i. 71;
his "Public," i. 14.
Morality of Field Sports, ii. 127 _seqq._
Moore, Sir T., "Utopia" of, ii. 191.
Morgarten, battle of, ii. 4, and note.
_Morning Chronicle_ (Jan. 20, 1855), "The Animals of Scripture, a Review," ii. 172.
_Morning Post_ (July 7, 1864), letter, "The Position of Denmark," ii. 17.
Morris, Mr. William, and St. Mark's, Venice, i. 170.
Mosaic Law, the, ii. 72.
Mother, place of a, ii. 146.
Mounting of drawings. (See Drawings.)
Mozart, ii. 169.
Mulready, i. 65, 66 (note); Dr. Liebreich on, i. 154, and note.
Munro, Mr., and the Oxford Museum, i. 139.
Murchison, Sir Roderick, and the Excavation of Glaciers, i. 173 (note); and the Eyre Defence Fund, ii. 22 (note).
Murillo's "Immaculate Conception," i. 87 (note), 88.
Muscle, use of, in labor, ii. 136.
Museum, a modern, ii. 126; a national, its objects and uses, i. 53; St. George's, ii. 186.
Music, ii. 158; the art of, ii. 148; a less common faculty than drawing, i. 26, 95; ear for, commoner than eye for color, i. 15.
Musjid, Derby-winner, ii. 10 (note).
Mycenæ, ii. 178.
Mythology, ii. 171; Christian and Greek, i. 163; and religion, i. 118.
Naples, Mr. Gladstone and the political prisoners at, ii. 18 (note); storm at, ii. 116.
Napoleon Bonaparte, i. 44 (note), 49; ii. 26; the Third, ii. 6, 26, 27; purchase of the Louvre "Murillo" by, i. 87.
Nations, "A nation's defences," ii. 113; defences of, "do not pay!" ii. 114; gain and loss of, 79, 80; their quality shown in that of their servants, ii. 94; their strength in union, not in number, ii. 25.
National Gallery, the (see also Pictures); debate on vote for, i. 86 (note); an European jest, i. 38; an ideal arrangement of, i. 48 _seqq._, 50-52; keepers of; Eastlake, Sir C., i. 37 (note); Uwins, R. A., i. 46 (note); Wornum, i. 86; Letters to _Times_ on, i. 37, 45, 86; a new gallery proposed, i. 49, 51, and note; no Ghirlandajo Fra Bartolomeo, or Verrochio in, i. 44 (note), 45; Parliamentary Blue Books referred to, i. 37 (note), 42 (note), 46 (note), 48 (note); popular idea of its object, i. 48; restoration of pictures in, i. 37 (note) and _seqq._, 45; purchase of pictures for, i. 43, 44, 45; strictures on, i. 42 (note); the Vernon gift, i. 50, and note.
National Gallery, Pictures referred to in the-- Albertinelli's "Virgin and Child," i. 44 (note). Angelico's "Adoration of the Magi," _ib._ " "Christ amid the Blessed," _ib._ Bellini, "Doge Leonardo Loredano," i. 45. Claude's "Marriage of Isaac and Rebecca," i. 46 (note). " "Mill," i. 46 (note). " "Queen of Sheba," i. 46 (note). " "Seaport," i. 46 (note). Cuyp, "Large Dort," i. 39 (note). " "Landscape, Evening," _ib._ Guido, "Lot and his Daughters," i. 43. " "Magdalen," ib. (note). " "St. Jerome," _ib._ " "Susannah and the Elders," _ib._ Holbein, libel on, i. 37 (note), 45, and note. Lorenzo di Credi, "Virgin and Child," i. 44 (note). Perugino, "Virgin and Child, with St. Jerome and St. Francis," _ib._ " "Virgin and Infant Christ, with St. John," _ib._ " "Virgin and Infant Christ, with Archangels Michael, Raphael, and Tobias," _ib._ 120. Poussin, "Sacrifice of Isaac," i. 3, and note. Rubens, "Judgment of Paris," i. 44, and note. " "Peace and War," i. 39. Titian, "Bacchus and Ariadne," i. 40-54. Turner, "Dido building Carthage," i. 46, and note. " "The sun rising in a mist," _ib._ " Drawings and Sketches, i. 50, and note; 81 (note). Van Eyck, "Jean Arnolfini and his wife," i. 46 (note). Velasquez, "Philip IV. hunting the Wild Boar," i. 40. Veronese, "Consecration of St. Nicholas," i. 46, and note. " "Rape of Europa," _ib._ Wilkie, "The Blind Fiddler," i. 7.
Natural History, study of, i. 135; letter on, i. 204.
_Nature and Art_, letter on "Art Teaching by Correspondence" in, i. 32.
Nature, general ignorance of, i. 16; human, not corrupt, ii. 143; its lessons true, i. 24; neglect of, i. 17; understanding of, _ib._
Neptune, ii. 171.
Neutrality, the "difficulties of," letter, ii. 26; of England, ii. 15.
New Shakespeare Society, letters in Transactions of, ii. 176 _seqq._
Newspaper, duty and power of an editor, ii. 95.
Newtonian law, i. 199 (note), 200.
