Barbarossa, and Other Tales

Part 19

Chapter 193,941 wordsPublic domain

"'I understand it all,' drily returned Van Kuylen, while lighting his clay-pipe with a large match; 'and as I have something to apologise for, and very much wish that the lady should not eternally resent my inconsiderate freak, I give you the picture for your new establishment. And now--you will excuse me. I have some business which cannot be postponed. A good journey to you.'

"Before one of us could find a word to reply, he made us an abrupt bow, and passed through a door leading into the interior of the house.

"We three who remained behind stood there in utter helplessness. I felt that I was one too many, and was planning how best to leave the pair alone, when suddenly the lovely girl came up to me, held out her hand, and with apparent composure said:

"'Farewell, dear sir; I thank you for all the kindness you have shown me. I will now go home and trouble you no further.'

"With that she turned round without casting one glance at her sun-burnt lover, and moved towards the door.

"'Katharine!' cried the young man, rushing towards her.

"'Leave me!' said the incensed beauty. 'We have no longer anything to do with each other. One who could believe _that_ of me--who could suppose that I should ever degrade myself so far--'

"'Listen to me, dear Kate,' I interposed, for I saw that both the proud high-tempered creatures were just in the mood to part as suddenly as they had met; 'if you really believe that I am a friend to you, do try to follow me and consider the question more calmly. Just put yourself in the place of your Hans Lutz, (you will forgive me, my dear sir, for using your Christian name though we have not even been introduced,) and ask yourself whether a lover is very likely to retain his five senses, when he chances to enter a picture-gallery, and sees the girl of his heart turn her back upon him in that fashion. And yet supposing you had really been Frau van Kuylen, and your husband _had_ painted you behind your back, as our greatest artists have been wont to do with their wives and mistresses, that would have been nothing so very out of the way either. Instead, therefore, of treating the matter so tragically, you ought rather to thank God for having brought things so happily round; to be reconciled to your lover; to my poor friend, who after all is the one to be pitied, for he goes empty away; and to your own face with which you were so very angry. It has, indeed, been an infliction to you, but at last it is to it that you are indebted for the happiness of having Mr. Hans Lutz again. For if Mrs. Bathsheba had not stolen your bewitching profile, who knows whether your lover would ever have come on your track here in Munich, and finally carried off picture and original both!'

"Such was the gist of my address, and my eloquence had the happiest results. There ensued a most affecting reconciliation, an embracing, kissing, and handshaking, whereof--as regards the last at all events--I had my due share, and in another five minutes I saw the happy pair drive off in the cab, radiant with delirious bliss, and had scarcely time to invite them to pay a visit to my house, and to call after the driver to go through the English garden, that being the best scene for such an idyll.

"Van Kuylen did not show himself again. But as I slowly followed the cab, and turned round once more, I thought I saw from the upper window of the small house, a resigned cloud of smoke eddy up from a white clay-pipe. He had not spared himself the pain of looking after the lovers from his lonely watch-tower.

"I need not say that I instantly went home, and accurately repeated the whole remarkable story to my dear wife. Alas! I failed to produce the desired effect thereby. There lurked in the soul of that excellent woman a prejudice against a girl who presumed to be so beautiful that all men ran after her, and even the steadiest landscape painters took in her an interest--fatherly, indeed, but dangerously warm. The suspicion that all might not have been so very right after all, seemed to gain confirmation, when day after day passed without bringing the happy pair to pay their promised visit. My wife went about again with a well-known air of magnanimously suppressed triumph, and treated me with such compassionate indulgence, that it almost drove me wild. But what was to be done? I must needs put up with it, and had only the choice of passing as a bad judge of character, or a secret sinner.

"However, in a fortnight's time the tide turned. I was sitting quietly over my work about noon, when in ran my little Christopher, and called out to me that I was to come instantly to mamma, that there was a most beautiful lady there with a gentleman, and that they had asked for me. There they were then, husband and wife, on their marriage trip through Italy to New York. On the day I had last seen them they had set out homewards to present themselves to their parents, and as Hans Lutz--his real name was Johann Ludwig Weinmann--was making a quantity of money over there in America, it was probably much the same to the father of the fair Kate, whether the result was attained by railway-making and bridge-building, or the tanning of leather. My good wife had at first--she afterwards confessed to me--sat rather monosyllabically there, but when I came in, and neither the young woman nor I blushed, nor exchanged any sign whatever of a private understanding, she finally resumed her equipoise, and was obliged to believe in me: more--in the course of the next half-hour she fell so completely in love with the beautiful world's wonder, she did not know how to let her go, and finally parted from her with the tenderest embraces. Later she said to me, 'It really is a very good thing she is gone to America.'

