Chapter 7

When her friends, learning her increasing difficulties, which they did from the best authority (herself), complimented her, as they were forced to do, upon her still handsome appearance, pretty laces, feathers, jewelry, silks, "Fat," she would answer--"fat. I am living off my fat, as bears do in winter. In truth, I remind myself of an animal in more ways than one."

And so every one had something to contribute to the conversation about her--bits which, they said, affection and admiration had kept alive in their memory.

Each city has its own roads to certain ends, its ways of Calvary, so to speak. In New Orleans the victim seems ever to walk down Royal street and up Chartres, or _vice versa_. One would infer so, at least, from the display in the shops and windows of those thorough-fares. Old furniture, cut glass, pictures, books, jewelry, lace, china--the fleece (sometimes the flesh still sticking to it) left on the brambles by the driven herd. If there should some day be a trump of resurrection for defunct fortunes, those shops would be emptied in the same twinkling of the eye allowed to tombs for their rendition of property.

The old lady must have made that promenade many, many times, to judge by the samples of her "fat or fleece" displayed in the windows. She took to hobbling, as if from tired or sore feet.

"It is nothing," in answer to an inquiry. "Made-to-order feet learning to walk in ready-made shoes: that is all. One's feet, after all, are the most unintelligent part of one's body." Tea was her abomination, coffee her adoration; but she explained: "Tea, you know, is so detestable that the very worst is hardly worse than the very best; while coffee is so perfect that the smallest shade of impurity is not to be tolerated. The truly economical, I observe, always drink tea." "At one time I thought if all the luxuries of the world were exposed to me, and but one choice allowed, I should select gloves. Believe me, there is no superfluity in the world so easily dispensed with."

As may be supposed, her path led her farther and farther away from her old friends. Even her intimates became scarce; so much so, that these observations, which, of course, could be made only to intimates, became fewer and fewer, unfortunately, for her circumstances were becoming such that the remarks became increasingly valuable. The last thing related of her was apropos of friends.

"My friends! My dear, I cannot tell you just so, on the spur of the moment, but with a little reflection and calculation I could tell you, to a picayune, the rent of every friend in the market. You can lease, rent, or hire them, like horses, carriages, opera-boxes, servants, by year, month, day, or hour; and the tariff is just as fixed.

"Christians! Christians are the most discreet people in the world. If you should ask me what Christianity has most promoted in the world, I should answer without hesitation, discretion. Of course, when I say the world I mean society, and when I say Christianity I mean our interpretation of it. If only duns could be pastors, and pastors duns! But of course you do not know what duns are; they are the guardian angels of the creditor, the pursuing fiends of the debtor."

After that, the old lady made her disappearance under the waves of that sea into the depths of which it is very improbable that a single friend ever attempted to pursue her. And there she remained until the news came that she was restored to fortune.

A week passed, two weeks; no sight or sound of her. It was during this period that her old friends were so occupied resuscitating their old friendships for her--when all her antique sayings and doings became current ball-room and dinner-table gossip--that she arose from her obscurity like Cinderella from her ashes, to be decked with every gift that fairy minds could suggest. Those who had known her intimately made no effort to conceal their importance. Those who did not know her personally put forward claims of inherited friendship, and those who did not know her traditionally or otherwise--the _nouveaux riches_ and _parvenus_, who alone feel the moneyed value of such social connections--began making their resolutions to capture her as soon as she came in sight of society.

The old residence was to be re-bought, and refurnished from France; the _avant scène_ at the opera had been engaged; the old cook was to be hired back from the club at a fabulous price; the old balls and the old dinners were to gladden the city--so said they who seemed to know. Nothing was to be spared, nothing stinted--at her age, with no child or relative, and life running short for pleasure. Diamonds, laces, velvets, champagne, Château Yquem--"Grand Dieu Seigneur!" the old Creole servants exclaimed, raising their hands at the enumeration of it.

