Chapter 7

The different stages of my progress in creating the Allmanyuka, or new food, substituted by me for a strong, stimulating, and injurious condiment previously in general use, are represented in another series of paintings, showing the incipient thought and its perfection, the fruit in its various phases, my anxiety while watching the growth of the fruit, my joy when success had crowned my efforts, and the gratitude of the people.[2]

[Footnote 2: See p. 220.]

VIII. THE STAR INSTRUMENT.

The Tootmanyoso is seen looking through the "Star Instrument," while worlds are opening in the distance. This "star instrument," or "world viewer," is a gigantic telescope of immense power, aided by electricity, constructed for me at my suggestion.[1] The power of our telescopes is wondrously increased by electric and chemical combinations, but this one excelled all others in magnitude and power.

[Footnote 1: See p. 299.]

IX. NAVIGATION.

Navigation before and since my reign is here depicted. The frail and sluggish ships of former times are contrasted with the swift and powerful ships constructed in my reign.[2]

[Footnote 2: See p. 268.]

X. CONSUMPTION OF THE VITALITY.

An episode connected with the discovery of the incipient cause of this malady is here represented.[3]

[Footnote 3: See p. 235.]

XI. MADNESS.

In a series of pictures are portrayed various incidents illustrating the injuries formerly inflicted from ignorance of the causes of the malady, the really mad having often been regarded as sane, whilst many of the sane were treated as mad. Every phase of the malady as it formerly existed is depicted, as also the discoveries and incidents attending its detection and cure in its incipiency.

XII. EXPOSITION OF THE NEW DOCTRINES.

While representing the Tootmanyoso expounding some of his leading doctrines, the artist has given to many of the countenances a fearful expression of hatred and incredulity, while the Tootmanyoso's calm and settled purpose is grandly expressed in the dignity, eloquence, and unswerving faith depicted in his aspect and general bearing.

In this picture, too, are seen figures of children clothed in rich habits, who had been brought up in idleness, and taught to respect little else than money; some deriding, some in the act of throwing missiles at the principal figure, whom others are revering.

The poor people's joy when relieved by the Tootmanyoso from misery and oppression, and told that the gates of honour were open to themselves and their sons and daughters, is plainly shown. The beaming intelligence of beautiful children with lofty aspirations, expressing innate love of good and desire of knowledge, hitherto held back by want, is also represented. All this is more beautifully expressed by the painter than words can convey.

XIII. THE REBELS.

An episode in the Tootmanyoso's life when, alone and unarmed in his study, he was surrounded by a band of armed men, who had bound themselves by oath to murder him unless he complied with their rebellious demands, is here recorded in a picture, in which is portrayed the noble figure of the Tootmanyoso, unarmed and bareheaded, at the mercy of these furious armed men, who have the expression of wild beasts in their rage. The painter nevertheless has succeeded in giving to the faces of the rebels a cowering expression, as if they were inwardly awed by the undaunted calmness and aspect of the man they had come to destroy.

XIV. THE MOUNTAIN SUPPORTER.

Besides the most remarkable views of this wondrous work, the different interesting incidents attending its construction are recorded. Here, also, is portrayed the unsupported Mountain Arm, threatening many cities with destruction, as it appeared before the construction of the Supporter.

XV. INVENTION OF THE LEAF INSTRUMENT.

The discovery of the properties of leaves, and the invention of the "Leaf Instrument," by the aid of which fallen leaves are utilised as a valuable means of enriching the Earth. This was a great boon to my world, greatly increasing the fertility of the land and the excellence of the crops.

XVI. SUN-POWER.

The discovery of Sun-power; its application to manufactures and the arts; to various medicinal purposes, and to invigorating the constitution and brain of man.

XVII. THE ELECTRIC THEATRE.

The opening of the first Electric Theatre, and the exhibition of the wondrous feats accomplished by Electricity.

XVIII. INFANTS' EXERCISING MACHINES.

The Tootmanyoso suggesting to one of his scientific men, Drahna by name, the machines, the use of which prevented many of the accidents and diseases incident to infancy. There are many other pictures illustrating the discoveries by which health and beauty are preserved, and man's life is prolonged.[1]

[Footnote 1: See p. 187.]

XIX. INSTALLATION OF CHARACTER-DIVERS.

The Installation of Character-Divers and Preceptors is a ceremony of a very solemn character, and takes place in public, the Twelve Kings presiding. The candidate engages solemnly to fulfil the duties strictly and impartially.

XX. THE VALLEY OF THE ROCKS.

The Tootmanyoso addressing the people in the Valley of the Rocks; an extremely picturesque locality, studded with rocks, which, by his orders were sculptured into groups of gigantic statuary, calculated to impress the people's minds with grandeur and beauty.

