Aylwin

Chapter 21

Chapter 214,264 wordsPublic domain

We then went and examined Jamrach's menagerie. I found that one source of the interest D'Arcy took in animals was that he was a believer in Baptista Porta's whimsical theory that every human creature resembles one of the lower animals, and he found a perennial amusement in seeing in the faces of animals caricatures of his friends.

With a fund of humour that was exhaustless, he went from cage to cage, giving to each animal the name of some member of the Royal Academy, or of one of his own intimate friends.

On leaving Jamrach's he said to me, 'Suppose we make a day of it and go to the Zoo?'

I agreed, and we took a hansom as soon as we could get one and drove across London towards Regent's Park.

Here the pleasure that he took in watching the movements of the animals was so great that it seemed impossible but that he was visiting the Zoo for the first time. I remembered, however, that he had told me in the morning how frequently he went to these gardens.

But his interest in the animals was unlike my own, and I should suppose unlike the interest of any other man. He had no knowledge whatever of zoology, and appeared to wish for none. His pleasure consisted in watching the curious expressions and movements of the animals and in dramatising them.

On leaving the Zoo, I said, 'The cross you were just now looking at is as remarkable for its history as for its beauty. It was stolen from the tomb of a near relative of mine. I was under a solemn promise to the person upon whose breast it lay to see that it should never be disturbed. But, now that it has been disturbed, to replace it in the tomb would, I fear, be to insure another sacrilege. I wonder what you would do in such a case?'

He looked at me and said, 'As it is evident that we are going to be intimate friends, I may as well confess to you at once that I am a mystic.'

'When did you become so?'

'When? Ask any man who has passionately loved a woman and lost her; ask him at what moment mysticism was forced upon him--at what moment he felt that he must either accept a spiritualistic theory of the universe or go mad; ask him this, and he will tell you that it was at that moment when he first looked upon her as she lay dead, with Corruption's foul fingers waiting to soil and stain. What are you going to do with the cross?'

'Lock it up as safely as I can,' I said; 'what else is there to do with it?'

He looked into my face and said, 'You are a rationalist.'

'I am.'

'You do not believe in a supernatural world?'

'My disbelief of it,' I said, 'is something more than an exercise of the reason. It is a passion, an angry passion. But what should you do with the cross if you were in my place?'

'Put it back in the tomb.'

I had great difficulty in suppressing my ridicule, but I merely said, 'That would be, as I have told you, to insure its being stolen again.'

'There is the promise to the dead man or woman on whose breast it lay.'

'This I intend to keep in the spirit like a reasonable man--not in the letter like--'

'Promises to the dead must be kept to the letter, or no peace can come to the bereaved heart. You are talking to a man who _knows_!'

'I will commit no such outrage upon reason as to place a priceless jewel in a place where I know it will be stolen.'

'You _will_ replace the cross in that tomb.'

As he spoke he shook my hands warmly, and said, '_Au revoir_. Remember, I shall always be delighted to see you.'

It was not till I saw him disappear amongst the crowd that I could give way to the laughter which I had so much difficulty in suppressing. What a relief it was to be able to do this!

VI

THE SONG OF Y WYDDFA

I

After this I had one or two interviews with our solicitor in Lincoln's Inn Fields, upon important family matters connected with my late uncle's property.

I had been one night to the theatre with my mother and my aunt. The house had been unusually crowded. When the performance was over, we found that the streets were deluged with rain. Our carriage had been called some time before it drew up, and we were standing under the portico amid a crowd of impatient ladies when a sound fell or seemed to fall on my ears which stopped for the moment the very movements of life. Amid the rattle of wheels and horses' feet and cries of messengers about carriages and cabs, I seemed to distinguish a female voice singing:

'I met in a glade a lone little maid. At the foot of y Wyddfa the white; Oh, lissom her feet as the mountain hind, And darker her hair than the night!'

It was the voice of Winifred singing as in a dream.

I heard my aunt say,

'Do look at that poor girl singing and holding out her little baskets! She must be crazed to be offering baskets for sale in this rain and at this time of night.'