Where the news came from nobody knew, but everything was certified and accepted as facts, although, as between women, the grain of salt should have been used. Impatience waxed, until nearly every day some one would ring the bell of the old residence, to ask when the mistress was going to move in. And such affectionate messages! And people would not, simply could not, be satisfied with the incomprehensible answers. And then it leaked out. The old lady was simply waiting for everything to arrive--furniture, toilets, carriage, etc.--to make a grand _entrée_ into her old sphere; to come riding on a throne, as it were. And still the time passed, and she did not come. Finally two of the clever-heads penetrated the enigma: _mauvaise honte_, shyness--so long out of the world, so old; perhaps not sure of her welcome. So they determined to seek her out.

"We will go to her, like children to a grandmother, etc. The others have no delicacy of sentiment, etc. And she will thus learn who really remember, really love her, etc."

Provided with congratulatory bouquets, they set forth. It is very hard to find a dweller on the very sea-bottom of poverty. Perhaps that is why the effort is so seldom made. One has to ask at grocers' shops, groggeries, market-stalls, Chinese restaurants; interview corner cobblers, ragpickers, gutter children. But nothing is impossible to the determined. The two ladies overcame all obstacles, and needled their way along, where under other circumstances they would not have glanced, would have thought it improper to glance.

They were directed through an old, old house, out on an old, old gallery, to a room at the very extreme end.

"Poor thing! Evidently she has not heard the good news yet. We will be the first to communicate it," they whispered, standing before the dilapidated, withered-looking door.

Before knocking, they listened, as it is the very wisdom of discretion to do. There was life inside, a little kind of voice, like some one trying to hum a song with a very cracked old throat.

The ladies opened the door. "Ah, my friend!"

"Ah, my friend!"

"Restored!"

"Restored!"

"At last!"

"At last!"

"Just the same!"

"Exactly the same!"

It was which one would get to her first with bouquet and kiss, competition almost crowding friendship.

"The good news!"

"The good news!"

"We could not stay!"

"We had to come!"

"It has arrived at last!"

"At last it has arrived!"

The old lady was very much older, but still the same.

"You will again have a chance!"

"Restored to your friends!"

"The world!"

"Your luxuries!"

"Your comforts!"

"Comforts! Luxuries!" At last the old lady had an opportunity to slip in a word. "And friends! You say right."

There was a pause--a pause which held not a small measure of embarrassment. But the two visitors, although they were women of the world, and so dreaded an embarrassment more than they did sin, had prepared themselves even to stand this.

The old lady standing there--she was very much thinner, very much bent, but still the same--appeared to be looking not at them, but at their enumeration.

"Comfort!" She opened a pot bubbling on the fire. "Bouillon! A good five-cent bouillon. Luxury!" She picked up something from a chair, a handful of new cotton chemises. "Luxury!" She turned back her bedspread: new cotton sheets. "Did you ever lie in your bed at night and dream of sheets? Comfort! Luxury! I should say so! And friends! My dear, look!" Opening her door, pointing to an opposite gallery, to the yard, her own gallery; to the washing, ironing, sewing women, the cobbling, chair-making, carpentering men; to the screaming, laughing, crying, quarreling, swarming children. "Friends! All friends--friends for fifteen years. Ah, yes, indeed! We are all glad--elated in fact. As you say. I am restored."

The visitors simply reported that they had found the old lady, and that she was imbecile; mind completely gone under stress of poverty and old age. Their opinion was that she should be interdicted.

A DELICATE AFFAIR

"But what does this extraordinary display of light mean?" ejaculated my aunt, the moment she entered the parlor from the dining-room. "It looks like the kingdom of heaven in here! Jules! Jules!" she called, "come and put out some of the light!"

Jules was at the front door letting in the usual Wednesday-evening visitor, but now he came running in immediately with his own invention in the way of a gas-stick,--a piece of broom-handle notched at the end,--and began turning one tap after the other, until the room was reduced to complete darkness.

"But what do you mean now, Jules?" screamed the old lady again.

"Pardon, madame," answered Jules, with dignity; "it is an accident. I thought there was one still lighted."

