Animal Locomotion; or, walking, swimming, and flying With a dissertation on aëronautics
Part 23
[117] Compare Marey’s description with that of Borelli, a translation of which I subjoin. “Let a bird be suspended in the air with its wings expanded, and first let the under surfaces (of the wings) be struck by the air ascending perpendicularly to the horizon with such a force that the bird gliding down is prevented from falling: I say that it (the bird) will be impelled with _a horizontal forward motion_, because the two osseous rods of the wings are able, owing to the strength of the muscles, and because of their hardness, _to resist the force of the air_, and therefore to retain the same form (literally extent, expansion), but the total breadth of the fan of each wing _yields to the impulse of the air_ when the flexible feathers are permitted to rotate around the _manubria_ or osseous axes, and hence it is necessary that the extremities of the wings approximate each other: wherefore the wings acquire the form of a wedge whose point is directed towards the tail of the bird, but whose surfaces are compressed on either side by the ascending air in such a manner that it is driven out in the direction of its base. Since, however, the wedge formed by the wings cannot move forward unless it carry the body of the bird along with it, it is evident that it (the wedge) gives place to the air impelling it, and therefore the bird _flies forward in a horizontal direction_. But now let the substratum of still air be struck by the fans (feathers) of the wings with a motion perpendicular to the horizon. Since the fans and sails of the wings acquire the form of a wedge, the point of which is turned towards the tail (of the bird), and since they suffer the same force and compression from the air, whether the vibrating wings strike the undisturbed air beneath, or whether, on the other hand, the expanded wings (the osseous axes remaining rigid) receive the percussion of the ascending air; in either case the _flexible feathers yield to the impulse_, and hence approximate each other, and thus the bird moves in _a forward direction_.”--De Motu Animalium, pars prima, prop. 196, 1685.
_The Author’s Views:--his Method of constructing and applying Artificial Wings as contra-distinguished from that of Borelli, Chabrier, Durckheim, Marey, etc._--The artificial wings which I have been in the habit of making for several years differ from those recommended by Borelli, Durckheim, and Marey in four essential points:--
_1st_, The mode of construction.
_2d_, The manner in which they are applied to the air.
_3d_, The nature of the powder employed.
_4th_, The necessity for adapting certain elastic substances to the root of the wing if in one piece, and to the root and the body of the wing if in several pieces.
And, first, as to the manner of construction.
Borelli, Durckheim, and Marey maintain that _the anterior margin of the wing_ should be _rigid_; I, on the other hand, believe that no part of the wing whatever should be rigid, _not even the anterior margin_, and that the pinion should be flexible and elastic throughout.
That the anterior margin of the wing should not be composed of a rigid rod may, I think, be demonstrated in a variety of ways. If a rigid rod be made to vibrate by the hand the vibration is not smooth and continuous; on the contrary, it is irregular and jerky, and characterized by two halts or pauses (dead points), the one occurring at the end of the _up stroke_, the other at the end of the _down stroke_. This mechanical impediment is followed by serious consequences as far as power and speed are concerned--the slowing of the wing at the end of the down and up strokes involving a great expenditure of power and a disastrous waste of time. The wing, to be effective as an elevating and propelling organ, should have no dead points, and should be characterized by a rapid winnowing or fanning motion. It should reverse and reciprocate with the utmost steadiness and smoothness--in fact, the motions should appear as continuous as those of a fly-wheel in rapid motion: they are so in the insect (figs. 64, 65, and 66, p. 139).
To obviate the difficulty in question, it is necessary, in my opinion, to employ _a tapering elastic rod_ or _series of rods_ bound together for the anterior margin of the wing.
If a longitudinal section of bamboo cane, ten feet in length, and one inch in breadth (fig. 117), be taken by the extremity and made to vibrate, it will be found that a wavy serpentine motion is produced, the waves being greatest when the vibration is slowest (fig. 118), and least when it is most rapid (fig. 119). It will further be found that at the extremity of the cane where the impulse is communicated there is _a steady reciprocating movement devoid of dead points_. The continuous movement in question is no doubt due to the fact that the different portions of the cane reverse at different periods--the undulations induced being to an interrupted or vibratory movement very much what the continuous play of a fly-wheel is to a rotatory motion.
_The Wave Wing of the Author._--If a similar cane has added to it, tapering rods of whalebone, which radiate in an outward direction to the extent of a foot or so, and the whalebones be covered by a thin sheet of india-rubber, an artificial wing, resembling the natural one in all its essential points, is at once produced (fig. 120). I propose to designate this wing, from the peculiarities of its movements, _the wave wing_ (fig. 121). If the wing referred to (fig. 121) be made to vibrate at its root, a series of longitudinal (_c d e_) and transverse (_f g h_) waves are at once produced; the one series running in the direction of _the length of the wing_, the other in the direction of _its breadth_ (_vide_ p. 148). This wing further _twists_ and _untwists_, figure-of-8 fashion, during the up and down strokes, as shown at fig. 122, p. 239 (compare with figs. 82 and 83, p. 158; fig. 86, p. 161; and fig. 103, p. 186). There is, moreover, a continuous play of the wing; the down stroke gliding into the up one, and _vice versâ_, which clearly shows that the down and up strokes are parts of one whole, and that neither is perfect without the other.
