Category: Architecture

Ariadne Florentina: Six Lectures on Wood and Metal Engraving

1. The entrance on my duty for to-day begins the fourth year of my official work in Oxford; and I doubt not that some of my audience are asking themselves, very doubtfully--at all events, I ask myself, very anxiously--what has been done.

Chapters

9. Chapter 9

160. You have to look carefully for those fingers holding the scepter, because the hand--which a great anatomist would have made so exclusively interesting--is here confused wit...

6. Chapter 6

107. Next, examine the technical treatment of the pig, above. I have purposely chosen this as an example of a white object on dark ground, and the frog as a dark object on light...

4. Chapter 4

63. Art became Italian! Yes, but _what_ art? Your authors give a perspective--or what they call such,--of the upper church of Assisi, as if that were merely an accidental occurr...

10. Chapter 10

177. I have said that Holbein was condemned to teach these things. He was not happy in teaching them, nor thanked for teaching them. Nor was Botticelli for his lovelier teaching...

8. Chapter 8

141. By reference to the close of the preface to 'Eagle's Nest,' you will see, gentlemen, that I meant these lectures, from the first, rather to lead you to the study of the cha...

5. Chapter 5

I never said that _mezzotint_ ignored light and shade, or ought to do so. Mezzotint is properly to be considered as chiaroscuro drawing on metal. But I do mean to tell you that...

11. Chapter 11

"But although this picture is exceedingly beautiful, and ought to have put envy to shame, yet there were found certain malevolent and censorious persons who, not being able to a...

14. Chapter 14

236. Then turn to the last--the poetical plate, p. 122: "Lifts her--lays her down with care." Look at the gentleman with a spade, promoting the advance, over a hillock of hay, o...

2. Chapter 2

24. You might at first think it a painting which showed greater skill than that of the school of Giotto. But the skill is not the primary question. The power of imagination is t...

13. Chapter 13

"I have always, through life, been of opinion that there is no business of any kind that can be compared to that of a man who farms his own land. It appears to me that every ear...

12. Chapter 12

212. In 1871, partly in consequence of chagrin at the Revolution in Paris, and partly in great personal sorrow, I was struck by acute inflammatory illness at Matlock, and reduce...

1. Chapter 1

1. The entrance on my duty for to-day begins the fourth year of my official work in Oxford; and I doubt not that some of my audience are asking themselves, very doubtfully--at a...

7. Chapter 7

124. Nevertheless, whatever admiration you may be brought to feel, and with justice, for this lovely workmanship,--the more distinctly you comprehend its merits, the more distin...

3. Chapter 3

42. "Conquered the world"? The rest of the sentence is true, but this, hyperbolic, and greatly false. It should have been said that both painting and engraving have conquered mu...

15. Chapter 15

256. Of Holbein's St. Elizabeth, remember, she is not a perfect Saint Elizabeth, by any means. She is an honest and sweet German lady,--the best he could see; he could do no bet...