I turned my eyes in the direction in which my aunt was looking, but the crowd before me prevented my seeing the singer.

'She is gone, vanished,' said my aunt sharply, for my eagerness to see made me rude.

'What was she like?' I asked.

'She was a young slender girl, holding out a bunch of small fancy baskets of woven colours, through which the rain was dripping. She was dressed in rags, and through the rags shone, here and there, patches of her shoulders; and she wore a dingy red handkerchief round her head. She stood in the wet and mud, beneath the lamp, quite unconscious apparently of the bustle and confusion around her.'

Almost at the same moment our carriage drew up. I lingered on the step as long as possible. My mother made a sign of impatience at the delay, and I got into the carriage. Spite of the rain, I put down the window and leaned out. I forgot the presence of my mother and aunt. I forgot everything. The carriage moved on.

'Winifred!' I gasped, as the certainty that the voice was hers came upon me.

And the dingy London night became illuminated with scrolls of fire, whose blinding, blasting scripture seared my eyes till I was fain to close them: 'Let his children be vagabonds, and beg their bread: let them seek it also out of desolate places.'

So rapidly had the carriage rolled through the rain, and so entirely had my long pain robbed me of all presence of mind, that, by the time I had recovered from the paralysing shock, we had reached Piccadilly Circus. I pulled the check-string.

'Why, Henry!' said my mother, who had raised the window, 'what are you doing? And what has made you turn so pale?'

My aunt sat in indignant silence. 'Ten thousand pardons,' I said, as I stepped out of the carriage, and shook hands with them. 'A sudden recollection--important papers unsecured at my hotel--business in--in Lincoln's Inn Fields. I will call on you in the morning.'

And I reeled down the pavement towards the Haymarket. When I was some little distance from the carriage, I took to my heels and hurried as fast as possible towards the theatre, utterly regardless of the people. I reached the spot breathless. I stood for a moment staring wildly to right and left of me. Not a trace of her was to be seen. I heard a thin voice from my lips, that did not seem my own, ask a policeman, who was now patrolling the neighbourhood, if he had seen a basket-girl singing.

'No,' said the man, 'but I fancy you mean the Essex Street Beauty, don't you? I haven't seen her for a long while now, but her dodge used to be to come here on rainy nights, and stand bare-headed and sing and sell just when the theatres was a-bustin'. She gets a good lot, I fancy, by that dodge.'

'The Essex Street Beauty?'

'Oh, I thought you know'd p'raps. She's a strornary pretty beggar-wench, with blue eyes and black hair, as used to stand at the corner of Essex Street, Strand, and the money as that gal got a-holdin' out her matches and a-sayin' texes out of the Bible must ha' been strornary. So the Essex Street Beauty's bin about here agin on the rainy-night dodge, 'es she? Well, it must have been the fust time for many a long day, for I've never seen her now for a long time. She couldn't ha' stood about here for many minutes; if she had I must ha' seen her.'

I staggered away from him, and passed and repassed the spot many times. Then I extended my beat about the neighbouring streets, loitering at every corner where a basket-girl or a flower-girl might be likely to stand. But no trace of her was to be seen. Meantime the rain had ceased.

All the frightful stories that I had heard or read of the kidnapping of girls came pouring into my mind, till my blood boiled and my knees trembled. Imagination was stinging me to life's very core. Every few minutes I would pass the theatre, and look towards the portico.

The night wore on, and I was unconscious how the time passed. It was not till daybreak that I returned to my hotel, pale, weary, bent.

I threw myself upon my bed: it scorched me.

I could not think. At present I could only see--see what? At one moment a squalid attic, the starlight shining through patched window-panes upon a lonely mattress, on which a starving girl was lying; at another moment a cellar damp and dark, in one corner of which a youthful figure was crouching; and then (most intolerable of all!) a flaring gin-palace, where, among a noisy crowd, a face was looking wistfully on, while coarse and vulgar men were clustering with cruel, wolfish eyes around a beggar-girl. This I saw and more--a thousand things more.