Newton's "Principia," i. 14.
_New Year's Address and Messages to Blackfriars Bible Class, Aberdeen_: "Act, act in the living present" (1873), ii. 141. "Laborare est orare" (1874), ii. 142. "A Pagan Message" (1878), ii. 143.
_Nineteenth Century_: Mr. Ruskin's "Fiction, Fair and Foul," quoted, ii. 97 (note).
Nino Pisano, i. 43.
Nobert, line-ruling by, i. 94.
Non-iquity, ii. 107.
Norton, Prof. C. E. (U.S.A.), letters of Mr. Ruskin to, i. 86 (note), 97 (note), 105 (note); lecture on Turner, _ib._
"Notes on Employment of the Criminal Classes" (_Daily Telegraph_, letter and pamphlet), ii. 129-132 _seqq._
"Notes on Prout and Hunt" (see Ruskin, Mr.), i. 166 (note).
"Notre Dame de Paris," its place among French cathedrals, i. 153.
Norwich, Dr. Browne at, ii. 120, and note.
"Oak Silkworms," letter in _Times_ (Oct. 24, 1862) on, ii. 158.
Obedience, the real "Divine service," ii. 143.
Offenbach's "Fille du Tambour Major" referred to, ii. 194.
Oil painting, determined by Titian, i. 117.
Old Adam (see Shakespeare), ii. 97.
Old Masters, exhibition, i. 106.
Oliver, Roland for an, ii. 48.
Opie, i. 75.
Optical work, delicacy of, i. 94, 95.
Optics, writers on, i. 195 (note).
Organ, street nuisance of, ii. 18, 19 (note).
Ornament, natural forms in, i. 129; in dress, ii. 155.
O'Shea, and the Oxford Museum, i. 139, 142 (note).
"Ought" and "are," ii. 63.
"Our Sketching Club," ii. 165, and note.
Oxford, Balliol oriel-window, i. 135; bishop of, on education, ii. 123 (note), 178; Bodleian library, traceries of, i. 135; Christ Church, fan-vaulting at, _ib._; drawing schools, i. 102, 113; examinations, letter on, i. 24; meeting in on St. Mark's, Venice, i. 170; printsellers, ii. 144; "An Oxford Protest," ii. 188; rich buildings, i. 135.
Oxford Museum, the, letters on, i. 125-145; Acland, Dr., his lecture on, quoted, i. 125 (note), 130 (note), 132 (note); building of, i. 125 (note); capital in, i. 141, and note; decoration of, i. 127, 136, 137, 138, 143; porch proposed, i. 130; sculpture of, i. 137; spandril in, i. 144; success of its Gothic architecture, i. 130; its teaching, i. 138; the west front, i. 139.
Padua, ii. 117.
Painters, how roused to exercise their strength, i. 139; vision of, how it affects their pictures, i. 155.
Painting and poetry, closely allied, i. 19; portrait-painting, ii. 170.
_Pall Mall Gazette_, The-- (April 18, 1865) "Strikes _v._ Arbitration," ii. 48. Articles on strikes, _ib._ " masters and men, ii. 50, and note. (April 21, 1865) "Work and Wages," ii. 50. ( " 25, " ) " " ii. 52. (May 2, " ) " " ii. 54. ( " 9, " ) " " ii. 59. ( " 22, " ) " " ii. 62. Interpolation of, in Mr. Ruskin's letters, ii. 57-69. (March 1, 1867) "At the Play," ii. 185. (May 1, 1867) "Standard of Wages," ii. 65. (January 31, 1868) "True Education," ii. 123. ( " 19, 1871) "A Nation's Defences," ii. 113. (December 28, 1871) "The Streets of London," ii. 119. (March 16, 1872) "Mr. Ruskin's Influence--a defence," i. 154. ( " 21, " ) "Mr. Ruskin's Influence--a rejoinder," i. 156. (November 4, 1872) "Madness and Crime," ii. 130. (January 24, 1873) "How the Rich spend their Money," ii. 66. ( " 29, " ) " " " ii. 67. ( " 31, " ) " " " ii 68. ( " 11, 1875) " A Mistaken Review," ii. 165. ( " 19, " ) "The Position of Critics," ii. 167.
Pan-droseion, i. 161.
Parents and children, relation of, ii. 145.
Paris, fortifications of, ii. 114; in Franco-Prussian war, ii. 25; theatres of, ii. 194.
Parliament, ii. 140; of 1868, ii. 133; debate on Denmark, ii. 27; on Turner bequest, i. 86; Houses of, ii. 175 (note), 176.
Partnership of masters and men, ii. 69, and note.
Patmore, Coventry, i. 60 (note), ii. 168, 171 (note).
Paton, Waller, R.S.A., i. 74, and note.
Patriotism, ii. 4 (note), ii. 144.
Peebles _v._ Plainstanes. (See Scott.)
Penelope and her servants (see Homer, Od. xxii.), ii. 102.
Penrith, letter from, i. 147.
"Percy's Reliques" quoted, i. 77 (note).
Permanence, the blessing of a fixed life, ii. 101.
Perseus, i. 162.
Perugino, i. 44 (note), 117, 120, note, and 121.
Peter, St., ii. 8.
