Chapter 6

A joyous note trembled in her voice as she drew back from the cot. He could hear her swiftly braiding her hair before she struck a match to light the oil lamp hanging from the ceiling. After that, through partly closed eyes, he watched her as she prepared their supper. Occasionally, when she turned toward him as if to speak, he feigned a desire to sleep. It was a catlike watchfulness, filled with his old cunning. In his face there was no sign to betray its hideous significance. Outwardly he had regained his iron-like impassiveness; but in his body and his brain every nerve and fiber was consumed by a monstrous desire--a desire for this woman, the murderer's wife. It was as strange and as sudden as the death that had come to Francois Breault.

The moment he had looked up into her face in the doorway, it had overwhelmed him. And now even the sound of her footsteps on the floor filled him with an exquisite exultation. It was more than exultation. It was a feeling of POSSESSION.

In the hollow of his hand he--Blake, the man-hunter--held the fate of this woman. She was the Fiddler's wife--and the Fiddler was a murderer.

Marie heard the sudden deep breath that forced itself from his lips, a gasp that would have been a cry of triumph if he had given it voice.

"You are in pain, m'sieu," she exclaimed, turning toward him quickly.

"A little," he said, smiling at her. "Will you help me to sit up, Marie?"

He saw ahead of him another and more thrilling game than the man-hunt now. And Marie, unsuspicious, put her arms about the shoulders of the Pharisee and helped him to rise. They ate their supper with a narrow table between them. If there had been a doubt in Blake's mind before that, the half hour in which she sat facing him dispelled it utterly. At first the amazing beauty of Thoreau's wife had impinged itself upon his senses with something of a shock. But he was cool now. He was again master of his old cunning. Pitilessly and without conscience, he was marshaling the crafty forces of his brute nature for this new and more thrilling fight--the fight for a woman.

That in representing the Law he was pledged to virtue as well as order had never entered into his code of life. To him the Law was force--power. It had exalted him. It had forged an iron mask over the face of his savagery. And it was the savage that was dominant in him now. He saw in Marie's dark eyes a great love--love for a murderer.

It was not his thought that he might alienate that. For that look, turned upon himself, he would have sacrificed his whole world as it had previously existed. He was scheming beyond that impossibility, measuring her even as he called himself Duval, counting--not his chances of success, but the length of time it would take him to succeed.

He had never failed. A man had never beaten him. A woman had never tricked him. And he granted no possibility of failure now. But--HOW? That was the question that writhed and twisted itself in his brain even as he smiled at her over the table and told her of the black days of Jan's sickness up on the edge of the Barren.

And then it came to him--all at once. Marie did not see. She did not FEEL. She had no suspicion of this loyal friend of her husband's.

Blake's heart pounded triumphant. He hobbled back to the cot, leaning on Marie slim shoulder; and as he hobbled he told her how he had helped Jan into his cabin in just this same way, and how at the end Jan had collapsed--just as he collapsed when he came to the cot. He pulled Marie down with him--accidentally. His lips touched her head. He laughed.

For a few moments he was like a drunken man in his new joy. Willingly he would have gambled his life on his chance of winning. But confidence displaced none of his cunning. He rubbed his hands and said:

"Gawd, but won't it be a surprise for Jan? I told him that some day I'd come. I told him!"

It would be a tremendous joke--this surprise he had in store for Jan. He chuckled over it again and again as Marie went about her work; and Marie's face flushed and her eyes were bright and she laughed softly at this great love which Duval betrayed for her husband. No; even the loss of his dogs and his outfit couldn't spoil his pleasure! Why should it? He could get other dogs and another outfit--but it had been three years since he had seen Jan Thoreau! When Marie had finished her work he put his hand suddenly to his eyes and said:

"Peste! but last night's storm must have hurt my eyes. The light blinds them, ma cheri. Will you put it out, and sit down near me, so that I can see you as you talk, and tell me all that has happened to Jan Thoreau since that winter three years ago?"