"An accident! An accident! Do you think I hire you to perform accidents for me? You are just through telling me that it was accident made you give me both soup and gumbo for dinner today."

"But accidents can always happen, madame," persisted Jules, adhering to his position.

The chandelier, a design of originality in its day, gave light by what purported to be wax candles standing each in a circlet of pendent crystals. The usual smile of ecstatic admiration spread over Jules's features as he touched the match to the simulated wicks, and lighted into life the rainbows in the prisms underneath. It was a smile that did not heighten the intelligence of his features, revealing as it did the toothless condition of his gums.

"What will madame have for her dinner tomorrow," looking benignantly at his mistress, and still standing under his aureole.

"Do I ever give orders for one dinner, with the other one still on my lips?"

"I only asked madame; there is no harm in asking." He walked away, his long stiff white apron rattling like a petticoat about him. Catching sight of the visitor still standing at the threshold: "Oh, madame, here is Mr. Horace. Shall I let him in?"

"Idiot! Every Wednesday you ask me that question, and every Wednesday I answer the same way. Don't you think I could tell you when not to let him in without your asking?"

"Oh, well, madame, one never knows; it is always safe to ask."

The appearance of the gentleman started a fresh subject of excitement.

"Jules! Jules! You have left that front door unlocked again!"

"Excuse me," said Mr. Horace; "Jules did not leave the front door unlocked. It was locked when I rang, and he locked it again most carefully after letting me in. I have been standing outside all the while the gas was being extinguished and relighted."

"Ah, very well, then. And what is the news?" She sank into her arm-chair, pulled her little card-table closer, and began shuffling the cards upon it for her game of solitaire. "I never hear any news, you know. She [nodding toward me] goes out, but she never learns anything. She is as stupid tonight as an empty bottle."

After a few passes her hands, which were slightly tremulous, regained some of their wonted steadiness and brilliancy of movement, and the cards dropped rapidly on the table. Mr. Horace, as he had got into the habit of doing, watched her mechanically, rather absent-mindedly retailing what he imagined would interest her, from his week's observation and hearsay. And madame's little world revolved, complete for her, in time, place, and personality.

It was an old-fashioned square room with long ceiling, and broad, low windows heavily curtained with stiff silk brocade, faded by time into mellowness. The tall white-painted mantel carried its obligation of ornaments well: a gilt clock which under a glass case related some brilliant poetical idyl, and told the hours only in an insignificant aside, according to the delicate politeness of bygone French taste; flanked by duplicate continuations of the same idyl in companion candelabra, also under glass; Sèvres, or imitation Sèvres vases, and a crowd of smaller objects to which age and rarity were slowly contributing an artistic value. An oval mirror behind threw replicas of them into another mirror, receiving in exchange the reflected portrait of madame in her youth, and in the partial nudity in which innocence was limned in madame's youth. There were besides mirrors on the other three walls of the room, all hung with such careful intent for the exercise of their vocation that the apartment, in spots, extended indefinitely; the brilliant chandelier was thereby quadrupled, and the furniture and ornaments multiplied everywhere and most unexpectedly into twins and triplets, producing such sociabilities among them, and forcing such correspondences between inanimate objects with such hospitable insistence, that the effect was full of gaiety and life, although the interchange in reality was the mere repetition of one original, a kind of phonographic echo.

The portrait of monsieur, madame's handsome young husband, hung out of the circle of radiance, in the isolation that, wherever they hang, always seems to surround the portraits of the dead.

Old as the parlors appeared, madame antedated them by the sixteen years she had lived before her marriage, which had been the occasion of their furnishment. She had traveled a considerable distance over the sands of time since the epoch commemorated by the portrait. Indeed, it would require almost documentary evidence to prove that she, who now was arriving at eighty, was the same Atalanta that had started out so buoyantly at sixteen.

