Part 1

This eBook was produced by David Widger

NARRATIVE AND LEGENDARY

POEMS

BY JOHN GREENLEAF WHITTIER

CONTENTS:

BARCLAY OF URY THE ANGELS OF BUENA VISTA THE LEGEND OF ST MARK KATHLEEN THE WELL OF LOCH MAREE THE CHAPEL OF THE HERMITS TAULER THE HERMIT OF THE THEBAID THE GARRISON OF CAPE ANN THE GIFT OF TRITEMIUS SKIPPER IRESON'S RIDE THE SYCAMORES THE PIPES AT LUCKNOW TELLING THE BEES THE SWAN SONG OF PARSON AVERY THE DOUBLE-HEADED SNAKE OF NEWBURY

BARCLAY OF URY.

Among the earliest converts to the doctrines of Friends in Scotland was Barclay of Ury, an old and distinguished soldier, who had fought under Gustavus Adolphus, in Germany. As a Quaker, he became the object of persecution and abuse at the hands of the magistrates and the populace. None bore the indignities of the mob with greater patience and nobleness of soul than this once proud gentleman and soldier. One of his friends, on an occasion of uncommon rudeness, lamented that he should be treated so harshly in his old age who had been so honored before. "I find more satisfaction," said Barclay, "as well as honor, in being thus insulted for my religious principles, than when, a few years ago, it was usual for the magistrates, as I passed the city of Aberdeen, to meet me on the road and conduct me to public entertainment in their hall, and then escort me out again, to gain my favor."

Up the streets of Aberdeen, By the kirk and college green, Rode the Laird of Ury; Close behind him, close beside, Foul of mouth and evil-eyed, Pressed the mob in fury.

Flouted him the drunken churl, Jeered at him the serving-girl, Prompt to please her master; And the begging carlin, late Fed and clothed at Ury's gate, Cursed him as he passed her.

Yet, with calm and stately mien, Up the streets of Aberdeen Came he slowly riding; And, to all he saw and heard, Answering not with bitter word, Turning not for chiding.

Came a troop with broadswords swinging, Bits and bridles sharply ringing, Loose and free and froward; Quoth the foremost, "Ride him down! Push him! prick him! through the town Drive the Quaker coward!"

But from out the thickening crowd Cried a sudden voice and loud "Barclay! Ho! a Barclay!" And the old man at his side Saw a comrade, battle tried, Scarred and sunburned darkly;

Who with ready weapon bare, Fronting to the troopers there, Cried aloud: "God save us, Call ye coward him who stood Ankle deep in Lutzen's blood, With the brave Gustavus?"

"Nay, I do not need thy sword, Comrade mine," said Ury's lord; "Put it up, I pray thee Passive to His holy will, Trust I in my Master still, Even though He slay me.

"Pledges of thy love and faith, Proved on many a field of death, Not by me are needed." Marvelled much that henchman bold, That his laird, so stout of old, Now so meekly pleaded.

"Woe's the day!" he sadly said, With a slowly shaking head, And a look of pity; "Ury's honest lord reviled, Mock of knave and sport of child, In his own good city.

"Speak the word, and, master mine, As we charged on Tilly's[8] line, And his Walloon lancers, Smiting through their midst we'll teach Civil look and decent speech To these boyish prancers!"

"Marvel not, mine ancient friend, Like beginning, like the end:" Quoth the Laird of Ury; "Is the sinful servant more Than his gracious Lord who bore Bonds and stripes in Jewry?

"Give me joy that in His name I can bear, with patient frame, All these vain ones offer; While for them He suffereth long, Shall I answer wrong with wrong, Scoffing with the scoffer?

"Happier I, with loss of all, Hunted, outlawed, held in thrall, With few friends to greet me, Than when reeve and squire were seen, Riding out from Aberdeen, With bared heads to meet me.

"When each goodwife, o'er and o'er, Blessed me as I passed her door; And the snooded daughter, Through her casement glancing down, Smiled on him who bore renown From red fields of slaughter.

"Hard to feel the stranger's scoff, Hard the old friend's falling off, Hard to learn forgiving; But the Lord His own rewards, And His love with theirs accords, Warm and fresh and living.

"Through this dark and stormy night Faith beholds a feeble light Up the blackness streaking; Knowing God's own time is best, In a patient hope I rest For the full day-breaking!"

So the Laird of Ury said, Turning slow his horse's head Towards the Tolbooth prison, Where, through iron gates, he heard Poor disciples of the Word Preach of Christ arisen!