"The same evening brought another leave-taking, but only in the form of a letter. My good mynheer sent me a note, in which he after his own fashion, and with divers humorous marginal illustrations, announced his journey to Italy. He enclosed a small pen-and-ink drawing as a keepsake; which was very highly finished and in all respects a genuine Van Kuylen. Before a hut in a primeval forest sat a young pair under the shade of palms, bananas, and bread-fruit trees, a couple of fine children playing about their feet, the wife occupied with needle-work, the husband reading to her. Above them on the branch of a majestic tree squatted a small thin ape who was just about to throw a date into the beautiful young woman's lap. Whom the faces of the wedded pair resembled, and who had sat to the artist for the odd, pinched, resigned countenance of the ape it were needless to particularise."

END OF THE FAIR KATE.

GEOFFROY AND GARCINDE.

GEOFFROY AND GARCINDE.

About the time of the second crusade, there lived near Carcassonne in Provence, a nobleman, Count Hugo of Malaspina, who after the death of his fair and virtuous wife, sent his only daughter Garcinde, then ten years old, accompanied by her foster-sister Aigleta, to be educated at the convent of Mont Salvair, and recommenced himself, spite of grizzling hair, a wandering bachelor life. He was a stately knight, and popular both with men and women, so he had no lack of invitations to merry-making tournaments, and banquets at the castles of the wealthy nobles, far and near. But, however, his delight in military exercises and minstrelsy grew cool with years, so that he left the palm in both to be carried off by younger aspirants, developing, at the same time, an increasing love for wine and dice, and falling from his former character of a wise manager of himself and of his substance, to that of a degraded night-reveller, who even occupied the castle of his fathers as tenant to his creditors, and had nothing left to call his own but his unstained knightly courage, and the heart of his child. In order not to grieve that child, Count Hugo took the greatest care to prevent the rumour of the low state of his finances reaching the convent. He was in the habit of twice a year visiting his daughter, and the young girl, who up to this time had devoted all the power of loving she as yet had to her father, and admired him as the ideal of every human and knightly virtue and perfection,--did not fail to notice that the eyes of the fast aging man, had for some time back lost their open and joyous expression, that his cheeks were sunk, and his lips habitually compressed. But as she knew the way to cheer him, and for the time to make him forget the world outside the cloister-walls, she naturally attributed his depression to his solitude, and lovingly urged him to take her back, and keep her near him. At which the Count would sigh, gloomily shake his head and declare that it would not be consistent with her fair fame to live in a castle inhabited by men only, without better protection than he could offer. He could not, therefore, remove her from the cloister until she should exchange the companionship of the pious sisters for that of some worthy husband. This was not pleasant hearing to the intelligent girl, for although her life had not been otherwise than happy with the nuns, who were cheerful and busy, and though she had had, moreover, the companionship of the bright-eyed Aigleta--a lively girl and full of whatever fun was possible in a convent--yet Garcinde yearned to know and enjoy something of the world without, and above all to devote her loving heart entirely to her father. But he persisted that the honour of his house allowed of no other arrangement than the present, and after every conversation on the subject--as though stung by some secret vexation--he would abruptly take leave of his lovely child, who on such occasions sat in the turret of the convent-garden wall, lost in thought, and gazing on the road her father had taken.

Thus year after year passed by: the Count's daughter had long out-grown childhood, and the good nuns, reluctant as they might have been to part with their charge, yet began to wonder that nothing was said about marrying her. For they had no idea that Count Hugo, shrinking from confessing to a son-in-law that he was a beggar, spoke as little about his daughter as though she had been changed in her cradle, and a fairy bantling placed there in her stead.

