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ARTILLERY

THROUGH THE AGES

A Short Illustrated History of Cannon, Emphasizing Types Used in America

UNITED STATES DEPARTMENT OF THE INTERIOR

Fred A. Seaton, _Secretary_

NATIONAL PARK SERVICE

Conrad L. Wirth, _Director_

For sale by the Superintendent of Documents U. S. Government Printing Office Washington 25, D. C. -- Price 35 cents

(_Cover_) FRENCH 12-POUNDER FIELD GUN (1700-1750)

ARTILLERY

THROUGH THE AGES

A Short Illustrated History of Cannon, Emphasizing Types Used in America

_by_

_ALBERT MANUCY_

_Historian Southeastern National Monuments_

Drawings by Author

Technical Review by Harold L. Peterson

_National Park Service Interpretive Series History No. 3_

UNITED STATES GOVERNMENT PRINTING OFFICE _WASHINGTON: 1949_ (Reprint 1956)

Many of the types of cannon described in this booklet may be seen in areas of the National Park System throughout the country. Some parks with especially fine collections are:

CASTILLO DE SAN MARCOS NATIONAL MONUMENT, seventeenth and eighteenth century field and garrison guns.

CHICKAMAUGA AND CHATTANOOGA NATIONAL MILITARY PARK, Civil War field and siege guns.

COLONIAL NATIONAL HISTORICAL PARK, seventeenth and eighteenth century field and siege guns, eighteenth century naval guns.

FORT MCHENRY NATIONAL MONUMENT AND HISTORIC SHRINE, early nineteenth century field guns and Civil War garrison guns.

FORT PULASKI NATIONAL MONUMENT, Civil War garrison guns.

GETTYSBURG NATIONAL MILITARY PARK, Civil War field guns.

PETERSBURG NATIONAL MILITARY PARK, Civil War field and siege guns.

SHILOH NATIONAL MILITARY PARK, Civil War field guns.

VICKSBURG NATIONAL MILITARY PARK, Civil War field and siege guns.

The National Park System is dedicated to conserving the scenic, scientific, and historic heritage of the United States for the benefit and enjoyment of its people.

CONTENTS

THE ERA OF ARTILLERY The Ancient Engines of War Gunpowder Comes to Europe The Bombards Sixteenth Century Cannon The Seventeenth Century and Gustavus Adolphus The Eighteenth Century United States Guns of the Early 1800's Rifling The War Between the States The Change into Modern Artillery

GUNPOWDER Primers Modern Use of Black Powder

THE CHARACTERISTICS OF CANNON The Early Smoothbore Cannon Smoothbores of the Later Period Garrison and Ship Guns Siege Cannon Field Cannon Howitzers Mortars Petards

PROJECTILES Solid Shot Explosive Shells Fuzes Scatter Projectiles Incendiaries and Chemical Projectiles Fixed Ammunition Rockets

TOOLS

THE PRACTICE OF GUNNERY

GLOSSARY

SELECTED BIBLIOGRAPHY

THE ERA OF ARTILLERY

_Looking at an old-time cannon, most people are sure of just one thing: the shot came out of the front end. For that reason these pages are written; people are curious about the fascinating weapon that so prodigiously and powerfully lengthened the warrior's arm. And theirs is a justifiable curiosity, because the gunner and his "art" played a significant role in our history._

THE ANCIENT ENGINES OF WAR

To compare a Roman catapult with a modern trench mortar seems absurd. Yet the only basic difference is the kind of energy that sends the projectile on its way.

In the dawn of history, war engines were performing the function of artillery (which may be loosely defined as a means of hurling missiles too heavy to be thrown by hand), and with these crude weapons the basic principles of artillery were laid down. The Scriptures record the use of ingenious machines on the walls of Jerusalem eight centuries B.C.--machines that were probably predecessors of the catapult and ballista, getting power from twisted ropes made of hair, hide or sinew. The ballista had horizontal arms like a bow. The arms were set in rope; a cord, fastened to the arms like a bowstring, fired arrows, darts, and stones. Like a modern field gun, the ballista shot low and directly toward the enemy.