Instead of a cap, she wore black lace over her head, pinned with gold brooches. Her white hair curled naturally over a low forehead. Her complexion showed care--and powder. Her eyes were still bright, not with the effete intelligence of old age, but with actual potency. She wore a loose black sack flowered in purple, and over that a black lace mantle, fastened with more gold brooches.

She played her game of solitaire rapidly, impatiently, and always won; for she never hesitated to cheat to get out of a tight place, or into a favorable one, cheating with the quickness of a flash, and forgetting it the moment afterward.

Mr. Horace was as old as she, but he looked much younger, although his dress and appearance betrayed no evidence of an effort in that direction. Whenever his friend cheated, he would invariably call her attention to it; and as usual she would shrug her shoulders, and say, "Bah! lose a game for a card!" and pursue the conversation.

He happened to mention mushrooms--fresh mushrooms. She threw down her cards before the words were out of his mouth, and began to call, "Jules! Jules!" Mr. Horace pulled the bell-cord, but madame was too excitable for that means of communication. She ran into the antechamber, and put her head over the banisters, calling, "Jules! Jules!" louder and louder. She might have heard Jules's slippered feet running from the street into the corridor and up-stairs, had she not been so deaf. He appeared at the door.

"But where have you been? Here I have been raising the house a half-hour, calling you. You have been in the street. I am sure you have been in the street."

"Madame is very much mistaken," answered Jules, with resentful dignity. He had taken off his white apron of waiter, and was disreputable in all the shabbiness of his attire as cook. "When madame forbids me to go into the street, I do not go into the street. I was in the kitchen; I had fallen asleep. What does madame desire?" smiling benevolently.

"What is this I hear? Fresh mushrooms in the market!"

"Eh, madame?"

"Fresh mushrooms in the market, and you have not brought me any!"

"Madame, there are fresh mushrooms everywhere in the market," waving his hand to show their universality.

"Everybody is eating them--"

"Old Pomponnette," Jules continued, "only this morning offered me a plate, piled up high, for ten cents."

"Idiot! Why did you not buy them?"

"If madame had said so; but madame did not say so. Madame said, 'Soup, Jules; carrots, rice,'" counting on his fingers.

"And the gumbo?"

"I have explained that that was an accident. Madame said 'Soup,'" enumerating his menu again; "madame never once said mushrooms."

"But how could I know there were mushrooms in the market? Do I go to market?"

"That is it!" and Jules smiled at the question thus settled.

"If you had told me there were mushrooms in the market--" pursued madame, persisting in treating Jules as a reasonable being.

"Why did not madame ask me? If madame had asked me, surely I would have told madame. Yesterday Caesar brought them to the door--a whole bucketful for twenty-five cents. I had to shut the door in his face to get rid of him," triumphantly.

"And you brought me yesterday those detestable peas!"

"Ah," shrugging his shoulders, "madame told me to buy what I saw. I saw peas. I bought them."

"Well, understand now, once for all: whenever you see mushrooms, no matter what I ordered, you buy them. Do you hear?"

"No, madame. Surely I cannot buy mushrooms unless madame orders them. Madame's disposition is too quick."

"But I do order them. Stupid! I do order them. I tell you to buy them every day."

"And if there are none in the market every day?"

"Go away! Get out of my sight! I do not want to see you. Ah, it is unendurable! I must--I must get rid of him!" This last was not a threat, as Jules knew only too well. It was merely a habitual exclamation.

During the colloquy Mr. Horace, leaning back in his arm-chair, raised his eyes, and caught the reflected portrait of madame in the mirror before him--the reflection so much softer and prettier, so much more ethereal, than the original painting. Indeed, seen in the mirror, that way, the portrait was as refreshing as the most charming memory. He pointed to it when madame, with considerable loss of temper, regained her seat.

"It is as beautiful as the past," he explained most unnaturally, for he and his friend had a horror of looking at the long, long past, which could not fail to remind them of--what no one cares to contemplate out of church. Making an effort toward some determination which a subtle observer might have noticed weighing upon him all the evening, he added: "And, apropos of the past--"

"_Hein_?" interrogated the old lady, impatiently, still under the influence of her irascibility about the mushrooms.