Now it happened that early one morning, when no one was expecting him at his own castle, the Count returned quite alone on his roan mare, and gave a faint knock as a man mortally sick might give at a hospital-gate. The porter, growling over the untimely guest who roused him from his morning sleep, looked through the grating in the iron court-door, and was so startled by what he saw, that his trembling hands could scarcely draw the heavy bolt in order to admit of his master's entrance. For the face of the Count was pale as that of the dead, and his eyes hollow, fixed, and expressionless, as if, instead of having returned from a merry-making at the castle of his rich neighbour, the Count Pierre of Gaillac, he might have been emerging from the cave of St. Patrick, or from a still more terrible place where he had spent the night with spectres. He threw the bridle of his horse (the animal was covered with foam, and greedily drank the rain-water on the ground,) to the alarmed domestic, and uttered one word only, "Geoffroy." Then he ascended the winding-stair to his lonely room, shaking his head when the servant enquired whether the Count would have any refreshments, and whether he should wake up the other retainers.

The porter, who had never seen his master in such a plight, would have been slow to recover from the shock he had received, had not the horse, with a shrill neigh of distress, sunk on the ground. With some difficulty he got it to its feet again, and led the utterly exhausted animal to the stable, where he rendered it every care; then still talking to himself, and calling upon all saints and angels, he ran to the Geoffroy whom the Count had demanded.

The youth who bore this name dwelt in a lonely ivy-grown turret close to the moat, and as the dawn had hardly broken, he still lay in the sound sleep beseeming his health and early years. He was only twenty, a nephew of the Count's, the offspring of the unfortunate love between the high-born Countess Beatrix and a wandering minstrel, who knowing the proud spirit and the customs of the house of Malaspina, had no way of winning, except persuading her to elope with him. Count Rambaut her father, when he discovered the disgrace that had befallen his family, took no one into his counsels but his son Hugo; and father and brother rode forth by night to follow the track of the offenders. In seven days time they returned, walking their horses, a closed litter between them, in which the young Countess lay with snow-white face, more like a waxen form than a living woman. Her brother had killed her lover, her father had cursed the dying man. From that time she never spoke another word to either of them, but lived a widow in a detached turret, where she brought her boy into the world. She made no complaint, but resisted all attempts at reconciliation, though on their father's death, her brother, who had always been deeply attached to her, endeavoured by all the means in his power, to conciliate her. He himself bore her son to the font, and when he married, he imposed upon his wife the duty of daily visiting the lonely one, who never of her own accord left her self-elected prison. Both ladies had now departed this life; the young man Geoffroy--he was named after his father--was brought up almost as the Count's own son, and truly the proudest might have gloried in such a son. He was a beautiful youth, broad-shouldered, dark-complexioned, with great earnest eyes, and a sweet sad mouth almost feminine in form, which seldom smiled. For although he had in abundance all that a young heart could desire, gay garments, finely-tempered weapons, horse, falcon, and leisure enough for every knightly practice, and though, too, from his earliest infancy no one had ever spoken an unkind word to him, or reproached him with his birth, yet for all that a shadow hung over him. Unless he were wandering in the forest--which bordered on the moat, and was reached by a narrow bridge in ten paces or so--he would keep himself apart from all joyous company, in the same room where his mother had brought him into the world, as though there were no other place on earth where he had a right to be. In his mother's lifetime he had planted the little tower about with roses, and he still kept her chamber, bed, and wardrobe, just as she had liked them to be. He for his part had but few wants, and always held himself prepared to leave even this corner where he was tolerated, at the first insulting word. However, no one thought of such an event less than did Count Hugo, whose heart the boy had entirely won, for he had transferred his love for his sister, to her fatherless child. But as spite of all the kindness and care shown him, the son could never force himself to return the friendly grasp of the hand that had slain his father, all that the Count could do was to leave his nephew in perfect freedom. He never required any service from him, thanked him as for a favour conferred if Geoffroy tamed a falcon, or broke a horse for him, and when his means began to fail, he would rather himself dispense with a necessary than that Geoffroy should be disappointed of a wish. However, he never took him with him on a visit, not that he wished to deny this illegitimate sprout of the family tree--especially since his unfortunate mother was no longer there to blush for him--but rather that he did not wish the youth to witness his own reckless mode of life, or to be corrupted by the loose manners and dissolute society of the neighbouring nobles.

Therefore it was that the nephew, who had never received an order from his uncle, was surprised to be thus suddenly disturbed at so unusual an hour by the porter, who breathlessly told him what had happened, and summoned him to the castle. He did not, however, delay to dress and obey the call. When he entered the chamber, dimly lighted by the dawning day, he saw the Count sitting at a table with a taper before him, by the aid of which he had evidently been writing a letter. He now sat motionless, his head resting on his hands, which were buried deep in his grey hair. Geoffroy had to call him three times before he could rouse him from his trance, then when he saw the haggard face and lifeless eyes he, too, was shocked, although he did not love his uncle. But he made an effort, enquired whether he was ill, and whether he should ride to Carcassonne to fetch a leech.