Petroleum, ii. 136.
Pharpar and Abana, ii. 10.
Phidias and Titian, i. 142, 162.
Φρασσω, ii. 178.
"Pickwick" referred to, ii. 97.
Pictures,--and artists, letters on, i. 111; arrangement of in a gallery, i. 42, 43, 50; cleaning of, i. 41; galleries, fatigue of visiting, i. 42, 51; glazing of, i. 41, 47, 48; are great books, i. 48, 49 (note), 69, 103; London atmosphere, effect of on, i. 38; modern appreciation of, i. 55; novelty of a purpose in, i. 69; popular idea of, i. 73; preservation of, i. 39, 49; restoration of, i. 47; purchase of, i. 55; common tendency of, i. 72; tone left by time on, i. 39; touches on, value of last, i. 47; must be understood as well as seen, i. 70; value of studies for, i. 52; vanity in possessing, i. 127; worth buying, worth seeing, i. 42, 48, 92. (See also National Gallery.)
Pictures referred to, see National Gallery, Louvre, and under the names of artists.
Piedmont, a view of, ii. 11.
"Pilgrim's Progress" referred to, i. 66.
Pisa, ii. 117.
Plato, quoted, i. 16, 183; ii. 206; and justice, ii. 53.
"Plight," ii. 178.
Plummer, John, letter on "Supply and Demand," ii. 43, 44 (note).
Po, delta of, ii. 116; embankments for, ii. 112.
Pocock, Mr. T., ii. 140.
Poetry, disregarded in this age, i. 18; and painting allied, i. 19; principles of criticism of, ii. 169; better read than recited, ii. 180; requisites for enjoyment of, i. 18; of Turner's pictures, _ib._
Poets, modern, ii. 171 (note).
Pointsmen, under-payment of, ii. 88.
Poland and Russia, ii. 16.
Pole, Geffrey, his "Xenophon," ii. 102 (note).
Political Economy, list of letters on, ii. 35; and morality, how connected, ii. 42, 43; primal fallacy of modern, ii. 65; Ruskin, Mr., and his definition of, ii. 83 (84-87); scope of his economy, ii. 99; shelter the first question in, ii. 105, 106; true and false, ii. 99.
Politics, list of letters on, ii. 1; bewilderment of Mr. Ruskin at, ii. 3; the path in, ii. 7, 8; tone of modern, ii. 14; in youth, ii. 141.
Pompeii, ii. 116.
Pope's "Odyssey" quoted, ii. 169, and note.
Poplar, artisans of, emigration, ii. 86, 87 (note).
Porterage, ii. 136, 138.
Portrait-painters, their ignorance of landscape, i. 16.
Pottery, ii. 139.
Poussin, Gaspar, i. 3, 7; his "Sacrifice of Isaac," i. 3.
" Nicholas, i. 4.
Powers, for labor, order of their employ, ii. 134; of a nation--dependent on what, ii. 25.
Poynter, Mr., R.A., at Kensington, i. 100, and note.
Prayer, obedience the best, ii. 143.
Pre-Raphaelitism, etc., list of letters on, i. 58; choice of features by, i. 63, 64; conceits of, i. 77, and note; drapery of, i. 63; flesh-painting of, i. 65; growth of, i. 74; labor of Pre-Raphaelite pictures, i. 68; Liverpool and, i. 73; meaning of the word, i. 61, and note; perspective of the Pre-Raphaelite Brethren, i. 62; probable success of, i. 66; religious tendencies of Pre-Raphaelite Brethren, i. 60, 66; respective value of Pre-Raphaelite and other work, i. 74, 76; want of shade in Pre-Raphaelite work, i. 66; Pre-Raphaelite work, true and false, i. 70.
Price, dependent on labor, ii. 55, 60; a just, ii. 106 (note); determinable, ii. 61; allows for necessary labor, ii. 56; and value, ii. 39, 64.
Principle, the sense of, how blunted, i. 8.
Property, distribution of, ii. 67, 68; principles of, ii. 71; loss of in war, ii. 32, 38.
Proteus, character of Shakespeare's, i. 64.
Prout, i. 63 (note). (See Ruskin, Mr., "Notes on Prout and Hunt.")
Provence, winds of, ii. 135.
"Protestant," ii. 140.
Protestantism, remarks on, ii. 3, 4; aspect of, at home and abroad, ii. 11; hypocrisy of, ii. 4; of Italians, French, and Austrians, ii. 5.
Protests, uselessness of, ii. 17.
Protractor, the use of the, i. 181 (note), 184.
Prussia, Frederick William IV. of, ii. 7 (note). (See also Franco-Prussian war.)
Public, the, defined, i. 15; their judgment in art, i. 15; and in other matters, i. 17; their ignorance of nature, i. 17; Frederick Walker, how affected by, i. 122.
Public Institutions and the National Gallery, list of letters on, i. 36. (See National Gallery, British Museum.)
Pullen, Mr. F. W., Letter to on St. Mark's, Venice, i. 170 (note).
Punishment, ii. 134
Quarles Harris' port, ii. 66.
Quebec, emigration to, ii. 87.
Rabbah, ii. 174.
