Part 1
_Base-Ball Ballads_
_BASE-BALL BALLADS_
_By GRANTLAND RICE_
Sporting Editor the Nashville Tennessean
_Illustrated by C. H. WELLINGTON_
THE TENNESSEAN COMPANY NASHVILLE, TENNESSEE
COPYRIGHT, 1910,
BY
THE TENNESSEAN COMPANY.
DEDICATED TO THE FAN
From lowly bootblack of the town To merchant prince of high renown, Or butcher, baker, candle-maker, Lawyer, doctor, undertaker, Priest or farmer, young or old, Or rich or poor within the fold, So that his spirit bows before The bondage of the full box score-- Whatever be his name or fame, So that his heart leans to the GAME.
CONTENTS.
Page.
PLAY BALL 9
WHEN THE BUG IS ON THE BAWL 10
CASEY’S REVENGE 12
THE BUG’S VIEW-POINT 17
THE COURTSHIP OF A SON OF SWAT 19
THE BUSH LEAGUER’S DREAM 22
SPRINGTIME IN THE HISTORY ROOM 24
THE HOLD-OUT LEAGUE 26
THE SONG OF THE BASE HIT 28
ON THE ROAD TO ROOTERS’ ROW 30
“TILL THE LAST MAN IS OUT” 32
THE BUSHERS 34
THE CLIMAX OF FAN JOY 3
SONGS OF SWAT--“YOU USTER BAT .300” 38
THE TEST 40
THE LAUGH ON NERO 41
CURFEWED 44
THE FAN AND HIS WAY 47
OVER THE PLATE 49
KNOCKING SLANG 51
THE REAL SPRINGTIME 53
THE RAVEN UP-TO-DATE 54
A DAY IN THE BLEACHERS 57
A WARNING 59
OUT ON THE LINES 61
ON MEMORY’S WALL 62
THE GAME 64
MUDVILLE’S FATE 65
A TOAST WORTH WHILE 68
THE CHAMPS OF THE ALLEY LEAGUE 70
THE MAN WHO PLAYED WITH ANSON ON THE OLD CHICAGO TEAM 73
THE RECORD 78
“THE MAJOR LEAGUER’S DAUGHTER; OR, THE TURNING OF THE TIDE” 79
PEN SNAPSHOT OF THE BRITISH FAN 82
ON THE COACHING LINE 84
THE GOODS 86
THE WINTER LEAGUE WONDER 87
A TIP TO THE FAN FLOCK 89
AS THE GAME “BREAKS” 91
THE GRAND OLD WINTER LEAGUE 93
THE SLIDE OF PAUL REVERE 94
THE ANNUAL RETURN 96
IN THE GOOD OLD WINTER TIME 98
AFTER THE GAME 100
ON ROOTERS’ ROW 101
THE LOVE SONNETS OF A SON OF SWAT 103
AT THE END OF THE GAME 107
THE MOGUL’S DREAM 109
HARD-LUCK ADAM 111
DENTON (CY) YOUNG 112
THE UMP’S MIDWINTER DREAM 114
A REAL JOB FOR TEDDY 116
THE SHOCK 119
WHEN “WIFEY” READS DOPE 120
A HARD-LUCK YARN 122
A FAN’S DIARY 124
GAME CALLED 128
BASE-BALL BALLADS.
PLAY BALL.
“Play ball”--across the field of green The signal sounds the game again; Once more there reels across the scene The shout and wild acclaim again; The game is on, the fight begun, Across the line of battle’s span Until the final score is spun With every record of the clan.
“Play ball”--the reveille has rolled The bugle call to play again; Once more beneath the banner’s fold They troop across the way again; The game is on, and in the fray The tumult and the cheering sweep Across the battle line of play Until the twilight shadows creep.
“Play ball”--the slogan of the game Of life, of war, of love or hate; For rank or wealth, for name or fame The player stands against the plate; The game is on, and in the strife Where Fate, the pitcher, speeds the ball The player plays the game of life Until the final shadows fall.
WHEN THE BUG IS ON THE BAWL.
Come, sing ye, Jimmy Riley, from your ancient lyric stock, “When the frost is on the pumpkin and the fodder’s in the shock,” And we’ll let the bounding echoes catch the lyric in your lay As it darts around the bases to the outfield and away; For there’s music in its make-up and there’s rhythm in its run, With a touch of “back to nature” in its sentiment of fun. But in some way it has struck us that the theme is out of date, As a new age comes a-whizzing and a-curving by the plate; So we’ll start another chorus as the echoes rise and fall: “When the bat is on the bingle and the bug is on the bawl.”