"Saddle a horse, Geoffroy," returned Count Hugo, slowly rising, folding the letter he had written, and sealing it with his signet-ring. "You must take this letter to-day to the Lady Abbess of the Convent of Mont Salvair, and to-morrow she must send me off my daughter Garcinde, for I have something to say to her. And as I myself cannot reach her--my ride this night has done me harm, and my gout admonishes me to get into bed rather than into the saddle--I could wish that you should escort your cousin, and see to her safe journey hither. Take a servant with you who will bring back, on a baggage-horse, whatever may be personally needed, till the abbess can send the rest. The convent will lend Garcinde a horse. I have requested this to be done in my letter. You will rest for a night half-way, at the farm of La Vaquiera, my daughter being unaccustomed to riding, and the summer heat great. On the evening of the third day I shall expect to see you here."

The youth received the letter, lingered for a moment on the threshold as though some question were burning on his lips, then merely said, "It shall be done, my lord," and with a slight inclination, took his departure. When he got outside the door, he fancied that he heard himself recalled, and stood still a moment to see whether it really were so, but hearing nothing further he ran down the winding-stair, got his horse out of the stable, gave the requisite orders to one of the few servants that remained about the fallen house, and as the man was sleepy and slow in his movements, ordered him to follow after, while he himself sprang through the gate past the wondering porter, to whose questions as to what the Count wanted, and whether it really were all over with him, he merely replied by a shrug of the shoulders.

The reason of his haste in fulfilling his mission, was a fear that the Count might change his mind and call him back, for during the eight years that his cousin had been away from her father's house, whenever a message had to be sent to her, he was never the one appointed to carry it, and there seemed to be a deliberate purpose to prevent their meeting. It is true that when they were both children there had been no one of whom the little Countess was so fond as of her silent, proud-spirited playfellow, the wandering minstrel's son, who at that time already led a strange and solitary life in the small tower where his mother had died. The servants had concluded that it was on account of young Geoffrey that Sir Hugo had sent his daughter to a convent, instead of taking a duenna into his house as many a widower had done, so as not to be separated from his child; and now here was the cousin sent to bring back the young lady, who had meanwhile, according to common report, grown up into unparalleled beauty. Had some suitor made his appearance on the previous evening, so that it was no longer necessary to guard the girl against an unsuitable attachment? Or had Death on his spectral horse accompanied the Count on his last night's ride, so that all earthly considerations having now fallen off from him, he merely thought of making his peace with God, and leaving his child free to be happy or unhappy in her own way? There was no solving the mystery.

As soon, however, as the turrets of the Castle of Malaspina were out of sight, Geoffroy threw away all care and sadness, and only suffered pleasant thoughts--rare guests in his mind--to go forth to meet the playfellow of his childhood, whose delicate face with its laughing white teeth and large dark eyes, shone out as plainly before him as though he had seen them but yesterday. The day was cloudless, the woods resounded with the song of birds, the beautiful fields of Provence spread before him golden with the ripening corn, and for the first time life appeared to him to be indeed a heavenly boon. He took to singing the song with which his father had won his mother's heart; he had found it in a music-book with the words written in the margin by her own hand.

"Le donz chans d'un auzelh, Tue chantava en un plays, Me desviet l'autr'ier De mon camin--"

He knew not why this particular song should come to his mind: he had never till now thought of it but with sorrow, but to-day he sang it with clear voice and joyous heart.

As he approached the convent at evening, his mood became quieter, and his brow clouded. With fast beating heart he knocked at the gate, and delivering the letter through a grating to a lay-sister, awaited a message from the abbess. Before long the answer came, saying the command of the Count would be obeyed, that with the dawn of morning both the young girls would be given over to the messenger's charge, and that meanwhile he might spend the night at the house of the convent bailiff, who was accustomed to receive strangers, and dwelt in the vineyards of Mont Salvair.

The night, however, seemed long to the youth, for his trusty friend sleep came not as usual to speed it away; he envied the servant (who had only arrived about midnight with the baggage-horse,) the influence of the strong convent wine, and the deep unconsciousness that followed. In Geoffroy there was something awake which was stronger than wine or fatigue.