Anecdotes of Painters, Engravers, Sculptors and Architects, and Curiosities of Art (Vol. 3 of 3)
Part 2
The very situation of this famous ancient city of Egypt had long been a subject of learned dispute, till it was accurately ascertained by the French expedition to Egypt. Numerous heaps of rubbish, of blocks of granite covered with hieroglyphics and sculptures, of colossal fragments, scattered over a space three or four leagues in circumference, marks its site, a few miles south of Metarea or Heliopolis, at a village called Moniet-Rahinet. According to Herodotus, the foundation of Memphis was ascribed to Menes, the first king of Egypt. It was a large, rich, and splendid city, and the second capital of Egypt. Among its buildings were several magnificent temples, as those of Phtha, Osiris, Serapis, etc.; its palaces were also remarkable. In Strabo's time, it was next to Alexandria in size and population. Edrisi, who visited Memphis in the 12th century, thus describes its remains then existing: "Notwithstanding the vast extent of this city, the remote period at which it was built, the attempts made by various nations to destroy it and to obliterate every trace of it, by removing the materials of which it was constructed, combined with the decay of 4,000 years, there are yet in it works so wonderful as to confound the reflecting, and such as the most eloquent could not adequately describe." Among the works specified by him, are a monolithic temple of granite, thirteen and a half feet high, twelve long, and seven broad, entirely covered, within and without, with inscriptions; and colossal statues of great beauty, one of which was forty-five feet high, carved out of a single block of red granite. These ruins then extended about nine miles in every direction.
LAKE MOERIS.
This famous lake, according to Herodotus, with whose account Diodorus Siculus and Mela agree, was entirely an artificial excavation, made by king Moeris, to carry off the overflowing waters of the Nile, and reserve them for the purposes of irrigation. It was, in the time of Herodotus, 3,600 stadia or 450 miles in circumference, and 300 feet deep, with innumerable canals and reservoirs. Denon, Belzoni, and other modern travelers, describe it at the present time as a natural basin, thirty or forty miles long, and six broad. The works, therefore, which Herodotus attributes to King Moeris, must have been the mounds, dams, canals, and sluices which rendered it subservient to the purposes of irrigation. These, also, would give it the appearance of being entirely the product of human industry.
THE COLOSSAL SPHINX.
The Egyptian Sphinx is represented by a human head on the body of a lion; it is always in a recumbent position with the fore paws stretched forward, and a head dress resembling an old-fashioned wig. The features are like those of the ancient Egyptians, as represented on their monuments. The colossal Sphinx, near the group of pyramids at Jizeh, which lay half buried in the sand, was uncovered and measured by Caviglia. It is about 150 feet long, and 63 feet high. The body is made out of a single stone; but the paws, which are thrown out about fifty feet in front, are constructed of masonry. The Sphinx of Sais, formed of a block of red granite, twenty-two feet long, is now in the Egyptian Museum in the Louvre. There has been much speculation among the learned, concerning the signification of these figures. Winckelmann observes that they have the head of a female, and the body of a male, which has led to the conjecture that they are intended as emblems of the generative powers of nature, which the old mythologies are accustomed to indicate by the mystical union of the two sexes in one individual; they were doubtless of a sacred character, as they guarded the entrance of temples, and often formed long avenues leading up to them.