Not in vain, Confessor old, Unto us the tale is told Of thy day of trial; Every age on him who strays From its broad and beaten ways Pours its seven-fold vial.

Happy he whose inward ear Angel comfortings can hear, O'er the rabble's laughter; And while Hatred's fagots burn, Glimpses through the smoke discern Of the good hereafter.

Knowing this, that never yet Share of Truth was vainly set In the world's wide fallow; After hands shall sow the seed, After hands from hill and mead Reap the harvests yellow.

Thus, with somewhat of the Seer, Must the moral pioneer From the Future borrow; Clothe the waste with dreams of grain, And, on midnight's sky of rain, Paint the golden morrow!

THE ANGELS OF BUENA VISTA.

A letter-writer from Mexico during the Mexican war, when detailing some of the incidents at the terrible fight of Buena Vista, mentioned that Mexican women were seen hovering near the field of death, for the purpose of giving aid and succor to the wounded. One poor woman was found surrounded by the maimed and suffering of both armies, ministering to the wants of Americans as well as Mexicans, with impartial tenderness.

SPEAK and tell us, our Ximena, looking northward far away, O'er the camp of the invaders, o'er the Mexican array, Who is losing? who is winning? are they far or come they near? Look abroad, and tell us, sister, whither rolls the storm we hear. Down the hills of Angostura still the storm of battle rolls; Blood is flowing, men are dying; God have mercy on their souls! "Who is losing? who is winning?" Over hill and over plain, I see but smoke of cannon clouding through the mountain rain."

Holy Mother! keep our brothers! Look, Ximena, look once more. "Still I see the fearful whirlwind rolling darkly as before, Bearing on, in strange confusion, friend and foeman, foot and horse, Like some wild and troubled torrent sweeping down its mountain course."

Look forth once more, Ximena! "Ah! the smoke has rolled away; And I see the Northern rifles gleaming down the ranks of gray. Hark! that sudden blast of bugles! there the troop of Minon wheels; There the Northern horses thunder, with the cannon at their heels.

"Jesu, pity I how it thickens I now retreat and now advance! Bight against the blazing cannon shivers Puebla's charging lance! Down they go, the brave young riders; horse and foot together fall; Like a ploughshare in the fallow, through them ploughs the Northern ball."

Nearer came the storm and nearer, rolling fast and frightful on! Speak, Ximena, speak and tell us, who has lost, and who has won? Alas! alas! I know not; friend and foe together fall, O'er the dying rush the living: pray, my sisters, for them all!

"Lo! the wind the smoke is lifting. Blessed Mother, save my brain! I can see the wounded crawling slowly out from heaps of slain. Now they stagger, blind and bleeding; now they fall, and strive to rise; Hasten, sisters, haste and save them, lest they die before our eyes!

"O my hearts love! O my dear one! lay thy poor head on my knee; Dost thou know the lips that kiss thee? Canst thou hear me? canst thou see? O my husband, brave and gentle! O my Bernal, look once more On the blessed cross before thee! Mercy! all is o'er!"

Dry thy tears, my poor Ximena; lay thy dear one down to rest; Let his hands be meekly folded, lay the cross upon his breast; Let his dirge be sung hereafter, and his funeral masses said; To-day, thou poor bereaved one, the living ask thy aid.

Close beside her, faintly moaning, fair and young, a soldier lay, Torn with shot and pierced with lances, bleeding slow his life away; But, as tenderly before him the lorn Ximena knelt, She saw the Northern eagle shining on his pistol- belt.

With a stifled cry of horror straight she turned away her head; With a sad and bitter feeling looked she back upon her dead; But she heard the youth's low moaning, and his struggling breath of pain, And she raised the cooling water to his parching lips again.

Whispered low the dying soldier, pressed her hand and faintly smiled; Was that pitying face his mother's? did she watch beside her child? All his stranger words with meaning her woman's heart supplied; With her kiss upon his forehead, "Mother!" murmured he, and died!

"A bitter curse upon them, poor boy, who led thee forth, From some gentle, sad-eyed mother, weeping, lonely, in the North!" Spake the mournful Mexic woman, as she laid him with her dead, And turned to soothe the living, and bind the wounds which bled.

"Look forth once more, Ximena!" Like a cloud before the wind Rolls the battle down the mountains, leaving blood and death behind; Ah! they plead in vain for mercy; in the dust the wounded strive; "Hide your faces, holy angels! O thou Christ of God, forgive!"