The wave wing is endowed with the very remarkable property that it will fly in any direction, demonstrating more or less clearly that flight is essentially a progressive movement, _i.e._ a horizontal rather than a vertical movement. Thus, if the anterior or thick margin of the wing be directed upwards, so that the under surface of the wing makes a _forward_ angle with the horizon of 45°, the wing will, when made to vibrate by the hand, fly with an undulating motion _in an upward direction_, like a pigeon to its dovecot. If the under surface of the wing makes no angle, or a very small _forward_ angle, with the horizon, it will dart forward in a series of curves in a _horizontal direction_, like a crow in rapid horizontal flight. If the anterior or thick margin of the wing be directed downwards, so that the under surface of the wing makes a _backward_ angle of 45° with the horizon, the wing will describe a waved track, and _fly downwards_, as a sparrow from a house-top or from a tree (p. 230). In all those movements progression is a necessity. The movements are continuous gliding _forward movements_. There is no halt or pause between the strokes, and if the angle which the under surface of the wing makes with the horizon be properly regulated, the amount of steady tractile and buoying power developed is truly astonishing. This form of wing, which may be regarded as the realization of the figure-of-8 theory of flight, elevates and propels both during the down and up strokes, and its working is accompanied with almost no slip. It seems literally to float upon the air. No wing that is rigid in the anterior margin can twist and untwist during its action, and produce the figure-of-8 curves generated by the living wing. To produce the curves in question, the wing must be flexible, elastic, and capable of change of form in all its parts. The curves made by the artificial wing, as has been stated, are largest when the vibration is slow, and least when it is quick. In like manner, the air is thrown into large waves by the slow movement of a large wing, and into small waves by the rapid movement of a smaller wing. The size of the _wing curves_ and _air waves_ bear a fixed relation to each other, and both are dependent on the rapidity with which the wing is made to vibrate. This is proved by the fact that insects, in order to fly, require, as a rule, to drive their small wings with immense velocity. It is further proved by the fact that the small humming-bird, in order to keep itself stationary before a flower, requires to oscillate its tiny wings with great rapidity, whereas the large humming-bird (_Patagona gigas_), as was pointed out by Darwin, can attain the same object by flapping its large wings with a very slow and powerful movement. In the larger birds the movements are slowed in proportion to the size, and more especially in proportion to the length of the wing; the cranes and vultures moving the wings very leisurely, and the large oceanic birds dispensing in a great measure with the flapping of the wings, and trusting for progression and support to the wings in the expanded position.
This leads me to conclude that very large wings may be driven with a comparatively slow motion, a matter of great importance in artificial flight secured by the flapping of wings.
_How to construct an artificial Wave Wing on the Insect type._--The following appear to me to be essential features in the construction of an artificial wing:--
The wing should be of a generally triangular shape.
It should taper from the root towards the tip, and from the anterior margin in the direction of the posterior margin.
It should be convex above and concave below, and slightly twisted upon itself.
It should be flexible and elastic throughout, and should twist and untwist during its vibration, to produce figure-of-8 curves along its margins and throughout its substance.
Such a wing is represented at fig. 122, p. 239.
If the wing is in more than one piece, joints and springs require to be added to the body of the pinion.
In making a wing in one piece on the model of the insect wing, such as that shown at fig. 122 (p. 239), I employ one or more tapering elastic reeds, which arch from above downwards (_a b_) for the anterior margin. To this I add tapering elastic reeds, which radiate towards the tip of the wing, and which also arch from above downwards (_g_, _h_, _i_). These latter are so arranged that they confer _a certain amount of spirality_ upon the wing; the anterior (_a b_) and posterior (_c d_) margins being arranged in different planes, so that they appear to cross each other. I then add the covering of the wing, which may consist of india-rubber, silk, tracing cloth, linen, or any similar substance.
If the wing is large, I employ steel tubes, bent to the proper shape. In some cases I secure additional strength by adding to the oblique ribs or stays (_g h i_ of fig. 122) a series of very oblique stays, and another series of cross stays, as shown at _m_ and _a_, _n_, _o_, _p_, _q_ of fig. 123, p. 241.
This form of wing is made to oscillate upon two centres viz. the root and anterior margin, to bring out the peculiar eccentric action of the pinion.
If I wish to produce a very delicate light wing, I do so by selecting a fine tapering elastic reed, as represented at _a b_ of fig. 124.
To this I add successive layers (_i_, _h_, _g_, _f_, _e_) of some flexible material, such as parchment, buckram, tracing cloth, or even paper. As the layers overlap each other, it follows that there are five layers at the anterior margin (_a b_), and only one at the posterior (_c d_). This form of wing is not twisted upon itself structurally, but it twists and untwists, and becomes a true screw during its action.