It was insupportable. I rose and again paced the street.

When I called upon my mother she asked me anxious questions as to what had ailed me the previous night. Seeing, however, that I avoided replying to them, she left me after a while in peace.

'Fancy,' said my aunt, who was writing a letter at a little desk between two windows,--'fancy an Aylwin pulling the check-string, and then, with ladies in the carriage and the rain pouring--'

During that day how many times I passed in front of the theatre I cannot say; but at last I thought the very men in the shops must be observing me. Again, though I half poisoned myself with my drug, I passed a sleepless night. The next night was passed in almost the same manner as the previous one.

II

From this time I felt working within me a great change. A horrible new thought got entire possession of me. Wherever I went I could think of nothing but--the curse. I scorned the monstrous idea of a curse, and yet I was always thinking about it. I was always seeking Winifred--always speculating on her possible fate. I saw no one in society.

My time was now largely occupied with wandering about the streets of London. I began by exploring the vicinity of the theatre, and day after day used to thread the alleys and courts in that neighbourhood. Then I took the eastern direction, and soon became familiar with the most squalid haunts.

My method was to wander from street to street, looking at every poorly-dressed girl I met. Often I was greeted with an impudent laugh, that brought back the sickening mental pictures I have mentioned; and often I was greeted with an angry toss of the head and such an exclamation as, 'What d'ye take me for, staring like that?'

These peregrinations I used to carry far into the night, and thus, as I perceived, got the character at my hotel of a wild young man. The family solicitor wrote to me again and again for appointments which I could not give him.

It had often occurred to me that in a case of this kind the police ought to be of some assistance. One day I called at Scotland Yard, saw an official, and asked his aid. He listened to my story attentively, then said: 'Do you come from the missing party's friends, sir?'

'I am her friend,' I answered--'her only friend.'

'I mean, of course, do you represent her father or mother, or any near relative?'

'She is an orphan; she has no relatives,' I said.

He looked at me steadily and said: 'I am sorry, sir, that neither I nor a magistrate could do anything to aid you.'

'You can do nothing to aid me?' I asked angrily.

'I can do nothing to aid you, sir, in identifying a young woman you once heard sing in the streets of London, with a lady you saw once on the top of Snowdon.'

As I was leaving the office, he said: 'One moment, sir. I don't see how I can take up this case for you, but I may make a suggestion. I have an idea that you would do well to pursue inquiries among the Gypsies.'

'Gypsies!' I said with great heat, as I left the office. 'If you knew how I had already "pursued inquiries" among the Gypsies, you would understand how barren is your suggestion.'

Weeks passed in this way. My aunt's ill-health became rather serious: my mother too was still very unwell. I afterwards learnt that her illness was really the result of the dire conflict in her breast between the old passion of pride and the new invader remorse. There were, no doubt, many discussions between them concerning me. I could see plainly enough they both thought my mind was becoming unhinged.

One night, as I lay thinking over the insoluble mystery of Winifred's disappearance, I was struck by a sudden thought that caused me to leap from my bed. What could have led the official in Scotland Yard to connect Winifred with Gypsies? I had simply told him of her disappearance on Snowdon, and her reappearance afterwards near the theatre. Not one word had I said to him about her early relations with Gypsies. I was impatient for the daylight, in order that I might go to Scotland Yard again. When I did so and saw the official, I asked him without preamble what had caused him to connect the missing girl I was seeking with the Gypsies.

'The little fancy baskets she was selling,' said he. 'They are often made by Gypsies.'

'Of course they are,' I said, hurrying away. 'Why did I not think of this?'

In fact I had, during our wanderings over England and Wales, often seen Sinfi's sister Videy and Rhona Boswell weaving such baskets. Winifred, after all, might be among the Gypsies, and the crafty Videy Lovell might have some mysterious connection with her; for she detested me as much as she loved the gold 'balansers' she could wheedle out of me. Moreover, there were in England the Hungarian Gypsies, with their notions about demented girls, and the Lovells, owing to Sinfi's musical proclivities, were just now much connected with a Hungarian troupe.

