Part 2

The heroes that were made to strut In tinsel on "life's mimic stage" Found, all too soon, the deepening rut Which kept them silent in the page;

And heroines, whose loveless plight Should wake the sympathetic tear, In volumes sombre as the night Sleep on through each succeeding year.

Here Phyllis languishes forlorn, And Strephon waits beside his flocks, And early huntsmen wind the horn, Within the boundaries of a box.

Here, by the irony of fate, Beside the "peasant's humble board," The monarch "flaunts his robes of state," And spendthrifts find the miser's hoard.

Days come and go, and still we write, And hope for some far happier lot Than that our work should meet this blight-- And yet--some books must be forgot.

AN INVOCATION IN A LIBRARY.

HELEN GRAY CONE. _From 'Oberon and Puck.' 1885._

O brotherhood, with bay-crowned brows undaunted, Who passed serene along our crowded ways, Speak with us still! For we, like Saul, are haunted: Harp sullen spirits from these later days!

Whate'er high hope ye had for man your brother, Breathe it, nor leave him, like a prisoned slave, To stare through bars upon a sight no other Than clouded skies that lighten on a grave.

In these still alcoves give us gentle meeting, From dusky shelves kind arms about us fold, Till the New Age shall feel her cold heart beating Restfully on the warm heart of the Old:

Till we shall hear your voices, mild and winning Steal through our doubt and discord, as outswells At fiercest noon, above a city's dinning, The chiming music of cathedral bells:

Music that lifts the thought from trodden places, And coarse confusions that around us lie, Up to the calm of high, cloud-silvered spaces, Where the tall spire points through the soundless sky.

CONCERNING THE HONOR OF BOOKS.

_This sonnet, prefixed to the second edition of Florio's Montaigne, 1613, is_ SAMUEL DANIEL. _generally attributed to the translator, but the best critics now incline to the belief that it is by his friend, Daniel._

Since honor from the honorer proceeds, How well do they deserve, that memorize And leave in books for all posterity The names of worthies and their virtuous deeds; When all their glory else, like water-weeds Without their element, presently dies, And all their greatness quite forgotten lies, And when and how they flourished no man heeds; How poor remembrances are statues, tombs, And other monuments that men erect To princes, which remain in closèd rooms, Where but a few behold them, in respect Of books, that to the universal eye Show how they lived; the other where they lie!

LINES.

ISAAC D'ISRAELI. _Imitated from Rantzau, the founder of the library at Copenhagen._

Golden volumes! richest treasures! Objects of delicious pleasures! You my eyes rejoicing please, You my hands in rapture seize! Brilliant wits, and musing sages, Lights who beamed through many ages, Left to your conscious leaves their story, And dared to trust you with their glory; And now their hope of fame achieved! Dear volumes! you have not deceived!

MY BOOKS.

AUSTIN DOBSON. _From 'At the Sign of the Lyre.' 1885._

They dwell in the odor of camphor, They stand in a Sheraton shrine, They are "warranted early editions," These worshipful tomes of mine;--

In their creamy "Oxford vellum," In their redolent "crushed Levant," With their delicate watered linings, They are jewels of price, I grant;--

Blind-tooled and morocco-jointed, They have Bedford's daintiest dress, They are graceful, attenuate, polished, But they gather the dust, no less;--

For the row that I prize is yonder, Away on the unglazed shelves, The bulged and the bruised _octavos_, The dear and the dumpy twelves,--

Montaigne with his sheepskin blistered, And Howell the worse for wear, And the worm-drilled Jesuits' Horace, And the little old cropped Molière,--

And the Burton I bought for a florin, And the Rabelais foxed and flea'd,-- For the others I never have opened, But those are the ones I read.

TO A MISSAL OF THE THIRTEENTH CENTURY.

AUSTIN DOBSON. _From 'At the Sign of the Lyre.' 1885._

Missal of the Gothic age, Missal with the blazoned page, Whence, O Missal, hither come, From what dim scriptorium?

Whose the name that wrought thee thus, Ambrose or Theophilus, Bending, through the waning light, O'er thy vellum scraped and white;

Weaving 'twixt thy rubric lines Sprays and leaves and quaint designs: Setting round thy border scrolled Buds of purple and of gold?

Ah!--a wondering brotherhood, Doubtless, round that artist stood, Strewing o'er his careful ways Little choruses of praise;

Glad when his deft hand would paint Strife of Sathanas and Saint, Or in secret coign entwist Jest of cloister humorist.

