Part 3

Yes; those were the words that rose naturally in his mind. Beyond doubt, Mary Wing's cousin from the backwoods had given a push to Charles Garrott's thought; he would have been the first to admit that. Not merely had Miss Angela happened to body forth, in the most pleasing, unconscious way, that very type which all Redmantlers so derided; but further, she had artlessly used a phrase which, to his authoritative mind, had helped to scientize her case at a bound. For of course the most scientific modern demand as to Miss Angela's class came simply down to this, that all Temporary Spinsters should have some regular business to occupy their hands and heads. Very well, then, laughed this little girl: What about the _Business_ of Making Homes?

The phrase, connoting so much more than mere "keeping house," was worthy of a writer. And when had this other doctrine grown so strong and sure, that the Business of Making a Career, of Developing My Ego, was necessarily the biggest business in the world?

In the silence of the large dim Studio, the young man stood stroking the bridge of his nose, somewhat worriedly. It was a well-cut bridge, and held three brown freckles.

It occurred to him, not for the first time, that he himself was helping to spread the egoistic doctrine referred to. He remembered his novel, in short: his Old Novel, as he already called it, albeit it was his only one, and he and Judge Blenso had completed it but two weeks ago, to a day. This novel, in manuscript, was now in the hands of the great house of Willcox Brothers Company, whom Charles, after due thought, had selected as his publishers. Willcox's offer, and the contract, might come by any mail now.

To the writing, and infinite rewriting, of this first work had gone the scant leisure of more than four years. Its title-page read: "BONDWOMEN: A Novel of Modern Marriage." (The Judge had first typed the title BANDWOMEN, as if it were a Novel of Female Bandsmen, which had annoyed Charles very much.) Considering the cunning with which he had labored to "keep the story moving," it could scarcely be doubted, that "Bondwomen" was destined to have a large sale. And that, in fact, was just the danger; that was precisely the reason that he, the author, felt this sense of moral responsibility. Young married women, young impressionable Temporary Spinsters everywhere, would soon be reading this book, and moulding their characters upon it. He, of course, had never preached any of the wilder, Trevenna Modernity. But all the same.... That passage there, for instance, where _Lily Slender_, in the lonely vigil on the terrace, reviews the status of Parasitic Woman and decides to leave her husband, and grow her Soul: certainly the probability was that intelligent women all over the world (he would have to grant British and Colonial rights at once, no doubt) would shortly be devouring that keen, advanced Thinking; and, it was to be feared, a general exodus from Homes would follow. In his mind's eye, Charles saw armies of women rising and packing Gladstone bags in the stilly night, and stealing forth, just as the dawn whitened the east, to join _Lily Slender_ in lifting marriage to the Higher Plane, by means of Commerce.

He had put much of Mary Wing into _Lily_; he knew that. But then he hadn't taken it in, in those days, how serious Mary was as to--what was the word of that mad ass Hodger?--fiercely hacking away whatever impeded her in her Self-Development.

Had not the moment rather come when some one, some all-seeing and completely modern authority, should resolutely sound the Note of Warning? Was it so sure that careering Egoism had anything more valuable to give the world than the old virtues which it flouted? Beauty, charm, and cheer, tenderness, selfless sympathy, all that mothering meant: was it not ridiculous to ignore these enormous contributions to the work of the world, because, forsooth, they could not show an immediate cash return?

Now all the clocks of the city--all, that is, that were right, and had bells--began to sound midnight. But the absorbed author and authority paced on, aware of no sound. He was thinking, with something like excitement, of his next novel, "Bondwomen's" greater successor, for which he was now just struggling to fix his point of view, straighten out his "moral plot," by means of notes in the old French exercise-book. Long as he had sensed a certain spiritual starkness in his first novel, long as he had looked forward to his second, the vital questions concerning his new "line" had never yet been settled in his mind.... Well, suppose that, with a frank, courageous change of front, he employed the New Novel to sound the wholesome Note of Warning; suppose that he boldly took a Home-Maker for his heroine, for example, and justified her--justified her _scientifically_--as no modern thinker had ever justified her before....