Radetzky, ii. --; his character, ii. 5.
Railways, list of letters on, ii. 77; accidents, ii. 88, 89; doubling of lines, ii. 88, 89; at Dulwich, ii. 97; economy, ii. 83; investment in, ii. 81; management of, ii. 82; ownership of, ii. 81-83; payment of pointsmen, ii. 83, 88; stations, decoration of, ii. 88, 89.
Rainbows, reflection of in water, i. 201.
Raphael, i. 43, 75; distinction in art before and after, i. 62; pictures of in the Louvre, i. 49; in the National Gallery, i. 47; restored by David and Vernet, _ib._
Rationalism, modern, and the Liber Studiorum, i. 97 (note).
Rauch, Christian, ii. 17, 18 (note).
_Reader_, The, Letters in-- (November 12, 1864) "The Conformation of the Alps," i. 173. (November 26, 1864) "Concerning Glaciers," i. 175. (December 3, 1864) "English _v._ Alpine Geology," i. 181. (December 10, 1864) "Concerning Hydrostatics," i. 185. Letters and articles, etc., referred to: by "M. A. C." and "G. M.," i. 185 (note); Jukes, Mr., i. 181 (note), 182 (note), 184 (note), 185 (note); Murchison, Sir R., i. 173 (note); "Tain Caimbeul," i. 175 (note).
Real, the, and the ideal, not opposed, i. 7, and note.
Rebekah, ii. 174.
Recitations, Letter on, ii. 180.
Red Prince, the, ii. 112.
Reflections in water, letter on, i. 191; two kinds of, i. 195 (note); lines of moonlight on the sea, i. 193; of rainbows, i. 201.
Reformation, ii. 133; instruments of, _ib._ 134.
Reform Bill, 1867, ii. 133.
Religion and mythology, i. 118; and science, i. 133.
Rembrandt, i. 13, 28, 115 (note).
Rendu's Glaciers of Savoy--letter on Forbes in, i. 187.
Repair of buildings, ii. 138.
Republicanism _v._ Monarchy in the Franco-Prussian war, ii. 40.
Restoration, modern, letter on, i. 157; impossible, i. 153; in Italy, i. 170.
Reverence, a mark of high intellect, i. 189.
Review-writing, ii. 166.
Reynolds, Sir Joshua, effect of gas on his pictures, i. 99; grace of, ii. 34 (note); speed of, i. 112; vehicles used by, i. 98; Mr. Ruskin's article on, ii. 18 (note).
Rheims Cathedral, i. 154.
Rhine, embankments for the, ii. 112; foul water of the, i. 195 (note).
Rhone, the, ii. 112.
Ribbesford Church, i. 158.
Ricardo's "Political Economy," ii. 80.
Rich and Poor, money how spent and made by, ii. 98-104.
Richmond, George, R.A., ii. 170; Professor W. B., i. 170.
Rivers, Italian, ii. 111 _seqq._ (See Roman Inundation letters.)
Road-making, ii. 138.
Roads, who should own, ii. 119, 120.
Robert le Diable, opera of, ii. 17.
Rogers' "Italy," i. 83; Poems, i. 82, 93; his old servant, i. 104
Roland, a, needed by France, ii. 42; for one's Oliver, ii, 70.
Roman inundations, list of letters on, ii. 157.
Roman race, the qualities of the, ii. 117.
Rome, and the floods, ii. 116.
Rose, Society of the, ii. 191; the heraldic sign on Mr. Ruskin's books, _ib._
Ross, Sir William, A.R.A., i. 62.
Rosse, microscopes of Lord, i. 94.
Rossetti, i. 74, ii. 166.
Rossini, ii. 194.
Rotterdam, cleanness of, ii. 120.
Rouen Cathedral, i. 154.
Royal Institution, Dr. Liebreich's lecture at, i. 154, and note.
" " Mr. Ruskin's lecture on "The Alps" at, i. 174 (note).
" " Mr. Ruskin's lecture on "Verona" at, _ib._
Rubens, advantageous condition in which to see his pictures, i. 39; characteristics as an artist, i. 39; his landscapes, i. 13; his reply to A. Janssens, i. 14 (note); pictures, at Antwerp, Malines, Cologne, i. 39; "Judgment of Paris," i. 44, and note; "Peace and War," i. 39.
Rules, good and bad, ii. 89, 90.