XXI. THE CONSUMMATION.

The Tootmanyoso, on the completion of his work, is seen offering up thanks to Heaven.

The principal figure stands out from the picture in a marvellous way. A glory of light shines on the monarch's brow, and his eyes are illumined with heavenly fire and inspiration. In the background are the people, surrounded by plenty, and guarded by myriads of angels. Our painters have the art of giving to their delineations of angels an incorporeal vapoury appearance, like that of forms sometimes seen in sleep. The Tootmanyoso is in the act of accompanying his hymn of praise with the grand music of the harp. This instrument with us is of gigantic proportions, and, touched by a skilful player, produces lovely effects. It is not supported by the executant, but revolves easily on a ball and socket, to which, having been placed at the exact inclination required, it is fixed by a small bolt before he intones his hymns.[1]

[Footnote 1: See p. 243.]

It was delightful for me to go down occasionally to the great room, and to meditate on these pictures, and the subjects that had inspired the painters. The light and tone of the place, and the general impression made upon me, seemed to savour more of heaven than of earth.

XIX.

WOMAN.

CHOOSING BY HAND--CHOOSING BY FOOT--GIRLS' DOBMITORIES--EARLY RISING--PRAYERS.

"Let woman be as soft as down, as sharp as a lancet, as sparkling as the diamond, and as pure as Stainer's fount." [1]

[Footnote 1: See p. 149.]

Woman is the object of much solicitude and consideration, and enjoys many privileges. The tendency of her education is to qualify her for the position which nature intended her to hold as the companion and helpmate of man. However she is instructed, though not to so great in degree, in many branches of art and science, cultivated by the stronger sex, the design being to enable her to appreciate the efforts of man and to encourage and comfort him in his progress, but not to take his place. With us women are happy and contented, and words of complaint rarely fall from their lips.

Great precaution, however, is taken lest they should overwork themselves in the severer studies, or even in the lighter occupations, the tendrils of their nerves being so delicate, that, if once injured, they would seldom be restored to their normal condition.

There is this marked difference in the education of the two sexes. Boys are educated in manly and athletic sports, in all that can give them strength and physical development, and call out their masculine qualities, while the occupations and exercises allotted to girls tend to confirm and develope their natural delicacy, gentleness, and sweetness. The result, is, that whilst men are large of frame and endowed with great force and strength, the women in Montalluyah scarcely ever exceed the middle size. They are beautiful, and thoroughly feminine in form and feature, while in disposition they are sprightly, ingenuous, and truthful. Their carriage and movement are marked by elegance and grace, their voice is of melodious softness, and they are altogether distinguished by a peculiar charm and fascination.

Most of our women are brunettes, with rich black silky hair and eyes-- large and beautiful as those of the gazelle; but the fair with blue eyes are considered the more beautiful--probably on account of their rarity.

The beauty of the woman, like the muscular development of the man, is greatly aided by the care now taken of children from their birth. Women were formerly left to themselves, and many, either from ignorance or want of thought, neglected to do justice to their proper qualities and charms, whilst they became enamoured of ostentation and indulged in a thoughtless extravagance which served to kindle the envy of their neighbours, and to bring ruin to their husbands. Whilst seeking extraneous aids to beauty, they neglected the simplest precautions for its preservation, though, when their charms had faded, they eagerly sought means to repair what were incorrectly called the ravages of time, but were only the unavoidable consequences of their own neglect. The heavenly light of their eyes had become dim; their complexions, originally of a warm purity, had become of a yellow tinge; their skin, soft to the touch and beautiful to the eye, had become shrivelled and hard; their dark and beautiful hair had become grey or fallen off, deprived of the nourishment which had been prodigally wasted, and the undulating and elegant form had often sunk into a misshapen mass.

We have now a belief that the harmonious development of the body is not only physically and aesthetically desirable, but assists in the healthful development of the mind, to which, for a time, that body belongs; beauty being regarded as "a precious gift from Heaven which it behoves every woman to preserve and improve." The exceptions to beauty are now rare, and women are scarcely less lovely in age than they were in youth. In many cases time has actually enhanced their attractions, improved, through the additional charm impressed on the countenance, by the sweetness and gracefulness of their nature.

Cosmetics for the reparation of beauty are not needed, but women of all ranks are enjoined to use various precautions for its preservation. We have cosmetics very efficacious for protecting the face from the burning sun, for keeping cool the natural moisture, for preserving the complexion, and for preventing wrinkles. In our climate the heat distends the skin, and by inducing excessive perspiration, reduces the fat required to support it. But for our cosmetics, wrinkles would be formed at an early age. As it is, the skin and complexion, as well as the form and features, are now preserved to the last period of life.