She put out the light, and threw open the door of the box-stove. In the dim firelight she sat on a stool beside Blake's cot. Her faith in him was like that of a child. She was twenty-two. Blake was fifteen years older. She felt the immense superiority of his age.

This man, you must understand, had been more than a brother to Jan. He had been a father. He had risked his life. He had saved him from death. And Marie, as she sat at his side, did not think of him as a young man--thirty-seven. She talked to him as she might have talked to an elder brother of Jan's, and with something like the same reverence in her voice.

It was unfortunate--for her--that Jan had loved Duval, and that he had never tired of telling her about him. And now, when Blake's caution warned him to lie no more about the days of plague in Duval's cabin, she told him--as he had asked her--about herself and Jan; how they had lived during the last three years, the important things that had happened to them, and what they were looking forward to. He caught the low note of happiness that ran through her voice; and with a laugh, a laugh that sounded real and wholesome, he put out his hand in the darkness--for the fire had burned itself low--and stroked her hair. She did not shrink from the caress. He was happy because THEY were happy. That was her thought! And Blake did not go too far.

She went on, telling Jan's life away, betraying him In her happiness, crucifying him in her faith. Blake knew that she was telling the truth. She did not know that Jan had killed Francois Breault, and she believed that he would surely return--in three days. And the way he had left her that morning! Yes, she confided even that to this big brother of Jan, her cheeks flushing hotly in the darkness--how he had hated to go, and held her a long time in his arms before he tore himself away.

Had he taken his fiddle along with him? Yes--always that. Next to herself he loved his violin. Oo-oo--no, no--she was not jealous of the violin! Blake laughed--such a big, healthy, happy laugh, with an odd tremble in it. He stroked her hair again, and his fingers lay for an instant against her warm cheek.

And then, quite casually, he played his second big card.

"A man was found dead on the trail yesterday," he said. "Some one killed him. He had a bullet through his lung. He was the mail-runner, Francois Breault."

It was then, when he said that Breault had been murdered, that Blake's hand touched Marie's cheek and fell to her shoulder. It was too dark in the cabin to see. But under his hand he felt her grow suddenly rigid, and for a moment or two she seemed to stop breathing. In the gloom Blake's lips were smiling. He had struck, and he needed no light to see the effect.

"Francois--Breault!" he heard her breathe at last, as if she was fighting to keep something from choking her. "Francois Breault--dead--killed by someone--"

She rose slowly. His eyes followed her, a shadow in the gloom as she moved toward the stove. He heard her strike a match, and when she turned toward him again in the light of the oil-lamp, her face was pale and her eyes were big and staring. He swung himself to the edge of the cot, his pulse beating with the savage thrill of the inquisitor. Yet he knew that it was not quite time for him to disclose himself--not quite. He did not dread the moment when he would rise and tell her that he was not injured, and that he was not M'sieu Duval, but Corporal Blake of the Royal Mounted Police. He was eager for that moment. But he waited--discreetly. When the trap was sprung there would be no escape.

"You are sure--it was Francois Breault?" she said at last.

He nodded.

"Yes, the mail-runner. You knew him?"

She had moved to the table, and her hand was gripping the edge of it. For a space she did not answer him, but seemed to be looking somewhere through the cabin walls--a long way off. Ferret-like, he was watching her, and saw his opportunity. How splendidly fate was playing his way!

He rose to his feet and hobbled painfully to her, a splendid hypocrite, a magnificent dissembler. He seized her hand and held it in both his own. It was small and soft, but strangely cold.

"Ma cheri--my dear child--what makes you look like that? What has the death of Francois Breault to do with you--you and Jan?"

It was the voice of a friend, a brother, low, sympathetic, filled just enough with anxiety. Only last winter, in just that way, it had won the confidence and roused the hope of Pierrot's wife, over on the Athabasca. In the summer that followed they hanged Pierrot. Gently Blake spoke the words again. Marie's lips trembled. Her great eyes were looking at him--straight into his soul, it seemed.