Well the worker earned his wage, Bending o'er the blazoned page! Tired the hand and tired the wit Ere the final _Explicit_!

Not as ours the books of old-- Things that steam can stamp and fold; Not as ours the books of yore-- Rows of type, and nothing more.

Then a book was still a Book, Where a wistful man might look, Finding something through the whole, Beating--like a human soul.

In that growth of day by day, When to labor was to pray, Surely something vital passed To the patient page at last;

Something that one still perceives Vaguely present in the leaves; Something from the worker lent; Something mute--but eloquent!

THE BOOK-PLATE'S PETITION.

BY A GENTLEMAN OF THE TEMPLE.

AUSTIN DOBSON. _Published originally in 'Notes and Queries,' January 8, 1881._

While cynic CHARLES still trimm'd the vane 'Twixt _Querouaille_ and _Castlemaine_, In days that shocked JOHN EVELYN, My First Possessor fix'd me in. In days of _Dutchmen_ and of frost, The narrow sea with JAMES I crossed; Returning when once more began The Age of _Saturn_ and of ANNE. I am a part of all the past; I knew the GEORGES, first and last; I have been oft where else was none Save the great wig of ADDISON; And seen on shelves beneath me grope The little eager form of POPE. I lost the Third that own'd me when French NOAILLES fled at Dettingen; The year JAMES WOLFE surpris'd Quebec, The Fourth in hunting broke his neck; The day that WILLIAM HOGARTH dy'd, The Fifth one found me in Cheapside.

This was a _Scholar_, one of those Whose _Greek_ is sounder than their _hose_; He lov'd old books, and nappy ale, So liv'd at Streatham, next to THRALE. 'Twas there this stain of grease I boast Was made by DR. JOHNSON'S toast. (He did it, as I think, for spite; My Master called him _Jacobite_!) And now that I so long to-day Have rested _post discrimina_, Safe in the brass-wir'd book-case where I watched the Vicar's whit'ning hair Must I these travell'd bones inter In some _Collector's_ sepulchre! Must I be torn from hence and thrown With _frontispiece_ and _colophon_! With vagrant _E_'s, and _I_'s and _O_'s, The spoil of plunder'd _Folios_! With scraps and snippets that to Me Are naught but _kitchen company_! Nay, rather, Friend, this favor grant me; Tear me at once; _but don't transplant me_.

CHELTENHAM, _Sept. 31, 1792._

OVER THE THRESHOLD OF MY LIBRARY.

_Quoted from the supplement of Dibdin's_ HENRY DRURY. _'Bibliomania,' where the original Latin lines may be found._

From mouldering Abbey's dark Scriptorium brought, See vellum tomes by Monkish labor wrought; Nor yet the comma born, Papyri see, And uncial letters' wizard grammary: View my _fifteeners_ in their ragged line; What ink! What linen! Only known long syne-- Entering where Aldus might have fixed his throne, Or Harry Stephens coveted his own.

THE CHRYSALIS OF A BOOKWORM.

MAURICE F. EGAN. _From 'Songs and Sonnets.' 1885._

I read, O friend, no pages of old lore, Which I loved well, and yet the flying days, That softly passed as wind through green spring ways And left a perfume, swift fly as of yore, Though in clear Plato's stream I look no more, Neither with Moschus sing Sicilian lays, Nor with bold Dante wander in amaze, Nor see our Will the Golden Age restore. I read a book to which old books are new, And new books old. A living book is mine-- In age, three years: in it I read no lies-- In it to myriad truths I find the clew-- A tender, little child: but I divine Thoughts high as Dante's in its clear blue eyes.

EPIGRAM.

EVENUS (the grammarian). _Rendered into English by A. Lang in the 'Library.' 1881._

Pest of the Muses, devourer of pages, in crannies hat lurkest, Fruits of the Muses to taint, labor of learning to spoil; Wherefore, O black-fleshed worm! wert thou born for the evil thou workest? Wherefore thine own foul form shap'st thou with envious toil?

THE BIBLIOMANIA.

Hic, inquis, veto quisquam fuit oletum. Pinge duos angues. Pers. _Sat._ i. l. 108.

JOHN FERRIAR. "_An Epistle to Richard Heber, Esq." Manchester, April, 1809_.

