Part 3

As the technique of forging large masses of steel improved, most nations adopted built-up (reinforcing hoops over a steel tube) or wire-wrapped steel construction for their cannon. With the advent of the metal cartridge case and smokeless powder, rapid-fire guns came into use. The new powder, first used in the Russo-Turkish War (1877-78), did away with the thick white curtain of smoke that plagued the gunner's aim, and thus opened the way for production of mechanisms to absorb recoil and return the gun automatically to firing position. Now, gunners did not have to lay the piece after every shot, and the rate of fire increased. Shields appeared on the gun--protection that would have been of little value in the days when gunners had to stand clear of a back-moving carriage.

During the early 1880's the United States began work on a modern system of seacoast armament. An 8-inch breech-loading rifle was built in 1883, and the disappearing carriage, giving more protection to both gun and crew, was adopted in 1886. Only a few of the weapons were installed by 1898; but fortunately the overwhelming naval superiority of the United States helped bring the War with Spain to a quick close.

During this war, United States forces were equipped with a number of British 2.95-inch mountain rifles, which, incidentally, served as late as World War II in the pack artillery of the Philippine Scouts. Within the next few years the antiquated pieces such as the 3-inch wrought-iron rifle, the 4.2-inch Parrott siege gun, converted Rodmans, and the 15-inch Rodman smoothbore were finally pushed out of the picture by new steel guns. There were small-caliber rapid-fire guns of different types, a Hotchkiss 1.65-inch mountain rifle, and Hotchkiss and Gatling machine guns. The basic pieces in field artillery were 3.2- and 3.6-inch guns and a 3.6-inch mortar. Siege artillery included a 5-inch gun, 7-inch howitzers, and mortars. In seacoast batteries were 8-, 10-, 12-, 14-, and 16-inch guns and 12-inch mortars of the primary armament; intermediate rapid-fire guns of 4-, 4.72-, 5-, and 6-inch calibers; and 6- and 15-pounder rapid-fire guns in the secondary armament.

The Japanese showed the value of the French system of indirect laying (aiming at a target not visible to the gunner) during the Russo-Japanese War (1904-05). Meanwhile, the French 75-mm. gun of 1897, firing 6,000 yards, made all other field artillery cannon obsolete. In essence, artillery had assumed the modern form. The next changes were wrought by startling advances in motor transport, signal communications, chemical warfare, tanks, aviation, and mass production.

GUNPOWDER

Black powder was used in all firearms until smokeless and other type propellants were invented in the latter 1800's. "Black" powder (which was sometimes brown) is a mixture of about 75 parts saltpeter (potassium nitrate), 15 parts charcoal, and 10 parts sulphur by weight. It will explode because the mixture contains the necessary amount of oxygen for its own combustion. When it burns, it liberates smoky gases (mainly nitrogen and carbon dioxide) that occupy some 300 times as much space as the powder itself.

Early European powder "recipes" called for equal parts of the three ingredients, but gradually the amount of saltpeter was increased until Tartaglia reported the proportions to be 4-1-1. By the late 1700's "common war powder" was made 6-1-1, and not until the next century was the formula refined to the 75-15-10 composition in majority use when the newer propellants arrived on the scene.

As the name suggests, this explosive was originally in the form of powder or dust. The primitive formula burned slowly and gave low pressures--fortunate characteristics in view of the barrel-stave construction of the early cannon. About 1450, however, powder makers began to "corn" the powder. That is, they formed it into larger grains, with a resulting increase in the velocity of the shot. It was "corned" in fine grains for small arms and coarse for cannon.

Making corned powder was fairly simple. The three ingredients were pulverized and mixed, then compressed into cakes which were cut into "corns" or grains. Rolling the grains in a barrel polished off the corners; removing the dust essentially completed the manufacture. It has always been difficult, however, to make powder twice alike and keep it in condition, two factors which helped greatly to make gunnery an "art" in the old days. Powder residue in the gun was especially troublesome, and a disk-like tool (fig. 44) was designed to scrape the bore. Artillerymen at Castillo de San Marcos complained that the "heavy" powder from Mexico was especially bad, for after a gun was fired a few times, the bore was so fouled that cannonballs would no longer fit. The gunners called loudly for better grade powder from Spain itself.

