephone, and as she came near to the fountain she saw someone sitting near it in a long black robe, and she knew that it must be her mother who still wept and mourned for her child. And as Demeter heard the rustling of her dress, she lifted up her face, and Persephone stood before her.

Then the joy of Demeter was greater, as she clasped her daughter to her breast, than her grief and her sorrow had been. Again and again she held Persephone in her arms, and asked her about all that had happened to her. And she said, "Now that you are come back to me, I shall never let you go away again; Hades shall not have my child to live with him in his dreary kingdom." But Persephone said, "It may not be so, my mother; I cannot stay with you always; for before Hermes brought me away to see you, Hades gave me a pomegranate, and I have eaten some of the seeds; and after tasting the seed I must go back to him again when six months have passed by. And indeed, I am not afraid to go; for although Hades never smiles or laughs, and everything in his palace is dark and gloomy, still he is very kind to me: and I think that he feels almost happy since I have been his wife. But do not be sorry, my mother, for he has promised to let me come up and stay with you for six months in every year, and the other six months I must spend with him in the land which lies beneath the earth."

So Demeter was comforted for her daughter Persephone, and the earth and all the things that grew in it felt that her anger and sorrow had passed away. Once more the trees bore their fruits, the flowers spread out their sweet blossoms in the garden, and the golden corn waved like the sea under the soft summer breeze. So the six months passed happily away, and then Hermes came with the coal-black horses to take Persephone to the dark land. And she said to her mother, "Do not weep much; the gloomy king whose wife I am is so kind to me that I cannot be really unhappy; and in six months more he will let me come to you again." But still, whenever the time came round for Persephone to go back to Hades, Demeter thought of the happy days when her child was a merry girl playing with her companions and gathering the bright flowers in the beautiful plains of Enna.

*THE KING OF THE GOLDEN MOUNTAIN*

*FROM "GRIMM'S FAIRY TALES"*

There was once a merchant who had only one child, a son, that was very young, and barely able to run alone. He had two richly laden ships then making a voyage upon the seas, in which he had embarked all his wealth, in the hope of making great gains, when the news came that both were lost. Thus from being a rich man he became all at once so very poor that nothing was left to him but one small plot of land; and there he often went in an evening to take his walk, and ease his mind of a little of his trouble.

One day, as he was roaming along in a brown study, thinking with no great comfort on what he had been and what he now was, and was like to be, all on a sudden there stood before him a little rough-looking black dwarf. "Prithee, friend, why so sorrowful?" said he to the merchant; "what is it you take so deeply to heart?" "If you could do me any good I would willingly tell you," said the merchant. "Who knows but I may?" said the little man: "tell me what ails you, and perhaps you will find I may be of some use." Then the merchant told him how all his wealth was gone to the bottom of the sea, and how he had nothing left but that little plot of land. "Oh! trouble not yourself about that," said the dwarf; "only undertake to bring me here, twelve years hence, whatever meets you first on your going home, and I will give you as much as you please." The merchant thought this was no great thing to ask; that it would most likely be his dog or his cat, or something of that sort, but forgot his little boy Heinel; so he agreed to the bargain, and signed and sealed the bond to do what was asked of him.

But as he drew near home, his little boy was so glad to see him that he crept behind him, and laid fast hold of his legs, and looked up in his face and laughed. Then the father started, trembling with fear and horror, and saw what it was that he had bound himself to do; but as no gold was come, he made himself easy, by thinking that it was only a joke that the dwarf was playing him, and that, at any rate, when the money came, he should see the bearer, and would not take it in.

About a month afterwards he went upstairs into a lumber-room to look for some old iron, that he might sell it and raise a little money; and there, instead of his iron, he saw a large pile of gold lying on the floor. At the sight of this he was overjoyed, and forgetting all about his son, went into trade again, and became a richer merchant than before.

Meantime little Heinel grew up, and as the end of the twelve years drew near the merchant began to call to mind his bond, and became very sad and thoughtful; so that care and sorrow were written upon his face. The boy one day asked what was the matter, but his father would not tell for some time; at last, however, he said that he had, without knowing it, sold him for gold to a little, ugly-looking, black dwarf, and that the twelve years were coming round when he must keep his word. Then Heinel said, "Father, give yourself very little trouble about that; I shall be too much for the little man."

When the time came, the father and son went out together to the place agreed upon: and the son drew a circle on the ground, and set himself and his father in the middle of it. The little black dwarf soon came, and walked round and round about the circle, but could not find any way to get into it, and he either could not, or dared not, jump over it. At last the boy said to him, "Have you anything to say to us, my friend, or what do you want?" Now Heinel had found a friend in a good fairy, that was fond of him, and had told him what to do; for this fairy knew what good luck was in store for him. "Have you brought me what you said you would?" said the dwarf to the merchant. The old man held his tongue, but Heinel said again, "What do you want here?" The dwarf said, "I come to talk with your father, not with you." "You have cheated and taken in my father," said the son; "pray give him up his bond at once." "Fair and softly," said the little old man; "right is right. I have paid my money, and your father has had it, and spent it; so be so good as to let me have what I paid it for." "You must have my consent to that first," said Heinel; "so please to step in here, and let us talk it over." The old man grinned, and showed his teeth, as if he should have been very glad to get into the circle if he could. Then at last, after a long talk, they came to terms. Heinel agreed that his father must give him up, and that so far the dwarf should have his way: but, on the other hand, the fairy had told Heinel what fortune was in store for him, if he followed his own course; and he did not choose to be given up to his hump-backed friend, who seemed so anxious for his company.