Ruskin, Mr., antipathies of, ii. 183; an antiquary, i. 153; art-teaching by correspondence approved by, i. 32; art-work, how first begun, i. 180; Austrian friend of, at Venice, ii. 6; at Bellinzona, ii. 117; bewildered by modern politics, ii. 3; and the "Bibliography of R.," ii. 190; his books, ii. 164 (_see_ below, books of, quoted); his books read for the sound of the words, i. 161; botany, notes on, i. 69, 204, ii. 183; castles, his love of, i. 147, 149, 151 (note); changes residence, and why, i. 156; charity of, i. 152, ii. 139, 186; conscience hereditary to, ii. 69; a conservative, i. 152, 153, ii. 31; and Copley Fielding, i. 192; criticism,--principles of his, i. 190; rarely replies to, i. 3, 88, ii. 174; --crossing-sweepers of, ii. 120 (note); diagram of Alpine aiguilles, i. 186; dispirited, ii. 188; drawing of St. Mark's, Venice, i. 161; excuses from correspondence, ii. 186; his father,--business of, ii. 87, and note, 102, 103; an Edinburgh boy, ii. 184; --Forbes' gratitude to, i. 187 (note); fortune of, ii. 102, 103; gardener of, ii. 140; geology, knowledge and early love of, i. 180, ii. 172; geological work amongst the Alps, i. 173; Griggs, Matilda, and, ii. 186; Guthrie, Dr., and, ii. 184; Harrison, Mr. W. H., and, ii. 192; Hartz minerals purchased by, ii. 58; Holyoake, Mr., and, ii. 73, 74; illness in 1878, i. 160, and note; "inconsistency" of, i. 25 (note), ii.; influence of, on architecture, i. 154 _seqq._, 157; insanity, a tender point with, ii. 131; investment in house property, ii. 106; investment in railways--"never held a rag of railroad scrip," ii. 82; Irving, Mr., and, ii. 179 (note); Italy, knowledge of, ii. 14, and the Italian question, ii. 3 _seqq._; lectures, refusal to give, ii. 15, and note, 124; lectures at Westminster Architectural Museum, ii. 174 (note); Lowe, Mr., and (letter), ii. 189; at Naples, ii. 116; natural history, love of, i. 204; newspapers little read by, ii. 10; at Oxford, ii. 172, 188; resigns professorship, i. 163; political economy of, i. 180, ii. 84, 99, 100 (see _s. v._); publication of books, ii. 163 _seqq._; as a railway traveller, ii. 82; range of work, ii. 188; religious tone of his writings, i. 60, and note; restoration, horror of modern, i. 153, 157, 159, 160; rich, moderately, ii. 67; science, love of, i. 132, 180; servants of, ii. 93; strikes, proposal as to, ii. 65 (note); a Tory, i. 152, 153; Turner, R.'s insight for his work, i. 106; called mad for praising Turner, i. 106; arranges the Turner bequest, i. 81, 83, 84, and note, 86, 88, 98, 100; executor of Turner's will, i. 81; love of Turner's pictures, i. 10; Thornbury's "Life of Turner" criticised by, i. 107; St. Mark's, Venice, and, i. 162, 169; Ruskin Society, i. 170 (note), ii. 191; Utopian home, ii. 119; residence in Venice, i. 87; wish to buy "Verona" (_see_ Verona), i. 152.
Ruskin, Mr., books of, quoted or referred to:-- "Academy Notes," i. 67 (note), 76 (note), 117; ii. 23 (note). "A Joy for Ever," i. 25 (note), 102 (note), 189 (note); ii. 156 (note), 158. "Aratra Pentalici," ii. 125 (note). "Ariadne Florentina," i. 105 (note), 114 (note). "Bibliotheca Pastorum," vol. i., ii. 4 (note), 102 (note), 144 (note). "Cestus of Aglaia," ii. 99 (note). "Crown of Wild Olive," ii. 23, 60 (note), 157. "Deucalion," i. 180 (note). "Eagle's Nest," ii. 125 (note), 140. "Education in Art," i. 25 (note). "Elements of Drawing," i. 95; ii. 165 (note). "Essays on Political Economy," see below, "Munera Pulveris." Evidence before National Gallery Commission, 1857, i. 48 (note), 84 (note). "Examples of Venetian Architecture," i. 157 (note). "Fiction Fair and Foul," ii. 97 (note). "Fors Clavigera," i. 151, and note, 160 (note), 168, 169, 170; ii. 60 (note), 70 (note), 72, 106 (note), 126 (note), 130, 164 (note), 187, 189. "Giotto and his Works in Padua," i. 25 (note). Holbein, article on, ii. 12 (note). "Home and its Economies," ii. 144 (note). Lectures on Architecture and Painting, i. 22 (note), 107 (note). Lectures on Art, ii. 125, 156. (note). Lecture, on Forms of Stratified Alps, i. 174 (note). ---- on Verona and its ruins, ii. 113 (note). Letters on the Lord's Prayer, ii. 142. "Modern Painters," i. 3, 4 (note), 4 (note), 5 (note), 7, 8 (note), 40, 60 (note), 62 (note), 67 (note), 101 (note), 107 (note), 108 (note), 155, 174, 186, 191 (note), 193 (note); ii. 127, 165. "Munera Pulveris," ii. 44 (note), 71, 72, 84, and note, 89, 226, 262 (note). "My First Editor," ii. 192 (note). Notes on Criminal Classes, ii. 131 _seqq._ Notes on Prout and Hunt, ii. (note). Oxford Lectures, ii. 125. "Political Economy of Art;" see above, "A Joy for Ever." Pre-Raphaelitism, i. 12, 65 (note). "Queen of the Air," ii. 171, 201. "Sesame and Lilies," i. 60 (note); ii. 168 (note), 171 (note). "Seven Lamps of Architecture," i. 60 (note). "Stones of Venice," i. 157 (note), 161; ii. 175 (note), 184 (note), 192 (note). "Time and Tide," ii. 65, 185. Turner pamphlets, Catalogues of Sketches and Drawings, i. 84, and note, 88 (note), 101 (note). " " Notes, 1857, 86 (note), 92, and note, 102 (note), 204. " " Report, i. 52 (note), 54, and note, 88 (note). "Two Paths," i. 88, 95. "Unto this Last," ii. 72 (note). "Val d'Arno," i, 114 (note); ii. 125.