THE LABYRINTH OF EGYPT
A labyrinth, with the ancients, was a building containing a great number of chambers and galleries, running into one another in such a manner as to make it very difficult to find the way through the edifice. The most famous was the Egyptian labyrinth, situated in Central Egypt, above Lake Moeris, not far from Crocodilopolis, in the country now called _Fejoom_. Herodotus, who visited and examined this edifice with great attention, affirms that it far surpassed everything he had conceived of it. It is very uncertain when, by whom, and for what purpose it was built, though in all probability it was for a royal sepulchre. The building, half above and half below the ground, was one of the finest in the world, and is said to have contained 3,000 apartments. The arrangements of the work and the distribution of the parts were remarkable. It was divided into sixteen principal regions, each containing a number of spacious buildings, which taken together, might be defined an assemblage of palaces. There were also as many temples as there were gods in Egypt, the number of which was prodigious, besides various other sacred edifices, and four lofty pyramids at the angles of the walls. The entrance was by vast halls, followed by saloons, which conducted to grand porticos, the ascent to which was by a flight of ninety steps. The interior was decorated with columns of porphyry and colossal statues of Egyptian gods. The whole was surrounded by a wall, but the passages were so intricate that no stranger could find the way without a guide. The substructions of this famous labyrinth still exist, and Milizia says, "as they were not arched, it is wonderful that they should have been so long preserved, with so many stupendous edifices above them." The Cretan labyrinth was built by Dædalus on the model of the Egyptian, but it was only a hundredth part the size; yet, according to Diodorus Siculus, it was a spacious and magnificent edifice, divided into a great number of apartments, and surrounded entirely by a wall. What would the ancients say, could they see our modern imitations of their labyrinths?
THE CATACOMBS OF EGYPT.
There are numerous catacombs in Egypt, the principal of which are at Alexandria; at Sakkara, near Cairo; at Siut, near the ancient Lycopolis or City of the Wolf; at Gebel Silsilis, on the banks of the Nile between Etfu and Ombos, the site of one of the principal quarries of ancient Egypt; and at Thebes. Many of these are of vast extent, and were doubtless formed by quarrying the rocks and mountains for building materials. They consist of grottos, galleries, and chambers, penetrating often to a considerable distance, the superincumbent mass being supported by huge pillars of rock; or the galleries running parallel, with masses of solid rock intervening for supports. Many of these chambers and grottos contained multitudes of mummies, probably the bodies of the less wealthy; many were evidently private family tombs of wealthy individuals, some of which are of great magnificence, adorned with sculptures, paintings, and hieroglyphics. The Arabs for centuries have been plundering these abodes of the dead, and great numbers of the mummies have been destroyed for fuel, and for the linen, rosin, and asphaltum they contain, which is sold to advantage at Cairo. An immense number of them have been found in the plain of Sakkara, near Memphis, consisting not only of human bodies, but of various sacred animals, as bulls, crocodiles, apes, ibises, fish, &c.; hence it is called _The Plain of the Mummies_. Numerous caves or grottos, with contents of the same kind, are found in the two mountainous ridges which run nearly parallel with the Nile, from Cairo to Syene. Many of these tombs and mummies are two or three thousand years old, and some of them perhaps older.
Among all the wonderful subterranean monuments of Egypt, the Catacombs of Thebes are the most extraordinary and magnificent. These consist of the Necropolis, or city of the dead, on the west bank of the Nile (which was the common burial-place of the people), and the Tombs of the Kings. The latter lie to the northwest of the city, at some distance in the Desert. Having passed the Necropolis, the traveler enters a narrow and rugged valley, flanked with perpendicular rocks, and ascending a narrow, steep passage about ten feet high, which seems to have been broken down through the rock, the ancient passage being from the Memnonium under the hills, he comes to a kind of amphitheatre about 100 yards wide, which is called Bab-il-Meluke--that is, the gate or court of the kings--being the sepulchres of the kings of Thebes. In this court there are signs of about eighteen excavations; but only nine can be entered. The hills on each side are high, steep rocks, and the whole plain is covered with rough stones that seem to have rolled down from them.