What wild desires, what restless torments seize The hapless man, who feels the book-disease, If niggard Fortune cramp his gen'rous mind And Prudence quench the Spark by heaven assign'd! With wistful glance his aching eyes behold The Princeps-copy, clad in blue and gold, Where the tall Book-case, with partition thin, Displays, yet guards the tempting charms within: So great Facardin view'd, as sages[2] tell, Fair Crystalline immur'd in lucid cell.

Not thus the few, by happier fortune grac'd, And blest, like you, with talents, wealth, and taste, Who gather nobly, with judicious hand, The Muse's treasures from each letter'd strand. For you the Monk illum'd his pictur'd page, For you the press defies the Spoils of age; FAUSTUS for you infernal tortures bore, For you ERASMUS[3] starv'd on Adria's shore. The FOLIO-ALDUS loads your happy Shelves, And dapper ELZEVIRS, like fairy elves, Shew their light forms amidst the well-gilt Twelves: In slender type the GIOLITOS shine, And bold BODONI stamps his Roman line. For you the LOUVRE opes its regal doors, And either DIDOT lends his brilliant stores: With faultless types, and costly sculptures bright, IBARRA'S Quixote charms your ravish'd sight: LABORDE in splendid tablets shall explain Thy beauties, glorious, tho' unhappy SPAIN! O, hallowed name, the theme of future years, Embalm'd in Patriot-blood, and England's tears, Be thine fresh honors from the tuneful tongue, By Isis' stream which mourning Zion sung!

But devious oft' from ev'ry classic Muse, The keen Collector meaner paths will choose: And first the Margin's breadth his soul employs, Pure, snowy, broad, the type of nobler joys. In vain might HOMER roll the tide of song, Or HORACE smile, or TULLY charm the throng; If crost by Pallas' ire, the trenchant blade Or too oblique, or near, the edge invade, The Bibliomane exclaims, with haggard eye, "No Margin!" turns in haste, and scorns to buy. He turns where PYBUS rears his Atlas-head, Or MADOC'S mass conceals its veins of lead. The glossy lines in polish'd order stand, While the vast margin spreads on either hand, Like Russian wastes, that edge the frozen deep, Chill with pale glare, and lull to mortal sleep.[4]

Or English books, neglected and forgot, Excite his wish in many a dusty lot: Whatever trash _Midwinter_ gave to day, Or _Harper's_ rhiming sons, in paper gray, At ev'ry auction, bent on fresh supplies, He cons his Catalogue with anxious eyes: Where'er the slim Italics mark the page, _Curious and rare_ his ardent mind engage. Unlike the Swans, in Tuscan Song display'd, He hovers eager o'er Oblivion's Shade, To snatch obscurest names from endless night, And give COKAIN or FLETCHER[5] back to light. In red morocco drest he loves to boast The bloody murder, or the yelling ghost; Or dismal ballads, sung to crouds of old, Now cheaply bought for thrice their weight in gold. Yet to th' unhonor'd dead be Satire just; Some flow'rs[6] "smell sweet and blossom in their dust." 'Tis thus ev'n SHIRLEY boasts a golden line, And LOVELACE strikes, by fits, a note divine. Th' unequal gleams like midnight-lightnings play, And deepen'd gloom succeeds, in place of day.

But human bliss still meets some envious storm; He droops to view his PAYNTERS' mangled form: Presumptuous grief, while pensive Taste repines O'er the frail relics of her Attic Shrines! O for that power, for which Magicians vye. To look through earth, and secret hoards descry! I'd spurn such gems as Marinel[7] beheld, And all the wealth Aladdin's cavern held, Might I divine in what mysterious gloom The rolls of sacred bards have found their tomb: Beneath what mould'ring tower, or waste champain, Is hid MENANDER, sweetest of the train: Where rests ANTIMACHUS' forgotten lyre, Where gentle SAPPHO'S still seductive fire; Or he,[8] whom chief the laughing Muses own, Yet skill'd with softest accents to bemoan Sweet Philomel[9] in strains so like her own.