He moved his chair closer, and bent forward, as if his communication were to be confidential.

"Ah, bah! Speak louder!" she cried. "One would suppose you had some secret to tell. What secrets can there be at our age?" She took up her cards and began to play. There could be no one who bothered herself less about the forms of politeness.

"Yes, yes," answered Mr. Horace, throwing himself back into his chair; "what secrets can there be at our age?"

The remark seemed a pregnant one to him; he gave himself up to it. One must evidently be the age of one's thoughts. Mr. Horace's thoughts revealed him the old man he was. The lines in his face deepened into wrinkles; his white mustache could not pretend to conceal his mouth, worsened by the loss of a tooth or two; and the long, thin hand that propped his head was crossed with blue, distended veins. "At the last judgment"--it was a favorite quotation with him--"the book of our conscience will be read aloud before the whole company."

But the old lady, deep in her game, paid no more heed to his quotation than to him. He made a gesture toward her portrait.

"When that was painted, Josephine--"

Madame threw a glance after the gesture. The time was so long ago, the mythology of Greece hardly more distant! At eighty the golden age of youth must indeed appear an evanescent myth. Madame's ideas seemed to take that direction.

"Ah, at that time we were all nymphs, and you all demigods."

"Demigods and nymphs, yes; but there was one among us who was a god with you all."

The allusion--a frequent one with Mr. Horace--was to madame's husband, who in his day, it is said, had indeed played the god in the little Arcadia of society. She shrugged her shoulders. The truth is so little of a compliment The old gentleman sighed in an abstracted way, and madame, although apparently absorbed in her game, lent her ear. It is safe to say that a woman is never too old to hear a sigh wafted in her direction.

"Josephine, do you remember--in your memory--"

She pretended not to hear. Remember? Who ever heard of her forgetting? But she was not the woman to say, at a moment's notice, what she remembered or what she forgot.

"A woman's memory! When I think of a woman's memory--in fact, I do not like to think of a woman's memory. One can intrude in imagination into many places; but a woman's memory--"

Mr. Horace seemed to lose his thread. It had been said of him in his youth that he wrote poetry--and it was said against him. It was evidently such lapses as these that had given rise to the accusation. And as there was no one less impatient under sentiment or poetry than madame, her feet began to agitate themselves as if Jules were perorating some of his culinary inanities before her.

"And a man's memory!" totally misunderstanding him. "It is not there that I either would penetrate, my friend. A man--"

When madame began to talk about men she was prompted by imagination just as much as was Mr. Horace when he talked about women. But what a difference in their sentiments! And yet he had received so little, and she so much, from the subjects of their inspiration. But that seems to be the way in life--or in imagination.

"That you should"--he paused with the curious shyness of the old before the word "love"--"that you two should--marry--seemed natural, inevitable, at the time."

Tradition records exactly the same comment by society at the time on the marriage in question. Society is ever fatalistic in its comments.

"But the natural--the inevitable--do we not sometimes, I wonder, perform them as Jules does his accidents?"

"Ah, do not talk about that idiot! An idiot born and bred! I won't have him about me! He is a monstrosity! I tell his grandmother that every day when she comes to comb me. What a farce--what a ridiculous farce comfortable existence has become with us! Fresh mushrooms in market, and bring me carrots!"

The old gentleman, partly from long knowledge of her habit, or from an equally persistent bend of his own, quietly held on to his idea.

"One cannot tell. It seems so at the time. We like to think it so; it makes it easier. And yet, looking back on our future as we once looked forward to it--"

"Eh! but who wants to look back on it, my friend? Who in the world wants to look back on it?" One could not doubt madame's energy of opinion on that question to hear her voice. "We have done our future, we have performed it, if you will. Our future! It is like the dinners we have eaten; of course we cannot remember the good without becoming exasperated over the bad: but"--shrugging her shoulders--"since we cannot beat the cooks, we must submit to fate," forcing a queen that she needed at the critical point of her game.