The grottos present externally no other ornaments than a door in a simple square frame, with an oval in the centre of the upper part, on which are inscribed the hieroglyphical figures of a beetle, a man with a hawk's head, and beyond the circle two figures on their knees, in the act of adoration. Having passed the first gate, long arched galleries are discovered, about twelve feet wide and twenty feet high, cased with stucco, sculptured and painted; the vaults, of an elegant elliptical figure, are covered with innumerable hieroglyphics, disposed with so much taste, that notwithstanding the singular grotesqueness of the forms, and the total absence of demi-tint or aërial perspective, the ceilings make an agreeable whole, a rich and harmonious association of colors. Four of five of these galleries, one within the other, generally lead to a spacious room, containing the sarcophagus of the king, composed of a single block of granite, about twelve feet long by eight in breadth, ornamented with hieroglyphics, both within and without; they are square at one end, and rounded at the other, like the splendid sarcophagus deposited in the British Museum, and supposed by Dr. Clarke to have contained the body of Alexander. They are covered with a lid of the same material, and of enormous thickness, shutting with a groove; but neither this precaution, nor these vast blocks of stone, brought from such a distance with immense labor, have been able to preserve the relics of the sovereigns from the attempts of avarice; all these tombs have been violated. The figure of the king appears to have been sculptured and painted at full length on the lid of each sarcophagus.
The paintings found in these sepulchres are among the most curious and interesting remains of Egyptian art; and they are in wonderful preservation, the colors being as fresh as when first executed. Some of these figures were copied by Bruce; and Denon, a member of the French Commission sent by Napoleon to examine the antiquities of Egypt, has published a most valuable collection which have all the appearance of spirited and characteristic resemblances. "I discovered," says he, "some little chambers, on the walls of which were represented all kinds of arms, such as panoplies, coats of mail, tigers' skins, bows, arrows, quivers, pikes, javelins, sabres, helmets, and whips: in another was a collection of household utensils, such as caskets, chests of drawers, chairs, sofas, and beds, all of exquisite forms, and such as might well grace the apartments of modern luxury. As these were probably accurate representations of the objects themselves, it is almost a proof that the ancient Egyptians employed for their furniture Indian wood, carved and gilt, which they covered with embroidery. Besides these, were represented various smaller articles, as vases, coffee-pots, ewers with their basins, a tea-pot and basket. Another chamber was consecrated to agriculture, in which were represented all its various instruments--a sledge similar to those in use at present, a man sowing grain by the side of a canal, from the borders of which the inundation is beginning to retire, a field of corn reaped with a sickle, and fields of rice with men watching them. In a fourth chamber was a figure clothed in white, playing on a richly ornamented harp, with eleven strings."
Denon observed everything with the eye of an artist. Speaking of the Necropolis, which consists of numerous double galleries of grottos, excavated in the solid rock for nearly a mile and a half square, he observes, "I was convinced by the magnificence both of the paintings and sculptures, that I was among the tombs of great men and heros. The sculpture in all is incomparably more labored and higher finished than any I had seen in the temples; and I stood in astonishment at the high perfection of the art, and its singular destiny to be devoted to places of such silence and obscurity. In working these galleries, beds of a very fine calcareous clay have occasionally been crossed, and here the lines of the hieroglyphics have been cut with a firmness of touch and a precision, of which marble offers but few examples. The figures have elegance and correctness of contour, of which I never thought Egyptian sculpture susceptible. Here, too, I could judge of the style of this people in subjects which had neither hieroglyphic, nor historical, nor scientific; for there were representations of small scenes taken from nature, in which the stiff profile outlines, so common with Egyptian artists, were exchanged for supple and natural attitudes; groups of persons were given in perspective, and cut in deeper relief than I should have supposed anything but metal could have been worked."
The Sepulchres of the Kings of Thebes are mentioned by Diodorus Siculus as wonderful works, and such as could never be exceeded by anything afterwards executed in this kind. He says that forty-seven of them were mentioned in their history; that only seventeen of them remained to the time of Ptolemy Lagus; adding that most of them were destroyed in his time. Strabo says, that above the Memnonium, the precise locality of Denon's description, were the sepulchres of the kings of Thebes, in grottos cut out of the rock, being about forty in number, wonderfully executed and worthy to be seen. In these, he says, were obelisks with inscriptions on them, setting forth the riches, power, and empire of these kings, as far as Scythia, Bactria, India, and Ionia, their great revenues, and their immense armies, consisting of one million of men.