Russia, England, and India, ii. 31.
"S," letter on capital from, ii. 83 (and note), 84.
Saint Bernard, dogs of, ii. 11.
St. Elmo, ii. 116.
St. George, i. 162; Company or guild of, i. 169 (note), 190; fund, ii. 120; letters on, 187 (note); museum of, i. 163, ii. 73, 126; schools of, ii. 146; Society of the Rose not to take name of, ii. 191.
St. James of the Rialto, i. 165, and note.
St. Jean d'Acre pillars, i. 166.
"St. Lawrence," emigration in the, ii. 87.
St. Michael, i. 162.
St. Mark's, Venice, circular relating to, i. 159; letters on, i. 169 (note), 170; antiquity of, i. 161, 162; architecture of, i. 162; bill-posters on, i. 168; bit off it, at Brantwood, i. 167; photographs of, i. 164; restoration of south façade, i. 168, and note; stability of, i. 166, 169; subscriptions for, i. 163, 169 (note).
St. Paul and Justice, ii. 53.
St. Paul's, Charity children singing at, ii. 149.
Sainte Chapelle, the, i. 136, 153, 154.
Salamanca, battle of, ii. 30.
Salvation, the Light of the hope of, i. 69.
Salvator Rosa, i. 15; his "Mercury and the Woodman," i. 4.
Sancho, ii. 97.
Sardinia, position of in 1859, ii. 3, 6.
Savoy, cession of, ii. 19, and note.
Scarlet, the purest color, ii. 155.
Schaffhausen, letter from, ii. 13.
Scholarship, result of English, ii. 98.
Schools (see Education, St. George).
Science, list of letters on, i, 171; connection of the different sciences, i. 132 (note); what it includes, i. 30; growth of, i. 32, 132, 134; and religion, i. 133; use of, i. 133.
Science of Life," "The, letters in, ii. 143, 149.
Scotch, ballads, i. 76 (note); "craigs," i. 146; people, religious tone of, ii. 3, 4, 7.
_Scotsman_, The, letters in-- (July 20, 1859) "The Italian Question," ii. 3. ( " 23, " ) " " " ii. 8. (Aug. 6, " ) " " " ii. 13. (Nov. 10, 1873) "Mr. Ruskin and Prof. Hodgson," ii. 44. ( " 18, " ) " " " ii. 46.
_Scotsman_, The, referred to, i. 74 (note).
Scott, Sir Gilbert, design for Foreign Office, i. 99.
----, Sir Walter, books of, referred to-- "The Abbot," chap. xvi. ("The monks of Melrose made good kail," also quoted in the introduction to "The Monastery"), i. 141. "The Antiquary" (Fairservice), ii. 97. "Lady of the Lake," canto v. st. x. quoted, i. 181. "Lay of the Last Minstrel," canto ii. st. viii. quoted, i. 141. "Redgauntlet," Letter xiii. (Peebles v. Plainstanes), i. 184. "Rob Roy" (carefu' Mattie), ii. 97. "Waverley" referred to, ii. 123 (note).
----, Mr. W. B., ii. 165; reviews Mr. Tyrwhitt's "Sketching Club," _ib._
Sculpture, in architecture, i. 126, 137 _seqq._; of hair, i. 143, ii. 12; portrait statues, i. 140.
Sea, the, ii. 173; color of, i. 196; light and shadow on, i. 194 _seqq._; southern and northern seas, ii. 178.
Sedan, battle of, ii. 31, 33.
Seine-series, Turner's, i. 82, 101.
Self-interest, ii. 7, 48, 55.
Sempach, ii. 4, and note; battle of, i. 182, and note.
Serf-economy in America, ii. 21.
Servants and Houses, list of letters on, ii. 90; education of, ii. 100; facilities for leaving places, ii. 101; good, how to secure, ii. 93; kindness to means care, ii. 94; rarity of good, ii. 93, and note; and masters, ii. 97; must be permanent to be good, ii. 95, 101; Mr. Ruskin's experience of, ii. 95.
Service, value of self service, ii. 96.
Sexes, relation of the, ii. 147.
Shadow in distant effect, i. 194 _seqq._; on water, i. 198; impossible "on clear water, near the eye," i. 192 _seqq._
Shakespeare, his mission and work, i. 22 (note); notes on a word in, ii. 176, 177; Society, _ib._; quoted or referred to-- "As You Like It," Act 2, sc. 3 (Old Adam), ii. 97. " " Act 2, sc. 7 ("motley's the only wear"), ii. 157. "Coriolanus," Act 3, sc. 1 ("mutable, rank-scented many"), i. 38. "Hamlet," Act 5, sc. 1 ("The cat will mew," etc.), ii. 97. "Julius Cæsar," Act 2, sc. 1 ("And yon grey lines," etc.), ii. 176. "Measure for Measure" (Lord Angelo), ii. 144. "Merchant of Venice," ii. 57, i. 165, ii. 179. "Merry Wives of Windsor," i. 118. "Midsummer Night's Dream," ii. 5, Act 1, sc. 1, i. 60, 61 (note). "Romeo and Juliet," Act 2, sc. 4 ("My fan, Peter"), ii. 38. "Taming of the Shrew" (Grumio), ii. 97, 178. " " " Act 2, sc. 1 ("Katharine's frets"). "Two Gentlemen of Verona," Act 2, sc. 4 ("As rich in having," etc.), i. 64. " " (Launce), ii. 97.