The menial train has prov'd the Scourge of wit, Ev'n OMAR burnt less Science than the spit. Earthquakes and wars remit their deadly rage, But ev'ry feast demands some fated page. Ye Towers of Julius,[10] ye alone remain Of all the piles that saw our nation's stain, When HARRY'S sway opprest the groaning realm, And Lust and Rapine seiz'd the wav'ring helm. Then ruffian-hands defaced the sacred fanes, Their saintly statues and their storied panes; Then from the chest, with ancient art embost, The Penman's pious scrolls were rudely tost; Then richest manuscripts, profusely spread, The brawny Churls' devouring Oven fed: And thence Collectors date the heav'nly ire That wrapt Augusta's domes in sheets of fire.[11]

Taste, tho' misled, may yet some purpose gain, But Fashion guides a book-compelling train.[12] Once, far apart from Learning's moping crew, The travell'd beau display'd his red-heel'd shoe, Till ORFORD rose, and told of rhiming Peers, Repeating _noble_ words to polish'd ears;[13] Taught the gay croud to prize a fluttering name, In trifling toil'd, nor "blush'd to find it fame." The letter'd fop, now takes a larger scope, With classic furniture, design'd by HOPE, (HOPE whom Upholst'rers eye with mute despair, The doughty pedant of an elbow-chair;) Now warm'd by ORFORD, and by GRANGER school'd, In Paper-books, superbly gilt and tool'd, He pastes, from injur'd volumes snipt away, His _English Heads_, in chronicled array. Torn from their destin'd page (unworthy meed Of knightly counsel, and heroic deed) Not FAITHORNE'S stroke, nor FIELD'S own types can save [14] The gallant Veres, and one-eyed OGLE brave. Indignant readers seek the image fled, And curse the busy fool, who _wants a head_.

Proudly he shews, with many a smile elate, The scrambling subjects of the _private plate_; While Time their actions and their names bereaves, They grin for ever in the guarded leaves.

Like Poets, born, in vain Collectors strive To cross their Fate, and learn the art to thrive. Like Cacus, bent to tame their struggling will, The Tyrant-passion drags them backward still: Ev'n I, debarr'd of ease, and studious hours, Confess, mid' anxious toil, its lurking pow'rs. How pure the joy, when first my hands unfold The small, rare volume, black with tarnish'd gold! The Eye skims restless, like the roving bee, O'er flowers of wit, or song, or repartee, While sweet as Springs, new-bubbling from the stone, Glides through the breast some pleasing theme unknown. Now dipt in ROSSI'S[15] terse and classic style, His harmless tales awake a transient smile. Now BOUCHET'S motley stores my thoughts arrest, With wond'rous reading, and with learned jest. Bouchet[16] whose tomes a grateful line demand, The valued gift of STANLEY'S lib'ral hand. Now sadly pleased, through faded Rome I stray, And mix regrets with gentle DU BELLAY;[17] Or turn, with keen delight, the curious page, Where hardy Pasquin[18] braves the Pontiff's rage.

But D----n's strains should tell the sad reverse, When Business calls, invet'rate foe to verse! Tell how "the Demon claps his iron hands," "Waves his lank locks, and scours along the lands." Through wintry blasts, or summer's fire I go, To scenes of danger, and to sights of woe. Ev'n when to Margate ev'ry Cockney roves, And brainsick-poets long for shelt'ring groves, Whose lofty shades exclude the noontide glow, While Zephyrs breathe, and waters trill below,[19] Me rigid Fate averts, by tasks like these, From heav'nly musings, and from letter'd ease.

Such wholesome checks the better Genius sends, From dire rehearsals to protect our friends: Else when the social rites our joys renew, The stuff'd Portfolio would alarm your view, Whence volleying rhimes your patience would o'er-come, And, spite of kindness, drive you early home. So when the traveller's hasty footsteps glide Near smoking lava on Vesuvio's side, Hoarse-mutt'ring thunders from the depths proceed, And spouting fires incite his eager speed. Appall'd he flies, while rattling show'rs invade, Invoking ev'ry Saint for instant aid: Breathless, amaz'd, he seeks the distant shore, And vows to tempt the dang'rous gulph no more.

[2] _Sages_, Count Hamilton, in the 'Quatre Facardins,' and Mr. M. Lewis, in his 'Tales of Romance.'

[3] See the 'Opulentia Sordida,' in his 'Colloquies,' where he complains feelingly of the spare Venetian diet.

[4] It may be said that Quintilian recommends margins; but it is with a view to their being occasionally occupied: Debet vacare etiam locus, in quo notentur quæ scribentibus solent extra ordinem, id est ex aliis quam qui sunt in manibus loci, occurrere. Irrumpunt enim optimi nonnunquam Sensus, quos neque inserere oportet, neque differre tutum est. 'Instit.' lib. x. c. 3.