"You may tell me, ma cheri," he encouraged, barely above a whisper. "I am Duval. And Jan--I love Jan."

He drew her back toward the cot, dragging his limb painfully, and seated her again upon the stool. He sat beside her, still holding her hand, patting it, encouraging her. The color was coming back into Marie's cheeks. Her lips were growing full and red again, and suddenly she gave a trembling little laugh as she looked up into Blake's face. His presence began to dispel the terror that had possessed her all at once.

"Tell me, Marie."

He saw the shudder that passed through her slim shoulders.

"They had a fight--here--in this cabin--three days ago," she confessed. "It must have been--the day--he was killed."

Blake knew the wild thought that was in her heart as she watched him. The muscles of his jaws tightened. His shoulders grew tense. He looked over her head as if he, too, saw something beyond the cabin walls. It was Marie's hand that gripped his now, and her voice, panting almost, was filled with an agonized protest.

"No, no, no--it was not Jan," she moaned. "It was not Jan who killed him!"

"Hush!" said Blake.

He looked about him as if there was a chance that someone might hear the fatal words she had spoken. It was a splendid bit of acting, almost unconscious, and tremendously effective. The expression in his face stabbed to her heart like a cold knife. Convulsively her fingers clutched more tightly at his hands. He might as well have spoken the words: "It was Jan, then, who killed Francois Breault!"

Instead of that he said:

"You must tell me everything, Marie. How did it happen? Why did they fight? And why has Jan gone away so soon after the killing? For Jan's sake, you must tell me--everything."

He waited. It seemed to him that he could hear the fighting struggle in Marie's breast. Then she began, brokenly, a little at a time, now and then barely whispering the story. It was a woman's story, and she told it like a woman, from the beginning. Perhaps at one time the rivalry between Jan Thoreau and Francois Breault, and their struggle for her love, had made her heart beat faster and her cheeks flush warm with a woman's pride of conquest, even though she had loved one and had hated the other. None of that pride was in her voice now, except when she spoke of Jan.

"Yes--like that--children together--we grew up," she confided. "It was down there at Wollaston Post, in the heart of the big forests, and when I was a baby it was Jan who carried me about on his shoulders. Oui, even then he played the violin. I loved it. I loved Jan--always. Later, when I was seventeen, Francois Breault came."

She was trembling.

"Jan has told me a little about those days," lied Blake. "Tell me the rest, Marie."

"I--I knew I was going to be Jan's wife," she went on, the hands she had withdrawn from his twisting nervously in her lap. "We both knew. And yet--he had not spoken--he had not been definite. Oo-oo, do you understand, M'sieu Duval? It was my fault at the beginning! Francois Breault loved me. And so--I played with him--only a little, m'sieu!--to frighten Jan into the thought that he might lose me. I did not know what I was doing. No--no; I didn't understand.

"Jan and I were married, and on the day Jan saw the missioner--a week before we were made man and wife--Francois Beault came in from the trail to see me, and I confessed to him, and asked his forgiveness. We were alone. And he--Francois Breault--was like a madman."

She was panting. Her hands were clenched. "If Jan hadn't heard my cries, and come just in time--" she breathed.

Her blazing eyes looked up into Blake's face. He understood, and nodded.

"And it was like that--again--three days ago," she continued. "I hadn't seen Breault in two years--two years ago down at Wollaston Post. And he was mad. Yes, he must have been mad when he came three days ago. I don't know that he came so much for me as it was to kill Jan, He said it was Jan. Ugh, and it was here--in the cabin--that they fought!"

"And Jan--punished him," said Blake in a low voice.

Again the convulsive shudder swept through Marie's shoulders.

"It was strange--what happened, m'sieu. I was going to shoot. Yes, I would have shot him when the chance came. But all at once Francois Breault sprang back to the door, and he cried: 'Jan Thoreau, I am mad--mad! Great God, what have I done?' Yes, he said that, m'sieu, those very words--and then he was gone."

"And that same day--a little later--Jan went away from the cabin, and was gone a long time," whispered Blake. "Was it not so, Marie?"