The striking idea was not a new one altogether; but its possibilities, suddenly opening out, rapidly grew more and more interesting. Unfortunately, before it could be developed in even the smallest degree, it was abruptly interfered with by a most unwelcome intrusion of the practical.

Charles Garrott was a tutor. He had turned eagerly to his table, to capture certain phrases at least, while they were yet hot in his mind. But now, chillingly, his eye fell upon that other exercise-book, lying there publicly atop the volume on Women. At a glance that book looked exactly like its sister, kept hidden in a drawer; but in fact there was a boundless distinction. No hand had overwritten the label of that book there raising it to the peerage, as it were. That book was just a common book: "French Composition." And it was known to contain uncorrected exercises, forty sentences at least, which must be tutorially attended to, before Charles Garrott slept this night.

There followed a brief struggle; but it could end in only one way. Charles, with no good grace, sat at his table and clutched up a fat blue pencil.

It was a galling occurrence. Yet a man, of course, must live, whether cynical Frenchmen can see the necessity or not. And the tutoring, say what you would against it, was the best net result of a gradual sifting process, designed to find what would yield the largest amount of money for the least amount of work. So had Charles Garrott bent his life, to be a writer. Bred casually to the law, he had thrown over the encouraging beginnings of a practice directly he found that clients expected to take all a man's time, including nights even. Teaching he did not love, and yet, as he had enjoyed an excellent education, it "came easier" than anything else. His boast to friends, indeed, was that he could teach anything, whether he had ever heard of it before or not; and it was a fact that at a private school once--years ago, in the interval between college and law-school--he had taught Spanish on three days' notice, keeping, as he said, precisely one page and a half ahead of his class the whole year through. But teaching Ancient Languages at Blaines College was found, upon fair experiment, to involve too many papers in the Studio, conferences with boys, annoying teachers' meetings, and similar invasions of a writer's privacy. Besides, it was not nearly lucrative enough, after the coming of the Judge, who drew twenty-five dollars a month as Secretary, besides his keep.

Thus had evolved the private tutor, with a waiting-list. Thus it was that probably the only living compeer of the lady in Sweden must put aside his Thinking to-night, to peruse and criticize such stuff as this:--

16. _Bon jour, Monsieur le Curé! Avez vous vu le grand cheval de mon oncle, le médecin?_

Oh, detestable!

The two French exercise-books--twins with what a difference!--had started life equally as the property of a certain dear old lady, who had been spurred into studious endeavor by reading in a magazine that Roman Cato learned Greek at eighty. She had pointed out to her daughter, quite excitedly, that she herself was but seventy-one, and French was easier, besides; and that evening she had telephoned to Charles. The old lady wrote a very neat but virtually illegible hand, employing the finest Spencerian pen ever seen:--

23. _Non, petit Henri, non; votre soeur Marie n'est pas jamais aussi méchante que vous fûmes hier soir._

The author's golden moments fled.

Nevertheless, before he went to bed, Charles Garrott did produce from his drawer that other private book of his (the front part of which, also, was stuffed with observations about the Curé and naughty little Henry). Here, for what time he had, the young modern set down, on a fresh page, preliminary Notes, such as, indeed, contrasted oddly with those inscribed in the earlier evening. And when he shut up his book to go to bed, he did it with an air, and spoke aloud:--

"Let 'em bite on that!"

From his tone, you might have supposed that all the Redmantlers of the world would come to-morrow and look at these novel words of his. That, of course, was far from being the case: these were his inviolable secrets. Yet so real were his imaginings to the young man, so reactionary seemed even the thought of a Novel of Warning, that an unmistakable defiance had tinged his voice as he spoke. And particularly did this defiant air seem to extend to his excellent friend, Mary Wing.