Sink, O Night, among thy mountains! let the cool, gray shadows fall; Dying brothers, fighting demons, drop thy curtain over all! Through the thickening winter twilight, wide apart the battle rolled, In its sheath the sabre rested, and the cannon's lips grew cold.

But the noble Mexic women still their holy task pursued, Through that long, dark night of sorrow, worn and faint and lacking food. Over weak and suffering brothers, with a tender care they hung, And the dying foeman blessed them in a strange and Northern tongue.

Not wholly lost, O Father! is this evil world of ours; Upward, through its blood and ashes, spring afresh the Eden flowers; From its smoking hell of battle, Love and Pity send their prayer, And still thy white-winged angels hover dimly in our air! 1847.

THE LEGEND OF ST. MARK.

"This legend [to which my attention was called by my friend Charles Sumner], is the subject of a celebrated picture by Tintoretto, of which Mr. Rogers possesses the original sketch. The slave lies on the ground, amid a crowd of spectators, who look on, animated by all the various emotions of sympathy, rage, terror; a woman, in front, with a child in her arms, has always been admired for the lifelike vivacity of her attitude and expression. The executioner holds up the broken implements; St. Mark, with a headlong movement, seems to rush down from heaven in haste to save his worshipper. The dramatic grouping in this picture is wonderful; the coloring, in its gorgeous depth and harmony, is, in Mr. Rogers's sketch, finer than in the picture."--MRS. JAMESON'S Sacred and Legendary Art, I. 154.

THE day is closing dark and cold, With roaring blast and sleety showers; And through the dusk the lilacs wear The bloom of snow, instead of flowers.

I turn me from the gloom without, To ponder o'er a tale of old; A legend of the age of Faith, By dreaming monk or abbess told.

On Tintoretto's canvas lives That fancy of a loving heart, In graceful lines and shapes of power, And hues immortal as his art.

In Provence (so the story runs) There lived a lord, to whom, as slave, A peasant-boy of tender years The chance of trade or conquest gave.

Forth-looking from the castle tower, Beyond the hills with almonds dark, The straining eye could scarce discern The chapel of the good St. Mark.

And there, when bitter word or fare The service of the youth repaid, By stealth, before that holy shrine, For grace to bear his wrong, he prayed.

The steed stamped at the castle gate, The boar-hunt sounded on the hill; Why stayed the Baron from the chase, With looks so stern, and words so ill?

"Go, bind yon slave! and let him learn, By scath of fire and strain of cord, How ill they speed who give dead saints The homage due their living lord!"

They bound him on the fearful rack, When, through the dungeon's vaulted dark, He saw the light of shining robes, And knew the face of good St. Mark.

Then sank the iron rack apart, The cords released their cruel clasp, The pincers, with their teeth of fire, Fell broken from the torturer's grasp.

And lo! before the Youth and Saint, Barred door and wall of stone gave way; And up from bondage and the night They passed to freedom and the day!

O dreaming monk! thy tale is true; O painter! true thy pencil's art; in tones of hope and prophecy, Ye whisper to my listening heart!

Unheard no burdened heart's appeal Moans up to God's inclining ear; Unheeded by his tender eye, Falls to the earth no sufferer's tear.

For still the Lord alone is God The pomp and power of tyrant man Are scattered at his lightest breath, Like chaff before the winnower's fan.

Not always shall the slave uplift His heavy hands to Heaven in vain. God's angel, like the good St. Mark, Comes shining down to break his chain!

O weary ones! ye may not see Your helpers in their downward flight; Nor hear the sound of silver wings Slow beating through the hush of night!

But not the less gray Dothan shone, With sunbright watchers bending low, That Fear's dim eye beheld alone The spear-heads of the Syrian foe.

There are, who, like the Seer of old, Can see the helpers God has sent, And how life's rugged mountain-side Is white with many an angel tent!

They hear the heralds whom our Lord Sends down his pathway to prepare; And light, from others hidden, shines On their high place of faith and prayer.

Let such, for earth's despairing ones, Hopeless, yet longing to be free, Breathe once again the Prophet's prayer "Lord, ope their eyes, that they may see!" 1849.

KATHLEEN.

This ballad was originally published in my prose work, Leaves from Margaret Smith's Journal, as the song of a wandering Milesian schoolmaster. In the seventeenth century, slavery in the New World was by no means confined to the natives of Africa. Political offenders and criminals were transported by the British government to the plantations of Barbadoes and Virginia, where they were sold like cattle in the market. Kidnapping of free and innocent white persons was practised to a considerable extent in the seaports of the United Kingdom.