Come, sing ye, Jimmy Riley, and we’ll listen to your strain, But we find our thoughts a-straying from the waving of the grain To the waving of the bludgeons as the batters draw ’em back, And they wave against the trade-mark with a wallop and a whack, And “the swimmin’ hole” is faded, with its one-time tender pull, To the “hole” the pitcher’s got in with the bloomin’ bases full; And while, whatever happens, we will never have a knock For the “frost upon the pumpkin and the fodder in the shock,” There’s a later theme that draws us where the echoes rise and fall. When the bat is on the bingle and the bug is on the bawl.
So come ye, Jimmy Riley, with a later song to sing: “When the fan is on the frolic and the wallop on the wing, When the swing is on the spitter and the swipe is on the swat, When the bum is on the bobble and he boots one round the lot, When the break is on the bender and the squad is on the slump, Or the flag is on the flutter and the brick is on the ump.” Belay that ancient chatter of the “fodder, frost, and shock” When the rooter’s on the rampage and the knocker’s on the knock; For a later theme has drawn us where the echoes rise and fall-- When the bat is on the bingle and the bug is on the bawl.
CASEY’S REVENGE.
There were saddened hearts in Mudville for a week or even more; There were muttered oaths and curses--every fan in town was sore. “Just think,” said one, “how soft it looked with Casey at the bat, And then to think he’d go and spring a bush league trick like that!”
All his past fame was forgotten--he was now a hopeless “shine.” They called him “Strike-Out Casey,” from the mayor down the line; And as he came to bat each day his bosom heaved a sigh, While a look of hopeless fury shone in mighty Casey’s eye.
He pondered in the days gone by that he had been their king, That when he strolled up to the plate they made the welkin ring; But now his nerve had vanished, for when he heard them hoot He “fanned” or “popped out” daily, like some minor league recruit.
He soon began to sulk and loaf, his batting eye went lame; No home runs on the score card now were chalked against his name; The fans without exception gave the manager no peace, For one and all kept clamoring for Casey’s quick release.
The Mudville squad began to slump, the team was in the air; Their playing went from bad to worse--nobody seemed to care. “Back to the woods with Casey!” was the cry from Rooters’ Row. “Get some one who can hit the ball, and let that big dub go!”
The lane is long, some one has said, that never turns again, And Fate, though fickle, often gives another chance to men; And Casey smiled; his rugged face no longer wore a frown-- The pitcher who had started all the trouble came to town.
All Mudville had assembled--ten thousand fans had come To see the twirler who had put big Casey on the bum; And when he stepped into the box, the multitude went wild; He doffed his cap in proud disdain, but Casey only smiled.
“Play ball!” the umpire’s voice rang out, and then the game began. But in that throng of thousands there was not a single fan Who thought that Mudville had a chance, and with the setting sun Their hopes sank low--the rival team was leading “four to one.”
The last half of the ninth came round, with no change in the score; But when the first man up hit safe, the crowd began to roar; The din increased, the echo of ten thousand shouts was heard When the pitcher hit the second and gave “four balls” to the third.
Three men on base--nobody out--three runs to tie the game! A triple meant the highest niche in Mudville’s hall of fame; But here the rally ended and the gloom was deep as night, When the fourth one “fouled to catcher” and the fifth “flew out to right.”
A dismal groan in chorus came; a scowl was on each face When Casey walked up, bat in hand, and slowly took his place; His bloodshot eyes in fury gleamed, his teeth were clenched in hate; He gave his cap a vicious hook and pounded on the plate.
But fame is fleeting as the wind and glory fades away; There were no wild and woolly cheers, no glad acclaim this day; They hissed and groaned and hooted as they clamored: “Strike him out!” But Casey gave no outward sign that he had heard this shout.
The pitcher smiled and cut one loose--across the plate it sped; Another hiss, another groan. “Strike one!” the umpire said. Zip! Like a shot the second curve broke just below the knee. “Strike two!” the umpire roared aloud; but Casey made no plea.
No roasting for the umpire now--his was an easy lot; But here the pitcher whirled again--was that a rifle shot? A whack, a crack, and out through the space the leather pellet flew, A blot against the distant sky, a speck against the blue.
Above the fence in center field in rapid whirling flight The sphere sailed on--the blot grew dim and then was lost to sight. Ten thousand hats were thrown in air, ten thousand threw a fit, But no one ever found the ball that mighty Casey hit.
O, somewhere in this favored land dark clouds may hide the sun, And somewhere bands no longer play and children have no fun! And somewhere over blighted lives there hangs a heavy pall, But Mudville hearts are happy now, _for Casey hit the ball_.
THE BUG’S VIEW-POINT.
Beyond the sleet, across the snows He did not see the budding rose That waved its crimson welcome to An earth of green, a sky of blue, Nor yet the daffy daffodils That crowned the valleys and the hills; The apple blossoms, pink and white, That drifted into lanes of light; He did not hear the bluebird sing Nor yet the south wind whispering In murmur through the maple trees That swayed and slanted to the breeze And harbored on each bending limb The maker of a woodland hymn-- And yet, like every living thing, He, too, had drawn his dream of spring.