How much powder to use in a gun has been a moot question through the centuries. According to the Spaniard Collado in 1592, the proper yardstick was the amount of metal in the gun. A legitimate culverin, for instance, was "rich" enough in metal to take as much powder as the ball weighed. Thus, a 30-pounder culverin would get 30 pounds of powder. Since a 60-pounder battering cannon, however, had in proportion a third less metal than the culverin, the charge must also be reduced by a third--to 40 pounds!

Other factors had to be taken into account, such as whether the powder was coarse-or fine-grained; and a short gun got less powder than a long one. The bore length of a legitimate culverin, said Collado, was 30 calibers (30 times the bore diameter), so its powder charge was the same as the weight of the ball. If the gunner came across a culverin only 24 calibers long, he must load this piece with only 24/30 of the ball's weight. Collado's _pasavolante_ had a tremendous length of some 40 calibers and fired a 6- or 7-pound lead ball. Because it had plenty of metal "to resist, and the length to burn" the powder, it was charged with the full weight of the ball in fine powder, or three-fourths as much with cannon powder. The lightest charge seems to have been for the pedrero, which fired a stone ball. Its charge was a third of the stone's weight.

In later years, powder charges lessened for all guns. English velocity tables of the 1750's show that a 9-pounder charged with 2-1/4 pounds of powder might produce its ball at a rate of 1,052 feet per second. By almost tripling the charge, the velocity would increase about half. But the increase did not mean the shot hit the target 50 percent harder, for the higher the velocity, the greater was the air resistance; or as Müller phrased it: "a great quantity of Powder does not always produce a greater effect." Thus, from two-thirds the ball's weight, standard charges dropped to one-third or even a quarter; and by the 1800's they became even smaller. The United States manual of 1861 specified 6 to 8 pounds for a 24-pounder siege gun, depending on the range; a Columbiad firing 172-pound shot used only 20 pounds of powder. At Fort Sumter, Gillmore's rifles firing 80-pound shells used 10 pounds of powder. The rotating band on the rifle shell, of course, stopped the gases that had slipped by the loose-fitting cannonball.

Black powder was, and is, both dangerous and unstable. Not only is it sensitive to flame or spark, but it absorbs moisture from the air. In other words, it was no easy matter to "keep your powder dry." During the middle 1700's, Spaniards on a Florida river outpost kept powder in glass bottles; earlier soldiers, fleeing into the humid forest before Sir Francis Drake, carried powder in _peruleras_--stoppered, narrow-necked pitchers.

As for magazines, a dry magazine was just about as important as a shell-proof one. Charcoal and chloride of lime, hung in containers near the ceiling, were early used as dehydrators, and in the eighteenth century standard English practice was to build the floor 2 feet off the ground and lay stone chips or "dry sea coals" under the flooring. Side walls had air holes for ventilation, but screened to prevent the enemy from letting in some small animal with fire tied to his tail. Powder casks were laid on their sides and periodically rolled to a different position; "otherwise," explains a contemporary expert, "the salt petre, being the heaviest ingredient, will descend into the lower part of the barrel, and the powder above will lose much of its goodness."

In the dawn of artillery, loose powder was brought to the gun in a covered bucket, usually made of leather. The loader scooped up the proper amount with a ladle (fig. 44), and inserted it into the gun. He could, by using his experienced judgment, put in just enough powder to give him the range he wanted, much as our modern artillerymen sometimes use only a portion of their charge. After Gustavus Adolphus in the 1630's, however, powder bags came into wide use, although English gunners long preferred to ladle their powder. The powder bucket or "passing box" of course remained on the scene. It was usually large enough to hold a pair of cartridge bags.

The root of the word cartridge seems to be "carta," meaning paper. But paper was only one of many materials such as canvas, linen, parchment, flannel, the "woolen stuff" of the 1860's, and even wood. Until the advent of the silk cartridge, nothing was entirely satisfactory. The materials did not burn completely, and after several rounds it was mandatory to withdraw the unburnt bag ends with a wormer (fig. 44), else they accumulated to the point where they blocked the vent or "touch hole" by which the piece was fired. Parchment bags shriveled up and stuck in the vent, purpling many a good gunner's face.

PRIMERS

When the powder bag came into use, the gunner had to prick the bag open so the priming fire from the vent could reach the charge. The operation was accomplished simply enough by plunging the gunner's pick into the vent far enough to pierce the bag. Then the vent was primed with loose powder from the gunner's flask. The vent prime, which was not much improved until the nineteenth century, was a trick learned from the fourteenth century Venetians. There were numerous tries for improvement, such as the powder-filled tin tube of the 1700's, the point of which pierced the powder bag. But for all of them, the slow match had to be used to start the fire train.