He was therefore no _Margin-man_, in the modern sense.

[5] _Fletcher._ A translator of Martial. A very bad Poet, but _exceedingly scarce_.

[6] Only the actions of the just Smell sweet, and blossom in the dust. SHIRLEY.

Perhaps Shirley had in view this passage of Persius,--

Nunc non é tumulo, fortunataque favilla Nascentur Violæ? 'Sat.' i. l. 37.

[7] 'Faërie Queene.'

[8] Aristophanes.

[9] See his exquisite hymn to the Nightingale in his =Ornithes=.

[10] Gray.

[11] The fire of London.

[12] Cloud-compelling Jove.--Pope's 'Iliad.'

[13] . . . gaudent prænomine molles Auriculæ. JUVENAL.

[14] _The gallant Veres and one-eyed Ogle._ Three fine heads, for the sake of which, the beautiful and interesting 'Commentaries' of Sir Francis Veres have been mutilated by the Collectors of English portraits.

[15] Generally known by the name of James Nicius Erythræus. The allusion is to his 'Pinacotheca.'

[16] 'Les Serées de Gillaume Bouchet,' a book of uncommon rarity. I possess a handsome copy by the kindness of Colonel Stanley.

[17] 'Les Regrets,' by Joachim du Bellay, contain a most amusing and instructive account of Rome in the sixteenth century.

[18] 'Pasquillorum Tomi duo.'

[19] Errare per lucos, æmænæ, Quos et aquæ subeunt et auræ. HORAT.

TRIOLET TO HER HUSBAND.

F. FERTIAULT. _Rendered into English by A. Lang in the 'Library.' 1881._

Books rule thy mind, so let it be! Thy heart is mine, and mine alone. What more can I require of thee? Books rule thy mind, so let it be! Contented when thy bliss I see, I wish a world of books thine own. Books rule thy mind, so let it be! Thy heart is mine, and mine alone.

A NOOK AND A BOOK.

WILLIAM FREELAND. _From 'A Birth Song and other Poems.' 1882._

Give me a nook and a book, And let the proud world spin round; Let it scramble by hook or by crook For wealth or a name with a sound. You are welcome to amble your ways, Aspirers to place or to glory; May big bells jangle your praise, And golden pens blazon your story! For me, let me dwell in my nook, Here by the curve of this brook, That croons to the tune of my book, Whose melody wafts me forever On the waves of an unseen river.

Give me a book and a nook Far away from the glitter and strife; Give me a staff and a crook, The calm and the sweetness of life; Let me pause--let me brood as I list, On the marvels of heaven's own spinning-- Sunlight and moonlight and mist, Glorious without slaying or sinning. Vain world, let me reign in my nook, King of this kingdom, my book, A region by fashion forsook; Pass on, ye lean gamblers for glory, Nor mar the sweet tune of my story!

THE SULTAN OF MY BOOKS.

There is many a true word spoken in doggerel.--_Czech Folk-Song._

EDMUND GOSSE. _Written for the present collection._

Come hither, my Wither, My Suckling, my Dryden! My Hudibras, hither! My Heinsius from Leyden! Dear Play-books in quarto, Fat tomes in brown leather, Stray never too far to Come back here together!

Books writ on occult and Heretical letters, I, I am the Sultan Of you and your betters. I need you all round me; When wits have grown muddy, My best hours have found me With you in my study.

I've varied departments To give my books shelter; Shelves, open apartments For tomes helter-skelter; There are artisans' flats, fit For common editions,-- I find them, as that's fit, Good wholesome positions.

But books that I cherish Live under glass cases; In the waste lest they perish I build them oases; Where gas cannot find them, Where worms cannot grapple, Those panes hold behind them, My eye and its apple.

And here you see flirting Fine folks of distinction: Unique books just skirting The verge of extinction; Old texts with one error And long notes upon it; The 'Magistrates' Mirror' (With Nottingham's sonnet);

Tooled Russias to gaze on, Moroccos to fondle, My Denham, in blazon, My vellum-backed Vondel, My Marvell,--a copy Was never seen taller,-- My Jones's 'Love's Poppy,' My dear little Waller;

My Sandys, a real jewel! My exquisite, 'Adamo!' My Dean Donne's 'Death's Duel!' My Behn (naughty madam O!); Ephelia's! Orinda's! Ma'am Pix and Ma'am Barker!-- The rhymsters you find, as The morals grow darker!