The catapult was the howitzer, or mortar, of its day and could throw a hundred-pound stone 600 yards in a high arc to strike the enemy behind his wall or batter down his defenses. "In the middle of the ropes a wooden arm rises like a chariot pole," wrote the historian Marcellinus. "At the top of the arm hangs a sling. When battle is commenced, a round stone is set in the sling. Four soldiers on each side of the engine wind the arm down until it is almost level with the ground. When the arm is set free, it springs up and hurls the stone forth from its sling." In early times the weapon was called a "scorpion," for like this dreaded insect it bore its "sting" erect.

The trebuchet was another war machine used extensively during the Middle Ages. Essentially, it was a seesaw. Weights on the short arm swung the long throwing arm.

These weapons could be used with telling effect, as the Romans learned from Archimedes in the siege of Syracuse (214-212 B.C.). As Plutarch relates, "Archimedes soon began to play his engines upon the Romans and their ships, and shot stones of such an enormous size and with so incredible a noise and velocity that nothing could stand before them. At length the Romans were so terrified that, if they saw but a rope or a beam projecting over the walls of Syracuse, they cried out that Archimedes was leveling some machine at them, and turned their backs and fled."

Long after the introduction of gunpowder, the old engines of war continued in use. Often they were side by side with cannon.

GUNPOWDER COMES TO EUROPE

Chinese "thunder of the earth" (an effect produced by filling a large bombshell with a gunpowder mixture) sounded faint reverberations amongst the philosophers of the western world as early as A.D. 300. Though the Chinese were first instructed in the scientific casting of cannon by missionaries during the 1600's, crude cannon seem to have existed in China during the twelfth century and even earlier.

In Europe, a ninth century Latin manuscript contains a formula for gunpowder. But the first show of firearms in western Europe may have been by the Moors, at Saragossa, in A.D. 1118. In later years the Spaniards turned the new weapon against their Moorish enemies at the siege of Cordova (1280) and the capture of Gibraltar (1306).

It therefore follows that the Arabian _madfaa_, which in turn had doubtless descended from an eastern predecessor, was the original cannon brought to western civilization. This strange weapon seems to have been a small, mortar-like instrument of wood. Like an egg in an egg cup, the ball rested on the muzzle end until firing of the charge tossed it in the general direction of the enemy. Another primitive cannon, with narrow neck and flared mouth, fired an iron dart. The shaft of the dart was wrapped with leather to fit tightly into the neck of the piece. A red-hot bar thrust through a vent ignited the charge. The range was about 700 yards. The bottle shape of the weapon perhaps suggested the name _pot de fer_ (iron jug) given early cannon, and in the course of evolution the narrow neck probably enlarged until the bottle became a straight tube.

During the Hundred Years' War (1339-1453) cannon came into general use. Those early pieces were very small, made of iron or cast bronze, and fired lead or iron balls. They were laid directly on the ground, with muzzles elevated by mounding up the earth. Being cumbrous and inefficient, they played little part in battle, but were quite useful in a siege.

THE BOMBARDS

By the middle 1400's the little popguns that tossed one-or two-pound pellets had grown into enormous bombards. Dulle Griete, the giant bombard of Ghent, had a 25-inch caliber and fired a 700-pound granite ball. It was built in 1382. Edinburgh Castle's famous Mons Meg threw a 19-1/2-inch iron ball some 1,400 yards (a mile is 1,760 yards), or a stone ball twice that far.

The Scottish kings used Meg between 1455 and 1513 to reduce the castles of rebellious nobles. A baron's castle was easily knocked to pieces by the prince who owned, or could borrow, a few pieces of heavy ordnance. The towering walls of the old-time strongholds slowly gave way to the earthwork-protected Renaissance fortification, which is typified in the United States by Castillo de San Marcos, in Castillo de San Marcos National Monument, St. Augustine, Fla.

