Antiquities of the Mesa Verde National Park: Cliff Palace

Part 9

Chapter 93,885 wordsPublic domain

Cliff Palace pottery symbols are not closely related to those on old Hopi ware, as typified by the collections from Sikyatki.[71] Neither Cliff Palace nor Spruce-tree House pottery is closely allied to that of the Little Colorado, as exemplified by Homolobi ware, but both have a closer likeness to that from Wukóki, a settlement ascribed to the Snake clans, situated near Black Falls, not far from Flagstaff, Arizona. As a rule the symbolism on pottery from the Little Colorado, which includes that of its upper tributaries, as the Zuñi, Puerco, Leroux, and Cottonwood washes, is a mixture of all types. This river valley has exerted a distributing influence in Pueblo migrations, and in its ruins are found symbols characteristic of many clans, some of which, following up the tributaries of the Salt and the Gila, have brought Casas Grandes decorative elements; others, with sources in the northeast, have contributed designs from an opposite direction. The predominating directions of ceramic culture migration in this valley have been from south to north and from west to east.[72]

[Footnote 71: Sikyatki ware is more closely related to that of the ancient Jemez and Pajarito subarea than to that made by the Snake clans when they lived at Tokónabi, their old home, or at Black Falls shortly before they arrived at Walpi. Careful study of ancient Walpi pottery made by the Bear clan before the arrival of the Snake clans shows great similarity to Sikyatki pottery, and the same holds regarding the ware from old Shongopovi.]

[Footnote 72: In the ruins found on the banks of the Little Colorado at Black Falls, the predominating influence, as shown by pottery symbols, has been from the north. It is known from legends that Wukóki was settled by clans from the north, the close likeness to the symbols of the San Juan valley supporting traditions still current at Walpi.]

The relation of Cliff Palace pottery designs to the symbolism or decorative motives characteristic of the Gila valley ruins is remote. Several geometrical patterns are common to all areas of the Southwest, but specialized features characterize each of these areas. The pottery from Cliff Palace finds its nearest relation throughout the upper San Juan region; the most distant to that of ruins in northern Arizona near Colorado Grande.[73]

[Footnote 73: A thorough comparative study of Pueblo pottery symbolism is much restricted on account of lack of material from all ceramic culture areas of the Southwest. It is likewise made difficult by a mixture of types produced by the migration of clans from one area to another. The subject is capable of scientific treatment, but at present is most difficult of analysis.]

SYMBOLS ON POTTERY

The symbols on the Cliff Palace pottery are reducible to rectangular geometrical figures; life forms, with the rare exceptions noted above, are not represented, and the exceptional examples are crude. Contrast this condition with the pottery from Sikyatki, where three-fourths of the decorations are life designs, as figures of men or animals, many of which are highly symbolic. The "sky band" with hanging bird design, peculiar to old Hopi ware, was unknown to Cliff Palace potters. Encircling lines are unbroken, no specimen being found with the break so common to the pottery from the Hopi, Little Colorado, Gila, and Jemez subareas. The designs on food bowls are often accompanied with marginal dots. No example of the conventionalized "breath-feather" so common in Sikyatki pottery decoration occurs. Spattering with color was not practiced.

An analysis of the pottery decorations shows that the dominant forms may be reduced to a few types, of which the terrace, the spiral, the triangle, and the cross in its various forms are the most common.

Various forms and sizes of triangles, singly or in combination, constitute one of the most constant devices used by the cliff-dwellers of the Mesa Verde in the decoration of their pottery. It is common to find two series of triangles arranged on parallel lines. When the component triangles are right-angled they sometimes alternate with each other, forming a zigzag which may be sinistral or dextral. This design may be called an alternate right-angular figure.

If instead of two parallel series of right-angle triangles there are isosceles triangles, they may be known as alternate isosceles triangles. These triangles, when opposite, form a series of hour-glass figures or squares. This form is commonly accompanied by a row of dots, affixed to top and base, known as the dotted square or hour-glass figure. Hour-glass designs are commonly represented upright, but the angles of the triangles may be so placed that the series is horizontal, forming a continuous chain. Often the bases of these serially arrayed hour-glass figures are separated by rows of dots or by blank spaces.

A row of triangles, each so placed that the angles touch the middles of the sides of others in the same series, form an arc called linear triangles. The St. Andrews cross, which occurs sparingly on Mesa Verde pottery, is formed by joining the vertical angles of four isosceles triangles.

The cross and the various forms of the familiar swastika also occur on Cliff Palace pottery. The star symbol, made up of four squares so arranged as to leave a space in the middle, is yet to be found in Mesa Verde. Parallel curved lines, crooked at the end or combined with triangles and squares, occur commonly in the pottery decoration of Cliff Palace. S-shaped figures are known. Rectangles or triangles with dots, or even a line of dots alone, are not rare in the decoration. No designs representing leaves or flowers occur on pottery from Cliff Palace, nor has the spider-web pattern been found. The most common geometrical decorations are the stepped or terraced figures, generally called rain-clouds.

