Part 9

“Whut dem po’ white trash gwine fight fer? Nuttin’ ’tall ain’t bin tell me dat. Dee ain’t bin had no nigger; dee ain’t bin had no money; dee ain’t bin had no lan’; dee ain’t bin had nuttin’ ’tall. Un den ’pun top er dat, yer come folks fer tell me dat dat boy gwine fight ’longside dem creeturs.”

Mom Bi laughed loudly, and shook her long finger at the portrait of young Gabriel Waynecroft. As a work of art the portrait was a failure, having been painted by an ambitious amateur; but, crude as it was, it showed a face of wonderful refinement. The features were as delicate as those of a woman, with the exception of the chin, which was full and firm. The eyes, large and lustrous, gazed from the canvas with a suggestion of both tenderness and fearlessness.

During the long and dreary days that followed—days of waiting, days of suffering and of sorrow—there were many changes in the Waynecroft household, but Mom Bi held her place. She remained as virile and as active as ever. If any change was noticeable it was that her temper was more uncertain and her voice shriller. All her talk was about the war; and as the contest wore on, with no perceptible advantage to the Confederates, she assumed the character and functions of a prophetess. Among the negroes, especially those who had never come in familiar contact with the whites, she was looked upon as a person to be feared and respected. Naturally, they argued that any black who talked to the white people as Mom Bi did must possess at least sufficient occult power to escape punishment.

Sometimes, in the pleasant weather, while walking with her mistress and the children on the battery at Charleston she would reach forth her hand and exclaim:

“Oona see dem wharfs? Dee gwine be fill wid Yankee ships! Dee gwine sail right stret up, un nuttin’ ’t all gwine stop um.”

Then, turning to the town, she would say:

“Oona see dem street? Dee gwine fair swarm wid Yankee! Dee gwine march troo ’um, un nuttin’ ’t all gwine stop um. Oona see dem gang er nigger down dey? Dee gwine be free, un nuttin’ ’t all gwine stop um. Dee’l be free, un ole Bi gwine be free. Ah, Lord! when de drum start fer beat, un de trumpet start fer blow, de white folks gwine los de nigger. Ki! I mos’ yeddy dem now.”

This was repeated, not once, but hundreds of times—in the house and on the streets, wherever Mom Bi went. At the market, while the venders were weighing out supplies for the Waynecroft household, Mom Bi would take advantage of the occasion to preach a sermon about the war and to utter prophecies about the freedom of the negroes. Her fearlessness was her best protection. Those who heard her had no doubt that she was a lunatic, and so she was allowed to come and go in peace, at a time when the great mass of the negroes were under the strictest surveillance. It made no difference to Mom Bi, however, whether one or a thousand eyes were watching her, or whether the whole world thought she was crazy. She was in earnest, and thus presented a spectacle that is rarer than a great many people are willing to admit.

The old woman went her way, affording amusement to some and to others food for thought; and the rest of the world went its way, especially that part of it that was watching events from rifle-pits and trenches. To those at home the years seemed to drag, though they went fast enough, no doubt, for those at the front. They went fast enough to mark some marvelous changes and developments. Hundreds of thousands of times, it happened that a gun fired in Virginia sorely wounded the hearts of a household far away.

On the Shenandoah, one night, a sharpshooter in blue heard the clatter of a horse’s hoofs on the turnpike, and the jangling of sword, spurs and bit. As the horseman came into view in the moonlight, the sharpshooter leveled his rifle. There was a flash, a puff of smoke, and a report that broke into a hundred crackling echoes on the still night air. The horse that had been held so well in hand galloped wildly away with an empty saddle. The comrades of the cavalryman, who had been following him at a little distance, rushed forward at the report of the gun, and found their handsome young officer lying in the road, dead. They scoured the country for some distance around, but they saw nothing and heard nothing, and finally they lifted the dead soldier to a horse, and carried him back to their camp.

The sharpshooter had aimed only at the dashing young cavalryman, but his shot struck a father and a mother in Charleston, and an old negro woman who was supposed to be crazy; and the wounds that it made were grievous. The cavalryman was young Gabriel Waynecroft, and with the ending of his life the hope and expectations of the family seemed to be blotted out. He had been the darling of the household, the pride of his father, the joy of his mother, and the idol of Mom Bi. When the news of his death came, the grief of the household took the shape of consternation. It was terrible to behold. The mother was prostrated and the father crushed. Their sorrow was voiceless. Mom Bi went about wringing her hands and moaning and talking to herself day after day.