He saw a gent arrayed in blue Heave boldly into public view, And in a fog-horn tenor call To thousands: “Batter up--play ball!” He saw a tall guy nod and beck And then cut one around the neck, While in a trance the slugger there Inanely paddled at the air; He saw the shortstop leave his place And flag one back of second base And wing it swiftly on ahead To where the dashing runner sped; He saw, before his flashing eye, The keen outfielder fenceward fly, And with a mighty effort pull The drive down with the bases full.
He heard once more the rooters call, The ringing clash of bat and ball, The cry of “Belt it on the snout! Don’t try to bunt there, whale it out!” The groans and curses, cheers and jeers Like music tinkled in his ears; The grandstand rocked and roared in strife, The howling bleachers leaped to life, As whooping, jeering, shouting, cheering, Praying, cursing, pleading, fearing, Stamping, howling, smiling, growling, Laughing, weeping, snarling, scowling, Over city, field, and glen The Bugland Chorus rang again-- For he, like every other thing, Had drawn his dream of golden spring.
THE COURTSHIP OF A SON OF SWAT.
They were seated in the parlor, and the lights were burning dim-- He was a major leaguer, she a fan, so fair and trim; But they knew not as he opened up the game by murmuring “Love” That father was the umpire on the stairway just above.
“I like your form,” he led off first; “with me you’ve made a hit; Your curves are good, you’ve got the speed, and you are looking fit. Now if with you, my turtle dove, I make a hit likewise, Won’t you improve my single life and make a sacrifice?”
“I’ll promise to support you, dear, with all my skill each day; I’ll draft a pretty home for you and fix it right away. If you’ll just call the game a tie, I will no longer roam; And when I slide into the plate, please call me safe at home.”
“First tell me, sir,” she pitched at him, “how high you ranked last fall; Show me your fielding average and how hard you hit the ball.
In matrimony’s busy league dumb plays are out of place; I’d like to know the dope before I play too far off base.”
“Remember that the game is rough when pay days fail to come; Sometimes the salary whip is lame, the noodle’s on the bum; And don’t forget you’ll be reserved for life and held in line, But promise me you’ll never jump your contract, and I’ll sign.”
He started warming up at once, with victory in his eye, He shoved a fast one round her neck, the other was waist high. Just here the umpire butted in. She said: “O, father, please, There’s nothing wrong, for George is only showing me the squeeze!”
The old man gave an irate snort and said: “I’ll help the fun By showing George another play that’s called ‘the hit and run.’” He swung like Wagner at his best, a sole-inspiring clout; The son of swat slid down the steps; the umpire yelled: “You’re out!”
THE BUSH LEAGUER’S DREAM.
(From our “Songs of the Spring Recruit.”)
I.
The young recruit stood dreaming where the sultry sun was beaming, With the perspiration streaming down his neck; He had missed four easy chances, which aroused some angry glances, And he saw his big league fancies were a wreck; His work had been erratic, and he heard one mad fanatic Yell in tones far from ecstatic: “Chase that cheese!” Whereupon he drew a vision that was all to the Elysian, And he spoke with much decision words like these:
_Chorus._
“If I could run the bases like Bill Bryan, If I only had Ted Roosevelt’s batting eye, If I had the reach of Thomas Fortune Ryan, I’d never let another chance get by; If I only was as cool as Charley Fairbanks; Or had control like Harriman has got, I’d be the diamond daisy, and I’d set the bleachers crazy, For I’d be the greatest player of the lot.”
II.
There had been a dearth of scoring, and the anxious Bugs were roaring In the bleachers and imploring for a hit, Until finally one fellow plucked a triple, ripe and mellow, And the way those fans did bellow in a fit! Just one little tap would cinch it, just one timely little pinch hit, And the contest would be safely on the shelf; But the bush league phenom madly swung in vain at three, then sadly Walked away and murmured softly to himself:
_Chorus._
“If I only had a batting eye like Teddy, If I had the speed of John D. ducking fines, I’d have a big league job and hold it steady, For I’d make both Cobb and Wagner look like shines; If I could only ‘steal’ (in running bases) Like all these ‘malefactors of great wealth,’ I’d be the diamond daisy, and I’d set the bleachers crazy, And I wouldn’t be here playing for my health.”
SPRINGTIME IN THE HISTORY ROOM.
She spoke of Alexander as an eminent commander, And showed ’em how this gentleman was always on the job; But freckled Mickie Horner, blinking over in the corner, Dreamed of Cobb.
