i. 98, and note, 101;

a perfect example of a Turner sketch, 95, 96, and note; Ruskin's, Mr., arrangement of, i. 84, 88, 89; report on, i. 52 (note), 54, and note, 88; "Turner Notes," etc. (see Ruskin, Mr.).

---- Pictures and drawings of, referred to: Alnwick Castle, i. 199; "Dido building Carthage," i. 48; Edinburgh, i. 101; Egglestone Abbey, i. 102, and note; "Fishermen endeavoring to put their fish on board" (Bridgewater House), i. 11, and note; Fluelen i. 105 (note); Fort Bard, i. 101; Harbors of England, i. 82, 101; Hornby Castle, i. 117; Ivy Bridge, i. 82, 101; "Landscape with Cattle," i. 106, and note; Langharne Castle, i. 102, and note; Liber Studiorum, i. 82, 86; sale of, ii. 70; Plains of Troy, i. 102, and note; Richmond series, i. 102, and note; Rivers of England, i. 101; Rivers of France, i. 82; River Scenery, _ib._; Rogers' Italy and Poems, i. 82, 101; Seine series, i. 101; study of a Cutter, i. 96, and note; "Sun rising in a mist," i. 46; Val d'Aosta, i. 82; Pictures of Venice, i. 199; Yorkshire series, i. 90.

Tuscan army (1859), ii. 6.

"Twenty Photographs," review of, ii. 172, and note.

Tyre, the citadel of, and St. Mark's, i. 162.

Tyrwhitt's "Sketching Club," ii. 165.

"Uncle Tom's Cabin" referred to, ii. 21.

_University Magazine_, The (April, 1878), Mr. Ruskin's articles in, ii. 192 (note).

Utopia, the people of, and their streets, ii. 119; Ruskin's home in, _ib._; Sir T. More's, ii. 191.

Utopianism, Mr. Ruskin's, ii. 74, 106.

Uwins, Thomas, R.A., knowledge of oil pictures, i. 46, and note; keeper of the National Gallery, _ib._

Vallombrosa, i. 184.

Value, intrinsic, a question outside political economy, ii. 39; and price, ii. 37, 65.

"Vandalism at the National Gallery" (a pamphlet), i. 37, 38 (note).

Van de Velde, i. 12; water painting, i. 199.

Van Eyck, i. 43, 45, 46, and note, 65.

Vasari quoted, i. 9 (note).

Vaudois, the character and religion of the, ii. 3, 11, 12.

Velasquez's "Philip IV. hunting the wild boar," i. 40.

Venice, the Cross of the merchants of, i. 165; market of, _ib._ (note); ruin of, ii, 145; Ruskin, Mr., in, i. 87, 157, ii. 154; St. James of the Rialto, i. 164; _see_ St. Mark's.

Venus of Melos, ii. 25.

"Verax," letters on National Gallery, i. 37 (note).

Vernet, Raphael restored by, i. 38.

Vernon, Mr. Robert, gift of, to the National Gallery, i. 50, and note.

Verona, Campanile of, i. 169; Mr. Ruskin's wish to buy (see "Political Economy of Art," Lect. ii. pp. 70-74, reprinted in "A Joy for Ever," pp. 77, 82), i. 152, and note.

Veronese, i. 75, 96; in National Gallery, i. 46, and note; "Marriage in Cana," i. 87; "Family of Darius," _ib._ and note; "Rape of Europa," i. 46 (note); St. Nicholas, _ib._; at Venice, pictures destroyed, i. 38.

Verrochio, no picture by, in National Gallery, i. 44 (note).

Vice and heroism, ii. 134, 135.

Villas, modern, ii. 104, 105, and notes; i. 156.

"Vindex," letter on Barry from, ii. 175 (note).

Virgil quoted, i. 176 (note); ii. 18, and note.

Votes for Parliament, ii. 141, 154.

Waagen, Dr., i. 11, and note, 12.

Wages and labor, ii. 56, 60; how determined, ii. 63, and note; and hardship of work, ii. 59; a just rate of, ii. 48, 50, 51; "Standard of" (letter), ii. 65, 66, and _see_ ii. 42.

Wakley, Thomas, M.P., i. 19, and note.

Wales, Princess of, "our future Queen," ii. 19.

Walker, Frederick, letter on, i. 116; effect of public on, _ib._; elaborateness of, i. 121; moral of his life, i. 118, 119; morbid tendency of, i. 117; method of painting, i. 117; study of art, i. 118; special pictures by, i. 119 _seqq._, and note.

Walpole's "Anecdotes of Painting" referred to, i. 14 (note).

War, American, loss of property, ii. 33; English feeling as to, ii. 15-17, 19; "modern warfare," letter on, ii. 29, and _see_ ii. 23.

Ward, Mr. William, copies of Turner, i. 105, and note; photographs obtainable of, i. 164.

Warwick Castle, burning of, letters on, i. 151 _seqq._, 152 _seqq._; the kingmaker, i. 153.