Once, Judge Waynecroft, passing through the hall in slippered feet, thought he heard voices in the sitting-room. In an aimless way, he glanced in the room, and the sight made him pause. Mom Bi was sitting in the middle of the room in a low chair, gazing at the portrait of Gabriel Waynecroft, and talking to it. She spoke in a soft and tender tone, in strange contrast to the usual rasping and irritating quality of her voice.

“Look at me, honey,” she was saying; “look at you’ ole nigger mammy! Whut make dee lef’ you fer go way down, dey wey one folks kill turrer folks? Tell de ole nigger mammy dat, honey. Whaffer dee no lef’ dem no ’count san’hillers fer do all de fightin’? Who gwine fer cry wun dee git kilt? Fightin’ fer nigger! Whaffer you’ daddy no sen’ he niggers fer fight? De Lord know dee plenty un um. Nummine, honey! ’T ain’t gwine fer be long, ’fo’ dee’ll all know whut de Lord know, un whut ole Bi know. Gi’ um time, honey! des gi’ um time!”

Judge Waynecroft turned away with a groan. To behold the bewildered grief of this old negro woman was to add a new pang to his own sorrow. Mom Bi paused, but did not turn her head. She heard her master pass down the hall with uncertain step, and then she heard the library door shut.

“’Tis de gospel troot ’e bin yeddy me preachin’,” she exclaimed. Then she turned again to the portrait and gazed at it steadily and in silence for a long while, rocking herself and nursing her withered arm.

When the body of Gabriel Waynecroft was brought home, Mom Bi kneeled on the floor at the foot of the coffin and stayed there, giving utterance to the wildest lamentations. Some friend or acquaintance of the family made an attempt to remove her.

“This will never do,” he said kindly, but firmly. “You must get up and go away. The noise you are making distresses and disturbs the family.”

Trembling with mingled grief and rage, Mom Bi turned upon the officious person.

“I ain’t, I ain’t, I ain’t!” she almost shrieked. “I gwine fer stay right wey I is. Take you’ han’ fum off me, man! I bin cry on count dat chile mos’ ’fo’ he own mammy is. I bin nuss um, I bin worry wid um, I bin stay ’wake wid um wun ev’body wuz sleep, un I bin hol’ um in my lap day un night, wun ’e sick un wun ’e well. I ain’t gwine out! I ain’t! I ain’t!”

In fine, Mom Bi made a terrible scene, and the officious person who wanted to drive her out was glad to get out himself, which he was compelled to do in order to escape the clamor that he had unwittingly raised.

The death and burial of Gabriel Waynecroft was a gloomy episode in Mom Bi’s experience, and it left its marks upon her. She lost none of her old-time vigor, but her temper became almost unbearable. She was surly, irritable and sometimes violent, especially toward the negroes on the place, who regarded her with a superstitious fear that would be difficult to explain or describe. Left to herself she did well enough. She loved to sit in the sun and talk to herself. The other negroes had a theory that she saw spirits and conversed with them; but they were welcome to their theories, so far as Mom Bi was concerned, provided they didn’t pester her.

Meanwhile, Sherman’s army was marching through Georgia to Savannah, and in Virginia Grant was arranging the plans of his last campaign. Savannah fell, and then came the information that Sherman’s army was moving on Charleston. The city could be defended in only one direction: all its bristles pointed seaward; and the Confederate troops prepared to evacuate. All these movements were well known to the negroes, especially to Mom Bi, and she made use of her information to renew her prophecies. She stood in the porch of her master’s house and watched the Confederates file by, greeting them occasionally with irritating comment.

“Hi! Wey you gwine? Whaffer you no stop fer tell folks good-by? Nummine! Dem Yankee buckra, dee gwine shaky you by de han’. Dee mek you hot fer true. Wey you no stop fer see de nigger come free?”

Most of Mom Bi’s prophecies came true. Sherman marched northward, and then came Appomattox. One day, shortly after the surrender, Mom Bi appeared before Judge Waynecroft and his wife rigged out in her best clothes. She was rather more subdued than usual. She entered the room, and then stood still, looking first at one and then at the other.

“Well, Bi,” said the Judge, kindly, “what can we do for you?”

“Nuttin’ ’t all. I gwine down dey at Sawanny, wey my daughter is bin live.”