Some of the most formidable bombards were those of the Turks, who used exceptionally large cast-bronze guns at the siege of Constantinople in 1453. One of these monsters weighed 19 tons and hurled a 600-pound stone seven times a day. It took some 60 oxen and 200 men to move this piece, and the difficulty of transporting such heavy ordnance greatly reduced its usefulness. The largest caliber gun on record is the Great Mortar of Moscow. Built about 1525, it had a bore of 36 inches, was 18 feet long, and fired a stone projectile weighing a ton. But by this time the big guns were obsolete, although some of the old Turkish ordnance survived the centuries to defend Constantinople against a British squadron in 1807. In that defense a great stone cut the mainmast of the British flagship, and another crushed through the English ranks to kill or wound 60 men.

The ponderosity of the large bombards held them to level land, where they were laid on rugged mounts of the heaviest wood, anchored by stakes driven into the ground. A gunner would try to put his bombard 100 yards from the wall he wanted to batter down. One would surmise that the gunner, being so close to a castle wall manned by expert Genoese cross-bowmen, was in a precarious position. He was; but earthworks or a massive wooden shield arranged like a seesaw over his gun gave him fair protection. Lowering the front end of the shield made a barricade behind which he could charge his muzzle loader (see fig. 49).

In those days, and for many decades thereafter, neither gun crews nor transport were permanent. They had to be hired as they were needed. Master gunners were usually civilian "artists," not professional soldiers, and many of them had cannon built for rental to customers. Artillerists obtained the right to captured metals such as tools and town bells, and this loot would be cast into guns or ransomed for cash. The making of guns and gunpowder, the loading of bombs, and even the serving of cannon were jealously guarded trade secrets. Gunnery was a closed corporation, and the gunner himself a guildsman. The public looked upon him as something of a sorcerer in league with the devil, and a captured artilleryman was apt to be tortured and mutilated. At one time the Pope saw fit to excommunicate all gunners. Also since these specialists kept to themselves and did not drink or plunder, their behavior was ample proof to the good soldier of the old days that artillerists were hardly human.

SIXTEENTH CENTURY CANNON

After 1470 the art of casting greatly improved in Europe. Lighter cannon began to replace the bombards. Throughout the 1500's improvement was mainly toward lightening the enormous weights of guns and projectiles, as well as finding better ways to move the artillery. Thus, by 1556 Emperor Ferdinand was able to march against the Turks with 57 heavy and 127 light pieces of ordnance.

At the beginning of the 1400's cast-iron balls had made an appearance. The greater efficiency of the iron ball, together with an improvement in gunpowder, further encouraged the building of smaller and stronger guns. Before 1500 the siege gun had been the predominant piece. Now forged-iron cannon for field, garrison, and naval service--and later, cast-iron pieces--were steadily developed along with cast-bronze guns, some of which were beautifully ornamented with Renaissance workmanship. The casting of trunnions on the gun made elevation and transportation easier, and the cumbrous beds of the early days gave way to crude artillery carriages with trails and wheels. The French invented the limber and about 1550 took a sizable forward step by standardizing the calibers of their artillery.

Meanwhile, the first cannon had come to the New World with Columbus. As the _Pinta's_ lookout sighted land on the early morn of October 12, 1492, the firing of a lombard carried the news over the moonlit waters to the flagship _Santa María_. Within the next century, not only the galleons, but numerous fortifications on the Spanish Main were armed with guns, thundering at the freebooters who disputed Spain's ownership of American treasure. Sometimes the adventurers seized cannon as prizes, as did Drake in 1586 when he made off with 14 bronze guns from St. Augustine's little wooden fort of San Juan de Pinos. Drake's loot no doubt included the ordnance of a 1578 list, which gives a fair idea of the armament for an important frontier fortification: three reinforced cannon, three demiculverins, two sakers (one broken), a demisaker and a falcon, all properly mounted on elevated platforms in the fort to cover every approach. Most of them were highly ornamented pieces founded between 1546 and 1555. The reinforced cannon, for instance, which seem to have been cast from the same mold, each bore the figure of a savage hefting a club in one hand and grasping a coin in the other. On a demiculverin, a bronze mermaid held a turtle, and the other guns were decorated with arms, escutcheons, the founder's name, and so on.