Waste land, bringing in of, ii. 138.

Water, use of in labor, ii. 135, 136; pressure of stones in, i. 177, 186; reflections in, i. 191 (note), and _seqq._; of rainbows in, i. 201; surface polished, i. 195, 197 _seqq._

Water-colors, effect of light, etc., on, i. 90, 91, 103, and note, 104; series of British, at Kensington, i. 98 (note); Society of Painters in, i. 118, 166, 201 (note).

Waterloo, battle of, ii. 30.

"W. B.," letter in _Daily Telegraph_, ii. 99 (note).

"W. C. P.," letter in _Times_ on "Neutrality," ii. 26 (note).

Wealth, definition of, letter on the, ii. 71; Mill challenged to define, _ib._

Weapons, ancient and modern, ii. 32.

"Weary-Faulds," ii. 123, and note.

Weblings, recitation of the, ii. 180.

_Weekly Chronicle_, letter "Modern Painters" in the (September 23, 1843), i. 3.

Weller, Sam, ii. 97; _see_ Dickens.

West, Benjamin, i. 75.

Western Park, Sheffield, ii. 126 (note).

Westminster, the first Norman Abbey, i. 161; Mill, J. S., M.P. for, ii. 20 (note).

"Whinny-hills," ii. 123 (note).

Whitaker's "History of Richmondshire," i. 117 (note).

White, Adam, letter on "the Study of Natural History" to, i. 204.

Whitmore, Dr., report of Crawford Place, ii. 105.

"W. H. W.," letter to _Daily Telegraph_ on houses, ii. 104, and note, 105.

Wicklow Hills, i. 181.

Wife, place of a, ii. 153.

Wilkie, Sir David, "The Blind Fiddler," i. 7 (note); Burns and, compared, i. 20.

Wilkinson, Sir Gardner, ii. 200, and note.

Williams, Mr. (of Southampton), Lecture on "Art-teaching by Correspondence," to, i. 32.

Wind-power, use of, ii. 135.

Windus, Mr. B. J., sale of his pictures, ii. 185; W. L., "Burd Helen," i. 76, 77, and notes.

Winkelried, Arnold von, ii. 4, and note.

Winsor, Charlotte, ii. 100 (note).

_Witness_, The, letters in: (September 16, 1857) "The Castle Rock," i. 145. (September 30, 1857) "Edinburgh Castle," i. 147. (March 27, 1858) Generalization and the Scotch Pre-Raphaelites, i. 74. (August, 1859) Refusal by, of Letters on the Italian Question, ii. 13 (note).

Women, list of letters on their work and dress, ii. 152; duty and employment of, ii. 153; modern ideas as to, ii. 153; place of, ii. 145; work of, ii. 154 (note), 153 (note).

Woodward, Mr., and the Oxford Museum, i. 125 (note).

Woolner, Mr., and the Oxford Museum, i. 139.

Words, definition of, ii. 56.

Wordsworth, depth of, i. 24 (note); his "public," i. 14; quoted, i. 17, 18, 24, and note, 148, 149; ii. 6, 8 (note).

Work, the best unpaid, ii. 60, and note; honest always obtainable, ii. 46, 135.

Work and Wages, letters on, in the _Pall Mall Gazette_, ii. 48-64.

Workmen, turned off, ii. 27; training of for Gothic architecture, i. 136.

Works of art, manufacture of by poor, ii. 139.

_World, The_ (June 9, 1875), letter on the "Publication of Books," ii. 163; article, "Ruskin to the Rescue," _ib._ (note).

Wornum's, R.N., "Life of Holbein," ii. 12 (note); at the National Gallery, i. 92, 86 (note); Turner drawings arranged, _ib._ 88.

Worth, battle of, ii. 31.

"W. R. G.," letters of, to _Pall Mall Gazette_, ii. 66-70, and notes.

Xenophon's Economist, quoted, ii. 102, and note.

"Y. L. Y.," letter in, on the gentian, i. 204 (note).

_Y. M. A. Magazine_, letters in: (September, 1879). "Blindness and Sight," ii. 139. (October, 1879). "The Eagle's Nest," ii. 140. (November, 1879). "Politics in York," ii. 141.

Young Men and Politics, ii. 141.

Zedekiah, ii. 177.

Zeus, i. 162.

Zorzi, Count, and St. Mark's, Venice, i. 160 (note).

Zosima, epitaph on, ii. 99.

Zuingli, ii. 4, and note.

Transcriber's Notes:

Simple spelling, grammar, and typographical errors were silently corrected.

Anachronistic and non-standard spellings retained as printed.

Italics markup is enclosed in _underscores_.

Corrected "Irving's, Mr., "Shylock," ii. 262." to "Irving's, Mr., "Shylock," ii. 180." in Index.

Corrected "letter to W. C. Bennett, ii. 267 (note)." to "letter to W. C. Bennett, ii. 183 (note)." in Index.

End of Project Gutenberg's Arrows of the Chace, v. 2, by John Ruskin