POTTERY RESTS

Among the objects found in the refuse heaps of Cliff Palace are rings, about 6 inches in diameter, woven of corn husks or cedar bark bound together with fiber of yucca or other plants. These rings (pl. 28) were evidently used as supports for earthenware vases, the bases of which are generally rounded, so that otherwise they would not stand upright. Similar rings may have been used by the women in carrying jars of water on their heads,[74] as among the Zuñi of to-day. Some of these rings may have been used in what is called the "ring and dart" game, which is often ceremonial in nature. The best made of all these objects, found by Mr. Fuller on his visit to a neighboring canyon, is shown in the accompanying illustration (pl. 28, _b_). The specimen is made of tightly woven corn husks, around which the fiber is gathered so as to form an equatorial ridge rarely present in these objects.

[Footnote 74: The Hopi use large clay canteens for this purpose, no vessels resembling which, whole or in fragments, have been found at Cliff Palace.]

BASKETRY

A few instructive specimens of basketry or wicker ware were exhumed at Cliff Palace. One of the most interesting of these is the unfinished plaque shown in the accompanying figure 2.

One specimen of basketry (pl. 29) has the form of a hopper; its whole central part was purposely omitted, but the basket is finished on the inner and outer margins. It recalls a basket used by the Ute and other Shoshonean Indians, but it is different in form from any figured in Nordenskiöld's work, and, so far as the author is acquainted with other specimens of basketry from Mesa Verde ruins, is unique. It is supposed that when used this hopper was placed on a flat or rounded stone and that corn or other seeds to be pounded were placed in it, the stone thus forming the surface upon which the seeds were treated, and the sides of the basket serving to retain the meal.

SANDALS

The sandals found at Cliff Palace (pls. 30-32) are practically the same in form, material, and weave as those recorded from Spruce-tree House. The shape of these, however, is particularly instructive, as it appears to shed light on the meaning of certain flat stones, rare in cliff-dwellings, called "sandal lasts." These stones, one of which is figured in the report on Spruce-tree House, are rectangular, flat, thin, smooth, with rounded corners, and sometimes have a notch in the rim at one end. The exceptionally formed sandal from Cliff Palace (pl. 32) is similar in shape and has a notch identical with that of the problematical stone objects, supporting the theory that the latter were used as sandal lasts, as interpreted by several authors.

The sandals are ordinarily made of plaited yucca leaves, their upper side being sometimes covered with corn leaves for protection of the feet. The thongs that passed between the toes are made either of yucca or other vegetable fiber, or of hide.

WOODEN OBJECTS

There are several objects made of wood in the collection from Cliff Palace, some of the least problematical of which are long, pointed rods (fig. 3) with which the ancients probably made the holes in which they planted corn, in much the same way as the Hopi plant at the present day. These implements are commonly pointed at the end, but one or two are broadened and flattened. No example of the spatular variety of dibble found by others, and none showing the point of attachment of a flat stone blade, occurs in the collection. One or two short broken sticks, having a knob cut on the unbroken end, are interpreted as handles of weapons--a use that is not definitely proven. There are several sticks that evidently were used for barring windows or for holding stone door-closes in place.

Among problematical wooden objects may be mentioned billets (pl. 33), flattened on one side and rounded at each end. Two of these were found, with calcined human bones, in the inclosure used for cremation of the dead, situated at the northern end of the large refuse heap. These, like the bowls with which they were associated, were coated with a white salt-like deposit. None of the many wooden objects figured by Nordenskiöld are exactly the same as those above mentioned, although the one shown in his plate XLIII, figure 17, is very close in form and size.

Several bent twigs or loops of flexible wood from the refuse heaps were found; these are supposed to have been inserted in the masonry, one on each side of door and window openings, to hold in place the stick which served as a bolt for fastening the door or window stone in position.

Bent sticks, of dumb-bell shape, having a knob at each end (pl. 33, _b_), are believed to have been used in games. A similar object from the Mancos region is figured by Mr. Stewart Culin in his account of the games of the cliff-dwellers.[75] The ancient people of the semi-deserts of Atacama, in South America, employed a similar but larger stick, to which cords were attached for strapping bundles on their beasts of burden.

[Footnote 75: _Twenty-fourth Annual Report of the Bureau of American Ethnology._]

DRILLS

A small pointed stone attached with fiber to the end of a stick, similar to those found by Nordenskiöld in ruin 9 and at Long House, was found.

The Cliff Palace people kindled fire by means of the fire-drill and fire-stick (hearth), a specimen of which, similar to one collected at Spruce-tree House, is contained in the collection. Both of these fire-making implements were broken when found, apparently thrown away on that account either by the original people or by subsequent visitors.