Shallow, Justice, his theology of death, i. 118.
Sheepshanks collection at Kensington, i. 98 (note).
Sheffield, art impossible in, ii. 126; ironwork at, ii. 127; Museum, ii. 73 (note), i. 163; Western Park at, opened, ii. 126 (note); strikes at, ii. 106.
_Sheffield Daily Telegraph_ (Sept. 7, 1875), St. George's Museum, ii. 126.
_Sheffield Independent_ (March 8, 1880), Mr. Holyoake on St. George's Museum, ii. 73.
Shelley, quoted to illustrate Turner, i. 20; his "Cloud," ii. 180.
Shenstone quoted, i. 72, and note.
Shepherd, Mr. R. H., two letters on the Bibliography of Ruskin, to, ii. 190.
Shoeburyness, ii. 114.
Siena, Fount of Joy at, ii. 118.
Sienese, qualities of the race, ii. 117.
Simmons, W. H., engraver of "Light of the World," i. 67 (note).
Sinai, the desert of, ii. 5.
Singing for children, ii. 149.
Sire, meaning of, i. 145.
"Sixty years ago" (letter in _Pall Mall Gazette_, Jan. 30, 1868), ii. 123.
Slave markets in Mayfair, ii. 21.
Slavery and emancipation, ii. 21, 22; and liberty, ii. 98, 99; and sonship, ii. 93, 94, 96.
Smith, Mr. Collingwood, on water colors, i. 104 (note).
Smith, Sydney, memoirs quoted ("Bunch"), ii. 96 (note).
Smoke, no art in midst of, ii. 126.
_Socialist_, The (Nov., 1877), letter on the "Principles of Property" in, ii. 71.
Society, of Arts, i. 52; of Artists, Sheffield, ii. 181; Ashmolean, i. 202; New Shakespeare, ii. 176, 177; for the Prevention of Cruelty to Animals, Mr. Ruskin at, ii. 128 (note); Ruskin Society (of the Rose), ii. 191; Science Association, Mr. Ruskin at, ii. 65 (note).
Solferino, ii. 3 (note), 31, 33.
Solomon, ii. 141, 173; "seals of Solomon" (Suleyman), _see_ Arabian Nights.
Solomon, Mr. A., his "Waiting for the Verdict," i. 73 (note).
Son, relation of, to father, ii. 145.
Sonship and slavery, ii. 96-98.
Sorrento, i. 203.
Soult, Marshal, collection of, i. 87 (note).
Southey's Colloquies quoted, i. 21 (note).
Spain, oppressed by Spaniards, ii. 6.
Sparkes, i. 100 (note).
Spencer, Mr. Herbert, quoted, i. 194 (note), ii. 144 (note).
Sport, field, ii. 127.
Sprat, venture a, to catch a herring, ii. 41.
_Standard_, The, letter "Mr. Ruskin and Mr. Lowe" (Aug. 28, 1877), ii. 189; article on St. Mark's, Venice, i. 168.
Stanfield, i. 23, 192; illustrated by Campbell, i. 20; water-painting by, i. 198.
Statues, commemorative, modern use of, i. 140.
Steam, to be employed after muscular power, ii. 87, 135.
Stones, pressure of, in water, i. 177, 186.
Stothard, engraving of design by, in "Rogers's Poems," i. 93.
Strasburg, ruin of, in Franco-Prussian war, ii. 25.
Street, Mr., influenced by Mr. Ruskin, i. 156; his New Law Courts, i. 156; and St. Mark's, i. 170.
Streets, state of London, ii. 119.
Strikes, ii. 42, 43; letter "Strikes _v._ Arbitration," ii. 48; at Cramlington, ii. 106, and note; Mr. Ruskin's proposal as to, ii. 65 (note); at Sheffield, ii. 106; in Staffordshire, ii. 39.
Stucco, ii. 101.
Sunrise, rarely seen, ii. 177.
Supply and Demand, letters on, ii. 39 _seqq._, 43 _seqq._; beneficial supply, ii. 43; law of, ii. 81, 84, 93, 94, 105; Mr. Ruskin and, ii. 99, 100.
Swift, quoted, ii. 167.
Swiss, the people of Bellinzona, ii. 117; the liberties of Europe and, i. 182; Protestantism, ii. 3-5.
Sydenham, and railway complaints, ii. 84, and note.
Syro-Phœnicia, the woman of, ii. 174.
"Tain Caimbeul," letter in _Reader_, i. 175 (note).
Taylor, the trial, ii. 130, and note.
Telford, "Ruskin, T., and Domecq," ii. 60 (note).