VII

SINFI'S DUKKERIPEN

I

The Gypsies I had never seen since leaving them in Wales, and I knew that by this time they were either making their circuit of the English fairs or located in a certain romantic spot called Gypsy Dell, near Rington Manor, the property of my kinsman Percy Aylwin, whither they often went after the earlier fairs were over.

The next evening I went to the Great Eastern Railway station, and taking the train to Rington I walked to Gypsy Dell, where I found the Lovells and Boswells.

Familiar as I was with, the better class of Welsh Gypsies, the camp here was the best display of Romany well-being I had ever seen. It would, indeed, have surprised those who associate all Gypsy life with the squalor which in England, and especially near London, marks the life of the mongrel wanderers who are so often called Gypsies. In a lovely dingle, skirted by a winding, willow-bordered river, and dotted here and there with clumps of hawthorn, were ranged the 'living-waggons' of those trading Romanies who had accompanied the 'Griengroes' to the East Anglian and Midland fairs.

Alongside the waggons was a single large brown tent that for luxuriousness might have been the envy of all Gypsydom. On the hawthorn bushes and the grass was spread, instead of the poor rags that one often sees around a so-called Gypsy encampment, snowy linen, newly washed. The ponies and horses were scattered about the Dell feeding.

I soon distinguished Sinfi's commanding figure near that gorgeous living-waggon of 'orange-yellow colour with red window-blinds' in which she had persuaded me to invest my money at Chester. On the foot-board sat two urchins of the Lovell family, 'making believe' to drive imaginary horses, and yelling with all their might to Rhona Boswell, whose laugh, musical as ever, showed that she enjoyed the game as much as the children did. Sinfi was standing on a patch of that peculiar kind of black ash which burnt grass makes, busy with a fire, over which a tea-kettle was hanging from the usual iron kettle-prop. Among the ashes left by a previous fire her bantam-cock Pharaoh was busy pecking, scratching, and calling up imaginary hens to feast upon his imaginary 'finds.' I entered the Dell, and before Sinfi saw me I was close to her.

She was muttering to the refractory fire as though it were a live thing, and asking it why it refused to burn beneath the kettle. A startled look, partly of pleasure and partly of something like alarm, came over her face as she perceived me. I drew her aside and told her all that had happened in regard to Winifred's appearance as a beggar in London. A strange expression that was new to me overspread her features, and I thought I heard her whisper to herself, 'I will, I will.'

'I knowed the cuss 'ud ha' to ha' its way in the blood, like the bite of a sap' [snake], she murmured to herself. 'And yit the dukkeripen on Snowdon said, clear and plain enough, as they'd surely marry at last. What's become o' the stolen trĂºshul, brother--the cross?' she inquired aloud. 'That trĂºshul will ha' to be given to the dead man agin, an' it'll ha' to be given back by his chavo [child] as swore to keep watch over it. But what's it all to me?' she said in a tone of suppressed anger that startled me. 'I ain't a Gorgie,'

'But, Sinfi, the cross cannot be buried again. The reason I have not replaced it in the tomb,--the reason I never will replace it there,--is that the people along the coast know now of the existence of the jewel, and know also of my father's wishes. If it was unsafe in the tomb when only Winnie's father knew of it, it would be a thousandfold more unsafe now.'

'P'raps that's all the better for her an' you: the new thief takes the cuss.'

'This is all folly,' I replied, with the anger of one struggling against an unwelcome half-belief that refuses to be dismissed. 'It is all moonshine-madness. I'll never do it,--not at least while I retain my reason. It was no doubt partly for safety as well as for the other reason that my father wished the cross to be placed in the tomb. It will be far safer now in a cabinet than anywhere else.'

'Reia,' said Sinfi, 'you told me wonst as your great-grandmother was a Romany named Fenella Stanley. I have axed the Scollard about her, and what do you think he says? He says that she wur my great-grandmother too, for she married a Lovell as died.'

'Good heavens, Sinfi! Well, I'm proud of my kinswoman.'