O NORAH, lay your basket down, And rest your weary hand, And come and hear me sing a song Of our old Ireland.

There was a lord of Galaway, A mighty lord was he; And he did wed a second wife, A maid of low degree.

But he was old, and she was young, And so, in evil spite, She baked the black bread for his kin, And fed her own with white.

She whipped the maids and starved the kern, And drove away the poor; "Ah, woe is me!" the old lord said, "I rue my bargain sore!"

This lord he had a daughter fair, Beloved of old and young, And nightly round the shealing-fires Of her the gleeman sung.

"As sweet and good is young Kathleen As Eve before her fall;" So sang the harper at the fair, So harped he in the hall.

"Oh, come to me, my daughter dear! Come sit upon my knee, For looking in your face, Kathleen, Your mother's own I see!"

He smoothed and smoothed her hair away, He kissed her forehead fair; "It is my darling Mary's brow, It is my darling's hair!"

Oh, then spake up the angry dame, "Get up, get up," quoth she, "I'll sell ye over Ireland, I'll sell ye o'er the sea!"

She clipped her glossy hair away, That none her rank might know; She took away her gown of silk, And gave her one of tow,

And sent her down to Limerick town And to a seaman sold This daughter of an Irish lord For ten good pounds in gold.

The lord he smote upon his breast, And tore his beard so gray; But he was old, and she was young, And so she had her way.

Sure that same night the Banshee howled To fright the evil dame, And fairy folks, who loved Kathleen, With funeral torches came.

She watched them glancing through the trees, And glimmering down the hill; They crept before the dead-vault door, And there they all stood still!

"Get up, old man! the wake-lights shine!" "Ye murthering witch," quoth he, "So I'm rid of your tongue, I little care If they shine for you or me."

"Oh, whoso brings my daughter back, My gold and land shall have!" Oh, then spake up his handsome page, "No gold nor land I crave!

"But give to me your daughter dear, Give sweet Kathleen to me, Be she on sea or be she on land, I'll bring her back to thee."

"My daughter is a lady born, And you of low degree, But she shall be your bride the day You bring her back to me."

He sailed east, he sailed west, And far and long sailed he, Until he came to Boston town, Across the great salt sea.

"Oh, have ye seen the young Kathleen, The flower of Ireland? Ye'll know her by her eyes so blue, And by her snow-white hand!"

Out spake an ancient man, "I know The maiden whom ye mean; I bought her of a Limerick man, And she is called Kathleen.

"No skill hath she in household work, Her hands are soft and white, Yet well by loving looks and ways She doth her cost requite."

So up they walked through Boston town, And met a maiden fair, A little basket on her arm So snowy-white and bare.

"Come hither, child, and say hast thou This young man ever seen?" They wept within each other's arms, The page and young Kathleen.

"Oh give to me this darling child, And take my purse of gold." "Nay, not by me," her master said, "Shall sweet Kathleen be sold.

"We loved her in the place of one The Lord hath early ta'en; But, since her heart's in Ireland, We give her back again!"

Oh, for that same the saints in heaven For his poor soul shall pray, And Mary Mother wash with tears His heresies away.

Sure now they dwell in Ireland; As you go up Claremore Ye'll see their castle looking down The pleasant Galway shore.

And the old lord's wife is dead and gone, And a happy man is he, For he sits beside his own Kathleen, With her darling on his knee. 1849.

THE WELL OF LOCH MAREE

Pennant, in his Voyage to the Hebrides, describes the holy well of Loch Maree, the waters of which were supposed to effect a miraculous cure of melancholy, trouble, and insanity.

CALM on the breast of Loch Maree A little isle reposes; A shadow woven of the oak And willow o'er it closes.

Within, a Druid's mound is seen, Set round with stony warders; A fountain, gushing through the turf, Flows o'er its grassy borders.

And whoso bathes therein his brow, With care or madness burning, Feels once again his healthful thought And sense of peace returning.

O restless heart and fevered brain, Unquiet and unstable, That holy well of Loch Maree Is more than idle fable!

Life's changes vex, its discords stun, Its glaring sunshine blindeth, And blest is he who on his way That fount of healing findeth!

The shadows of a humbled will And contrite heart are o'er it; Go read its legend, "TRUST IN GOD," On Faith's white stones before it. 1850.