Tell, William, ii. 3, and note; opera of, ii. 194.
Tempera-painting, determined by Angelico, i. 118.
Temple, Rev. F. (Bishop of Exeter), i. 25 (note), 31.
Tennyson, quoted: "Mariana," i. 60 (note); "In Memoriam," i. 179; "Enid," ii. 100; "Break, break," etc., ii. 178; mentioned, ii. 183 (note).
Territory, extent of, ii. 24.
Thackeray, Miss, "The Chaplain's Daughter" referred to, i. 120, 121 (note); "Jack the Giant Killer," _ib._
Thames, the, i. 183; its commerce, i. 165 (note); its mud, ii. 73.
Theatre, the, letter, "At the Play," ii. 185, (See Drama.)
_Theatre_, The, letter in, "The Merchant of Venice," ii. 179.
Thorburn, i. 62.
Thornbury, Walter, "Life of Turner," i. 108.
Tiber, inundations, ii. 111, 116, 118.
Ticino, inundations, ii. 113, 117.
_Times_, The letters in:-- (January 7, 1847) Danger to the National Gallery, i. 37. (May 13, 1851) The Pre-Raphaelite Brethren, i. 57. (May 30, 1851) The Pre-Raphaelite Brethren, i. 63. (December 29, 1852) The National Gallery, i. 45. (May 5, 1854) "The Light of the World," i. 67. (May 25, 1854) "The Awakening Conscience," i. 71. (October 28, 1856) The Turner Bequest, i. 81. (July 9, 1857) The Turner Bequest and the National Gallery, i. 86. (March 29, 1859) The sale of Mr. Windus' pictures, ii. 185. (October 21, 1859) The Turner Gallery at Kensington, i. 98. (October 24, 1862) Oak Silkworms, ii. 158. (October 8, 1863) The Depreciation of Gold, ii. 37. (January 27, 1866) The British Museum, i. 52. (January 24, 1871) Turners False and True, i. 106. (June 6, 1874) The Value of Lectures, ii. 124. (January 20, 1876) The Frederick Walter Exhibition, i. 116. (April 25, 1878) Copies of Turner's Drawings, i. 105. (February 12, 1876) Despair (extract), ii. 124 (note). (February 2, 1880) The Purchase of Pictures, i. 55. Articles, etc., referred to:-- Critique on early Pre-Raphaelite works, i. 59 (note). "Difficulties of Neutrality," Letter, ii. 26 (note). And see notes to above-named letters.
Tintoret, i. 49, 75, 96, 112; "Susannah and the Elders," i. 50, and note.
Titian, i. 24, 28, 42, 43, 49, 51, 75, 96, 106, 112, 117, 142; ii. 214; his "Bacchus and Ariadne," i. 40, 54, and note.
Toccia, inundation of the, ii. 113.
Tombs, pompous, i. 140.
Tour, La, ii. 11, 12.
Townshend, Lord, letter by, on the Circassian exodus, ii. 17, and note.
Traceries, not to be copied, i. 159.
Trade, the true dignity of, ii. 70, and note.
Training, moral and athletic, ii. 145.
Translation, the, of words, ii. 175.
Trevelyan, Sir W. C., i. 133, and note.
Trial and fate, the laws of, i. 125-6.
Trollope, Anthony, on field sports, ii. 128 (note).
Tunbridge Wells, education meeting at, 123.
Turin, ii. 11, 12.
Turner, J. W. M., list of letters on, i. 80 _seqq._; his pictures ill seen in the Academy, i. 20, 21; bequest to the nation, i. 50, and note, 81, 100; his best work in gray, i. 96; his best work his modern work (1843), i. 23 (note); change in price and value of his pictures, ii. 41; character of, i. 107; Claude challenged by, i. 46, and note; the Turner collection, i. 54, and note; copies of, 105, and note; difficulty of copying, i. 95; lesson in art of copying, i. 23; his delicacy of hand, i. 95; engravings of, their value, i. 90; exhibitions of Marlboro' House, i. 81, and note, 88-9, 92, 98, 101; eyesight of (Dr. Liebreich on the), i. 154 and 155 (note); "Turners" False and True, i. 106; a Turner gallery, proposals for, i. 91; Life of, i. 107-8; light and gas, etc., effect of, on his pictures, i. 83, 90, 98, and note, 100, 103, 105; the Turner mania, i. 16; mass of drawings left by, i. 101; Norton's, Prof., lecture on, i. 86 (note), 97 (note), 105 (note); pencil outlines of, i. 93; poetry and philosophy of his pictures, i. 11, 15, 18, 21; pre-Raphaelitism of, i. 65 (note), 74; his "Public," i. 15; scorned in life, i. 8, 11; sea subjects, i. 199, 11, 12 (note); the "Shakespeare" of painting, i. 22, and note; Shelley compared with, i. 20; sketch-book of, i. 86 (note); subtlety of, i. 96; requisites for enjoyment of his work, i. 21; unusual vehicles of, i. 82; Waagen's estimate of, i. 11, 12, and note; water-painting by, i. 199; will quoted, i. 46 (note).
Turner, J. W. M., Drawings and Sketches, condition of at death,