"Yes; he went to his trap-line, m'sieu."

For the first time Blake made a movement. He took her face boldly between his two hands, and turned it so that her staring eyes were looking straight into his own. Every fiber in his body was trembling with the thrill of his monstrous triumph. "My dear little girl, I must tell you the truth," he said. "Your husband, Jan, did not go to his trap-line three days ago. He followed Francois Breault, and killed him. And I am not John Duval. I am Corporal Blake of the Mounted Police, and I have come to get Jan, that he may be hanged by the neck until he is dead for his crime. I came for that. But I have changed my mind. I have seen you, and for you I would give even a murderer his life. Do you understand? For YOU--YOU--YOU--"

And then came the grand finale, just as he had planned it. His words had stupefied her. She made no movement, no sound--only her great eyes seemed alive. And suddenly he swept her into his arms with the wild passion of a beast. How long she lay against his breast, his arms crushing her, his hot lips on her face, she did not know.

The world had grown suddenly dark. But in that darkness she heard his voice; and what it was saying roused her at last from the deadliness of her stupor. She strained against him, and with a wild cry broke from his arms, and staggered across the cabin floor to the door of her bedroom. Blake did not pursue her. He let the darkness of that room shut her in. He had told her--and she understood.

He shrugged his shoulders as he rose to his feet. Quite calmly, in spite of the wild rush of blood through his body, he went to the cabin door, opened it, and looked out into the night. It was full of stars, and quiet.

It was quiet in that inner room, too--so quiet that one might fancy he could hear the beating of a heart. Marie had flung herself in the farthest corner, beyond the bed. And there her hand had touched something. It was cold--the chill of steel. She could almost have screamed, in the mighty reaction that swept through her like an electric shock. But her lips were dumb and her hand clutched tighter at the cold thing.

She drew it toward her inch by inch, and leveled it across the bed. It was Jan's goose-gun, loaded with buck-shot. There was a single metallic click as she drew the hammer back. In the doorway, looking at the stars, Blake did not hear.

Marie waited. She was not reasoning things now, except that in the outer room there was a serpent that she must kill. She would kill him as he came between her and the light; then she would follow over Jan's trail, overtake him somewhere, and they would flee together. Of that much she thought ahead. But chiefly her mind, her eyes, her brain, her whole being, were concentrated on the twelve-inch opening between the bedroom door and the outer room. The serpent would soon appear there. And then--

She heard the cabin door close, and Blake's footsteps approaching. Her body did not tremble now. Her forefinger was steady on the trigger. She held her breath--and waited. Blake came to the deadline and stopped. She could see one arm and a part of his shoulder. But that was not enough. Another half step--six inches--four even, and she would fire. Her heart pounded like a tiny hammer in her breast.

And then the very life in her body seemed to stand still. The cabin door had opened suddenly, and someone had entered. In that moment she would have fired, for she knew that it must be Jan who had returned. But Blake had moved. And now, with her finger on the trigger, she heard his cry of amazement:

"Sergeant Fitzgerald!"

"Yes. Put up your gun, Corporal. Have you got Jan Thoreau?"

"He--is gone."

"That is lucky for us." It was the stranger's voice, filled with a great relief. "I have traveled fast to overtake you. Matao, the half-breed, was stabbed in a quarrel soon after you left; and before he died he confessed to killing Breault. The evidence is conclusive. Ugh, but this fire is good! Anybody at home?"

"Yes," said Blake slowly. "Mrs. Thoreau--is--at home."

L'ANGE

She stood in the doorway of a log cabin that was overgrown with woodvine and mellow with the dull red glow of the climbing bakneesh, with the warmth of the late summer sun falling upon her bare head. Cummins' shout had brought her to the door when we were still half a rifle shot down the river; a second shout, close to shore, brought her running down toward me. In that first view that I had of her, I called her beautiful. It was chiefly, I believe, because of her splendid hair. John Cummins' shout of homecoming had caught her with it undone, and she greeted us with the dark and lustrous masses of it sweeping about her shoulders and down to her hips. That is, she greeted Cummins, for he had been gone for nearly a month. I busied myself with the canoe for that first half minute or so.