BONE IMPLEMENTS

Many bone implements (pl. 34, 35) were found during the excavation of Cliff Palace. They are of the bones of birds and small mammals, or, now and then, of those of antelope or bear, the latter furnishing the best material for large scrapers. These implements were evidently sharpened by rubbing on the stones of walls or on the face of the cliff, as grooves, apparently made in this way, are there visible in several places. Scratches made in shaping or sharpening bones, repeatedly found on the masonry of Cliff Palace, are not peculiar, resembling those referred to in the report on Spruce-tree House. A small tube with a hole midway of its length doubtless served as a whistle, similar instruments being still often used in Hopi ceremonies to imitate the calls of birds.

Sections of bones were found tied in pairs, and while it is not clear that these were threaded on a cord and worn as necklaces or armlets, as Nordenskiöld suggests, they may have been tied side by side, forming a kind of breastplate not unlike that used by the Plains tribes. In a room of Spruce-tree House, according to Nordenskiöld, eight similar pieces of bone were found strung on a fine thong of tide.

Among other bone objects there is one, of unknown use, about an inch long and one-fourth of an inch in diameter, nearly cylindrical in shape. A bone with a hole in one end, similar to those figured by Nordenskiöld, forms part of the collection.

TURQUOISE EAR PENDANTS AND OTHER OBJECTS

The single specimen of turquoise found at Cliff Palace was probably an ear pendant, and a black jet bead was apparently used for the same purpose. With the polished cylinder of hematite found one can still paint the face or body a reddish color, as the Hopi do with a similar object. From the sipapû of kiva D there was taken a small deerskin bag, tied with yucca fiber and containing a material resembling iron pyrites, evidently an offering of some kind to the gods of the underworld.

A button made of lignite, and beads of the same material, were found in the refuse heap in front of the ruin after a heavy rain. The former is broken, but it resembles that found at Spruce-tree House, although it is not so finely made, and also one from Homólobi, a ruin on the Little Colorado, near Winslow, Arizona.

SEEDS

The cobs and seeds of corn, squash and pumpkin seeds, beans, and fragments of gourds give some idea of the vegetable products known to the Cliff Palace people. Corn furnished the most important food of the people, and its dried leaves, stalks, and tassels were abundant in all parts of their refuse heaps. Naturally, in a cave where many small rodents have lived for years, it is rare to find seed corn above ground that has not been appropriated by these animals, and in the dry, alkaline bone-phosphate dust edible corn is not very common, although now and then occurs a cob; with attached seeds. The corn of Cliff Palace, already figured by Nordenskiöld, resembles that still cultivated by some of the Hopi.

TEXTILES

The Cliff Palace people manufactured fairly good cloth, the component cords or strings being of two or three strands and well twisted. So finely made and durable are some of these cords that they might be mistaken for white men's work; some of them, however, are very coarse, and are tied in hanks. Among varieties of cords, may be mentioned those wound with feathers, from which textiles, ordinarily called "feather cloth," was made. Yucca and cotton were employed in the manufacture of almost all kinds of fabrics. A few fragments of netting were found.

The finest cloth was manufactured from cotton, a good specimen, of which, showing a pattern woven in different colors, is contained in the collection.

Several woven belts, and also a head-band similar to that figured in the report on Spruce-tree House, were uncovered by the excavations.

The largest fragment of cloth was taken out of the crematory, or inclosure containing the calcined human bones, at the northern end of the larger refuse heap. It appears to have been a portion of a bag, or possibly of a head covering, but it is so fragmentary that its true use is unknown. The pattern is woven in darker colored threads, with a selvage at two ends. The material out of which it was made has not been definitely determined, but it closely resembles that of the specimen figured by Nordenskiöld (plate L) from Mug House. Our excavations were rewarded with a fine woven head-band with loops at the ends (fig. 4), similar to that described and figured in the report on Spruce-tree House. Several small fragments of cloth were recovered from the refuse heap, but none of them was large enough to indicate the form of the garment to which they originally belonged.

In the group of fabrics may be included nets and cloth with feathers wound around warp and woof, similar to those figured from Spruce-tree House.

There were several specimens of yucca strings, tied in loops, generally six in number, which presumably were devoted to the same purpose as by the present Hopi, who attach to the string six ears of corn, representing the cardinal points on the six-directions altar, and hang them on the walls of a priest's house. If the cliff-dwellers used this string for a similar purpose, it would appear that they, like the Hopi, recognized six cardinal points--north, west, south, east, above, and below--and worshiped gods of these directions, to which they erected altars.[76]

[Footnote 76: For a Hopi six-directions altar, see _Journal of American Ethnology and Archæology_, Vol. II, 1892.]