The hands and feet, and indeed all the details of beauty, are much cared for. The toes of the feet are exercised in a variety of ways, and are almost as elastic and pliable as the fingers, being, as well as the ankles ornamented with jewels. Soles, secured with sandals protect the under part of the foot. On many great occasions the sandals are dispensed with, the sole being secured by a preparation rendered adhesive by the warmth of the foot. This preparation is easily removed by the application of a sponge and water.

CHOOSING BY HANDS.

A lady's hands and feet form so great a feature in the estimation of her beauty, that they are made a distinctive test for deciding preferences on certain occasions.

Thus, partners for the dance are sometimes chosen in a way that excites a great deal of mirth. The custom is called "choosing by hands."

A large round screen, made expressly for the purpose, stands at one end of a ball-room; behind this a certain number of ladies--generally twelve at a time--place themselves, accompanied by the master of the ceremonies. The opening in the doorway is then closed. The screen, though not closed at the top, is sufficiently high to completely mask the ladies, and there are in it twelve or more small apertures, lined or faced with a soft crimson or other warm-coloured velvet, sufficiently large to admit of a hand being passed through, so that it may be seen and criticised on the exposed side of the screen. Through one of these openings each of the ladies passes her right hand, and the gentlemen choose the hand they prefer, each by touching a spring nearest the hand selected, and at the same time announcing his name. The chosen one is immediately led out from behind the screen and presented by the master of ceremonies to the gentleman, in the midst of the applause or merriment of the company before the screen, and of the rest of the ladies behind it. Ladies are very particular about their hands and nails, and, as may easily be conceived, give them a little extra attention before going to a party.

CHOOSING BY FOOT.

There is another peculiar mode of choosing partners--"by foot"--but this is conducted in a different manner, and is made to depend on the superior beauty of the foot, as decided by an arbiter, who is chosen by the company, and who is, of course, a man famous for his taste and knowledge of the beautiful.

While the arbiter pursues his duties, the ladies are concealed behind a screen, which is, however, open sufficiently at the bottom to disclose the foot and ankle. She to whom the palm is awarded has the first choice of a partner, and the others follow in succession in the order in which they have been ranked. This diversion, though exciting great interest, is not so happy as "the choice by hand." The ladies whose feet are placed in a lower rank often think themselves aggrieved, and are slightly jealous of their rivals, for in spite of the efficacy of my laws, I could not--whilst giving just triumphs to superior beauty-- altogether prevent a feeling of disappointment in ladies who saw the palm given to others by one recognised as an honest and able judge,--a man whose taste was known to be irreproachable.

When the hand and foot of a young lady are inclined to coarseness, while at the same time her talents and goodness entitle her to a superior position, the fingers or toes, and afterwards the hand and foot themselves, are bound up, for a certain number of hours each day. We do not like "contradictions," or, as I have before observed, we object to a garment partly of rich brocade, partly of common stuff.

GIRLS' DORMITORIES.

At the head of all the means for preserving beauty are cleanliness, frequent ablutions, and a habit of early rising. In these girls of all ranks are well schooled, and to show you that in their education we do not neglect what are erroneously called trifles, I will tell you of one of the modes of treatment commonly employed in connexion with such matters.

In the colleges each girl has a separate sleeping-room, as we have a great objection to young girls sleeping together in one room, and inhaling each other's peculiar gas thrown off in the form of breath during their slumbers. Besides, when that practice prevailed, as it did formerly, the girls were in the habit of talking to each other upon subjects which often suggested inconvenient thoughts, even to the best disposed, and confirmed others in tendencies which eventually grew into confirmed vices.

On the pupil's retiring to rest, the door of her sleeping-room is fastened from the outside by one of the matrons. The girl has no means of opening it herself, but by touching a little spring at the head of her couch she can at any moment communicate with the matron night-watchers. These matron night-watchers--two for a certain number of girls--are on the alert during the night, remaining in a place called the "watch," where are suspended the electric bells, underneath each of which is the name of the girl occupying the room to which it corresponds.

Light is supplied to every dormitory by means of a lamp inserted in the wall, and opening from the outside. Half an hour after the door has been closed the matron extinguishes the light, without entering the room. The external red light of night is also excluded; for, as with you, darkness is thought much more conducive to refreshing sleep.

In consequence of the warmth of our climate, girls, being naturally rather luxurious, are not inclined to rise early. They are, however, all required to rise at the same hour, and this is the mode adopted for rousing them. At the end of each room, opposite to the sleeping-couch, is a kind of gong made of metal and formed like a pair of cymbals, united at the base by a hinge, and kept together by a bolt at the top.

At the hour of rising these cymbals are set in motion by the matron in the watch room, who touches a spring by which the bolt fastening the cymbals together is removed. Thereupon the cymbals immediately clash together, and produce loud discordant sounds. The girl, not liking the discordant noise, loses no time in stopping it, which is beyond her power unless she leaves her bed and fixes the bolt that keeps the two cymbals together.