Then it was that I received my introduction and for the first time touched the hand of Melisse Cummins, the Florence Nightingale of several thousand square miles of northern wilderness. I saw, then, that what I had at first taken for our own hothouse variety of beauty was a different thing entirely, a type that would have disappointed many because of its strength and firmness. Her hair was a glory, brown and soft. No woman could have criticized its loveliness. But the flush that I had seen in her face, flower-like at a short distance, was a tan that was almost a man's tan. Her eyes were of a deep blue and as clear as the sky; but in them, too, there was a strength that was not altogether feminine. There was strength in her face, strength in the poise of her firm neck, strength in every movement of her limbs and body. When she spoke, it was in a voice which, like her hair, was adorable. I had never heard a sweeter voice, and her firm mouth was all at once not only gentle and womanly, but almost girlishly pretty.

I could understand, now, why Melisse Cummins was the heroine of a hundred true tales of the wilderness, and I could understand as well why there was scarcely a cabin or an Indian hut in that ten thousand square miles of wilderness in which she had not, at one time or another, been spoken of as "L'ange Meleese." And yet, unlike that other "angel" of flesh and blood, Florence Nightingale, the story of Melisse Cummins and her work will live and die with her in that little cabin two hundred miles straight north of civilization. No, that is wrong. For the wilderness will remember. It will remember, as it has remembered Father Duchene and the Missioner of Lac Bain and the heroic days of the early voyageurs. A hundred "Meleeses" will bear her memory in name--for all who speak her name call her "Meleese," and not Melisse.

The wilderness itself may never forget, as it has never forgotten beautiful Jeanne D'Arcambal, who lived and died on the shore of the great bay more than one hundred and sixty years ago. It will never forget the great heart this woman has given to her "people" from the days of girlhood; it will not forget the thousand perils she faced to seek out the sick, the plague-stricken and the starving; in old age there will still be those who will remember the first prayers to the real God that she taught them in childhood; and children still to come, in cabin, tepee and hut, will live to bless the memory of L'ange Meleese, who made possible for them a new birthright and who in the wild places lived to the full measure and glory of the Golden Rule.

To find Meleese Cummins and her home in the wilderness, one must start at Le Pas as the last outpost of civilization and strike northward through the long Pelican Lake waterways to Reindeer Lake. Nearly forty miles up the east shore of the lake, the adventurer will come to the mouth of the Gray Loon--narrow and silent stream that winds under overhanging forests--and after that a two-hours' journey in a canoe will bring one to the Cummins' cabin.

It is set in a clearing, with the thick spruce and balsam and cedar hemming it in, and a tall ridge capped with golden birch rising behind it. In that clearing John Cummins raises a little fruit and a few vegetables during the summer months; but it is chiefly given up to three or four huge plots of scarlet moose-flowers, a garden of Labrador tea, and wild flowering plants and vines of half a dozen varieties. And where the radiant moose-flowers grow thickest, screened from the view of the cabin by a few cedars and balsams, are the rough wooden slabs that mark seven graves. Six of them are the graves of children--little ones who died deep in the wilderness and whose tiny bodies Meleese Cummins could not leave to the savage and pitiless loneliness of the forests, but whom she has brought together that they might have company in what she calls her, "Little Garden of God."

Those little graves tell the story of Meleese--the woman who, all heart and soul, has buried her own one little babe in that garden of flowers. One of the slabs marks the grave of an Indian baby, whose little dead body Meleese Cummins carried to her cabin in her own strong arms from twenty miles back in the forest, when the temperature was fifty degrees below zero. Another of them, a baby boy, a French half-breed and his wife brought down from fifty miles up the Reindeer and begged "L'ange Meleese" to let it rest with the others, where "it might not be lonely and would not be frightened by the howl of the wolves." It was a wild and half Indian mother who said that!