“Do you mean Maria?”

“My daughter ’Ria, w’at you bin sell to John Waynecroft. I gwine down dey wey she live at.”

“Why, you are too old to be gadding about,” said the Judge. “Why not stay here where you have a comfortable home?”

“I think you are very foolish to even dream of such a thing, Mom Bi. Maria is not able to take care of you.”

“I gwine down dey wey my daughter bin live at,” persisted Mom Bi. Then she looked at the portrait of Gabriel Waynecroft. The beautiful boyish face seemed to arouse her. Turning suddenly, she exclaimed:

“De Lord know I done bin fergive you-all fer sellin’ ’Ria ’way fum me. De Lord know I is! Wun I bin see you set down un let dat chile go off fer git kill’”—Mom Bi pointed her long and quivering finger at Gabriel’s portrait—“wun I see dis, I say ‘hush up, nigger! don’t bodder ’bout ’Ria.’ De Lord know I done bin fergive you!”

With this Mom Bi turned to the door and passed out.

“Won’t you tell us good-by?” the Judge asked.

“I done bin fergive you,” said Mom Bi.

“I think you might tell us good-by,” said Mrs. Waynecroft, with tears in her eyes and voice.

“I done bin fergive you,” was the answer.

This was in June. One morning months afterward Judge Waynecroft was informed by a policeman that a crazy old negro woman had been arrested in the cemetery.

“She is continually talking about Gabriel Waynecroft,” said the officer, “and the Captain thought you might know something about her. She’s got the temper of Old Harry,” he continued, “and old and crippled as she is, she’s as strong as a bull yearling.”

It was Mom Bi, and she was carried to her old master’s home. Little by little she told the story of her visit to Savannah. She found her daughter and her family in a most deplorable condition. The children had the small-pox, and finally Maria was seized with the disease. For lack of food and proper attention they all died, and Mom Bi found herself alone and friendless in a strange city. How she managed to make her way back home it is impossible to say, but she returned.

The Mom Bi who returned, however, was not the same Mom Bi that went away. Old age had overtaken her in Savannah. Her eyes were hollow, her face was pinched and shrunken, the flesh on her bones had shriveled, and her limbs shook as with the palsy. When she was helped into the house that had so long been her home she looked around at the furniture and the walls. Finally her eyes rested on the portrait of Gabriel Waynecroft. She smiled a little and then said feebly:

“I done bin come back. I bin come back fer stay; but I free, dough!”

In a little while she was freer still. She had passed beyond the reach of mortal care or pain; and, as in the old days, she went without bidding her friends good-by.

THE OLD BASCOM PLACE.

I.

One Saturday afternoon in the spring of 1876, as Farmer Joe-Bob Grissom was on his way to Hillsborough for the purpose of hearing the news and having an evening’s chat with his town acquaintances,—as was his invariable custom at the close of the week,—he saw, as he passed the old Bascom Place, an old gentleman and a young lady walking slowly along the road. The old gentleman was tall and thin, and had silvery white hair. He wore a high-crowned, wide-brimmed felt hat, and his clothes, though neat, were too glossy to be new. The young lady was just developing into womanhood. She had a striking face and figure. Her eyes were large and brilliantly black; her hair, escaping from under her straw hat with its scarlet ribbons, fell in dusky masses to her waist.

The two walked slowly, and occasionally they paused while the old gentleman pointed in various directions with his cane, as though impressing on the mind of his companion the whereabouts of certain interesting landmarks. They were followed at a little distance by a negro, who carried across his arm a light wrap which seemed to be a part of the outfit of the young lady.

As Farmer Joe-Bob Grissom passed the two, he bowed and tipped his hat by way of salutation. The old gentleman raised his hat and bowed with great courtliness, and the young lady nodded her head and smiled pleasantly at him. Farmer Joe-Bob was old enough to be grizzly, but the smile stirred him. It seemed to be a direct challenge to his memory. Where had he seen the young lady before? Where had he met the old gentleman? He was puzzled to such an extent that he paid no attention to the negro man, who touched his hat and bowed politely as the farmer passed—a fact that made the negro wonder a little; for day in and out he had known Mr. Joe-Bob Grissom nearly forty years, and never before had that worthy citizen failed to respond with a cordial “Howdy” when the negro took off his hat.