HUMAN BURIALS

As has been seen, there were two methods of disposing of the dead--by inhumation and by cremation. The former may have been either house burial or burial in the refuse heaps in the rear of the buildings. With both forms of disposing of the dead mortuary food offerings were found. Evidences of prehistoric burials and cremation were found both on the mesa above Cliff Palace and in the ruin.[77]

[Footnote 77: The house burials appear to have been mainly those of priests or other important personages.]

The practice of cremation among the cliff-dwellers has long been known. Nordenskiöld writes (p. 49):

That cremation, however, was sometimes practiced by the Cliff Dwellers seems probable from the fact that Richard Wetherill observed in the same ruin, when the above-mentioned burial chamber was found, bodies which had apparently been burnt, together with the pottery belonging to the dead.

The evidences of cremation found in the inclosure at the northern end of the refuse space of Cliff Palace is conclusive. The calcined bones uncovered here were also accompanied with mortuary pottery, cloth, and wooden objects.

The flexed position of the bodies of the dead occurs constantly in the earth burials, which may be explained by the almost universal belief among primitive people that when the body is returned to "mother earth" it should be placed in the posture it normally had before birth. In house burials at Spruce-tree House the bodies were sometimes extended at full length, which may be interpreted to mean that the dead were not returned to the earth mother. There was no uniformity of posture in the burials at Cliff Palace.

The work at Cliff Palace was undertaken at too late a day to recover any mummified human remains, all having been previously removed. Nordenskiöld's figures and descriptions of desiccated human bodies from other Mesa Verde cliff-dwellings would apply, in a measure, to those from Cliff Palace.

CONCLUSIONS

While the work of excavation and repair of Cliff Palace described in the preceding pages adds nothing distinctly new to existing knowledge of cliff-dweller culture, it renders a more comprehensive idea of the conditions of life in one of the largest of these interesting ancient settlements in our Southwest. Of all the questions that present themselves after a work of this kind, perhaps the most important, from a scientific point of view, is, What relation exists between the culture of Cliff Palace and that of the neighboring pueblos? Directly across the canyon, in full view of Cliff Palace, there is a typical pueblo ruin, almost identical in character with many others scattered throughout the Southwest, some of which are known to have been inhabited in historic times by ancestors of Pueblo peoples still living. The contribution here made to the knowledge of cliff-dwelling culture will, it is hoped, shed light on the question, In what way are the cliff-dwellers and the Pueblos related?

The relationship in culture of the former people of Cliff Palace to those of the large pueblo ruin on the mesa across the canyon is most instructive. How were the inhabitants of these two settlements related; and were the two sites inhabited simultaneously, or is the pueblo ruin older than Cliff Palace? So far as the culture of the inhabitants of the two is known (and knowledge of the pueblo is scant), the two settlements were synchronously inhabited, but nothing in them gives indication of the period of their occupancy. These questions can be settled only by the excavation of this pueblo or of some similar ruin on the plateau.[78] Nordenskiöld, with the data possessed by him, did not hesitate to express decided views on this point:

[Footnote 78: A true comparison of the mesa habitation and the cliff-dwelling can be made only by renewed work on the former, which is now little more than a huge pile of fallen walls. Present indications show a greater antiquity of the mesa ruin, the site of which afforded more adequate protection. On this supposition the mesa ruins would be considered older than the cliff ruins, and those of the valley the most ancient. If the ruins in Montezuma valley are the oldest, we can not suppose that the culture originated in the cliffs and spread to the valley. The circular subterranean kiva bears indication of having originated in valleys rather than in caverns. Nordenskiöld does not mention the large ruin on the bluff west of Cliff Palace.]

We are forced to conclude that they [cliff-houses] were abandoned later than the villages on the mesa. Some features, for example, the superposition of walls constructed with the greatest proficiency on others built in a more primitive fashion (see plate XIII) indicate that the cliff-dwellings have been inhabited at two different periods. They were first abandoned, and had partly fallen into ruin, but were subsequently repeopled, new walls being now erected on the ruins of the old. The best explanation hereof seems to be the following: On the plateaux and in the valleys the Pueblo tribes attained their widest distribution and their highest development. The numerous villages at no great distance from each other were strong enough to defy their hostile neighbors. But afterwards, from causes difficult of elucidation, a period of decay set in, the number and population of the villages gradually decreased, and the inhabitants were again compelled to take refuge in the remote fastnesses. Here the people of the Mesa Verde finally succumbed to their enemies. The memory of their last struggle is preserved by the numerous human bones found in many places, strewn among the ruined cliff-dwellings. These human remains occur in situations where it is impossible to assume that they have been interred.

Closely connected with the relative age and the identity of the Mesa Verde cliff-house and pueblo culture are the age and relationship of different cliff-houses of the same region, for example, Cliff Palace and Spruce-tree House. The relative number of kivas may shed light on this point.