In the English colonies during the sixteenth and seventeenth centuries, lighter pieces seem to have been the more prevalent; there is no record of any "cannon." (In those days, "cannon" were a special class.) Culverins are mentioned occasionally and demiculverins rather frequently, but most common were the falconets, falcons, minions, and sakers. At Fort Raleigh, Jamestown, Plymouth, and some other settlements the breech-loading half-pounder perrier or "Patterero" mounted on a swivel was also in use. (See frontispiece.)

It was during the sixteenth century that the science of ballistics had its beginning. In 1537, Niccolo Tartaglia published the first scientific treatise on gunnery. Principles of construction were tried and sometimes abandoned, only to reappear for successful application in later centuries. Breech-loading guns, for instance, had already been invented. They were unsatisfactory because the breech could not be sealed against escape of the powder gases, and the crude, chambered breechblocks, jammed against the bore with a wedge, often cracked under the shock of firing. Neither is spiral rifling new. It appeared in a few guns during the 1500's.

Mobile artillery came on the field with the cart guns of John Zizka during the Hussite Wars of Bohemia (1419-24). Using light guns, hauled by the best of horses instead of the usual oxen, the French further improved field artillery, and maneuverable French guns proved to be an excellent means for breaking up heavy masses of pikemen in the Italian campaigns of the early 1500's. The Germans under Maximilian I, however, took the armament leadership away from the French with guns that ranged 1,500 yards and with men who had earned the reputation of being the best gunners in Europe.

Then about 1525 the famous Spanish Square of heavily armed pikemen and musketeers began to dominate the battlefield. In the face of musketry, field artillery declined. Although artillery had achieved some mobility, carriages were still cumbrous. To move a heavy English cannon, even over good ground, it took 23 horses; a culverin needed nine beasts. Ammunition--mainly cast-iron round shot, the bomb (an iron shell filled with gunpowder), canister (a can filled with small projectiles), and grape shot (a cluster of iron balls)--was carried the primitive way, in wheelbarrows and carts or on a man's back. The gunner's pace was the measure of field artillery's speed: the gunner _walked_ beside his gun! Furthermore, some of these experts were getting along in years. During Elizabeth's reign several of the gunners at the Tower of London were over 90 years old.

Lacking mobility, guns were captured and recaptured with every changing sweep of the battle; so for the artillerist generally, this was a difficult period. The actual commander of artillery was usually a soldier; but transport and drivers were still hired, and the drivers naturally had a layman's attitude toward battle. Even the gunners, those civilian artists who owed no special duty to the prince, were concerned mainly over the safety of their pieces--and their hides, since artillerists who stuck with their guns were apt to be picked off by an enemy musketeer. Fusilier companies were organized as artillery guards, but their job was as much to keep the gun crew from running away as to protect them from the enemy.

So, during 400 years, cannon had changed from the little vases, valuable chiefly for making noise, into the largest caliber weapons ever built, and then from the bombards into smaller, more powerful cannon. The gun of 1600 could throw a shot almost as far as the gun of 1850; not in fire power, but in mobility, organization, and tactics was artillery undeveloped. Because artillery lacked these things, the pike and musket were supreme on the battlefield.

THE SEVENTEENTH CENTURY AND GUSTAVUS ADOLPHUS

Under the Swedish warrior Gustavus Adolphus, artillery began to take its true position on the field of battle. Gustavus saw the need for mobility, so he divorced anything heavier than a 12-pounder from his field artillery. His famous "leatheren" gun was so light that it could be drawn and served by two men. This gun was a wrought-copper tube screwed into a chambered brass breech, bound with four iron hoops. The copper tube was covered with layers of mastic, wrapped firmly with cords, then coated with an equalizing layer of plaster. A cover of leather, boiled and varnished, completed the gun. Naturally, the piece could withstand only a small charge, but it was highly mobile.