Charles Garrott went to bed that night thinking defiantly of Mary (and almost tenderly of Mary's so different cousin); and on succeeding afternoons, when he took his walks abroad, he did not turn his steps, as was frequently his habit, toward streets where the advanced assistant principal was likely to be met.

None the less, he did meet Mary on the street, before the week was out; and then the case was such that the secret sense of disloyalty faded, and Charles saw that he had been right all along. Mary, in short, was found parading Washington Street, where the largest possible number of people would be certain to see her, in the company of the too celebrated Miss Trevenna. And then the authority thought of the Home-Making cousin more sympathetically than ever; though he did not guess that the cousin, chancing to see him and his ladies from an upstairs window, was also thinking, not unsympathetically, of him.

IV

It was not Charles's fault that he did not see Miss Angela, to-day, as she saw him; the sight of her would have been agreeable to him, at that moment particularly. But the window from which the pretty cousin looked out happened to be a considerable distance away; and she gathered nothing of his sentiments.

Dr. Flower's house, indeed, was not on Washington Street at all, but on Center, a very different street. Center, however, had this merit, that it stood back to back with Washington, and as the Washington Street residences were mostly "detached" at this point, the rear of the Flower house commanded a certain view of that handsome thoroughfare; not much of it, of course,--an oblique slice cut in between houses. The distance, as has been said, was rather great for eyes less keen than the lynx's. But a pair of opera-glasses at the parted curtain discreetly bridged the space, and brought a few feet of the Street of the Rich under the legitimate observation of the less materially successful.

Now, when she had leveled her glasses upon the three figures--for Charles, at this trying moment, was escorting _two_ ladies down the promenade--Miss Angela felt, to say truth, a little lonely and out of things. Not only was Mr. Garrott the first man she had met in the new city, but she had met him only, as it must now have seemed to her, like ships passing in the night. Not dreaming how she had been figuring in his thought, the girl felt, humanly and femininely, a little depressed. And when she presently reflected, "I suppose this is the time he goes down to lunch every day!"--the small thought was actually a cheering one to her, presenting, as it were, some point of contact with Washington Street and the pleasant happenings that seemed to go on over there.

Such, in fine, was the sheer enchantment of distance. To Mr. Garrott himself, this public promenade was as far from a pleasant happening as could well have been conceived.

When he had looked over the street just now, and seen who his old friend's companion was, Charles had, indeed, experienced a decided shock. On the heels of that, he had had a moment of distinct uncertainty. Ought he to cross and join this remarkable pair, or should he avert his eyes? The etiquette here was unknown to him, the business without precedent in his experience.

There was more than etiquette involved, of course. While this particular city was alive to contemporary currents, and even had its little Redmantle Club, it still considered the Church of England marriage service a sound start for a union, and associated contrary theories exclusively with inferior morals. To walk Washington Street with Miss Trevenna was, as it were, to wound and rebuke the city's old-fashioned prejudices. But that, without doubt, was the very reason Mary Wing was doing it.

Charles had crossed the street. Mary Wing saw him, half-way over. Not suspecting how his unfavorable scrutiny had been upon her for some time past, she smiled a bright welcome.

He was presented to Miss Trevenna. She acknowledged his greeting in an absent, fluty voice, and turned on him briefly a face of almost nun-like serenity, palely lit by a pair of starry eyes. He found her altogether a mystic-looking creature, not easily associated with things wild and gay.

"I was just telling Flora about the Education Reform League," continued Mary, in her calm tones.

But Charles, after all, had no great chance that day to show his fearlessness of mere public opinion. Hardly had he passed out of Miss Angela Flower's range of vision, when the walk of three ended, if the episode did not. It was Miss Trevenna's corner, it seemed; she could not be persuaded to go farther.

"I'd turn with you, but I have a class," said Mary, disappointed, and a little surprised, it seemed. "I wish you'd stroll on with me!"

"I've something to do at my room--some business to attend to, really."

"Then let's walk this afternoon, do! Shall I come for you?"

"How nice of you! I'd like to so much."