She praised the late J. Cæsar as a keen, artistic geezer Whose performances in most ways deserved a lasting bonus; But little Tim O’Grady, though his eyes were on the lady, Thought of Honus.
She lauded Mr. Hannibal, the chocolate-colored cannibal; But when she asked young Heinie Schmidt who made the Romans dance, With his brain-wheels on the whir, Heinie, looking up at her, Answered: “Chance.”
She spoke of Greek and Roman and of horsemen and bowmen, Of phalanxes and legions in the mediæval game, Of Goths and Huns and Vandals and such other early scandals Known to fame.
But young Timothy O’Toole, as he cantered home from school, Lost but little time forgetting what he termed “a bunch of dubs,” As he doped the playing science of the Pirates, Sox, and Giants And the Cubs.
THE HOLD-OUT LEAGUE.
What has become of Bill Wiggins, the old star who passed up the game? The three-hundred hitter who swore on his oath he would never return to the same? He is still out of line as he promised, but suffering deeply with pain-- Poor Bill broke a leg when reporting day came in an effort to catch the first train.
Where is Pat Kelly, the slabman, who swore he had pitched his last ball? Who tore up his contract and said with a roar he “was finished for good and for all.” When the Giants all meet at the depot, in vain Mr. Kelly they seek, But they find on arriving in Texas that Pat has already been there a week.
“This dope I give out’s on the level,” said Mike in a hot interview. “Just make it as strong as the paper will stand. I will never come back; I am through.” But when they arrived at the station, when the train to the training camp led, They had to tie Mike to a telegraph pole to keep him from running ahead.
There is gloom in the camp of the Pirates--the Giants throw a fit of alarm, For Matty and Wagner and Tenny have quit to take up a job on the farm. But it’s queer when you turn to the line-up at the “Opening Chorus of Bing,” That the first guys to quit on the diamond each fall are the first ones at bat in the spring.
THE SONG OF THE BASE HIT.
A twist, a whirl, and a sudden jar, And off from the bat to the field afar-- Off like the shot from a ten-inch gun, A gray-white streak through the slanting sun I soar away Through a summer’s day Where the frantic fielders of the fray, With dervish dance And anguished glance, Come whirling in to cop me; But I glide between With a mocking mien, And there is none to stop me.
A shout, a roar, and a ringing cheer, And on my way through the atmosphere I leap to the light where clenched hands grip As wild eyes watch me fly or skip Through open space In headlong race, As the joy of the ages lights each face And pulses jump With a vibrant thump As the sky reels from the roar, And the rafters ring With the song I sing To the tune of the winning score!
The song I sing is the sweetest song Or the saddest note to the waiting throng That the world has known through the ages dim-- With keener lilt than a battle hymn, For my refrain Brings joy and pain, Where lost hopes rise and fond hopes wane, And in my path Sweeps a city’s wrath Or a city’s wild acclaim, And the planet’s ring With the song I sing-- The song of a nation’s game!
ON THE ROAD TO ROOTERS’ ROW.
(Letting Mr. Kipling in, of course, on a bit of the graft.)
I.
In each long-deserted ball park from New York to Tennessee There’s the whisper of an echo wafted forth to you and me; For the wind calls through the pine trees and the maples, soft and low: “Come ye back, ye wild Fanatic--come ye back to Rooters’ Row.”
On the road to Rooters’ Row, In the sunlight’s golden glow, Can’t you hear those mad Bugs whooping As the pitcher fans a foe? On the road to Rooters’ Row, Where the sad fans wail in woe-- Then a cheer comes up like thunder When the shortstop lays him low.
II.
When the peanut husks are falling and the “pop” is flowing free, Where they pound you on the backbone in a massive fit of glee, Where the “Hit ’er out, you sucker!” greets the batsman true and tried; Then a boding hush of terror, then a “Slide, you bonehead, slide!”
On the road to Rooters’ Row, etc.
III.
O the war whoops from the coachers as they writhe and dance about! O the “joshing” of the Sun Gods as they rise up with a shout! O the call of “thief” and “pirate” at the Fan Flock’s greatest foe, As the lordly umpire wanders once again by Rooters’ Row!
On the road to Rooters’ Row, etc.
IV.
Ship me somewhere into springtime where a sprinter starts for “first,” Where the only one commandment is “To win, or you’re the worst;” For I feel the fever coming once again to hear the call Of the vibrant-voiced director and his “Batter up--play ball!”
On the road to Rooters’ Row, etc.
“TILL THE LAST MAN IS OUT.”
Old pal, is the game just a trifle too rough? Is the flag of success floating out of your view? Does the schedule of Life seem too rocky and tough? Is the umpire “throwing it into you?” It may look that way, but fight on just the same, Get back at your rivals with “clout for clout;” Don’t think you are beaten and so pull up lame, For “the game’s never lost till the last man is out.”