Farmer Joe-Bob Grissom walked on towards town, which was not far, and the old gentleman and the young lady walked slowly along the hedge of Cherokee roses that ran around the old Bascom Place, while the negro followed at a respectful distance. Once they paused, and the old gentleman rubbed his eyes with a hand that trembled a little.

“Why, darling!” he exclaimed in a tone of mingled grief and astonishment, “they have cut it down.”

“Cut what down, father?”

“Why, the weeping-willow. Don’t you remember it, daughter? It stood in the middle of the field yonder. It was a noble tree. Well, well, well! What next, I wonder?”

“I do not remember it, father; I have so much to”—

“Yes, yes,” the old gentleman interrupted. “Of course you couldn’t remember. The place has been so changed that I seem to have forgotten it myself. It has been turned topsy-turvy; it has been ruined—ruined!”

He leaned on his cane, and with quivering lips and moist eyes looked through the green perspective of the park, and over the fertile fields and meadows.

“Ruined!” exclaimed the young lady. “How can you say so, father? I never saw a more beautiful place. It would make a lovely picture.”

“And they have ruined the house, too. The whole roof has been changed.” The old man pulled his hat down over his eyes, his hand trembling more than ever. “Let us turn back, Mildred,” he said after a while. “The sight of all this frets and worries me more than I thought it would.”

“They say,” said the daughter, “that the gentleman who owns the place has made a good deal of money.”

“Yes,” replied the father, “I suppose so—I suppose so. Yes, so I have heard. A great many people are making money now who never made it before—a great many.”

“I wish they would tell us the secret,” said the young lady, laughing a little.

“There is no secret about it,” said the old gentleman; “none whatever. To make money you must be mean and niggardly yourself, and then employ others to be mean and niggardly for you.”

“Oh, it is not always so, father,” the young girl exclaimed.

“It _was_ not always so, my daughter. There _was_ a time when one could make money and remain a gentleman; but that was many years ago.”

The young lady was apparently not anxious to continue the argument, for she lightly turned the conversation into a more agreeable channel; and so the two, still followed by the negro, made their way through the shaded streets of the town.

That evening, when Mr. Joe-Bob Grissom, after making some little purchases about town, went to the hotel, which he persisted in calling a tavern, he found Major Jimmy Bass engaged in a hot political discussion with a crowd which included a number of the townspeople, as well as a sprinkling of commercial travelers. Major Jimmy was one of the ancient and venerable landmarks of that region. He had once been an active politician, and had been engaged in political discussion for forty years or more. Old and fat as he was, he knew how to talk, and nothing pleased him more than to get hold of a stranger when a crowd of sympathetic fellow-citizens, young and old, was present to applaud the points he made.

Whenever Mr. Joe-Bob Grissom appeared in the veranda of the hotel he made it a point to shake hands with every person present, friend and stranger alike. His politeness was a trifle elaborate, but it was genuine.

“Why, howdy, Joe-Bob, howdy!” exclaimed Major Bass with effusion. “You seem to turn up at the right time, like the spangled man in the circus. I’m glad you’ve come, an’ ef I’d ’a’ had my way you’d ’a’ come sooner, bekaze you’re jest a little too late fer to see me slap the argyments onto some of these here travelin’ drummers. They are gone now,” the major continued, with a sweeping gesture of his right arm. “They are gone, but I wisht mightily you’d ’a’ been here. New things is mortal nice, I know; but when these new-issue chaps set up to out-talk men that’s old enough to be their grand-daddy, it does me a sight of good fer to see ’em took down a peg er two.”

As soon as he could get in a word edgewise, farmer Joe-Bob Grissom attempted to turn the conversation in a direction calculated to satisfy his curiosity.

“Major,” he said in his deliberate way, “what’s this I see out yonder at the old Bascom Place?”

“The Lord only knows, Joe-Bob. What might be the complexion, er yet the character, of it?”

“Well,” said Mr. Grissom, “as I was makin’ to’rds town a little while ago, I seen some folks that don’t look like they b’long ’roun’ here. One of ’em was a old man, an’ t’ other one was a young gal, an’ a nigger man was a-follerin’ of ’em up—an’, ef I make no mistakes, the nigger man was your old Jess. I didn’t look close at the nigger, but arter I’d passed him it come to me that it wa’n’t nobody on the topside of the roun’ worl’ but Jess.”