On which the girl was gone, stepping on light feet down the side street. In the momentary lapse of talk, Charles's eye went after her. He saw something mysteriously withdrawn in that gray figure, something set forever apart.

And then, while he and his friend walked on six steps in silence, the young man wondered, with a sudden fierce annoyance, what Mary thought she was doing exactly.

Of Miss Trevenna he knew only what the world knew, which was little enough. One of several daughters of a prosperous family, she had been known as a reserved, and somewhat dreamy girl, indifferent to social life, and much addicted to curling up at home with books of poetry; Shelley's poetry or some such bewildering stuff; altogether a queer person. She even wrote poetry herself, it was damagingly alleged after the crash, and it was recalled that in women's meetings she had sometimes risen and expressed, in the quietest sort of way, ideas which disconcerted even the Hodgers of her day. Duly there had come to town the entirely typical dashing stranger: Robert McKittrick, this one was, an architect in government employ, who came with excellent letters. Mr. McKittrick was seen in public, a time or two, with Mr. Trevenna's quietly peculiar daughter; it was known that a sane and sound Mrs. McKittrick existed in Philadelphia, or some such place; there may have been a little mild talk, but it was very little and very mild. And then one fine day, the town was startled with the news that these two had taken the great jump together, by the last night mail train north.

It was the sort of thing you read about in every novel nowadays, especially if written by an Englishman. But this time, unluckily, it had really happened, and in a community not too large for a homogeneous public opinion. Moreover, life does differ just a little from the novels, in that it possesses no invisible author to shut the book splendidly, the moment the case is proved. Life did not leave Mr. McKittrick and Miss Trevenna forever singing in the honeymoon heyday. It merely kept them in the back of the town's mind for two years, a tidbit or a terrible warning, according as you looked at it, and then it brought Miss Trevenna back to us again, alone.

It might have seemed the oldest and the vulgarest story in the world. The weak, trusting maiden, the handsome, promissory villain, the flight, the rude awakening and Conviction of Sin, and then the piteous Return (Act III, Curtain) to Forgiveness, a black shawl, Quick Decline, and Death: these things have wrung the gallery's scalding tears from farther back than we can remember. But well Charles Garrott understood that Miss Trevenna's "case" had nothing to do with this cheap business. He thought it right enough, of course (theoretically speaking), that Mary Wing should sympathize with a sister in distress. And yet.... Well, no one, certainly, had "deceived" or "betrayed" Miss Trevenna. Quite probably she had proposed the excursion herself, like one of the glorious heroines at the moment educating British maidenhood. Miss Trevenna had gone with her lover because she had a Right to Her Happiness; she had gone to fulfil the Unwritten Law of Her Being; she had gone to Strike a Blow for Freedom. It was absurd to look for remorse in a black shawl here.

And still, glancing after that oddly cloistral figure, the young man felt that the net effect was not so different from the sorry old melodrama, after all.

He spoke suddenly, with a manner proving that he did not pride himself on wearing a mask for nothing:--

"Did you know that a woman's occipital condyles are less voluminous than a man's,--yes, considerably so,--while her zygomatic arches are more regular? Well, then, take my word for it, for they are."

Miss Wing rewarded him by coming out of her abstraction with a laugh. She asked him in what great tome he had learned that fascinating fact.

"Ah, that's my secret. By the way," said Charles, "how's that charming little cousin of yours, Miss Angela?"

He spoke in his most natural voice, as if no thought of conflict had ever risen between him and the best of New Women. All the same, the cousin's name fell rather oddly on the advanced air.

Mary Wing said that she hadn't seen Angela since the Redmantle Club; she said she must try to go there this afternoon. He remarked that being pulled up by the roots, and transplanted, was hard on the young, but that Miss Angela would make friends fast enough. Having a passion for biography, especially the biographies of women, he wanted particularly to learn something about this girl, who had given him, Charles Garrott, a phrase. But the talk now took another turn; it wasn't a day for discussing Home-Making clearly. Miss Hodger and Professor Clarence Pollock went walking by, across the sunny street, and Mary, having greeted them much too pleasantly to suit his taste, said:--

"Do you know this is the third time I've seen those two together lately? It begins to look like an affair."