THE CHAPEL OF THE HERMITS.

The incident upon which this poem is based is related in a note to Bernardin Henri Saint Pierre's Etudes de la Nature. "We arrived at the habitation of the Hermits a little before they sat down to their table, and while they were still at church. J. J. Rousseau proposed to me to offer up our devotions. The hermits were reciting the Litanies of Providence, which are remarkably beautiful. After we had addressed our prayers to God, and the hermits were proceeding to the refectory, Rousseau said to me, with his heart overflowing, 'At this moment I experience what is said in the gospel: Where two or three are gathered together in my name, there am I in the midst of them. There is here a feeling of peace and happiness which penetrates the soul.' I said, 'If Finelon had lived, you would have been a Catholic.' He exclaimed, with tears in his eyes, 'Oh, if Finelon were alive, I would struggle to get into his service, even as a lackey!'" In my sketch of Saint Pierre, it will be seen that I have somewhat antedated the period of his old age. At that time he was not probably more than fifty. In describing him, I have by no means exaggerated his own history of his mental condition at the period of the story. In the fragmentary Sequel to his Studies of Nature, he thus speaks of himself: "The ingratitude of those of whom I had deserved kindness, unexpected family misfortunes, the total loss of my small patrimony through enterprises solely undertaken for the benefit of my country, the debts under which I lay oppressed, the blasting of all my hopes,--these combined calamities made dreadful inroads upon my health and reason. . . . I found it impossible to continue in a room where there was company, especially if the doors were shut. I could not even cross an alley in a public garden, if several persons had got together in it. When alone, my malady subsided. I felt myself likewise at ease in places where I saw children only. At the sight of any one walking up to the place where I was, I felt my whole frame agitated, and retired. I often said to myself, 'My sole study has been to merit well of mankind; why do I fear them?'"

He attributes his improved health of mind and body to the counsels of his friend, J. J. Rousseau. "I renounced," says he, "my books. I threw my eyes upon the works of nature, which spake to all my senses a language which neither time nor nations have it in their power to alter. Thenceforth my histories and my journals were the herbage of the fields and meadows. My thoughts did not go forth painfully after them, as in the case of human systems; but their thoughts, under a thousand engaging forms, quietly sought me. In these I studied, without effort, the laws of that Universal Wisdom which had surrounded me from the cradle, but on which heretofore I had bestowed little attention."

Speaking of Rousseau, he says: "I derived inexpressible satisfaction from his society. What I prized still more than his genius was his probity. He was one of the few literary characters, tried in the furnace of affliction, to whom you could, with perfect security, confide your most secret thoughts. . . . Even when he deviated, and became the victim of himself or of others, he could forget his own misery in devotion to the welfare of mankind. He was uniformly the advocate of the miserable. There might be inscribed on his tomb these affecting words from that Book of which he carried always about him some select passages, during the last years of his life: 'His sins, which are many, are forgiven, for he loved much.'"

"I DO believe, and yet, in grief, I pray for help to unbelief; For needful strength aside to lay The daily cumberings of my way.

"I 'm sick at heart of craft and cant, Sick of the crazed enthusiast's rant, Profession's smooth hypocrisies, And creeds of iron, and lives of ease.

"I ponder o'er the sacred word, I read the record of our Lord; And, weak and troubled, envy them Who touched His seamless garment's hem;

"Who saw the tears of love He wept Above the grave where Lazarus slept; And heard, amidst the shadows dim Of Olivet, His evening hymn.

"How blessed the swineherd's low estate, The beggar crouching at the gate, The leper loathly and abhorred, Whose eyes of flesh beheld the Lord!

"O sacred soil His sandals pressed! Sweet fountains of His noonday rest! O light and air of Palestine, Impregnate with His life divine!

"Oh, bear me thither! Let me look On Siloa's pool, and Kedron's brook; Kneel at Gethsemane, and by Gennesaret walk, before I die!

"Methinks this cold and northern night Would melt before that Orient light; And, wet by Hermon's dew and rain, My childhood's faith revive again!"

So spake my friend, one autumn day, Where the still river slid away Beneath us, and above the brown Red curtains of the woods shut down.

Then said I,--for I could not brook The mute appealing of his look,-- "I, too, am weak, and faith is small, And blindness happeneth unto all.

"Yet, sometimes glimpses on my sight, Through present wrong, the eternal right; And, step by step, since time began, I see the steady gain of man;