“Why, bless your life an’ soul!” exclaimed Major Bass, giving farmer Joe-Bob a neighborly nudge, “don’t you know who them folks was? Well, well! Where’s your mind? Why, that was old Briscoe Bascom an’ his daughter.”

“I say it!” exclaimed farmer Joe-Bob, hitching his chair closer to the major.

“Yes, sir,” said the major, “that’s who it was. Why, where on earth have you been? The old Judge drapped in on the town some weeks ago, an’ he’s been here ever sence. He’s been here long enough for the gal to make up a school. Lord, Lord! What a big swing the world’s in! High on one side, high on t’ other, an’ the old cat a-dyin, in the middle! Why, bless your heart, Joe-Bob! I’ve seed the time when ef old Judge Briscoe Bascom jest so much as bowed to me I’d feel proud fer a week. An’ now look at ’im! Ef I knowed I’d be took off wi’ the dropsy the nex’ minute, I wouldn’t swap places wi’ the poor old creetur.”

“But what is old Jess a-doin’ doggin’ ’long arter ’em that a-way?” inquired Mr. Grissom, knitting his shaggy eyebrows.

“That’s what pesters me,” exclaimed the major. “Ef niggers was ree-sponsible fer what they done, it would be wuss than what it is. Now you take Jesse: you needn’t tell me that nigger ain’t got sense; yit what does he do? You seen ’im wi’ your own eyes. Why, sir,” continued the major, growing more emphatic, “I bought that nigger from Judge Bascom’s cousin when he wa’n’t nothin’ but a youngster, an’ I took him home an’ raised him up right in the house,—yes, sir, right in the house,—an’ he’s been a-hangin’ ’roun’ me off an’ on, gittin’ his vittles, his clozes, an’ his lodgin’. Yit, look at him now! I wisht I may die dead ef that nigger didn’t hitch onto old Judge Bascom the minute he landed in town. Yes, sir! I’m a-tellin’ you no lie. It’s a clean, naked fact. That nigger quit me an’ went an’ took up wi’ the old judge.”

“Well,” said Mr. Grissom, stroking his unshorn face, “you know what the sayin’ is: Niggers ’ll be niggers even ef you whitewash ’em twice a week.”

“Yes,” remarked the major thoughtfully; “I hope to goodness they’ve got souls, but I misdoubt it. Lord, yes, I misdoubt it mightily.”

II.

As Major Jimmy Bass used to say, the years cut many queer capers as they go by. The major in his own proper person had not only witnessed, but had been the victim, of these queer capers. Hillsborough was a very small place indeed, and, for that very reason perhaps, it was more sensitive to changes in the way of progress and decay than many larger and more ambitious towns.

However this may have been, it is certain that the town, assisted by the major, had noted the queer capers the years had cut in the neighborhood of the old Bascom Place. This attitude on the part of Hillsborough—including, of course, Major Jimmy Bass—may be accounted for partly by the fact that the old place had once been the pride and delight of the town, and partly by the fact that the provincial eye and mind are nervously alert to whatever happens within range of their observation.

Before and during the war the Bascom Place was part and parcel of a magnificent estate. The domain was so extensive and so well managed that it was noted far and wide. Its boundary lines inclosed more than four thousand acres of forests and cultivated fields. This immense body of land was known as the old Bascom Place.

Bolling Bascom, its first owner, went to Georgia not long after the close of the Revolution, with a large number of Virginians who proposed to establish a colony in what was then the far South. The colony settled in Wilkes County; but Bolling Bascom, more adventurous than the rest, pushed on into middle Georgia, crossed the Oconee, and built him a home, and such was his taste, his energy, and his thrift, that the results thereof may be seen and admired in Hillsborough to this day.

But the man, like so many of his fellow-citizens then and thereafter, was land-hungry. He bought and bought until he had acquired the immense domain, which, by some special interposition of fate or circumstance, is still intact. Meantime he had built him a house which was in keeping with the extent and richness of his landed possessions. It was planned in the old colonial style, but its massive proportions were relieved by the tall red chimneys and the long and gracefully fashioned colonnade that gave both strength and beauty to the spacious piazza which ran, and still runs, the whole length of the house.

When Bolling Bascom died, in 1830, aged seventy years, as the faded inscription on the storm-beaten tablet in the churchyard shows, he left his son, Briscoe Bascom, to own and manage the vast estate. This son was thirty years old, and it was said of him that he inherited the gentle qualities of his mother rather than the fiery energy and ambition of his father.