'And he says that Fenella Stanley know'd more about the true dukkerin, the dukkerin of the Romanies, than anybody as were ever heerd on.'

'She seems to have been pretty superstitious,' I said, 'by all accounts. But what has that to do with the cross?'

'You'll put it in the tomb again.'

'Never!'

'Fenella Stanley will see arter that.'

'Fenella Stanley! Why, she's dead and dust.'

'That's what I mean; that's why she can make you do it, and will.'

'Well, well! I did not come to talk about the cross; I want to have a quiet word with you about another matter.'

She sprang away as if in terror or else in anger. Then recovering herself she took the kettle from the prop. I followed her to the tent, which, save that it was made of brown blanket, looked more like a tent on a lawn than a Gypsy-tent. All its comfort seemed, however, to give no great delight to Videy, the cashier and female financier-general of the Lovell family, who, in a state of absorbed untidiness, sitting at the end of the tent upon a palliasse covered with a counterpane of quilted cloth of every hue, was evidently occupied in calculating her father's profits and losses at the recent horse-fair. The moment Videy saw us she hurriedly threw the coin into the silver tea-pot by her side, and put it beneath the counterpane, with that instinctive and unnecessary secrecy which characterised her, and made her such an amazing contrast both to her sister Sinfi and to Rhona Boswell.

After Panuel had received me in his usual friendly manner, we all sat down, partly inside the tent and partly outside, around the white table-cloth that had been spread upon the grass. The Scollard took no note of me; he had no eyes for any one but Rhona Boswell.

When tea was over Sinfi left the camp, and strode across the Dell towards the river. I followed her.

II

It was not till we reached a turn in the river that is more secluded than any other--a spot called 'Gypsy Ring,' a lovely little spot within the hollow of birch trees and gorse--that she spoke a few words to me, in a constrained tone. Then I said, as we sat down upon a green hillock within the Ring: 'Sinfi, the baskets my aunt saw in Winnie's hand when she was standing in the rain were of the very kind that Videy makes.'

'Oh, _that's_ what you wanted to say!' said she; 'you think Videy knows something about Winnie. But that's all a fancy o' yourn, and it's of no use looking for Winnie any more among the Romanies. Even supposin' you did hear the Welsh gillie--and I think it was all a fancy--you can't make nothin' out o' them baskets as your aunt seed. Us Romanies don't make one in a hundud of the fancy baskets as is sold for Gypsy baskets in the streets, and besides, the hawkers and costers what buys 'em of us sells 'em agin to other hawkers and costers, and there ain't no tracin' on 'em.'

I argued the point with her. At last I felt convinced that I was again on the wrong track. By this time the sun had set, and the stars were out. I had noticed that during our talk Sinfi's attention would sometimes seem to be distracted from the matter in hand, and I had observed her give a little start now and then, as though listening to something in the distance.

'What are you listening to?' I inquired at last. 'Reia,' said Sinfi, 'I've been a-listenin' to a v'ice as nobody can't hear on'y me, an' I've bin a-seein' a face peepin' atween the leaves o' the trees as nobody can't see on'y me; my mammy's been to me. I thought she would come here. They say my mammy's mammy wur buried here, an' she wur the child of Fenella, an' that's why it's called Gypsy Ring. The moment I sat down in this Ring a mullo [spirit] come and whispered in my ear, but I can't make out whether it's my mammy or Fenella Stanley, and I can't make out what she said. It's hard sometimes for them as has to gnaw their way out o' the groun' to get their words out clear. [Footnote] Howsomever, this I do know, reia, you an' me must part. I felt as we must part when we was in Wales togither last time, and now I knows it.'

[Footnote: Some Romanies think that spirits rise from the ground.]

'Part, Sinfi! Not if I can prevent it.'

'Reia,' replied Sinfi emphatically, 'when I've wonst made up my mind, you know it's made up for good an' all. When us two leaves this 'ere Ring to-night, you'll turn your ways and I shall turn mine.'

I thought it best to let the subject drop. Perhaps by the time we had left the Ring this mood would have passed. After a minute or so she said,