CHAPTER XVIII.

A NOVEL ENTERTAINMENT.

Saint-Herem had never seen the Comtesse Zomaloff and her aunt before, but he had known M. de Riancourt a long time, so on seeing him enter, accompanied by two ladies, Florestan stepped quickly forward to meet him.

"My dear Saint-Herem," said the duke, "permit me to introduce to you Madame la Princesse Wileska and Madame la Comtesse Zomaloff. These ladies hope they have not been indiscreet in accompanying me here this evening to see your new house and its wonders."

"I am delighted to have the honour of receiving the ladies, and shall be only too glad to show them what you are pleased to call the wonders of my house."

"And M. de Riancourt is right, for, on entering here, I must confess that it is difficult to decide what one should admire most, everything is so beautiful," remarked the countess.

"I also feel it my duty to tell you, my dear Saint-Herem, that Madame Zomaloff's visit is not altogether one of curiosity," remarked the duke, "for I have told the countess of your intentions in regard to the house, and as I shall be so fortunate as to have the honour of bestowing my name on the countess a week from now, you understand, of course, that I can come to no decision in this matter without consulting her."

"Really, madame, as M. de Riancourt thus gives himself all the airs of a married man in advance, don't you think it only fair that he should submit to the consequences of his revelation?" exclaimed Florestan, gaily, turning to Madame Zomaloff. "So, as a husband never gives his arm to his wife, will you not do me the honour to accept mine?"

In this way Florestan escaped the necessity of offering his arm to the princess, who seemed likely to prove a much less agreeable companion than her young and pretty niece, who graciously accepted her host's proffered arm, while M. de Riancourt, as in duty bound, offered his arm to the princess.

"I have travelled a great deal, monsieur," said Madame Zomaloff, "but I have never seen anything to compare, not with the magnificence, for any millionaire could compass that,--but with the exquisite taste which has presided over every detail in the construction of this mansion. It is really a superb museum. You will pardon me, I trust, but I really cannot refrain from expressing the admiration the superb decoration of this ceiling excites."

"The artist's reward should follow admiration for his work, do you not think so, madame?" inquired Florestan, smiling. "So it depends upon you to make the artist who painted that ceiling both proud and happy."

And as he spoke Saint-Herem pointed out to Madame Zomaloff one of the most illustrious masters of the modern school of art.

"I thank you a thousand times, monsieur, for this piece of good fortune!" exclaimed the young woman, advancing with Florestan toward the artist.

"My friend," Saint-Herem said to him, "Madame la Comtesse Zomaloff wishes to express to you her intense admiration for your work."

"Not only my admiration, but my gratitude as well," added the lady, graciously. "The profound pleasure the sight of such a _chef-d'oeuvre_ excites certainly places the beholder under a deep obligation to the creator of it."

"However pleasing and flattering such praise may be to me, I can take only a part of it to myself," replied the illustrious painter, with great modesty and good taste. "But leaving my own works out of the question entirely, so I may be able to express myself more freely, let me advise you to notice particularly the decorations of the ceiling of the music-room. They are the work of M. Ingres, our Raphael, and will furnish pilgrims of art in days to come with as many objects of adoration as the finest frescoes of Rome, Pisa, or Florence, yet this _chef-d'oeuvre_ would not be in existence but for my friend Saint-Herem. Really, madame, in this extravagant but essentially materialistic age, is it not a delightful phenomenon to meet a Medici, as in the palmy days of the Italian republics?"

"That is true, monsieur," replied the countess, quickly, "and history has been only just in--"

"Pardon me for interrupting you, madame la comtesse," said Saint-Herem, smiling, "but I am no less modest than my famous friend here, so for fear that your enthusiasm may lead you astray, I must point out the real Medici to you. There he is," added Florestan, pointing to the portrait of Saint-Ramon, as he spoke.

"What an austere face!" exclaimed the countess, scrutinising the portrait with mingled surprise and curiosity; then seeing the name inscribed upon the frame, she asked, turning to Florestan in evident astonishment, "Saint-Ramon? What saint is that?"

"A saint of my own making, madame. He was my uncle, and, though I am not a pope, I have ventured to canonise this admirable man as a reward for his long martyrdom and for the miracles he has wrought since his death."