Before 1800, the slow match was in universal use for setting off the charge. The match was usually a 3-strand cotton rope, soaked in a solution of saltpeter and otherwise chemically treated with lead acetate and lye to burn very slowly--about 4 or 5 inches an hour. It was attached to a linstock (fig. 18), a forked stick long enough to keep the cannoneer out of the way of the recoil.

Chemistry advances, like the isolation of mercury fulminate in 1800, led to the invention of the percussion cap and other primers. On many a battleground you may have picked up a scrap of twisted wire--the loop of a friction primer. The device was a copper tube (fig. 19) filled with powder. The tube went into the vent of the cannon and buried its tip in the powder charge. Near the top of this tube was soldered a "spur"--a short tube containing a friction composition (antimony sulphide and potassium chlorate). Lying in the composition was the roughened end of a wire "slider." The other end of the slider was twisted into a loop for hooking to the gunner's lanyard. It was like striking a match: a smart pull on the lanyard, and the rough slider ignited the composition. Then the powder in the long tube began to burn and fired the charge in the cannon. Needless to say, it happened faster than we can tell it!

The percussion primer was even more simple: a "quill tube," filled with fine powder, fitted into the vent. A fulminate cap was glued to the top of the tube. A pull of the lanyard caused the hammer of the cannon to strike the cap (just like a little boy's cap pistol) and start the train of explosions.

Because the early methods of priming left the vent open when the cannon fired, the little hole tended to enlarge. Many cannon during the 1800's were made with two vents, side by side. When the first one wore out, it was plugged, and the second vent opened. Then, to stop this "erosion," the obturating (sealing) primer came into use. It was like the common friction primer, but screwed into and sealed the vent. Early electric primers, by the way, were no great departure from the friction primer; the wires fired a bit of guncotton, which in turn ignited the powder in the primer tube.

MODERN USE OF BLACK POWDER

Aside from gradual improvement in the formula, no great change in powder making came until 1860, when Gen. Thomas J. Rodman of the U. S. Ordnance Department began to tailor the powder to the caliber of the gun. The action of ordinary cannon powder was too sudden. The whole charge was consumed before the projectile had fairly started on its way, and the strain on the gun was terrific. Rodman compressed powder into disks that fitted the bore of the gun. The disks were an inch or two thick, and pierced with holes. With this arrangement, a minimum of powder surface was exposed at the beginning of combustion, but as the fire ate the holes larger (compare fig. 20f), the burning area actually increased, producing a greater volume of gas as the projectile moved forward. Rodman thus laid the foundation for the "progressive burning" pellets of modern powders (fig. 20).

For a number of reasons General Rodman did not take his "perforated cake cartridge" beyond the experimental stage, and his "Mammoth" powder, such a familiar item in the powder magazines of the latter 1800's, was a compromise. As a block of wood burns steadier and longer than a quick-blazing pile of twigs, so the 3/4-inch grains of mammoth powder gave a "softer" explosion, but one with more "push" and more uniform pressure along the bore of the gun.

It was in the second year of the Civil War that Alfred Nobel started the manufacture of nitroglycerin explosives in Europe. Smokeless powders came into use, the explosive properties of picric acid were discovered, and melanite, ballistite, and cordite appeared in the last quarter of the century, so that by 1890 nitrocellulose and nitroglycerin-base powders had generally replaced black powder as a propellant.

Still, black powder had many important uses. Its sensitivity to flame, high rate of combustion, and high temperature of explosion made it a very suitable igniter or "booster," to insure the complete ignition of the propellant. Further, it was the main element in such modern projectile fuzes as the ring fuze of the U. S. Field Artillery, which was long standard for bursts shorter than 25 seconds. This fuze was in the nose of the shell and consisted essentially of a plunger, primer, and rings grooved to hold a 9-inch train of compressed black powder. To set the fuze, the fuze man merely turned a movable ring to the proper time mark. Turning the zero mark toward the channel leading to the shell's bursting charge shortened the burning distance of the train, while turning zero away from the channel, of course, did the opposite. When the projectile left the gun, the shock made the plunger ignite the primer (compare fig. 42e) and fire the powder train, which then burned for the set time before reaching the shell charge. It was a technical improvement over the tubular sheet-iron fuze of the Venetians, but the principle was about the same.