"What!" he cried, disgusted. "Why!--why, she'd bite his head off in a week!"

And then, while she protested argumentatively, he was silent for a space, struck with the thought that here was an opening not unsuited to his need.

While the plan for his new work was by no means settled yet, beyond doubt this matter of Miss Trevenna had given strong impetus to the conservative wave. And meanwhile, there was the personal side. To lecture Mary Wing openly was a thing scarcely to be thought of. Yet, having felt the unmistakable reactions himself, the young man found himself itching, literally itching, to get his hands on Mary and make her react a little, too.

He said in his pleasantest way:--"Did it ever strike you, by the way, that she's got the propaganda in the purely archaic form?"

"Archaic?--Hodger!"

"She still imagines that the object of this Movement is to make women more like men. Of course, the object of the Movement is to make women more like themselves."

Her silence seemed to applaud his epigram. Charles felt that it was generous of him to add: "I bagged that somewhere. Sounds like Havelock Ellis to me. But," he added, frankly, "I've improved the wording. Why do you say I'm unjust to her? On the contrary, I'd be delighted to fork over all those rights of hers she was demanding the other night. By the by, what are Hodger's rights exactly?"

"I suppose she's entitled to human rights, even if you, as a man, don't find her especially attractive."

Charles winced, and then smiled faintly.

"Human rights--security and protection, life, liberty, and the pursuit of happiness? She's got them, hasn't she? I thought what Hodger was yelling for was special privileges, rather exceptional privileges in the way of freeing her Ego from--"

"As a woman, she hasn't even all the human rights, you know very well. As a human being, she would feel that she's entitled to exceptional rights, because she's an exceptional being. She would take the ground that her public work--"

"She would take that ground, of course. But," said Charles, amiably, "possibly others would not agree with her. That is just the trouble, isn't it? The doctrine that the world belongs to Exceptional People has that fatal weakness."

"In your opinion," she qualified him--"what?"

"We'd need a great board, a sort of Super-Supreme Court of really godlike understanding, to tell us which are the Exceptional People."

Seeing that he had her temporarily at a loss, Charles continued his agreeable prattle:--

"And hand them out their little certificates, you know. I remember, this chap Chesterton said a fairly bright thing once--a little piece I read somewhere. He said he'd always wanted to hear somebody--anybody--preach 'personal liberty' with one small qualification. Said he'd waited and waited to hear one person state the creed something like this: 'Men and women of genius must not be bound by ordinary laws. But I am NOT a man of genius, and therefore I will keep the law.' Chesterton said he'd been waiting for years."

He was aware that Miss Wing was regarding him in a curious sort of way, and now she said, directly:--

"Do you know, this doesn't sound like you at all?"

"Doesn't it?--why not? I've always believed in taking a good look around, every now and then. Constant discussion," said Charles, "constant canvassing of rival theories--"

"Well, those theories are only good for people who think that the way to advance is by standing still."

As she spoke these positive words, the two were overtaken and passed by Henry Mysinger, of all people. Mr. Mysinger was at once Mary's principal at the High School and her special adversary in the Schools, against whom in years past she and her friend Garrott had how often schemed and plotted. His salute now was pleasant, with reference to Charles, but the eye he cast upon his assistant was distinctly not approbatory.

As for Mary, it did not appear that she bowed at all.

"But the way to advance is by advancing," she continued, declining to lower her voice at all, "and it's only the exceptional people who are capable of superintending these advances. That, by the way," said the school teacher, "is probably the very definition you are looking for."

He flatly rejected her definition; disputation followed. With increasing pointedness, Mary Wing pressed the case for "exceptional people," Self-Developing People who recked not of Homes and being Sisters and Daughters. And presently she said, with only a small air of hesitation:--