"His long martyrdom! The miracles he wrought after his death!" Madame Zomaloff repeated, wonderingly. "You are jesting, monsieur, are you not?"

"Far from it, madame. My uncle imposed the severest privations upon himself during his life, for he was a confirmed miser. That was his martyrdom. I inherited his wealth; so the artistic achievements you so much admire really owe their origin indirectly to him. These are the miracles to which I alluded."

Madame Zomaloff, more and more impressed by Saint-Herem's originality, was silent for a moment, but M. de Riancourt, who had been standing a little distance off, now approached Florestan, and said:

"There is a question I have been wanting to ask you ever since our arrival, my dear Saint-Herem. Who are these people? I have recognised three or four great painters and a celebrated architect among them, but who are the others? The princess and I have been trying in vain to solve the mystery."

"As M. Riancourt has ventured to ask this rather indiscreet question, I must confess that I share his curiosity, monsieur," added Madame Zomaloff.

"You have doubtless noticed, madame, that most of the persons I have taken such pleasure in welcoming this evening do not belong to the fashionable world."

"That is true."

"Still, you were much pleased just now, were you not, madame, to meet the great artist whose work you so greatly admired?"

"Yes, monsieur; I told you how much pleasure the opportunity to meet him afforded me."

"You must consequently approve, I think, of my having extended an invitation to him as well as to a number of his colleagues."

"It seems to me that such an invitation was almost obligatory upon you, monsieur."

"Ah, well, madame, I feel that it was likewise obligatory upon me to extend the same invitation to all who had assisted in any way in the construction of this house, from the famous artists to the humblest mechanic, so they are all here with their families enjoying the beauties they have created, as they, in my opinion, at least, have an undoubted right to do."

"What!" exclaimed M. de Riancourt, "do you mean to say that you have the carvers, and gilders, and locksmiths, and carpenters, and paper-hangers, and even the masons, here? Why, this passes my comprehension."

"Do you know anything about the habits of bees, my dear duke?"

"Not much, I must admit."

"You might consider their habits exceedingly reprehensible, my dear duke, inasmuch as the insolent creatures insist upon occupying the cells they themselves have constructed; and, what is worse, they even assert their claim to the delicious honey they have accumulated with so much skill and labour for their winter's need."

"And what conclusion do you draw from all this?"

"That we drones should give the poor and industrious human bees the innocent satisfaction of enjoying, at least for a day, the gilded cells they have constructed for us,--for us who subsist upon the honey gathered by others."

Madame Zomaloff had dropped Florestan's arm a few moments before. She now took it again, and walking on a few steps, so as to leave her aunt and the duke a little way behind her, she said to Saint-Herem, with deep earnestness:

"Your idea is charming, monsieur, and I do not wonder at the expression of contentment I notice on the faces of your guests. Yes, the more I think of it, the more just and generous the idea seems to me. After all, as you say, this superb mansion represents the combined labour of artisans of every degree, high and low; hence, in your eyes, this house must be much more than a marvel of good taste and luxury, as the associations connected with its construction will always be unspeakably precious to you. That being the case--"

"Go on, madame."

"I cannot understand how--"

"You hesitate, madame. Speak, I beg of you."

"M. de Riancourt has informed you of our intended marriage, monsieur," said Madame Zomaloff, with some embarrassment, after a moment's silence. "A couple of days ago, while talking with him about the difficulty of securing as large and handsomely appointed house as I desired, M. de Riancourt happened to remember that some one had told him that you might be willing to dispose of the house you had just completed."

"Yes, madame, M. de Riancourt wrote, asking to be allowed to go through the house, and I advised him to wait until this evening, as I intended to give an entertainment, and he would consequently be much better able to judge of the arrangement and appearance of the reception-rooms, but I did not expect to have the honour of receiving you, madame."

"I have ventured to ask you several questions already, monsieur," remarked the young woman, with marked hesitation, "and I am going to hazard one more. How, monsieur, can you have the courage or the ingratitude to think of abandoning this home which you have created with so much interest and love, this home with which so many kind and generous memories are already associated?"

"Good Heavens! madame," replied Saint-Herem, with the most cheerful air imaginable, "I am going to sell the house because I am ruined, utterly ruined! This is my last day as a man of wealth, and you must admit, madame, that, thanks to your presence here, the day could not have a happier or more brilliant ending."