THE CHARACTERISTICS OF CANNON

THE EARLY SMOOTHBORE CANNON

Soon after he found he could hurl a rock with his good right arm, man learned about trajectory--the curved path taken by a missile through the air. A baseball describes a "flat" trajectory every time the pitcher throws a hard, fast one. Youngsters tossing the ball to each other over a tall fence use "curved" or "high" trajectory. In artillery, where trajectory is equally important, there are three main types of cannon: (1) the flat trajectory gun, throwing shot at the target in relatively level flight; (2) the high trajectory mortar, whose shell will clear high obstacles and descend upon the target from above; and (3) the howitzer, an in-between piece of medium-high trajectory, combining the mobility of the fieldpiece with the large caliber of the mortar.

The Spaniard, Luis Collado, mathematician, historian, native of Lebrija in Andalusia, and, in 1592, royal engineer of His Catholic Majesty's Army in Lombardy and Piedmont, defined artillery broadly as "a machine of infinite importance." Ordnance he divided into three classes, admittedly following the rules of the "German masters, who were admired above any other nation for their founding and handling of artillery." Culverins and sakers (Fig. 23a) were guns of the first class, designed to strike the enemy from long range. The battering cannon (fig. 23b) were second class pieces; they were to destroy forts and walls and dismount the enemy's machines. Third class guns fired stone balls to break and sink ships and defend batteries from assault; such guns included the pedrero, mortar, and bombard (fig. 23c, d).

Collado's explanation of how the various guns were invented is perhaps naive, but nevertheless interesting: "Although the main intent of the inventors of this machine [artillery] was to fire and offend the enemy from both near and afar, since this offense must be in diverse ways it so happened that they formed various classes in this manner: they came to realize that men were not satisfied with the _espingardas_ [small Moorish cannon], and for this reason the musket was made; and likewise the _esmeril_ and the falconet. And although these fired longer shots, they made the demisaker. To remedy a defect of that, the sakers were made, and the demiculverins and culverins. While they were deemed sufficient for making a long shot and striking the enemy from afar, they were of little use as battering guns because they fire a small ball. So they determined to found a second kind of piece, wherewith, firing balls of much greater weight, they might realize their intention. But discovering likewise that this second kind of piece was too powerful, heavy and costly for batteries and for defense against assaults or ships and galleys, they made a third class of piece, lighter in metal and taking less powder, to fire balls of stone. These are the commonly called _cañones de pedreros_. All the classes of pieces are different in range, manufacture and design. Even the method of charging them is different."

It was most important for the artillerist to understand the different classes of guns. As Collado quaintly phrased it, "he who ignores the present lecture on this _arte_ will, I assert, never do a good thing." Cannon burst in the batteries every day because gunners were ignorant of how the gun was made and what it was meant to do. Nor was such ignorance confined to gunners alone. The will and whim of the prince who ordered the ordnance or "the simple opinion of the unexpert founder himself," were the guiding principles in gun founding. "I am forced," wrote Collado, "to persuade the princes and advise the founders that the making of artillery should always take into account the purpose each piece must serve." This persuasion he undertook in considerable detail.

The first class of guns were the long-range pieces, comparatively "rich" in metal. In the following table from Collado, the calibers and ranges for most Spanish guns of this class are given, although as the second column shows, at this period calibers were standardized only in a general way. For translation where possible, and to list those which became the most popular calibers, we have added a final column. Most of the guns were probably of culverin length: 30- to 32-caliber.

_Sixteenth century Spanish cannon of the first class_

Name of Weight of Length Range in yards Popular gun ball of gun Point- Maximum caliber (pounds) (in calibers) blank

Esmeril 1/2 208 750 1/2-pounder esmeril. Falconete 1 to 2 1-pounder falconet. Falcón 3 to 4 417 2,500 3-pounder falcon. Pasavolante 1 to 15 40 to 44 500 4,166 6-pounder pasavolante. Media sacre 5 to 7 417 3,750 6-pounder demisaker. Sacre 7 to 10 9-pounder saker. Moyana 8 to 10 shorter than 9-pounder saker moyenne. Media culebrina 10 to 18 833 5,000 12-pounder demiculverin. Tercio de culebrina 14 to 22 18-pounder third-culverin. Culebrina 20, 24, 25, 30 to 32 1,742 6,666 24-pounder culverin. 30, 40, 50 Culebrina real 24 to 40 30 to 32 32-pounder culverin royal. Doble culebrina 40 and up 30 to 32 48-pounder culverin.