This done, she goes into an adjoining room, in which are a bath and other preparations for her ablutions. The door communicating with the sleeping-room closes of itself, whereupon the matron enters the apartment, pulls off the bed-clothes, and opens a large skylight at the top, to admit the fresh air.

The ablutions of all the girls ended, they descend to their repast, after which they say a very short and simple prayer. In this thanks for their refreshing sleep and for the food they have partaken are united into one petition that the labours of the day may be blest by the Supreme.

The practice which formerly existed of saying long prayers before the girls partook of their first repast is abolished. Many young people have keen appetites after a night's rest, and when the old custom prevailed their thoughts would be wandering in a direction very different to that ostensibly taken by their prayers.

Although saying set prayers before the early meal is now not required of the young girl, gratitude to the Dispenser of all good is successfully inculcated. On the walls of the repast room are inscribed in large characters appropriate precepts adapted to the young intellect--such as "Think of God before you eat." In the meaning of these the young are instructed at an early age, and by various devices are imperceptibly led, through the medium of the eye, the ear, and the understanding to acquire the habit of directing their thoughts in conformity with the spirit of the precepts.

A careful discipline prevails, as I have intimated, in all matters relating to the education of girls of every rank, but, as soon as they attain one amongst the higher positions and marry, they are allowed, nay, encouraged, to indulge in many luxurious habits, to dress beautifully, and to wear magnificent jewels, but only according to their means.

As an instance of luxury in simple things, I will mention a peculiar soft reclining cushion, or settee, particularly adapted to exhibit the lady and her costume to the greatest advantage. As the lady sits down, however gently, it yields to the pressure, leaving her surrounded by the portion not pressed, which thus forms a background, and, as it were, a frame to the living picture. When she rises, the elastic cushion resumes its pristine form. The least movement is sufficient to cause the seat to rise or fall, and I have often seen ladies amuse themselves with this gentle exercise.

To these settees a pad is attached. On a spring being touched this opens, and forms a fan which by its own movement fans the lady, and at the same time emits a refreshing perfume, continuing to act until the lady closes it by touching a spring.

These settees are covered with silk of various colours, adapted to the ladies and their costume; a peculiar crimson ornamented with gold is the favourite colour. They are allowed to be used by the married ladies alone, and are much liked by them, the more so perhaps that in the colleges girls of all ranks are not allowed to use any seats but those without backs.

XX.

CHOICE OF A HUSBAND.

"Women are the mothers of the nation. The happiness of our life depends on theirs. They have much to bear. If we neglect them we neglect ourselves."

Having taken care by means of education to eradicate all incipient faults in woman, to confirm her health, to increase her powers of attraction, and fit her for the station which her talents and virtues entitle her to fill, we take the best means to ensure that the maiden shall at the proper age marry the man most pleasing to her, and most likely to secure the happiness of both.

In every district a council of ladies, who have passed through certain ordeals, and a council of elders, regulate all matters relating to marriage. Over each of these presides a man of a certain age, and of spotless character, whose qualities, actions, and mode of life have been observed and recorded from early youth.

Let me more particularly describe how the lady makes choice of a husband.

During thirty-one evenings in succession the girl intended for the marriage state is placed in an assemblage composed of eighty-five young men, one of whom she is expected to choose, but however quickly her mind may be made up she is not allowed to announce her decision till the thirty-first evening has arrived.

The eighty-five young men are selected by the councils from those only who have declared their intention of marrying. Any man of the same rank as the lady, who is desirous to be one of the eighty-five, is generally nominated at once, and if the girl has any especial liking for one particular person, she is allowed to communicate the fact privately to one of the ladies of the council.

In cases, however, where both the councils are of opinion that there is any serious objection to the eligibility of the young man, they have the right to withhold the summons. This right they rarely exercise, and never until after communicating with the lady where she has named the gentleman. Every contingency is well considered; besides, the regulations which govern every step connected with these meetings, and the sacred feeling with which the councils regard the delicate trust confided to them, prevent any inconvenience which might otherwise arise from their proceedings.

At these meetings the girl wears a peculiar headdress with a star in front, to distinguish her from other ladies who are allowed to be present, but who however are expected not to pay court to the gentlemen. It would have been unreasonable to require the exercise of so much self denial under the old system, but an acquisition of the power of self denial forms part of the training prescribed by my system of education, and is now ordinarily practised when needed. This privilege of being present is highly prized and eagerly sought by ladies, if only for one of the thirty-one chosen evenings.

The gentlemen who wish to have their pretensions favourably viewed, pay court to the young maiden of the star, and any gentleman who it is thought may prove agreeable can be called by the lady of the council, one of whom is always seated near the girl.