In Egypt, the honors paid to the dead partook of the nature of a religious homage. By the process of embalming, they endeavored to preserve the body from the common laws of nature; and they provided those magnificent and durable habitations for the dead--sublime monuments of human folly--which have not preserved but buried the memory of their founders. By a singular fatality, the well-adapted punishment of pride, the extraordinary precautions by which it seemed in a manner to triumph over death, have only led to a more humiliating disappointment. The splendor of the tomb has but attracted the violence of rapine; the sarcophagus has been violated; and while other bodies have quietly returned to their native dust in the bosom of their mother earth, the Egyptian, converted into a mummy, has been preserved only to the insults of curiosity, or avarice, or barbarism.
THE PYRAMIDS OF EGYPT.
The pyramids of Egypt, especially the two largest of the group of Jizeh or Gize, are the most stupendous masses of buildings in stone that human labor has ever been known to accomplish, and have been the wonder of ancient and modern times.--The number of the Egyptian pyramids, large and small, is very considerable; they are situated on the west bank of the Nile, and extend in an irregular line, and in groups at some distance from each other, from the neighborhood of Jizeh, in 30° N. Latitude, as far as sixty or seventy miles south of that place. The pyramids of Jizeh are nearly opposite Cairo. They stand on a plateau or terrace of limestone, which is a projection of the Lybian mountain-chain. The surface of the terrace is barren and irregular, and is covered with sand and small fragments of rock; its height, at the base of the great pyramid, is one hundred and sixty four feet above the ordinary level of the Nile, from which it is distant about five miles. There are in this group three large pyramids, and several small ones. Herodotus, who was born B.C. 484, visited these pyramids. He was informed by the priests of Memphis, that the great pyramid was built by Cheops, king of Egypt, about B.C. 900, and that one hundred thousand workmen were employed twenty years in building it, and that the body of Cheops was placed in a room beneath the bottom, surrounded by a vault, to which the waters of the Nile were conveyed through a subterranean tunnel. A chamber has been discovered under the centre of the pyramid, but it is about fifty-six feet above the low-water mark of the Nile. The second pyramid, Herodotus says, was built by Cephren or Cephrenes, the brother and successor of Cheops, and the third by Mycerinus, the son of Cheops. Herodotus also says that the two largest pyramids are wholly covered with white marble; Diodorus and Pliny, that they are built of this costly material. The account of Herodotus is confirmed by present appearances. Denon, who accompanied the French expedition to Egypt, was commissioned by Buonaparte to examine the great pyramid of Jizeh; three hundred persons were appointed to this duty. They approached the borders of the desert in boats, to within half a league of the pyramid, by means of the canals from the Nile. Denon says, "the first impression made on me by the sight of the pyramids, did not equal my expectations, for I had no object with which to compare them; but on approaching them, and seeing men at their base, their gigantic size became evident." When Savary first visited these pyramids, he left Jizeh at one o'clock in the morning, and soon reached them. The full moon illuminated their summits, and they appeared to him "like rough, craggy peaks piercing the clouds." Herodotus gives 800 feet as the height of the great pyramid, and says this is likewise the length of its base, on each side; Strabo makes it 625, and Diodorus 600. Modern measurements agree most nearly with the latter.