Gustavus abandoned the leather gun, however, in favor of a cast-iron 4-pounder and a 9-pounder demiculverin produced by his bright young artillery chief, Lennart Torstensson. The demiculverin was classed as the "feildpeece" _par excellence_, while the 4-pounder was so light (about 500 pounds) that two horses could pull it in the field.

These pieces could be served by three men. Combining the powder charge and projectile into a single cartridge did away with the old method of ladling the powder into the gun and increased the rapidity of fire. Whereas in the past one cannon for each thousand infantrymen had been standard, Gustavus brought the ratio up to six cannon, and attached a pair of light pieces to each regiment as "battalion guns." At the same time he knew the value of fire concentration, and he frequently massed guns in strong batteries. His plans called for smashing hostile infantry formations with artillery fire, while neutralizing the ponderous, immobile enemy guns with a whirlwind cavalry charge. The ideas were sound. Gustavus smashed the Spanish Squares at Breitenfeld in 1631.

Following the Swedish lead, all nations modified their artillery. Leadership fell alternately to the Germans, the French, and the Austrians. The mystery of artillery began to disappear, and gunners became professional soldiers. Bronze came to be the favorite gunmetal.

Louis XIV of France seems to have been the first to give permanent organization to the artillery. He raised a regiment of artillerymen in 1671 and established schools of instruction. The "standing army" principle that began about 1500 was by now in general use, and small armies of highly trained professional soldiers formed a class distinct from the rest of the population. As artillery became an organized arm of the military, expensive personnel and equipment had to be maintained even in peacetime. Still, some necessary changes were slow in coming. French artillery officers did not receive military rank until 1732, and in some countries drivers were still civilians in the 1790's. In 1716, Britain had organized artillery into two permanent companies, comprising the Royal Regiment of Artillery. Yet as late as the American Revolution there was a dispute about whether a general officer whose service had been in the Royal Artillery was entitled to command troops of all arms. There was no such question in England of the previous century: the artillery general was a personage having "alwayes a part of the charge, and when the chief generall is absent, he is to command all the army."

THE EIGHTEENTH CENTURY

During the early 1700's cannon were used to protect an army's deployment and to prepare for the advance of the troops by firing upon enemy formations. There was a tendency to regard heavy batteries, properly protected by field works or permanent fortifications, as the natural role for artillery. But if artillery was seldom decisive in battle, it nevertheless waxed more important through improved organization, training, and discipline. In the previous century, calibers had been reduced in number and more or less standardized; now, there were notable scientific and technical improvements. The English scientist Benjamin Robins wedded theory to practice; his _New Principles of Gunnery_ (1742) did much to bring about a more scientific attitude toward ballistics. One result of Robins' research was the introduction, in 1779, of carronades, those short, light pieces so useful in the confines of a ship's gun deck. Carronades usually ranged in caliber from 6- to 68-pounders.

In North America, cannon were generally too cumbrous for Indian fighting. But from the time (1565) the French, in Florida, loosed the first bolt at the rival fleet of the Spaniard Menéndez, cannon were used on land and sea during intercolonial strife, or against corsairs. Over the vast distances of early America, transport of heavy guns was necessarily by water. Without ships, the guns were inexorably walled in by the forest. So it was when the Carolinian Moore besieged St. Augustine in 1702. When his ships burned, Moore had to leave his guns to the Spaniards.

One of the first appearances of organized American field artillery on the battlefield was in the Northeast, where France's Louisburg fell to British and Colonial forces in 1745. Serving with the British Royal Artillery was the Ancient and Honorable Artillery Company of Boston, which had originated in 1637. English field artillery of the day had "brigades" of four to six cannon, and each piece was supplied with 100 rounds of solid shot and 30 rounds of grape. John Müller's _Treatise on Artillery_, the standard English authority, was republished in Philadelphia (1779), and British artillery was naturally a model for the arm in America.