_How to construct a Wave Wing which shall evade the superimposed Air during the Up Stroke._--To construct a wing which shall elude the air during the up stroke, it is necessary to make it valvular, as shown at fig. 125, p. 241.
This wing, as the figure indicates, is composed of _numerous narrow segments_ (_f f f_), so arranged that the air, when the wing is made to vibrate, opens or separates them at the beginning of the up stroke, and closes or brings them together at the beginning of the down stroke.
The time and power required for opening and closing the segments is comparatively trifling, owing to their extreme narrowness and extreme lightness. The space, moreover, through which they pass in performing their valvular action is exceedingly small. The wing under observation is flexible and elastic throughout, and resembles in its general features the other wings described.
I have also constructed a wing which is self-acting in another sense. This consists of two parts--the one part being made of an elastic reed, which tapers towards the extremity; the other of a flexible sail. To the reed, which corresponds to the anterior margin of the wing, delicate tapering reeds are fixed at right angles; the principal and subordinate reeds being arranged on the same plane. The flexible sail is attached to the under surface of the principal reed, and is stiffer at its insertion than towards its free margin. When the wing is made to ascend, the sail, because of the pressure exercised upon its upper surface by the air, assumes a very oblique position, so that the resistance experienced by it during the _up stroke_ is very slight. When, however, the wing descends, the sail instantly flaps in an upward direction, the subordinate reeds never permitting its posterior or free margin to rise above its anterior or fixed margin. The under surface of the wing consequently descends in such a manner as to present a nearly flat surface to the earth. It experiences much resistance from the air during the _down stroke_, the amount of buoyancy thus furnished being very considerable. The above form of wing is more effective during the down stroke than during the up one. It, however, elevates and propels during both, the forward travel being greatest during the down stroke.
_Compound Wave Wing of the Author._--In order to render the movements of the wing as simple as possible, I was induced to devise a form of pinion, which for the sake of distinction I shall designate the _Compound Wave Wing_. This wing consists of two wave wings united at the roots, as represented at fig. 126. It is impelled by steam, its centre being fixed to the head of the piston by a compound joint (_x_), which enables it to move in a circle, and to rotate along its anterior margin (_a b c d_; _A_, _A´_) in the direction of its length. The circular motion is for steering purposes only. The wing rises and falls with every stroke of the piston, and the movements of the piston are quickened during the down stroke, and slowed during the up one.
During the up stroke of the piston the wing is very decidedly convex on its upper surface (_a b c d_; _A_, _A´_), its under surface being deeply concave and inclined obliquely upwards and forwards. It thus evades the air during the up stroke. During the down stroke of the piston the wing is flattened out in every direction, and its extremities twisted in such a manner as to form two screws, as shown at _a´ b´ c´ d´_; _e´ f´ g´ h´_; _B_, _B´_ of figure. The active area of the wing is by this means augmented, the wing seizing the air with great avidity during the down stroke. The area of the wing may be still further increased and diminished during the down and up strokes by adding joints to the body of the wing. The degree of convexity given to the upper surface of the wing can be increased or diminished at pleasure by causing a cord (_i j_; _A_, _A´_) and elastic band (_k_) to extend between two points, which may vary according to circumstances. The wing is supplied with vertical springs, which assist in slowing and reversing it towards the end of the down and up strokes, and these, in conjunction with the elastic properties of the wing itself, contribute powerfully to its continued play. The compound wave wing produces the currents on which it rises. Thus during the up stroke it draws after it a current, which being met by the wing during its descent, confers additional elevating and propelling power. During the down stroke the wing in like manner draws after it a current which forms an eddy, and on this eddy the wing rises, as explained at p. 253, fig. 129. The ascent of the wing is favoured by the superimposed air playing on the upper surface of the posterior margin of the organ, in such a manner as to cause the wing to assume a more and more oblique position with reference to the horizon. This change in the plane of the wing enables its upper surface to avoid the superincumbent air during the up stroke, while it confers upon its under surface a combined kite and parachute action. The compound wave wing leaps forward in a curve both during the down and up strokes, so that the wing during its vibration describes a waved track, as shown at _a_, _c_, _e_, _g_, _i_ of fig. 81, p. 157. The compound wave wing possesses most of the peculiarities of single wings when made to vibrate separately. It forms a most admirable elevator and propeller, and has this advantage over ordinary wings, that it can be worked without injury to itself, when the machine which it is intended to elevate is resting on the ground. Two or more compound wave wings may be arranged on the same plane, or superimposed, and made to act in concert. They may also by a slight modification be made to act horizontally instead of vertically. The length of the stroke of the compound wave wing is determined in part, though not entirely by the stroke of the piston--the extremities of the wing, because of their elasticity, moving through a greater space than the centre of the wing. By fixing the wing to the head of the piston all gearing apparatus is avoided, and the number of joints and working points reduced--a matter of no small importance when it is desirable to conserve the motor power and keep down the weight.