The pyramid of Cheops consists of a series of platforms, each of which is smaller than the one on which it rests, and consequently presents the appearance of steps which diminish in length from the bottom to the top. There are 203 of these steps, and the height of them decreases, but not regularly, the greatest height being about four feet eight inches, and the least about one foot eight inches. The horizontal lines of the platforms are perfectly straight, the stones are cut and fitted to each other with the greatest accuracy, and joined with a cement of lime, with little or no sand in it. It has been ascertained that a bed has been cut in the solid rock, eight inches deep, to receive the lowest external course of stones. The vertical height, measured from this base in the rock to the top of the highest platform now remaining, is 456 feet. This last platform is thirty two feet eight inches square, and if to this were added what is necessary to complete the pyramid, the total height would be 479 feet. Each side of the base, measured round the stones let into the rock, is 763 feet 5 inches, and the perimeter of the base is about 3,053 feet. The measurements of travelers differ somewhat, but the above are very nearly correct. The area of the base is 64,753 square yards, or about 13-1/3 acres. The surface of each face, not including the base, is 25,493 square yards; and that of the four faces is consequently 101,972 square yards, or more than 21 acres. The solid contents of the pyramid, without making deductions for the small interior chambers, is 3,394,307 cubic yards. Reckoning the total height at 479 feet, the pyramid would be 15 feet higher than St. Peter's at Rome, and 119 higher than St. Paul's, London. The entrance to the great pyramid is on the north face, 47½ feet above the base, and on the level of the fifteenth step from the foundation. The entrance is easily reached by the mass of rubbish which has fallen or been thrown down from the top. The passage to which this opening leads is 3 feet 7½ inches square, with a downward inclination of about 26°. It is lined with slabs of limestone, accurately joined together. This passage leads to another, which has an ascending inclination of 27°. The descending passage is 73 feet long, to the place where it meets the ascending one, which is 109 feet long; at the top of this is a platform, where is the opening of a well or shaft, which goes down into the body of the pyramid, and the commencement of a horizontal gallery 127 feet long which leads to the Queen's chamber, an apartment 17 feet long, 14 wide, and 12 high. Another gallery, 132 feet long, 26½ high, and 7 wide, commences also at this platform, and is continued in the same line as the former ascending passage, till it reaches a landing place, from which a short passage leads to a small chamber or vestibule, whence another short passage leads to the King's chamber, which as well as the vestibule and intermediate passage, is lined with large blocks of granite, well worked. The king's chamber is 34½ feet long, 17 wide, and 19¾ high. The roof is formed of nine slabs of granite, reaching from side to side; the slabs are therefore more than 17 feet long by 3 feet 9½ inches wide. This chamber contains a sarcophagus of red granite; the cover is gone, having probably been broken and carried away. The sarcophagus is 7 feet 6½ inches long, 3 feet 3 inches wide, 3 feet 8½ inches high on the outside, the bottom being 7½ inches thick. There are no hieroglyphics upon it. Several other chambers have been discovered above the king's chamber, but as they are not more than three or four feet high, they were probably intended to lessen and break the weight of the mass above, which would otherwise fall on the King's chamber.
In 1816, Captain Caviglia discovered that the entrance passage did not terminate at the bottom of the ascending passage, but was continued downwards in the same inclined plane of 26°, 200 feet further, and by a short horizontal passage, opened on what appeared to be the bottom of the well. The passage, however, continued in the same direction 23 feet farther; then became narrower, and was continued horizontally 28 feet more, where it opened into a large chamber cut out of the rock below and under the centre of the pyramid. This chamber is about 26 by 27 feet. Another passage leads from this chamber 55 feet, where it appears to terminate abruptly.
The well, which appeared to Mr. Davidson and Capt. Caviglia to descend no lower than where it was intersected by the descending passage, its depth there being 155 feet, was afterwards cleared out by the French to the depth of near 208 feet, of which 145 feet are in the solid rock; so that the base of the pyramid being 164 feet above the low water level of the Nile, the present bottom of the well is 19 feet above the Nile; but the actual bottom does not appear to have been reached. The temperature within the body of the pyramid was found to be 81° 5', Farenheit, and in the well it was still higher. Herodotus was informed that the chambers cut in the solid rock, were made before the building of the pyramid was commenced. It is evident it was intended that the pyramid should not be entered after the body or bodies were deposited in it, as blocks of granite were fixed in the entrances to the principal passages, in such a manner as not only to close them, but to conceal them.--There are evidences, however, that this pyramid was entered both by the Roman and Arab conquerors of Egypt.